<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/2750">
    <dcterms:title><![CDATA[Ontleding des Meschelyken Lichaams, Allegorical Title Page]]></dcterms:title>
    <dcterms:subject><![CDATA[Allegorical Title Page]]></dcterms:subject>
    <dcterms:description><![CDATA[The allegorical title page of Ontleding des Meschelyken Lichaams displays a scene with several individuals performing various tasks in a classical landscape. In the foreground, Father time is shown holding an hourglass while his scythe lies on the ground on the left. On the right of the foreground, three putti are depicted; one hold a piece of parchment, presumably with an anatomical diagram on it in front of the other two, one of which holds a skull, and the other points to a forearm which is spread across a small table. Behind them is the title of the atlas, which reads &quot;Ontleding des Menschelyken Lichaams, Geedan door Govard Bidloo, Ariat. et Chirurg. Profes(x)i. This is engraved upon a shield resting against a platform on which the allegory of Medicine sits, identified by the large volume that she rests against and the  knife like tool she holds in her hand. Beside her, a young boy stands, his face shrouded by drapery, and the skin of his arm removed to display the inner musculature. Flying above and behind the allegory of Medicine is Gloria, identified by her wings and two horns. Finally, in the background, flanked by distinctly Baroque architecture, two skeletons converse with each other, ]]></dcterms:description>
    <dcterms:creator><![CDATA[Gerard de Lairesse (artist), Peter and Philip van Gunst (engravers) ]]></dcterms:creator>
    <dcterms:source><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:source>
    <dcterms:publisher><![CDATA[U.S. National Library of Medicine]]></dcterms:publisher>
    <dcterms:date><![CDATA[1690.]]></dcterms:date>
    <dcterms:created><![CDATA[1690]]></dcterms:created>
    <dcterms:contributor><![CDATA[Govard Bidloo]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Gerard de Lairesse]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Peter van Gunst]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Philip van Gunst]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public Access (U.S. National Library of Medicine, 2004)]]></dcterms:rights>
    <dcterms:relation><![CDATA[Anatomia Humani Corporis]]></dcterms:relation>
    <dcterms:relation><![CDATA[Anatomy of the Humane Bodies]]></dcterms:relation>
    <dcterms:isPartOf><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:isPartOf>
    <dcterms:replaces><![CDATA[Anatomia Humani Corporis]]></dcterms:replaces>
    <dcterms:format><![CDATA[Jpeg]]></dcterms:format>
    <dcterms:extent><![CDATA[62.5 x 36 cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Copperplate engraving on paper]]></dcterms:medium>
    <dcterms:language><![CDATA[Dutch]]></dcterms:language>
    <dcterms:type><![CDATA[Medical Text]]></dcterms:type>
    <dcterms:bibliographicCitation><![CDATA[Govard Bidloo, Ontleding des Meschelyken Lichaams. Amsterdam, for the widow of Joannes van Someren, the heirs of Joannes van Dyk, Henry Boom and widow of Theodore Boom, 1690.]]></dcterms:bibliographicCitation>
    <dcterms:coverage><![CDATA[Seventeenth century Dutch medical practice]]></dcterms:coverage>
    <dcterms:audience><![CDATA[Artists]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical practitioners]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical students]]></dcterms:audience>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/2751">
    <dcterms:title><![CDATA[Anatomia Humani Corporis, Allegorical Title Page]]></dcterms:title>
    <dcterms:subject><![CDATA[Anatomy]]></dcterms:subject>
    <dcterms:description><![CDATA[The allegorical title page of Anatomia Humani Corporis displays a scene with several individuals performing various tasks in a classical landscape. In the foreground, Father time is shown holding an hourglass while his scythe lies on the ground on the left. On the right of the foreground, three putti are depicted; one hold a piece of parchment, presumably with an anatomical diagram on it in front of the other two, one of which holds a skull, and the other points to a forearm which is spread across a small table. Behind them is the title of the atlas, which reads &quot;Godefridi Bidloo Medicinae Doctoris et Chirurgi Anatomia Humani Corporis Centum et quinque tabulis Illustrata.&quot; This is engraved upon a shield resting against a platform on which the allegory of Medicine sits, identified by the large volume that she rests against and the knife like tool she holds in her hand. Beside her, a young boy stands, his face shrouded by drapery, and the skin of his arm removed to display the inner musculature. Flying above and behind the allegory of Medicine is Gloria, identified by her wings and two horns. Finally, in the background, flanked by distinctly Baroque architecture, two skeletons converse with each other,]]></dcterms:description>
    <dcterms:creator><![CDATA[Gerard de Lairesse (artist), Peter and Philip van Gunst (engravers)]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Vassar College Library]]></dcterms:publisher>
    <dcterms:date><![CDATA[1685]]></dcterms:date>
    <dcterms:created><![CDATA[1690]]></dcterms:created>
    <dcterms:contributor><![CDATA[Govard Bidloo]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Gerard de Lairesse]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Peter van Gunst]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Phillip van Gunst]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public Access (Vassar College Library)]]></dcterms:rights>
    <dcterms:relation><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:relation>
    <dcterms:isPartOf><![CDATA[Anatomia Humani Corporis]]></dcterms:isPartOf>
    <dcterms:format><![CDATA[Jpeg]]></dcterms:format>
    <dcterms:extent><![CDATA[62.5 x 36 cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Copperplate engraving on paper]]></dcterms:medium>
    <dcterms:language><![CDATA[Latin]]></dcterms:language>
    <dcterms:type><![CDATA[Medical Text]]></dcterms:type>
    <dcterms:identifier><![CDATA[Seventeenth century Dutch medical practice]]></dcterms:identifier>
    <dcterms:bibliographicCitation><![CDATA[Govard Bidloo, Anatomia Humani Corporis. Amsterdam, for the widow of Joannes van Someren, the heirs of Joannes van Dyk, Henry Boom and widow of Theodore Boom, 1685.]]></dcterms:bibliographicCitation>
    <dcterms:audience><![CDATA[Artists]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical practitioners]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical students]]></dcterms:audience>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/2752">
    <dcterms:title><![CDATA[The Anatomy of Humane Bodies, Allegorical Title Page]]></dcterms:title>
    <dcterms:alternative><![CDATA[The anatomy of humane bodies, with figures drawn after the life by some of the best masters in Europe, and curiously engraven in one hundred and fourteen copper plates, illustrated with large explications, containing many new anatomical discoveries, and chirurgical observations, to which is added an introduction explaining the animal oeconomy, with a copious index.]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Anatomy]]></dcterms:subject>
    <dcterms:description><![CDATA[The allegorical title page of The Anatomy of Humane Bodies displays a scene with several individuals performing various tasks in a classical landscape. In the foreground, Father time is shown holding an hourglass while his scythe lies on the ground on the left. On the right of the foreground, three putti are depicted; one hold a piece of parchment, presumably with an anatomical diagram on it in front of the other two, one of which holds a skull, and the other points to a forearm which is spread across a small table. Behind them is the title of the atlas, which reads &quot;The Anatomy of Humane Bodies by William Cowper Surgeon. 1698,&quot; which is printed on a piece of paper and pasted over the original engraved title of Ontleding des Meschelyken Lichaams. This is engraved upon a shield resting against a platform on which the allegory of Medicine sits, identified by the large volume that she rests against and the knife like tool she holds in her hand. Beside her, a young boy stands, his face shrouded by drapery, and the skin of his arm removed to display the inner musculature. Flying above and behind the allegory of Medicine is Gloria, identified by her wings and two horns. Finally, in the background, flanked by distinctly Baroque architecture, two skeletons converse with each other. This allegorical title page was purchased alongside three hundred imprints of the 105 copperplate engravings featured within Govard Bidloo&#039;s atlases from his publishers.]]></dcterms:description>
    <dcterms:creator><![CDATA[Gerard de Lairesse (artist), Peter and Philip van Gunst (engravers)]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Printed at the theatre for Samuel Smith and Benjamin Walford, printers to the Royal Society in 1698.]]></dcterms:publisher>
    <dcterms:date><![CDATA[1698]]></dcterms:date>
    <dcterms:created><![CDATA[1698]]></dcterms:created>
    <dcterms:contributor><![CDATA[William Cowper]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Gerard de Lairesse]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Peter van Gunst]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Philip van Gunst]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public Access (U.S. National Library of Medicine, 2004)]]></dcterms:rights>
    <dcterms:relation><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:relation>
    <dcterms:relation><![CDATA[Anatomia Humani Corporis]]></dcterms:relation>
    <dcterms:isPartOf><![CDATA[The Anatomy of Humane Bodies]]></dcterms:isPartOf>
    <dcterms:isVersionOf><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:isVersionOf>
    <dcterms:format><![CDATA[Jpeg]]></dcterms:format>
    <dcterms:extent><![CDATA[62.5 x 36 cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Copperplate engraving on paper]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Medical Text]]></dcterms:type>
    <dcterms:identifier><![CDATA[Seventeenth century English medical practice]]></dcterms:identifier>
    <dcterms:bibliographicCitation><![CDATA[William Cowper. The Anatomy of Humane Bodies. Oxford, Printed at the theatre for Samuel Smith and Benjamin Walford, printers to the Royal Society, 1698.]]></dcterms:bibliographicCitation>
    <dcterms:audience><![CDATA[Artists]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical Practitioners]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical Students]]></dcterms:audience>
    <dcterms:audience><![CDATA[Members of the Royal Society]]></dcterms:audience>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/2753">
    <dcterms:title><![CDATA[Portrait of Govard Bidloo]]></dcterms:title>
    <dcterms:subject><![CDATA[Portraiture]]></dcterms:subject>
    <dcterms:description><![CDATA[This copperplate engraving of Govard Bidloo was created by a well established portrait engraver, Abraham Blooteling, after a drawing created by the artist Gerard de Lairesse. It is signed by the artist and engraver in the bottom left and right corners of the portrait. Bidloo is displayed in formal dress, equipped with a curled wig and two knives, facing the viewer in a three quarter turn. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Gerard de Lairesse (artist), Abraham Blooteling (engraver)]]></dcterms:creator>
    <dcterms:source><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:source>
    <dcterms:publisher><![CDATA[U.S. National Library of Medicine]]></dcterms:publisher>
    <dcterms:date><![CDATA[1690]]></dcterms:date>
    <dcterms:created><![CDATA[1690]]></dcterms:created>
    <dcterms:contributor><![CDATA[Gerard de Lairesse]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Abraham Blooteling]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public Access (U.S. National Library of Medicine, 2004)]]></dcterms:rights>
    <dcterms:relation><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:relation>
    <dcterms:relation><![CDATA[Anatomia Humani Corporis]]></dcterms:relation>
    <dcterms:isPartOf><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:isPartOf>
    <dcterms:format><![CDATA[Jpeg]]></dcterms:format>
    <dcterms:extent><![CDATA[62.5 x 36 cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Copperplate engraving]]></dcterms:medium>
    <dcterms:language><![CDATA[Dutch]]></dcterms:language>
    <dcterms:type><![CDATA[Portraiture]]></dcterms:type>
    <dcterms:identifier><![CDATA[Seventeenth century Dutch medical practice]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[Seventeenth century portraiture]]></dcterms:identifier>
    <dcterms:bibliographicCitation><![CDATA[Govard Bidloo. Ontleding des Meschelyken Lichaams. Amsterdam, for the widow of Joannes van Someren, the heirs of Joannes van Dyk, Henry boom and widow of Theodore Boom, 1690.]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/2754">
    <dcterms:title><![CDATA[Portrait of William Cowper]]></dcterms:title>
    <dcterms:subject><![CDATA[Portraiture]]></dcterms:subject>
    <dcterms:description><![CDATA[This mezzotint portrait of William Cowper was engraved by John Smith after an oil painting by John Closterman. It is signed by the artist and engraver in the bottom left and right corners of the portrait. Cowper is portrayed in a flowing wig, cravat, and robes. His name is signed delicately in a plate below his portrait, reading &quot;Gulielmus Cowper Chirurgus&quot; in Latin.]]></dcterms:description>
    <dcterms:creator><![CDATA[John Closterman (artist), John Smith (engraver)]]></dcterms:creator>
    <dcterms:source><![CDATA[The Anatomy of Humane Bodies]]></dcterms:source>
    <dcterms:publisher><![CDATA[Printed at the theatre for Samuel Smith and Benjamin Walford, printers to the Royal Society.]]></dcterms:publisher>
    <dcterms:date><![CDATA[1698]]></dcterms:date>
    <dcterms:created><![CDATA[1698]]></dcterms:created>
    <dcterms:contributor><![CDATA[John Closterman]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[John Smith]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public Access (U.S. National Library of Medicine, 2004)]]></dcterms:rights>
    <dcterms:relation><![CDATA[The Anatomy of Humane Bodies]]></dcterms:relation>
    <dcterms:isPartOf><![CDATA[The Anatomy of Humane Bodies]]></dcterms:isPartOf>
    <dcterms:format><![CDATA[Jpeg]]></dcterms:format>
    <dcterms:extent><![CDATA[40 x 28 cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Mezzotint engraving]]></dcterms:medium>
    <dcterms:language><![CDATA[Latin]]></dcterms:language>
    <dcterms:type><![CDATA[Portraiture]]></dcterms:type>
    <dcterms:identifier><![CDATA[Seventeenth century English medical practice]]></dcterms:identifier>
    <dcterms:identifier><![CDATA[Seventeenth century portraiture]]></dcterms:identifier>
    <dcterms:bibliographicCitation><![CDATA[William Cowper. The Anatomy of Humane Bodies. Oxford, Printed at the theatre for Samuel Smith and Benjamin Walford, printers to the Royal Society, 1698.]]></dcterms:bibliographicCitation>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/2755">
    <dcterms:title><![CDATA[Appendix, Table 2: Male anatomical Figure showing Musculature]]></dcterms:title>
    <dcterms:alternative><![CDATA[The anatomy of humane bodies, with figures drawn after the life by some of the best masters in Europe, and curiously engraven in one hundred and fourteen copper plates, illustrated with large explications, containing many new anatomical discoveries, and chirurgical observations, to which is added an introduction explaining the animal oeconomy, with a copious index.]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Anatomy]]></dcterms:subject>
    <dcterms:description><![CDATA[The second table of the appendix in William Cowper&#039;s The Anatomy of Humane Bodies depicts a male figure, facing away into a landscape that features an overlook, where the man stands, looking over a river, on which a walled town is located. His body is flayed of any skin, revealing the musculature underneath. The figure is posed in a contraposto stance, demonstrating how the muscles react when engaged and relaxed, and stretched in different ways through the positions of the legs and arms. The signature of the engraver, Michiel van der Gucht can be identified in the bottom right corner of the illustration. The signature of the artist who drew the illustrations, Henry Cook, can also be seen in the bottom left corner of the illustration. The appendix, a series of 9 additional plates designed by Henry Cook were added to the end of the 105 copperplate engravings designed by Gerard de Lairesse for Govard Bidloo&#039;s anatomical atlas. Bidloo&#039;s atlas failed to provide an examination of the entire musculature of the body, as well as several other features that Cowper felt was necessary to provide within his own anatomical atlas. The body is labelled in numerous locations with numbers and letters, identifying the different muscles of the body. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Henry Cook (artist), Michiel van der Gucht (engraver)]]></dcterms:creator>
    <dcterms:source><![CDATA[The Anatomy of Humane Bodies]]></dcterms:source>
    <dcterms:publisher><![CDATA[Printed at the theatre for Samuel Smith and Benjamin Walford, printers to the Royal Societyin 1698.]]></dcterms:publisher>
    <dcterms:date><![CDATA[1698]]></dcterms:date>
    <dcterms:created><![CDATA[1698]]></dcterms:created>
    <dcterms:contributor><![CDATA[William Cowper]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Henry Cook]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Michiel van der Gucht]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public Access (U.S. National Library of Medicine, 2004)]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[The Anatomy of Humane Bodies]]></dcterms:isPartOf>
    <dcterms:format><![CDATA[Jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Copperplate engraving]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Medical Text]]></dcterms:type>
    <dcterms:identifier><![CDATA[Seventeenth century English medical practice]]></dcterms:identifier>
    <dcterms:bibliographicCitation><![CDATA[William Cowper. &quot;Appendix, 2nd Table.&quot; The Anatomy of Humane Bodies. Oxford, Printed at the theatre for Samuel Smith and Benjamin Walford, printers to the Royal Society, 1698.]]></dcterms:bibliographicCitation>
    <dcterms:audience><![CDATA[Artists]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical practitioners]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical students]]></dcterms:audience>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/2756">
    <dcterms:title><![CDATA[Table 88: A Skeleton Risen from its Tomb]]></dcterms:title>
    <dcterms:subject><![CDATA[Anatomy]]></dcterms:subject>
    <dcterms:description><![CDATA[The 88th table in Govard Bidloo&#039;s Anatomia Humani Corporis, and his later atlas Ontleding des Meschelyken Lichaams, depicts a skeletal figure holding a piece of drapery walking towards a tomb int he ground. The skeletal figure is situated beside a tomb in the ground, blocked out by large sheets of stone, located under a rusticated archway. In the background, a burial monument with a pyramidal block of stone resting atop female sphinx like figures is set on a pedestal. The artist Gerard de Lairesse, who designed the plates, took great liberty in creating a historicized landscape, complete with pastoral scenery of flowing trees, and rolling fields that lead to a far off town. The skeleton is shown walking away from the viewer, the body positioned in a contraposto stance with one leg engaged and the other abound to step onto the ledge of the tomb.  Letters label the different bones that make up the skeleton, though the anatomist has decided to only provide labeling for the larger and more easily identifiable bones.]]></dcterms:description>
    <dcterms:creator><![CDATA[Gerard de Lairesse (artist), Peter and Philip van Gunst (engravers)]]></dcterms:creator>
    <dcterms:source><![CDATA[Anatomia Humani Corporis]]></dcterms:source>
    <dcterms:source><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:source>
    <dcterms:publisher><![CDATA[Printed for the widow of Joannes van Someren, the heirs of Joannes van Dyk, Henry Boom and widow of Theodore Boom in 1685 and 1690]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Printed at the theatre for Samuel Smith and Benjamin Walford, printers to the Royal Society in 1698.]]></dcterms:publisher>
    <dcterms:date><![CDATA[1685]]></dcterms:date>
    <dcterms:date><![CDATA[1690]]></dcterms:date>
    <dcterms:date><![CDATA[1698]]></dcterms:date>
    <dcterms:created><![CDATA[1685]]></dcterms:created>
    <dcterms:contributor><![CDATA[Govard Bidloo]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Gerard de Lairesse]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Peter van Gunst]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Philip van Gunst]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public Access (U.S. National Library of Medicine, 2004)]]></dcterms:rights>
    <dcterms:relation><![CDATA[Anatomia Humani Corporis]]></dcterms:relation>
    <dcterms:relation><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:relation>
    <dcterms:isPartOf><![CDATA[Anatomia Humani Corporis]]></dcterms:isPartOf>
    <dcterms:isPartOf><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:isPartOf>
    <dcterms:format><![CDATA[Jpeg]]></dcterms:format>
    <dcterms:extent><![CDATA[62.5 x 36 cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Copperplate engraving on paper]]></dcterms:medium>
    <dcterms:language><![CDATA[Latin]]></dcterms:language>
    <dcterms:language><![CDATA[Dutch]]></dcterms:language>
    <dcterms:type><![CDATA[Medical Text]]></dcterms:type>
    <dcterms:identifier><![CDATA[Seventeenth century Dutch medical practice]]></dcterms:identifier>
    <dcterms:bibliographicCitation><![CDATA[Govard Bidloo. &quot;88th Table.&quot; Anatomia Humani Corporis. Amsterdam, for the widow of Joannes van Someren, the heirs of Joannes van Dyk, Henry Boom and widow of Theodore Boom, 1685.]]></dcterms:bibliographicCitation>
    <dcterms:audience><![CDATA[Artists]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical practitioners]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical students]]></dcterms:audience>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/2757">
    <dcterms:title><![CDATA[Table 71: Muscles and Sinew of the Hand (Dissection of the Forearm)]]></dcterms:title>
    <dcterms:subject><![CDATA[Anatomy]]></dcterms:subject>
    <dcterms:description><![CDATA[The 71st table of Govard Bidloo and William Cowper&#039;s anatomical atlases displays the dissection of the forearm, with particular attention paid to the muscles and sinews that connect throughout the back of the hand. the forearm has been mostly stripped of its muscular components, as the radius and ulna are clearly visible. The wrist rests upon a rolled up cloth, and the elbow is propped between a book, presumably an anatomical atlas, and a block of wood to hold it in place. The entire display is situated upon a wooden block, similar to a modern cutting board. The muscles and sinew of the hand that would normally stretch up the arm along the bones is spread and curled artfully across the page, showing Gerard de Lairesse&#039;s own artistic agency. Each of the major muscles,  bones, and regions of the hand are labelled with letters which are accompanied by simple explanatory text on the alternate page.]]></dcterms:description>
    <dcterms:creator><![CDATA[Gerard de Lairesse (artist), Peter and Philip van Gunst (engravers)]]></dcterms:creator>
    <dcterms:source><![CDATA[Anatomia Humani Corporis]]></dcterms:source>
    <dcterms:source><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:source>
    <dcterms:source><![CDATA[The Anatomy of Humane Bodies]]></dcterms:source>
    <dcterms:publisher><![CDATA[for the widow of Joannes van Someren, the heirs of Joannes van Dyk, Henry Boom and widow of Theodore Boom in 1685 and 1690]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Printed at the theatre for Samuel Smith and Benjamin Walford, printers to the Royal Society in 1698.]]></dcterms:publisher>
    <dcterms:date><![CDATA[1685]]></dcterms:date>
    <dcterms:date><![CDATA[1690]]></dcterms:date>
    <dcterms:date><![CDATA[1698]]></dcterms:date>
    <dcterms:created><![CDATA[1685]]></dcterms:created>
    <dcterms:contributor><![CDATA[Govard Bidloo]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Gerard de Lairesse]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Peter van Gunst]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Philip van Gunst]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[William Cowper]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public Access (U.S. National Library of Medicine, 2004)]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Anatomia Humani Corporis]]></dcterms:isPartOf>
    <dcterms:isPartOf><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:isPartOf>
    <dcterms:isPartOf><![CDATA[The Anatomy of Humane Bodies]]></dcterms:isPartOf>
    <dcterms:format><![CDATA[Jpeg]]></dcterms:format>
    <dcterms:extent><![CDATA[62.5 x 36 cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Copperplate engraving]]></dcterms:medium>
    <dcterms:language><![CDATA[Latin]]></dcterms:language>
    <dcterms:language><![CDATA[Dutch]]></dcterms:language>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Medical Text]]></dcterms:type>
    <dcterms:identifier><![CDATA[Seventeenth century Dutch medical practice]]></dcterms:identifier>
    <dcterms:bibliographicCitation><![CDATA[Govard Bidloo. &quot;71st Table.&quot; Anatomia Humani Corporis. Amsterdam, for the widow of Joannes van Someren, the heirs of Joannes van Dyk, Henry Boom and widow of Theodore Boom, 1685.]]></dcterms:bibliographicCitation>
    <dcterms:audience><![CDATA[Artists]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical practitioners]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical students]]></dcterms:audience>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/2758">
    <dcterms:title><![CDATA[Table 28: The Musculature of the Back of a Woman]]></dcterms:title>
    <dcterms:subject><![CDATA[Anatomy]]></dcterms:subject>
    <dcterms:description><![CDATA[The twenty eighth table of each atlas by Govard Bidloo and William Cowper depicts the back of a woman, the skin peeled away to reveal the inner musculature, while the woman&#039;s body is supported by an engaged arm. The skin has been cut down the center of the back and peeled away, draping along the sides of the woman&#039;s body under the arms. A sheet surrounds the hips and genitals, creating a modest representation of the female body. Visible are the erector spinae muscles, which travel up the length of the back, the Thoracolumbar fascia which reach out along the width of the back from the spine, the deltoid muscles on the shoulder, and the teres minor and major muscles that lie underneath the deltoids. A portion of the trapezius muscle remains on the left and right, however much has been cut off to reveal the erector spinae muscles. Fatty deposits are also visible on the skin that pools around the hips of the woman&#039;s body in the form of bubble like nodes. Although the models used for this illustration were the dead cadavers that Bidloo dissected during the late 1670s and early 1680s, Gerard de Lairesse employs his own understanding of muscles to portray how they appear in different positions.]]></dcterms:description>
    <dcterms:creator><![CDATA[Gerard de Lairesse (artist), Peter and Philip van Gunst (engravers)]]></dcterms:creator>
    <dcterms:source><![CDATA[Anatomia Humani Corporis]]></dcterms:source>
    <dcterms:source><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:source>
    <dcterms:source><![CDATA[The Anatomy of Humane Bodies]]></dcterms:source>
    <dcterms:publisher><![CDATA[Printed for the widow of Joannes van Someren, the heirs of Joannes van Dyk, Henry Boom and widow of Theodore Boom in 1685 and 1690]]></dcterms:publisher>
    <dcterms:publisher><![CDATA[Printed at the theatre for Samuel Smith and Benjamin Walford, printers to the Royal Society in 1698]]></dcterms:publisher>
    <dcterms:date><![CDATA[1685]]></dcterms:date>
    <dcterms:date><![CDATA[1690]]></dcterms:date>
    <dcterms:date><![CDATA[1698]]></dcterms:date>
    <dcterms:created><![CDATA[1685]]></dcterms:created>
    <dcterms:contributor><![CDATA[Gerard de Lairesse]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Peter van Gunst]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Philip van Gunst]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public Access (Vassar College Library)]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Anatomia Humani Corporis]]></dcterms:isPartOf>
    <dcterms:isPartOf><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:isPartOf>
    <dcterms:isPartOf><![CDATA[The Anatomy of Humane Bodies]]></dcterms:isPartOf>
    <dcterms:format><![CDATA[Jpeg]]></dcterms:format>
    <dcterms:extent><![CDATA[62.5 x 36 cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Copperplate engraving on paper]]></dcterms:medium>
    <dcterms:language><![CDATA[Latin]]></dcterms:language>
    <dcterms:language><![CDATA[Dutch]]></dcterms:language>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Medical Text]]></dcterms:type>
    <dcterms:identifier><![CDATA[Seventeenth century Dutch medical practice]]></dcterms:identifier>
    <dcterms:bibliographicCitation><![CDATA[Govard Bidloo, &quot;28th Table.&quot; Anatomia Humani Corporis. Amsterdam, for the widow of Joannes van Someren, the heirs of Joannes van Dyk, Henry Boom and widow of Theodore Boom, 1685.]]></dcterms:bibliographicCitation>
    <dcterms:audience><![CDATA[Artists]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical practitioners]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical students]]></dcterms:audience>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/2759">
    <dcterms:title><![CDATA[Gulielmus Cowper, Criminis Literarii Citatus, Coram Tribunali. Nobiliss: Ampliss: Societatis Britanno-Regiae, per Godefridum Bidloo]]></dcterms:title>
    <dcterms:subject><![CDATA[Copyright]]></dcterms:subject>
    <dcterms:subject><![CDATA[Plagiarism]]></dcterms:subject>
    <dcterms:subject><![CDATA[Anatomy]]></dcterms:subject>
    <dcterms:description><![CDATA[Within this pamphlet, directed at the Royal Society, Govard Bidloo accused the anatomist William Cowper of plagiarizing his earlier anatomical atlas by using his illustrations without permission. The pamphlet contains correspondence between the publishers Samuel Smith, Benjamin Walford, and Henry Boom,  the physician to King William III, Dr. Hutton and Bidloo, and between Bidloo and William Cowper.  Bidloo intiates his accusation by declaring Cowper to be a threat to all people publishing in the arts and sciences and demanding that the Royal Society expel him from their ranks. The pamphlet provides a vast amount of information regarding the transfer of Gerard de Lairesse&#039;s anatomical illustrations from Bidloo&#039;s publishers in Amsterdam, to Cowper&#039;s publishers in England. The pamphlet also sheds light on Bidloo&#039;s voracious personality as he provides a variety of colourful mockeries and names to describe Cowper and his plagiarism.]]></dcterms:description>
    <dcterms:creator><![CDATA[Govard Bidloo]]></dcterms:creator>
    <dcterms:source><![CDATA[Godefridi Bidloo Opera Omnia Anatomico Chirurgica. Edita et Inedita. Quorum Sequens Pagina Seriem Continet. (Translated to: Govard Bidloo&#039;s Anatomical and Surgical works, published and unpublished, the order of which is contained in the following pages)]]></dcterms:source>
    <dcterms:publisher><![CDATA[Samuel Luchtmans]]></dcterms:publisher>
    <dcterms:date><![CDATA[1715]]></dcterms:date>
    <dcterms:created><![CDATA[1715]]></dcterms:created>
    <dcterms:rights><![CDATA[Google (2011)]]></dcterms:rights>
    <dcterms:relation><![CDATA[Anatomia Humani Corporis]]></dcterms:relation>
    <dcterms:relation><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:relation>
    <dcterms:relation><![CDATA[The Anatomy of Humane Bodies]]></dcterms:relation>
    <dcterms:isPartOf><![CDATA[Godefridi Bidloo Opera Omnia Anatomico Chirurgica. Edita et Inedita. Quorum Sequens Pagina Seriem Continet. (Translated to: Govard Bidloo&#039;s Anatomical and Surgical works, published and unpublished, the order of which is contained in the following pages)]]></dcterms:isPartOf>
    <dcterms:format><![CDATA[Jpeg]]></dcterms:format>
    <dcterms:medium><![CDATA[Book]]></dcterms:medium>
    <dcterms:language><![CDATA[Latin]]></dcterms:language>
    <dcterms:language><![CDATA[Dutch]]></dcterms:language>
    <dcterms:type><![CDATA[Pamphlet]]></dcterms:type>
    <dcterms:identifier><![CDATA[Seventeenth century copyright conflicts]]></dcterms:identifier>
    <dcterms:bibliographicCitation><![CDATA[Govard Bidloo. &quot;Gulielmus Cowper Criminis Literarii Citatus Coram Tribunali Nobiliss. Ampliss. Societatis Britanno-Regiae, per Godefridum Bidloo.&quot; In Godefridi Bidloo Opera Omnia Anatomico Chirurgica. Edita et Inedita. Quorum Sequens Pagina Seriem Continet. (Translated to: Govard Bidloo&#039;s Anatomical and Surgical works, published and unpublished, the order of which is contained in the following pages). Leiden, Samuel Luchtmans, 1715. Pp 57 - 122.]]></dcterms:bibliographicCitation>
    <dcterms:audience><![CDATA[The Royal Society, London]]></dcterms:audience>
    <dcterms:audience><![CDATA[William Cowper]]></dcterms:audience>
</rdf:Description></rdf:RDF>