<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/2754">
    <dcterms:title><![CDATA[Portrait of William Cowper]]></dcterms:title>
    <dcterms:subject><![CDATA[Portraiture]]></dcterms:subject>
    <dcterms:description><![CDATA[This mezzotint portrait of William Cowper was engraved by John Smith after an oil painting by John Closterman. It is signed by the artist and engraver in the bottom left and right corners of the portrait. Cowper is portrayed in a flowing wig, cravat, and robes. His name is signed delicately in a plate below his portrait, reading &quot;Gulielmus Cowper Chirurgus&quot; in Latin.]]></dcterms:description>
    <dcterms:creator><![CDATA[John Closterman (artist), John Smith (engraver)]]></dcterms:creator>
    <dcterms:source><![CDATA[The Anatomy of Humane Bodies]]></dcterms:source>
    <dcterms:publisher><![CDATA[Printed at the theatre for Samuel Smith and Benjamin Walford, printers to the Royal Society.]]></dcterms:publisher>
    <dcterms:date><![CDATA[1698]]></dcterms:date>
    <dcterms:created><![CDATA[1698]]></dcterms:created>
    <dcterms:contributor><![CDATA[John Closterman]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[John Smith]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public Access (U.S. National Library of Medicine, 2004)]]></dcterms:rights>
    <dcterms:relation><![CDATA[The Anatomy of Humane Bodies]]></dcterms:relation>
    <dcterms:isPartOf><![CDATA[The Anatomy of Humane Bodies]]></dcterms:isPartOf>
    <dcterms:format><![CDATA[Jpeg]]></dcterms:format>
    <dcterms:extent><![CDATA[40 x 28 cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Mezzotint engraving]]></dcterms:medium>
    <dcterms:language><![CDATA[Latin]]></dcterms:language>
    <dcterms:type><![CDATA[Portraiture]]></dcterms:type>
    <dcterms:identifier><![CDATA[Seventeenth century English medical practice]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[Seventeenth century portraiture]]></dcterms:identifier>
    <dcterms:bibliographicCitation><![CDATA[William Cowper. The Anatomy of Humane Bodies. Oxford, Printed at the theatre for Samuel Smith and Benjamin Walford, printers to the Royal Society, 1698.]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/2753">
    <dcterms:title><![CDATA[Portrait of Govard Bidloo]]></dcterms:title>
    <dcterms:subject><![CDATA[Portraiture]]></dcterms:subject>
    <dcterms:description><![CDATA[This copperplate engraving of Govard Bidloo was created by a well established portrait engraver, Abraham Blooteling, after a drawing created by the artist Gerard de Lairesse. It is signed by the artist and engraver in the bottom left and right corners of the portrait. Bidloo is displayed in formal dress, equipped with a curled wig and two knives, facing the viewer in a three quarter turn. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Gerard de Lairesse (artist), Abraham Blooteling (engraver)]]></dcterms:creator>
    <dcterms:source><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:source>
    <dcterms:publisher><![CDATA[U.S. National Library of Medicine]]></dcterms:publisher>
    <dcterms:date><![CDATA[1690]]></dcterms:date>
    <dcterms:created><![CDATA[1690]]></dcterms:created>
    <dcterms:contributor><![CDATA[Gerard de Lairesse]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Abraham Blooteling]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public Access (U.S. National Library of Medicine, 2004)]]></dcterms:rights>
    <dcterms:relation><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:relation>
    <dcterms:relation><![CDATA[Anatomia Humani Corporis]]></dcterms:relation>
    <dcterms:isPartOf><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:isPartOf>
    <dcterms:format><![CDATA[Jpeg]]></dcterms:format>
    <dcterms:extent><![CDATA[62.5 x 36 cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Copperplate engraving]]></dcterms:medium>
    <dcterms:language><![CDATA[Dutch]]></dcterms:language>
    <dcterms:type><![CDATA[Portraiture]]></dcterms:type>
    <dcterms:identifier><![CDATA[Seventeenth century Dutch medical practice]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[Seventeenth century portraiture]]></dcterms:identifier>
    <dcterms:bibliographicCitation><![CDATA[Govard Bidloo. Ontleding des Meschelyken Lichaams. Amsterdam, for the widow of Joannes van Someren, the heirs of Joannes van Dyk, Henry boom and widow of Theodore Boom, 1690.]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/2752">
    <dcterms:title><![CDATA[The Anatomy of Humane Bodies, Allegorical Title Page]]></dcterms:title>
    <dcterms:alternative><![CDATA[The anatomy of humane bodies, with figures drawn after the life by some of the best masters in Europe, and curiously engraven in one hundred and fourteen copper plates, illustrated with large explications, containing many new anatomical discoveries, and chirurgical observations, to which is added an introduction explaining the animal oeconomy, with a copious index.]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Anatomy]]></dcterms:subject>
    <dcterms:description><![CDATA[The allegorical title page of The Anatomy of Humane Bodies displays a scene with several individuals performing various tasks in a classical landscape. In the foreground, Father time is shown holding an hourglass while his scythe lies on the ground on the left. On the right of the foreground, three putti are depicted; one hold a piece of parchment, presumably with an anatomical diagram on it in front of the other two, one of which holds a skull, and the other points to a forearm which is spread across a small table. Behind them is the title of the atlas, which reads &quot;The Anatomy of Humane Bodies by William Cowper Surgeon. 1698,&quot; which is printed on a piece of paper and pasted over the original engraved title of Ontleding des Meschelyken Lichaams. This is engraved upon a shield resting against a platform on which the allegory of Medicine sits, identified by the large volume that she rests against and the knife like tool she holds in her hand. Beside her, a young boy stands, his face shrouded by drapery, and the skin of his arm removed to display the inner musculature. Flying above and behind the allegory of Medicine is Gloria, identified by her wings and two horns. Finally, in the background, flanked by distinctly Baroque architecture, two skeletons converse with each other. This allegorical title page was purchased alongside three hundred imprints of the 105 copperplate engravings featured within Govard Bidloo&#039;s atlases from his publishers.]]></dcterms:description>
    <dcterms:creator><![CDATA[Gerard de Lairesse (artist), Peter and Philip van Gunst (engravers)]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Printed at the theatre for Samuel Smith and Benjamin Walford, printers to the Royal Society in 1698.]]></dcterms:publisher>
    <dcterms:date><![CDATA[1698]]></dcterms:date>
    <dcterms:created><![CDATA[1698]]></dcterms:created>
    <dcterms:contributor><![CDATA[William Cowper]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Gerard de Lairesse]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Peter van Gunst]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Philip van Gunst]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public Access (U.S. National Library of Medicine, 2004)]]></dcterms:rights>
    <dcterms:relation><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:relation>
    <dcterms:relation><![CDATA[Anatomia Humani Corporis]]></dcterms:relation>
    <dcterms:isPartOf><![CDATA[The Anatomy of Humane Bodies]]></dcterms:isPartOf>
    <dcterms:isVersionOf><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:isVersionOf>
    <dcterms:format><![CDATA[Jpeg]]></dcterms:format>
    <dcterms:extent><![CDATA[62.5 x 36 cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Copperplate engraving on paper]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Medical Text]]></dcterms:type>
    <dcterms:identifier><![CDATA[Seventeenth century English medical practice]]></dcterms:identifier>
    <dcterms:bibliographicCitation><![CDATA[William Cowper. The Anatomy of Humane Bodies. Oxford, Printed at the theatre for Samuel Smith and Benjamin Walford, printers to the Royal Society, 1698.]]></dcterms:bibliographicCitation>
    <dcterms:audience><![CDATA[Artists]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical Practitioners]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical Students]]></dcterms:audience>
    <dcterms:audience><![CDATA[Members of the Royal Society]]></dcterms:audience>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/2751">
    <dcterms:title><![CDATA[Anatomia Humani Corporis, Allegorical Title Page]]></dcterms:title>
    <dcterms:subject><![CDATA[Anatomy]]></dcterms:subject>
    <dcterms:description><![CDATA[The allegorical title page of Anatomia Humani Corporis displays a scene with several individuals performing various tasks in a classical landscape. In the foreground, Father time is shown holding an hourglass while his scythe lies on the ground on the left. On the right of the foreground, three putti are depicted; one hold a piece of parchment, presumably with an anatomical diagram on it in front of the other two, one of which holds a skull, and the other points to a forearm which is spread across a small table. Behind them is the title of the atlas, which reads &quot;Godefridi Bidloo Medicinae Doctoris et Chirurgi Anatomia Humani Corporis Centum et quinque tabulis Illustrata.&quot; This is engraved upon a shield resting against a platform on which the allegory of Medicine sits, identified by the large volume that she rests against and the knife like tool she holds in her hand. Beside her, a young boy stands, his face shrouded by drapery, and the skin of his arm removed to display the inner musculature. Flying above and behind the allegory of Medicine is Gloria, identified by her wings and two horns. Finally, in the background, flanked by distinctly Baroque architecture, two skeletons converse with each other,]]></dcterms:description>
    <dcterms:creator><![CDATA[Gerard de Lairesse (artist), Peter and Philip van Gunst (engravers)]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Vassar College Library]]></dcterms:publisher>
    <dcterms:date><![CDATA[1685]]></dcterms:date>
    <dcterms:created><![CDATA[1690]]></dcterms:created>
    <dcterms:contributor><![CDATA[Govard Bidloo]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Gerard de Lairesse]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Peter van Gunst]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Phillip van Gunst]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public Access (Vassar College Library)]]></dcterms:rights>
    <dcterms:relation><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:relation>
    <dcterms:isPartOf><![CDATA[Anatomia Humani Corporis]]></dcterms:isPartOf>
    <dcterms:format><![CDATA[Jpeg]]></dcterms:format>
    <dcterms:extent><![CDATA[62.5 x 36 cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Copperplate engraving on paper]]></dcterms:medium>
    <dcterms:language><![CDATA[Latin]]></dcterms:language>
    <dcterms:type><![CDATA[Medical Text]]></dcterms:type>
    <dcterms:identifier><![CDATA[Seventeenth century Dutch medical practice]]></dcterms:identifier>
    <dcterms:bibliographicCitation><![CDATA[Govard Bidloo, Anatomia Humani Corporis. Amsterdam, for the widow of Joannes van Someren, the heirs of Joannes van Dyk, Henry Boom and widow of Theodore Boom, 1685.]]></dcterms:bibliographicCitation>
    <dcterms:audience><![CDATA[Artists]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical practitioners]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical students]]></dcterms:audience>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/2750">
    <dcterms:title><![CDATA[Ontleding des Meschelyken Lichaams, Allegorical Title Page]]></dcterms:title>
    <dcterms:subject><![CDATA[Allegorical Title Page]]></dcterms:subject>
    <dcterms:description><![CDATA[The allegorical title page of Ontleding des Meschelyken Lichaams displays a scene with several individuals performing various tasks in a classical landscape. In the foreground, Father time is shown holding an hourglass while his scythe lies on the ground on the left. On the right of the foreground, three putti are depicted; one hold a piece of parchment, presumably with an anatomical diagram on it in front of the other two, one of which holds a skull, and the other points to a forearm which is spread across a small table. Behind them is the title of the atlas, which reads &quot;Ontleding des Menschelyken Lichaams, Geedan door Govard Bidloo, Ariat. et Chirurg. Profes(x)i. This is engraved upon a shield resting against a platform on which the allegory of Medicine sits, identified by the large volume that she rests against and the  knife like tool she holds in her hand. Beside her, a young boy stands, his face shrouded by drapery, and the skin of his arm removed to display the inner musculature. Flying above and behind the allegory of Medicine is Gloria, identified by her wings and two horns. Finally, in the background, flanked by distinctly Baroque architecture, two skeletons converse with each other, ]]></dcterms:description>
    <dcterms:creator><![CDATA[Gerard de Lairesse (artist), Peter and Philip van Gunst (engravers) ]]></dcterms:creator>
    <dcterms:source><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:source>
    <dcterms:publisher><![CDATA[U.S. National Library of Medicine]]></dcterms:publisher>
    <dcterms:date><![CDATA[1690.]]></dcterms:date>
    <dcterms:created><![CDATA[1690]]></dcterms:created>
    <dcterms:contributor><![CDATA[Govard Bidloo]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Gerard de Lairesse]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Peter van Gunst]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Philip van Gunst]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public Access (U.S. National Library of Medicine, 2004)]]></dcterms:rights>
    <dcterms:relation><![CDATA[Anatomia Humani Corporis]]></dcterms:relation>
    <dcterms:relation><![CDATA[Anatomy of the Humane Bodies]]></dcterms:relation>
    <dcterms:isPartOf><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:isPartOf>
    <dcterms:replaces><![CDATA[Anatomia Humani Corporis]]></dcterms:replaces>
    <dcterms:format><![CDATA[Jpeg]]></dcterms:format>
    <dcterms:extent><![CDATA[62.5 x 36 cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Copperplate engraving on paper]]></dcterms:medium>
    <dcterms:language><![CDATA[Dutch]]></dcterms:language>
    <dcterms:type><![CDATA[Medical Text]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Govard Bidloo, Ontleding des Meschelyken Lichaams. Amsterdam, for the widow of Joannes van Someren, the heirs of Joannes van Dyk, Henry Boom and widow of Theodore Boom, 1690.]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[Seventeenth century Dutch medical practice]]></dcterms:coverage>
    <dcterms:audience><![CDATA[Artists]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical practitioners]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical students]]></dcterms:audience>
</rdf:Description></rdf:RDF>