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                <text>Boulanger to Stravinsky
36 rue Ballu !!, 9th
May 25, 1958
Dear Friend,
[Sending] these lines to be with you on the 2nd. I see all of the past as if it were the present—I
think of Them, of you, and am always there.
Need I tell you of my grief over the death of Marie-Blanche? I know . . . it’s deliverance for her,
but for me, it’s a great pain.
You will receive a note from Winifred for the Lili Boulanger M. F. I believe it will be necessary
to give:
$200 to Edward Ben Michael
$200 to Geoffrey Grey
$200 to Bruno Gillet
They are serious boys who have talent and a great need to be encouraged, helped. Do you know
the date for Venice? Will you be at the Bauer? How long will you stay there?
What can I tell you about the Canticum, about Agon? I don’t dare tell you anything, but I thank
you from the bottom of my heart. You extract everything through the method you choose and
you make it your own. All the art is there.
My tenderness to you both, and many thoughts for Bob,
Your
NB
�</text>
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                <text>* * *
Boulanger à Stravinsky
36 rue Ballu, 9è
25 mai 1958
Cher Ami,
Ces lignes pour être avec vous le 2. Je revois tout ce passé si présent, je pense à Elles à
vous, et suis toujours là.
Dois-je vous dire mon chagrin de la mort de Marie-Blanche. Je sais…C’est une
délivrance, pour moi, c’est une grande peine.
Vous recevrez un mot de Winifred pour la Lili Boulanger M.F. Je crois qu’il faudrait
attribuer :
$ 200 à Edward Ben Michael
$ 200 à Geoffrey Grey
$ 200 à Bruno Gillet
Il s’agit de garçons sérieux qui ont du talent et grand besoin d’être encouragés, aidés.
Savez-vous la date de Venise ? Serez-vous au Bauer ? Combien de temps restez-vous là-
bas.
Que vous dire du Canticum, d’Agon—à vous je n’ose pas, mais je vous remercie du fond
du cœur, le moyen que vous choisissez vous en tirez tout et les faites vôtres, tout l’art est
là.
Ma tendresse à vous deux, tant de pensées pour Bob,
Votre
NB
�</text>
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                <text>Boulanger to Stravinsky
The Palace of Monaco
January 9, 1958
How nice it is that you wrote to me. Sometimes we need a sign, and yours are [cause for]
celebration. Dear Friend, My dear Igor, I’ve so many things to tell you to which you are central.
Spoke at length with Rainier of Monaco. He is going to inquire about Villas that might suit you.
However, he has no buildings that could be put at your disposal. Yet I believe, nevertheless, that
you would have so many advantages in settling here. And [property values] are increasing at
such a pace that what we acquire one year quickly doubles in value. One of my friends who
bought a very nice apartment sold it two years later for more than double.
If it’s possible before I leave to visit the potential villas that would satisfy your programme, I
will see them and keep you up to date as quickly as possible.
My love to you both, a thousand good wishes for Bob, and I am wholeheartedly yours,
Nadia B.
�</text>
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                <text>* * *
Boulanger à Stravinsky
9 janvier 1958
Le Palais de Monaco
Que c’est gentil de m’avoir écrit. On a besoin parfois d’un signe, et les vôtres sont une
fête, Cher Ami, Mon cher Igor, que de choses à vous dire dont vous êtes le centre.
Parle longuement avec Rainier de Monaco. Il va s’enquérir de Villas qui pourraient vous
convenir. Mais, il n’a pas d’immeubles qu’il pourrait mettre à votre disposition. Je crois
pourtant que, pratiquement, vous auriez de grands avantages à vous installer ici. Et tout
se développe à un tel rythme, que ce qu’on acquiert une année double vite de valeur. Une
de mes amies qui avait acheté un appartement très beau, l’a revendu 2 ans après plus du
double.
S’il est possible qu’avant de partir de visiter la ou les villas susceptibles de répondre à
votre programme, j’irai les voir et vous tiendrai aussitôt au courant.
Je vous embrasse tous deux, dis mille choses à Bob et suis de tout cœur votre,
Nadia B.
�</text>
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                <text>Boulanger to Stravinsky
36 rue Ballu
December 20, 1957
Love, wishes, expectations, gratitude, finally a couple of words to say to you, Dear Igor—Happy
Christmas.
Read your questions and responses (those which appeared). What an ingenious and useful idea
because even without good faith, one is obliged to think, to search, and the effort brings about
better understanding. At least, let’s hope.
I send you my wishes, I love you with all my heart and thank you. All best wishes to Bob,
Nadia B.
�</text>
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                <text>* * *
Boulanger à Stravinsky
20 décembre 1957
36 rue Ballu
Love, wishes, expectations, gratitude, enfin une série de mots pour vous dire, Cher Igor,
Happy Christmas.
Lu vos questions et réponses (ce qui a paru) quelle idée ingénieuse et utile car même sans
bonne volonté on est obligé de penser, de chercher, et l’effort emmène à mieux
comprendre. Du moins espérons-le.
Je vous embrasse, je vous aime de tout mon cœur et vous remercie. Mille vœux pour
Bob.
Nadia B.
\
�</text>
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                <text>Igor and Vera Stravinsky to Boulanger
VENICE
NADIA BOULANGER C/O MARKEVITCH
VILLARS SUR OLLON, SWITZERLAND
SEPTEMBER 16, 1957
OUR THOUGHTS OUR HEARTS WITH YOU DEAR NADIA ON THIS GREAT DAY OF
YOUR BIRTHDAY MANY HAPPY RETURNS
IGOR VERA STRAVINSKY
�</text>
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Igor et Vera Stravinsky à Boulanger
VENICE
NADIA BOULANGER C/O MARKEVITCH
VILLARS-SUR-OLLON
16 SEPTEMBER 1957
NOS PENSEE NOS COEURS AVEC VOUS CHERE NADIA CE GRAND JOUR DE
VOTRE ANNIVERSAIRE MANY HAPPY RETURNS IGOR VERA STRAVINSKY
�</text>
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                <text>Boulanger to Théodore Strawinsky
September 8, 1957
Hotel du Golf Chalet at Goblet
To be so close—and so far—I have arrived here, overcome by the tyranny of sleep—I am
regaining my spirits—I’ll see you upon my return from Villars, where I’m going to spend five
days with the Markevitch family. But if you could send me the addresses of your Father before
[he leaves Europe], you would make me very happy, as I must thank him. His writing seems to
show he is doing well. To think that he passed by Ballu and I was in Fontainebleau—never
suspecting that I was missing out on such a great joy!
To Denise and to you, dear Théodore, from my heart,
Nadia B
�</text>
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                <text>* * *
Boulanger à Strawinsky
8 septembre 1957
Hôtel du Golf Chalet à Gobet
Etre si près—et si loin—suis arrivée ici, dominée par le sommeil tyrannique—je
commence à retrouver mes esprits—vous verrai à mon retour de Villars où je vais passer
5 jours chez les Markévitch. Mais si vous pouviez avant m’envoyer ici les addresses [sic]
de votre Père, vous me feriez bien grand plaisir, car je dois le remercier. Son écriture
semble montrer qu’il va bien. Songez qu’il est passé sur Ballu et j’étais à
Fontainebleau—ne me doutant pas que je perdais une si grande joie !
A Denise et à vous, cher Théodore de tout cœur.
Nadia B
�</text>
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      </tag>
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        <name>Recipient: Igor Stravinsky</name>
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                <text>Boulanger to Stravinsky
36 rue Ballu
May 16, 1957
Finally found someone, Dear Friend, to bring you your microfilm that I didn’t dare trust to the
mail service. The young Jean-Pierre Marty, a real musician, is leaving tomorrow for N.Y. From
there he’ll deliver it to you by air to save time. When he arrives in Los Angeles he will ensure
that everything is in order. If, by chance, you could see him for a moment, it would be such a
great joy for him. He deserves it, but only if it doesn’t bother you.
What you said about Boulez makes me happy—he is serious. He is a good musician, and there
are no tricks or bluffs. He was so happy to have seen you.
I am overwhelmed by Marie-Blanche’s slow agony. Operated on two months ago, she is in the
most alarming state. We expect her death at any time, yet something inside of her is so strong
that she is still alive this morning. What sorrow.
Fond wishes and deep affection,
Yours,
Nadia
�</text>
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                <text>* * *
Boulanger à Stravinsky
36 rue Ballu
16 mai 1957
Enfin trouvé quelqu’un, Cher Ami, pour vous apporter votre microfilm que je n’ai pas
osé confier à la poste. Le petit Jean Pierre Marty, musicien vrai, part demain pour N.Y.
De là vous l’adressera par avion afin de gagner du temps. Quand il arrivera à Los
Angeles il s’assurera que tout est en ordre. Si par hasard vous pouvez le voir un instant,
ce serait une joie folle pour lui. Il la mérite, mais seulement si cela ne vous dérange pas.
Suis heureuse de ce que vous dîtes de Boulez—il est sérieux. Il est bon musicien, et il n’y
a pas de trucs ni de bluff. Il a été si heureux de vous avoir vu.
Suis très bouleversée par la lente agonie de Marie Blanche, opérée il y a deux mois, elle
est dans l’état le plus alarmant. On attend sa mort à chaque instant, et quelque chose en
elle est si fort qu’elle vit encore ce matin. Quel chagrin.
Je vous embrasse et vous dis ma profonde affection,
Votre,
Nadia
�</text>
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      </tag>
      <tag tagId="359">
        <name>Nadia Location: 36 rue Ballu</name>
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      <tag tagId="330">
        <name>Pierre Boulez</name>
      </tag>
      <tag tagId="357">
        <name>Recipient: Igor Stravinsky</name>
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                <text>Igor Stravinsky </text>
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                <text>Nadia Boulanger </text>
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                <text>Bibliothèque nationale</text>
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                <text>Stravinsky to Boulanger
Santa Monica, Calif.
Miss Nadia Boulanger
36 rue Ballu
Paris, IX
France
May 12, 1957
My dear Nadia,
This is to tell you I received your letter of April 16 and as always—no time for letters.
Boulez made an excellent impression on all of us: a musician of the first order, highly intelligent,
he has good manners and is probably a generous man. His Marteau sans maître, which he
conducted so well here, is an admirably well-ordered score, in spite of all the auditory and visual
complications (counterpoint, rhythm, tempo). Without being too familiar with Boulez's music, I
find it, frankly, preferable to many other things from his generation.
I never received the microfilm (Isaak-Webern) that you had promised me from George Sachs
who was supposed to come to the United States this Easter. We haven't heard anything about it.
Just spoke with Nica Nabokov who will have returned to Paris when you read these lines.
Telephone him to get the latest news.
Please respond.
Love,
I. Str
�</text>
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                <text>* * *
Stravinsky à Boulanger
Santa Monica CALIF.
Miss Nadia Boulanger
36 rue Ballu
Paris, IX-eme
France
12 mai 1957
Chere Nadia,
C’est pour vous dire que j’ai bien recu votre mot du 16 avril et comme toujours—pas de
temps pour des lettres.
Boulez nous a fait tous une excellente impression : musicien de tout premier ordre,
hautement intelligent il a des bonnes manieres et probablement est un homme genereux.
Son Marteau sans maitre qu’il a si bien dirige ici est une partition admirablement
ordonnee malgre toutes les complications (contrepoint, rythme, mesure) [audible] et
lisible [sic]. Sans me sentir familier avec cette musique de Boulez je la trouve
franchement preferable a bien des choses de sa generation.
Je n’ai jamais recu le microfilm (Issak-Webern) que vous m’aviez promis par George
Sachs qui devait venir a Paques aux Etats Unies. On a rien entendu d’elle.
Viens de parler avec Nica Nabokov qui sera rentre a Paris lorsque vous lirez ces lignes.
Telephonnez-lui pour avoir des nouvelles toutes fraiches.
R.S.P [sic]
Love,
I. Str
�</text>
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                  <text>English translation and transcription of French originals from Chapter 6 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018)</text>
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                <text>Paul Sacher Stiftung</text>
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