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                <text>Denise Stravinsky to Boulanger
Geneva
April 21, 1971
Dear Nadia,
Théodore wants to think of nothing but the deliverance, thank God, of his beloved father. With
marvelous courage, he offers to God his pain as a son, and he confronts the whole situation,
certainly with pain, but with a spirit that will keep its serenity. As much in New York as in
Venice, we have constantly felt your faithful friendship, love, and the admiration that you have
had for our dear father. For Théodore and for me as well, I say to you, our great and dear Friend,
thank you for your prayers, for your constant thoughts, and your comforting friendship. I am
attaching to this letter a text that Théodore wrote just a month ago (and dedicated it to you), and I
would ask you be so kind as to have it read to you. I find it admirably refreshing, pure, and,
today, so upsetting. It is to accompany an album of records [that were] edited in Japanese in
Japan. We have to send it back to Tokyo at the beginning of May, but Théodore, according to his
contract, is free to have it published wherever he wants beforehand.
Given the tragic events, we wondered if it wouldn’t be an opportune moment to publish this text
in France, without delay, in an important newspaper and we thought about [Le] Figaro, in the
weekly literary insert. But unfortunately, we no longer know anyone! Nobody. In Geneva they
would take it right away, but the circulation would be too limited. If the text resonates with you,
dear Nadia, could you suggest to whom we should possibly address it, and better yet, could you
yourself speak to the Editor?
We have a series of contemplative photos of my dear father-in-law amid the members of his
family that (as is the case with Théodore’s text) shows a little-known side of Strawinsky that the
children would be happy to see returned to its [rightful] place, since, for a long time, [people]
have been working to erase the memory of a family life that was so deep, so true, so beautiful,
and which is engraved in the hearts of Igor and Catherine’s children, hearts which today have
been so painfully hurt.
I am ashamed to take your precious time, but I know you will forgive me.
Allow us to send you all our love along with our deep and grateful affection.
Denise
�</text>
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                <text>Denise Stravinsky à Boulanger
21 avril 1971
Genève
Chère Nadia,
Théodore ne veut penser qu’à la délivrance, remercier Dieu pour son bien aimé père. Sa
douleur de fils il l’offre avec un merveilleux courage et il affronte toute la situation, avec
douleur certes mais avec une âme qui veut garder toute sa sérénité. Votre fidèle amitié,
l’amour et l’admiration que vous aviez pour notre cher père, nous les avons constamment
sentis présents tout à New York qu’à Venise. Pour Théodore et pour moi aussi, je vous
dis, chère grande Amie, merci de vos prières, de vos constantes pensées, de votre
réconfortante amitié. Je joins à ces lignes un texte que je vous demanderais d’avoir la
bonté de vous faire lire, que Théodore a écrit il y a un mois à peine (et vous l’avait
dédié). Je le trouve admirable de fraicheur, de pureté, et aujourd’hui combien
bouleversant. Il soit accompagné un album de disques édité au Japon, en japonais. Nous
devons la remettre à Tokio [sic] début mai, mais Théodore, d’après son contrat, est libre
de la faire paraître avant et où il veut.
Étant donné les tragiques événements nous nous sommes demandé s’il ne serait pas
opportun de faire paraître ce texte, sans tarder, en France, dans un journal important et
nous avons pensé au Figaro dans la feuille littéraire hebdomadaire. Mais nous n’y
connaisseur, hélas ! plus personne. A Genève ou [sic] le prendrait tout de suite, mais la
diffusion en est trop limitée. Si le texte trouve en vous, chère Nadia, un écho, verriez-
vous la possibilité soit de nous dire à qui nous adresser soit, et mieux encore, en parler
vous-même à la Rédaction ?
Nous avons une série de photographies méditer [sic] de mon cher beau-père au milieu de
siens qui (comme la texte de Théodore) montre une figure de Strawinsky peu connue et
que les enfants seraient heureux de voir remise à sa place puisqu’on travaille depuis déjà
longtemps, à faire oublier une vie familiale qui fut si grande, si vraie, si belle, et qui est
gravée profondément dans le cœur, aujourd’hui si douloureusement blessé, des enfants
d’Igor et Catherine Strawinsky.
Je suis confuse de vous prendre votre temps si précieux mais je sais que vous me
pardonnerez.
Permettez-nous de vous embrasser avec notre profonde et reconnaissante affection,
Denise
*Accompagnée l’article de Théodore Strawinsky : « Igor et Catherine Strawinsky mes
parents au cœur de mes souvenirs d’enfant »
�</text>
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                <text>Igor and Vera Stravinsky to Boulanger
VENICE
NADIA BOULANGER C/O MARKEVITCH
VILLARS SUR OLLON, SWITZERLAND
SEPTEMBER 16, 1957
OUR THOUGHTS OUR HEARTS WITH YOU DEAR NADIA ON THIS GREAT DAY OF
YOUR BIRTHDAY MANY HAPPY RETURNS
IGOR VERA STRAVINSKY
�</text>
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                <text>* * *
Igor et Vera Stravinsky à Boulanger
VENICE
NADIA BOULANGER C/O MARKEVITCH
VILLARS-SUR-OLLON
16 SEPTEMBER 1957
NOS PENSEE NOS COEURS AVEC VOUS CHERE NADIA CE GRAND JOUR DE
VOTRE ANNIVERSAIRE MANY HAPPY RETURNS IGOR VERA STRAVINSKY
�</text>
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                <text>Igor and Vera Stravinsky to Boulanger
NADIA BOULANGER
36 RUE BALLU
VIA PARIS
SEPTEMBER 30, 1969
DEAR NADIA, WE THINK ABOUT YOU WITH LOVE AND HOPE TO SEE YOU IN
PARIS IN ONE MONTH
IGOR, VERA
�</text>
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                <text>* * *
Théodore Strawinsky à Boulanger
Genève
2 octobre 1969
Très chère Nadia,
Merci, merci de votre mot et de votre indéfectible amitié pour mon père et pour nous.
Oui, des problèmes combien douloureux et, comme vous le dites, cruciaux se posent, et
cela à tous les plans, mais sentir quoi et comment quand tous les accès vers mon père son
quasi verrouillés ? ! Quelle tragédie, pour lui avant tout mais aussi pour nous ses
enfants…Dans une telle situation on est impuissant, car que faire sans provoquer un choc
trop douloureux pour lui, bien que je connaisse sa pensée profonde.
Je viens de recevoir à l’instant une lettre déchirante de Milène. La pauvre est aux
premières loges de la tragédie. Ils sont à New York (je veux dire mon père) et ont
l’intention d’aller à Paris vers le 15 de ce mois. Voici l’adresse de Milène :
Madame André Marion
146 South La Peer Drive
Los Angeles Calif. 90048
U.S.A.
Je vous embrasse bien fort, chère Nadia. Peut-être à bientôt.
Théodore
�</text>
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                <text>Stravinsky to Boulanger
1260 N. Wetherly Drive
Hollywood 46, California
Miss Nadia Boulanger
36 rue [B]allu
Paris, 9th
France
January 18, 1957
Always happy to have a short note from you, if only to ask me to support your students' access to
scholarships.
It is, of course, OK for the Hindu and the Dane
How are you doing?
Here everything is, for the moment, following its normal course.
Have you photographed the microfilms I sent with Bob in November for you [?]* If yes—be an
angel and send them back to me with someone who’s on their way to the United States. This film
is very, very difficult to obtain, and I would like to make some reproductions here.
My most affectionate wishes, my dear Nadia,
I. Str
[P.S.] * That of Schütz—Webern.
�</text>
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Stravinsky à Boulanger
1260 N. Wetherly Drive
Hollywood 46, California
Miss Nadia Boulanger
36 rue Ballu
Paris, 9eme
France
18 janvier 1957
Toujours heureuse [sic] d’avoir un petit mot de vous, ne serait-ce que pour me demander
d’appuiez [sic] l’accès à la bourse de vos élèves.
Evidemment c’est OK pour l’hindou et le danois
Comment allez-vous vous-même ?
Ici tout [suit] pour le moment au cours normal.
Avez-vous fait la photo des microfilms que je vous avais envoyé [sic] en Novembre avec
Bob.* Si oui—soyez un ange et renvoyez-moi-les par quelqu’un qui se rend au Etats
Unis. C’est un filme [sic] très très difficile à avoir et je voudrais faire ici quelques
reproductions
Chère Nadia, je vous embrasse bien affectueusement.
I. Str
*Celui de Schutz—Webern.
�</text>
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                <text>Stravinsky to Boulanger
Santa Monica, Calif.
Miss Nadia Boulanger
36 rue Ballu
Paris, IX
France
May 12, 1957
My dear Nadia,
This is to tell you I received your letter of April 16 and as always—no time for letters.
Boulez made an excellent impression on all of us: a musician of the first order, highly intelligent,
he has good manners and is probably a generous man. His Marteau sans maître, which he
conducted so well here, is an admirably well-ordered score, in spite of all the auditory and visual
complications (counterpoint, rhythm, tempo). Without being too familiar with Boulez's music, I
find it, frankly, preferable to many other things from his generation.
I never received the microfilm (Isaak-Webern) that you had promised me from George Sachs
who was supposed to come to the United States this Easter. We haven't heard anything about it.
Just spoke with Nica Nabokov who will have returned to Paris when you read these lines.
Telephone him to get the latest news.
Please respond.
Love,
I. Str
�</text>
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Stravinsky à Boulanger
Santa Monica CALIF.
Miss Nadia Boulanger
36 rue Ballu
Paris, IX-eme
France
12 mai 1957
Chere Nadia,
C’est pour vous dire que j’ai bien recu votre mot du 16 avril et comme toujours—pas de
temps pour des lettres.
Boulez nous a fait tous une excellente impression : musicien de tout premier ordre,
hautement intelligent il a des bonnes manieres et probablement est un homme genereux.
Son Marteau sans maitre qu’il a si bien dirige ici est une partition admirablement
ordonnee malgre toutes les complications (contrepoint, rythme, mesure) [audible] et
lisible [sic]. Sans me sentir familier avec cette musique de Boulez je la trouve
franchement preferable a bien des choses de sa generation.
Je n’ai jamais recu le microfilm (Issak-Webern) que vous m’aviez promis par George
Sachs qui devait venir a Paques aux Etats Unies. On a rien entendu d’elle.
Viens de parler avec Nica Nabokov qui sera rentre a Paris lorsque vous lirez ces lignes.
Telephonnez-lui pour avoir des nouvelles toutes fraiches.
R.S.P [sic]
Love,
I. Str
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                <text>Stravinsky to Boulanger
Hollywood
March 2, 1958
Thank you, thank you, dear Nadia, for your letter—I am very appreciative, believe me.
We are going to Venice (certainly to Bauer) on July 29, embarking for New York on board the
Cristoforo Colombo (which hit a whale between Genoa and Naples very recently). Threni (or
Lamentations after the Vulgate) upon which the composition touches near the end, will be
performed at the Scuola San Rocco under my direction around September 20; then I conduct
Oedipus and Le Sacre and on Sept 24 I leave with my whole ensemble for Switzerland, where I
am conducting Threni from Sept 25 to 29 in Geneva, Berne, Bâle, and Zurich. As for the desired
allocation for the Lili Boulanger Fund: OK.
Poor Marie-Blanche. I am thinking of her and I sympathize with your grief because I know you
were great friends.
I have as well just learned of a death that has greatly affected me—that of Alexandre Piovesan of
the Venice Biennale, he couldn’t have been more than forty years old!
Affectionately yours,
I. Stravinsky
�</text>
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                <text>* * *
Stravinsky à Boulanger
Hollywood
2 mars 1958
Merci, merci, chere Nadia, de votre lettre – j’en suis tres sensible, croyez-le[-]moi.
C’est a Venise (certainement au Bauer) que nous allons le 29 juillet en s’embarquant a
New York au bord de Cristoforo Colombo (qui avait cogne une baleine entre Genes et
Naples tres recemment). Threni (ou Lamentations d’apres le Vulgate) dont la
composition touche vers la fin, passe a la Scuola San Rocco sous ma direction autour du
20 septembre ; je dirige ensuite Œdipe et le Sacre et le 24 sept. je pars avec tout mon
ensemble en Suisse ou je dirige Threni du 25 au 29 sept. a Geneve, Berne, Bale, et
Zurich. OK pour le Lili Boulanger Fund quant a l’attribution desiree.
Pauvre Marie Blanche. Je pense a elle et je sympathise avec votre chagrin car, je sais,
vous avez ete des grandes amies.
Je viens aussi d’apprendre une mort qui m’a beaucoup affligee—celle d’Alexandre
Piovesan de la Biennale de Venise, un homme de 40 ans a peine !
Affectueusement à vous,
I. Stravinsky
�</text>
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                <text>Stravinsky to Boulanger
Berkley
7 avenue Matignon
Rond-Point des Champs-Elysées
Paris, VII
Tel: Balzac 02.24
Telegram Address: Berkleyeb Paris 45
Mademoiselle Nadia Boulanger
36 rue Ballu
Paris, IX
November 13, 1958
My very dear Nadia,
I was at your house today, but nobody was there. Too bad, I send you all my heartfelt love.
Attached is a note for Bruno Gillet that I ask you to give to him,
Love,
I Str
�</text>
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Stravinsky à Boulanger
Berkley
7 avenue Matignon
Rond-Point des Champs-Elysées
Paris . VIIè
Tél Balzac 02.24
Adr. Télég. Berkleyeb Paris 45
Mademoiselle Nadia Boulanger
36 rue Ballu
Paris, IX
Colisee (8è) 1958
13 novembre 1958
Très chère Nadia,
J’étais chez vous aujourd’hui, mais personne n’était la [sic]. Tant pis, je vous embrasse
de tout cœur.
Ci-joint un mot à Bruno Jillet[sic] que je vous prie de lui remettre,
Love
I Str
�</text>
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                <text>Stravinsky to Boulanger
Los Angeles California
Miss N. Boulanger
36 rue Ballu
Paris, IX
France
February 25, 1959
My dear Nadia,
Your letter is infinitely precious to me.
This wound that I have carried now for twenty years still and always needs kindness.
Thank you, very dear Nadia
With all my heart,
Yours,
I Str.
�</text>
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Stravinsky à Boulanger
Los Angeles, California
Miss N. Boulanger
36 rue Ballu
Paris, IXeme
France
25 février 1959
Ma chère Nadia,
Votre lettre m’est infiniment précieuse.
Cette plaie que je porte voila [sic] vingt ans a [sic] toujours encore besoin de sympathie.
Merci, très chère Nadia
De tout cœur,
Votre
I Str.
�</text>
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