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                <text>Stravinsky to Boulanger
1260 North Wetherly Drive
Los Angeles 69, California
Miss N. Boulanger
36 rue Ballu
Paris IX
France
June 10, 1964
Very touched, dear Nadia, by your letter for me of June 18—thank you!
We leave tomorrow to conduct a concert on June 13 in Red-Rocks, close to Denver. The 14th we
fly to New York and then on to London on the 15th where for two weeks I am recording my
R[ake’s] Progress with Columbia. The 28th or the 29th I’ll conduct my Bach Variations and my
Symph. of Psalms at Oxford (Bach Society)—then back to U.S.A. I just wanted you to be up to
date on our plans as much as possible.
Your
I Str.
[P.S.] We bought the Baroness of Erlanger’s house. Immense amount of work to repair
everything. This year (with so many trips), composing, the house (we are not selling the one
where we live. I like it too much—it's been twenty-four years!).
�</text>
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Stravinsky à Boulanger
1260 North Wetherly Drive
Los Angeles 69, Californie
Miss N. Boulanger
36 rue Ballu
Paris IX
France
10 juin 1964
Très touché, chère Nadia, de votre mot pour moi 18 juin—merci !
Nous partons demain pour un concert à diriger aux Red-Rocks près de Denver le 13 juin.
Le 14 nous volons à New York par revoler le 15 à Londre où pendant deux semaines
j’enregistre avec Columbia mon Rex [Rake’s] Progress. Le 28 ou le 29 dirige à Oxford
(Bach Society) mes Bach Variations et ma Symph. des[sic] Psaumes—puis back to USA.
Je voulais seulement que vous soyez au current [sic] de nos plans les plus près.
Votre
I Str.
[P.-S.] Nous avons acheté la maison de la Baronne d’Erlange. Immense travail de
reparation de tout. Cette année (avec très ces voyages), composition, maison (nous ne
vendons pas celle où nous vivons. Je l’aime trop—il y a 24 ans !)
�</text>
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                <text>Boulanger to Théodore Strawinsky
December 15, 1963
Dear Théodore,
What comfort your letter brought me. I was tormented about your silence, without—how
inconceivable—taking the trouble to write to you myself. How strange we are! At last, Denise
can begin to see the end of her ordeal, thank God. You are so often in my thoughts. Yes, it is
very difficult to see time take its toll on someone you love, and I understand your feelings in
seeing your Father once again. His presence is shocking for everyone. It exposes one of the
greatest mysteries there is. For you . . . I nonetheless hope you were able to scale the wall that
long separations create. He needs this intimacy even more than you do—he who keeps his
emotions secret, emotions that are so strong he hides them!
All my affection, I send you my love and my thoughts and am your
Nadia
P.S. Your card was so beautiful! It made the invisible visible.
�</text>
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                <text>* * *
Boulanger à Théodore Strawinsky
15 décembre 1963
Cher Théodore,
Quel soulagement m’a apporté votre lettre. Je me tourmentais de votre silence, sans, ce
qui est inconcevable, prendre la peine de vous écrire. Que nous sommes curieux ! Enfin,
Denise commence à voir la fin de son épreuve, et Dieu soit loué. Vous êtes si souvent
dans mes pensées. Oui, c’est très dur de voir le temps marque un être cher, et je
comprends votre émotion en revoyant votre Père, sa présence est bouleversante pour tous,
elle fait toucher du doigt un des plus grands mystères que soit. Pour vous…J’espère
pourtant que vous avez pu franchir le mur que créent les longues séparations. Cette
intimité il en a encore plus besoin que vous, lui qui garde dans le secret ses émotions, ses
émotions qui sont si fortes qu’il les cache !
Je vous embrasse, je vous dis ma tendresse mes vœux et suis votre
Nadia
P.-S. Comme votre carte est belle, elle rend visible l’invisible.
�</text>
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                <text>Boulanger to Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau New York: Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau
Le Directeur
November 25, 1963
Oh, how sad, My Friend. I know that Aldous Huxley’s death robs you of a very loyal friendship.
Jean’s death is such a heartbreak, and the tragic end to John Kennedy deeply upset you. And now
December 2 approaches. But you have chosen St. Paul’s text, and the light shines in the
darkness.
Once more you bring us [the light] with A Sermon, a Narrative, and a Prayer. All of these
exceed any words that could be used for such a masterpiece. May God bless you.
With tenderness and love, I am your
Nadia B.
�</text>
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Boulanger à Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau New-York : Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau
Le Directeur
25 novembre 1963
Que de tristesse, Mon Ami—Je sais que la mort d’Alduous Huxley vous pri[v]e d’une
amitié fidèle—que la mort de Jean a été un déchirement—que la tragique fin de John
Kennedy vous a bouleversé—et que le 2 decembre approche. Mais vous avez choisi le
text de St. Pa[u]l—et la lumière luit dans les ténébres.
Vous nous l’apportez une fois de plus—avec A Sermon, a Narrative, and a Prayer. Tout
cela dépasse les mots qui peuvent être dits d’un chef d’œuvre. Que Dieu vous bénisse.
Je vous embrasse avec tendresse et émotion.
Nadia B.
�</text>
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PARIS
OCTOBER 12, 1963
IGOR STRAVINSKY
1260 N WETHERLY DR
HOLLYWOOD, CALIF
THANK YOU FOR SHARING YOUR PAIN WITH ME. AM AWARE OF ITS EXTENT AND
SHARE IT ALL MY LOVE
NADIA
�</text>
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Boulanger à Stravinsky
PARIS
IGOR STRAVINSKY
1260 N WETHERLY DR
HOLLYWOOD, CALIF
12 OCTOBRE 1963
MERCI M AVOIR ASSOCIEE A VOTRE DOULEUR LA MESURE LA PARTAGE
VOUS EMBRASSE TENDREMENT
NADIA
�</text>
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1260 NORTH WETHERLY DRIVE
HOLLYWOOD, CALIFORNIA
OCTOBER 11, 1963
NADIA BOULANGER
36 RUE BALLU, PARIS
JEAN IS DEAD AND I CAN CONFIDE ONLY IN YOU THE PAIN THAT ENCOMPASSES
ALL MY THOUGHTS
IGOR
�</text>
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Stravinsky à Boulanger
1260 NORTH WETHERLY DRIVE
HOLLYWOOD, CALIFORNIA
NADIA BOULANGER
36 RUE BALLU, PARIS
11 OCTOBRE 1963
JEAN EST MORT ET C’EST SEULEMENT A VOUS QUE JE PUISSE CONFIER MA
DOULEUR QUI COUVRE TOUTES MES PENSES
IGOR
�</text>
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                <text>Boulanger to Stravinsky
36 rue Ballu
June 18, 1963
It’s Tuesday—your birthday, My Friend. We will be at the Champs-Elysées, Le Sacre, [Les]
Symphonie[s] [d’]instruments à vent, Boulez is conducting—and we’ll be thinking of 1913, of
the present, of all you have given to the world during these fifty years, of the doors you open at
every step.
The words you are reading are my best. I recall everything we read [together], and more
particularly, the audience granted by the Patriarco in Venice after the Canticum Sacrum. A
phrase returns: “Yes, Igor Stravinsky gave us a lesson that evening before the altar of San Marco.
Yes . . . yes a lesson.”
And this honor took on at that time a special significance. The Holy Father did not forget. He
chose you, He gave you his blessing, and this June 18, it is this thought that lives in me and
guides me toward you.
With all my heart, I send fond wishes,
Thank you
Nadia B
�</text>
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Boulanger à Stravinsky
36 rue Ballu
18 juin 1963
Mardi, votre anniversaire, Mon Ami. Nous serons aux Champs-Elysées, Le Sacre, L[es]
Symphonie[s] [d’]instruments à vent, Boulez au pupitre—nous, pensant à 1913, au
présent, à tout ce que vous avez donné au monde durant ces 50 ans, aux portes que vous
ouvrez à chaque pas.
Des mots vous en recevrez des meilleurs moi. J’évoque au tout ce qui nous lis [phrase
peu claire], et plus particulièrement, à l’audience accordée par le Patriarco à Venice,
après le Canticum Sacrum. Une phrase revenait « Oui, il nous a donné une leçon ce soir-
là, Igor Stravinsky, devant l’autel de San Marco. Oui…oui une leçon. »
Et ce respect a pris à cette heure une singulière signification. Il n’a pas oublié le Saint
Père. Il vous a choisi, Il vous a donné sa bénédiction, et à l’approche de ce 18 Juin, c’est
cette pensée qui m’habi[t]e et me guide vers vous.
Je vous embrasse de tout mon cœur,
Merci
Nadia B
�</text>
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                <text>Boulanger to Stravinsky
36 rue Ballu
March 19, 1963
Your letter, My Friend, arrived on March 19. Twenty-eight years since Mother entered the Peace
[of Christ]. And to feel you there, amongst our dear shadows, is such happiness. I love you so
much.
The Holy Father’s gesture is very significant, and I am sure you accept the honor with humility
and emotion.
I am doing better, but this absurd flu has a hold on me, and I am still a wreck, it’s ridiculous. But
a good lesson in patience! Thank you for having written me, I am in awe of your activity. The
mind that sets the tempo—My love to Vera, best wishes to Bob, and to you, my friend, with my
whole heart, I send fondest wishes.
Nadia B.
�</text>
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Boulanger à Stravinsky
36 rue Ballu
19 mars 1963
Votre lettre, Mon Ami, arrive le 19 mars. 28 ans que Maman est entrée dans la Paix. Et
vous sentir là, au milieu de nos chères ombres, quel bonheur—Je vous aime tant.
Le geste du Saint Père est très significatif, et je suis sûre que cet honneur-là vous
l’acceptez avec émotion et humilité.
Vais mieux, mais cette absurde grippe a eu raison de moi, et je suis encore comme une
loque, c’est ridicule. Mais bonne leçon de patience ! Merci de m’avoir écrit suis
émerveillée de votre activité. L’esprit qui donne le tempo—Tendresses à Vera, mille
pensées à Bob, à vous, mon ami, tout mon cœur, je vous embrasse.
Nadia B.
�</text>
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        <name>Robert Craft</name>
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                <text>Boulanger to Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau New-York: Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau
March 2, 1963
My Friend,
So many thoughts go toward you as March 2 approaches, and so tenderly unites me to you, in the
tenderness I am going to carry to Her, the one who knew the words to illuminate the shadows.
I’ve read your very important notes in New Perspectives with great interest. What order they
bring to such troubling confusion. We will all thank you—Bob and you—for the clarification.
Bergson puts it well: the first sign of strength is precision. And also [thank you] for, as much as
you are able, protecting us and putting us on the right path. It’s always with the same feeling
when I think about this March 2, about these painful years, about Mika!
My most profound tenderness,
Nadia B
�</text>
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                <text>* * *
Boulanger à Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau New-York : Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – École des beaux-arts
Palais de Fontainebleau
Le Directeur
2 mars 1963
Mon Ami,
Que de pensées vont vers vous à l’approche de ce 2 mars qui m’unit à vous si tendrement,
dans la tendresse aussi que je vais porter à Elle qui a su les paroles qui éclairent l’ombre.
Lu avec grand intérêt vos notes si importantes dans New Perspectives. Que d’ordre elles
apportent dans une confusion si troublante. Nous devons tous vous remercier Bob et
vous—et de ces précisions. Bergson dit bien : le premier signe de la force est la
précision—et aussi de tant de vous qui peuvent nous protéger et nous mettre dans le droit
chemin.
C’est toujours avec une même émotion que je pense à ce 2 mars, à ces années si
douloureuses, à Mica !
Je vous embrasse avec une tendresse profonde,
Nadia B
�</text>
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                <text>Boulanger to Théodore Strawinsky
[No Date] [1962]
Dear Théodore,
Sorry I still haven’t written you. I am so shaken up. I spent Sunday afternoon with your Father—
surprising strength, enthusiasm and tenderness. The worry he creates for himself, for Denise, for
you, for Kitty. Perhaps he seems to remain silent, but he lives with those who are his life and
every detail remains engraved—all hidden in a seemingly contradictory appearance, but
nevertheless rooted within.
His impressions, his trip, this return to his childhood, his sense of modesty, his way of saying
nothing but what he wants to, and how the words must veil or divulge. It is true, he walks with
difficulty, it’s the only time where one can see the signs of the shocks he has undergone. His
spirit is young, alive, innovative, mobile, and what clairvoyance, what conviction as well, which
sometimes creates incontrollable, spontaneous reactions.
Unfortunately, I must hurry, I can spare anything but time, but I am with you, sharing in your
hopes, your expectations, knowing the weight of your intense patience.
Give Denise my love and know, both of you, that my thoughts never leave you. Thank you
again.
Yours,
NB
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Boulanger à Théodore Strawinsky
[sans date] [1962]
Cher Théodore,
Pardon de ne pas vous avoir écrit encore. Suis si bousculée. Passé l’après-midi de
dimanche avec votre Père, étonnant de force, d’enthousiasme et de tendresse. Le souci
qu’il se fait pour Denise, pour vous, pour Kitty. Peut-être semble-t-il rester silencieux
mais il vit avec ceux qui sont sa vie et chaque détail resté gravé. Tout cela caché, en
apparence contradictoire, et pourtant si enraciné.
Ses impressions, son voyage, ce retour à son enfance, sa pudeur, son art de ne dire que ce
qu’il veut, et comment les termes doivent voiler ou découvrir. Il est vrai, il marche mal,
c’est le seul moment où l’on voit des signes de chocs qu’il a subis, l’esprit est jeune, vif,
novateur, en mouvement, et quelle clairvoyance, quelle conviction aussi qui crée parfois
des réactions d’une spontanéité incontrôlables.
Hélas il faut aller vite, je ne dispose de rien comme temps mais suis avec vous partageant
vos espoirs, votre attente, sachant le poids de cette patience si longue !
Embrassez Denise et sachez tous deux que ma pensée ne vous quitte pas. Merci encore.
Votre
NB
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                <text>Boulanger to Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
New York Office: Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau
Le Directeur du Conservatoire
June 18, 1962
Very dear Igor,
Soon will be the birthday the entire world celebrates yet does not know how to celebrate enough.
But once again I find myself near you in Hollywood—but also in Paris—I believe I’m sharing
some of your views toward the Past, some of your silence in the Present, and your view of the
new possibilities the material offers you and your mind.
I don’t dare tell you what leads me always to this struggle before you, one that has no beginning
and no end. In it I see your pain, your wounds, your aspirations, and I repeat, from the bottom of
my heart, “May Peace be with you.”
Your burden is heavy if it brings with it light, and I believe I feel and understand. I love you so
much.
I send you all my love, I say to you thank you, and I hear you wherever you may be, always
there,
Your
Nadia B
�</text>
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                <text>* * *
Boulanger à Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau New-York : Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau – Le Directeur du Conservatoire
18 juin 1962
Très cher Igor,
Bientôt cet anniversaire que le monde entier célèbre et ne saurait assez célébrer. Mais,
moi, je me retrouve, près de vous, à Hollywood—mais aussi à Paris— je crois partager
certains de vos regards vers le Passé, certaines de vos silences dans le Présent, et votre
perception de la nouvelle possibilité que vous offre la matière, et votre esprit.
Je n’ose vous dire ce qui m’ément[sic] toujours devant cette lutte avec vous-même qui
n’a commencement ni fin. J’y vois aussi vos peines, vos blessures, vos aspirations—et je
vous redis, du plus profond de mon cœur, « que la Paix soit avec vous ».
Votre fardeau est lourd, s’il est porteur de lumière, et je crois sentir, et comprendre. Je
vous aime tant.
Je vous embrasse, je vous dis merci, et je vous entends où que vous soyez, toujours là,
Votre,
Nadia B
�</text>
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