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                  <text>This collection will contain a series of illustrations and texts from three seventeenth century Dutch and English anatomical atlases, as well as correspondence between the anatomists Govard Bidloo and William Cowper</text>
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                  <text>Rose Conlin</text>
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                <text>Anatomia Humani Corporis</text>
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                <text>Govard Bidloo</text>
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                <text>The widow of Joannes van Someren, the heirs of Joannes van Dyk, Henry Boom and widow of Theodore Boom</text>
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                <text>1685</text>
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                <text>Gerard de Lairesse (artist), Abraham Blooteling (portrait engraver), Peter and Philip van Gunst (engravers)</text>
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                <text>Public Access (U.S. National Library of Medicine, 2004)</text>
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                <text>Ontledings des Menschelyken Lichaams</text>
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                <text>136 p (105 Copperplate engravings), 51 x 36 cm</text>
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                <text>Seventeenth century Dutch anatomical atlas</text>
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                <text>Anatomia Humani Corporis, centum &amp; quinque tabulis, per artificiossis. G. de Lairesse ad vivum delineatis, demonstrata, veterum recentiorumque inventis explicata plurimisque, hactenus non detectis, illustrata.</text>
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                <text>Originally published in 1685 (a later, Dutch edition, was published in 1690), Anatomia Humani Corporis features 105 copperplate engravings of the body, illustrating the muscular, skeletal, reproductive, and systemic organization of the human body with commentary. Measuring at roughly 51 cm by 36 cm, Bidloo’s anatomical atlas is one of the largest atlases created in the early modern period. The artistic influence of de Lairesse is apparent in each of the illustrations as they present the body not only in almost life size scale, but with the finely detailed accuracy that only a skilled artist could provide. Anatomia Humani Corporis was published in Latin by the widow of Joannes van Someren (a prominent book publisher in Amsterdam who passed away between 1678 and 1679), the heirs of Joannes van Dyk, Henry Boom and the widow of Theodore Boom in Amsterdam. Anatomia was dedicated to Henry Casimir II, the Dutch Stadtholder of Friesland and Groningen.  The drawings for the illustrations were designed by the Dutch artist Gerard de Lairesse, a close acquaintance of Bidloo's, and engraved by the brothers Peter and Philip van Gunst. de Lairesse introduced Baroque and Pastoral elements to anatomical illustration that had otherwise been unheard of. The atlas is divided into two major sections, one detailing the muscular and systemic organization of the body, and the second detailing the skeletal makeup of the body. Eighty-three of the plates depict the body in various stages of dissection, some providing details of the instruments used. The remaining twenty-two plates, three display the surface anatomy, and nineteen depict the various bones that make up the skeleton.</text>
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                <text>Allegorical Title Page&#13;
Text Title Page&#13;
Dedication to Henry Casimir II&#13;
About the Author&#13;
Author's portrait&#13;
Appraisal&#13;
Index of Tables&#13;
Introduction&#13;
The first part of the dissection of the human body&#13;
The second part of the dissection of the human body, acting on the chest, back, and loins&#13;
The third part of the dissection of the human body, acting on the belly and even intestines&#13;
The fourth part of the dissection of the human body, acting on the female and male reproductive systems&#13;
The fifth part of the dissection of the human body, acting on the limbs&#13;
The sixth part of the dissection of the human body, acting on all bones&#13;
Conclusion</text>
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                <text>1685</text>
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                <text>1690</text>
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                <text>Ontleding des Menschelyken Lichaams</text>
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                <text>the Anatomy of Humane Bodies</text>
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                <text>Bidloo, Govard. Ontleding des Menschelyken Lichaams. Amsterdam, for the widow of Joannes van Someren, the heirs of Joannes van Dyk, Henry Boom and widow of Theodore Boom, 1690.</text>
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                <text>Beekman, Fenwick. “Bidloo and Cowper, Anatomists.” Annals of Medical History (1935): 113-129.&#13;
&#13;
Choulant, Ludwig. History of Bibliography of Anatomic Illustration In its Relation to Anatomic Science and the Graphic Arts. Trans. Mortimer Frank. Chicago: University of Chicago Press: 1920.&#13;
&#13;
Dumaitre, Paul. La curieuse destinee des planches anatomiques de Gerard de Lairesse. Amsterdam, Rodopi, 1982. Johns, Adrian. “Piracy and Usurpation: Natural Philosophy in Restoration.” In The Nature of the Book, Print and Knowledge in the Making. Chicago and London, University of Chicago Press, 1998.&#13;
&#13;
Kneoff, Rina. “Moral Lessons of Perfection: A Comparison of Mennonite and Calvinist Motives in the Anatomical Atlases of Bidloo and Albinus.” In Medicine and Religion in Enlightenment Europe. England: Ashgate Publishing Ltd., 2007. Pp 121-143.&#13;
&#13;
Kuretsky, Susan Donahue. “Lairesse Meets Bidloo, or the Case of the Absent Anatomist.” Midwestern Arcadia: Essays in Honor of Alison Kettering (2015): 28-38.&#13;
&#13;
Roberts, K. B., and Tomlinson, J. D. W. The Fabric of the Body: European Traditions of Anatomical Illustration. Oxford: Clarendon Press, 1992. </text>
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                <text>Bidloo, Govard. Anatomia Humani Corporis. Amsterdam, for the widow of Joannes van Someren, the heirs of Joannes van Dyk, Henry Boom and widow of Theodore Boom, 1685.</text>
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                <text>Artists</text>
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                <text>Medical practitioners</text>
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                <text>Bookseller’s ticker of Frederik Muller, Amsterdam</text>
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                  <text>Seventeenth Century Dutch Republic, Seventeenth Century England</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Anatomia Humani Corporis, Allegorical Title Page</text>
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                <text>The allegorical title page of Anatomia Humani Corporis displays a scene with several individuals performing various tasks in a classical landscape. In the foreground, Father time is shown holding an hourglass while his scythe lies on the ground on the left. On the right of the foreground, three putti are depicted; one hold a piece of parchment, presumably with an anatomical diagram on it in front of the other two, one of which holds a skull, and the other points to a forearm which is spread across a small table. Behind them is the title of the atlas, which reads "Godefridi Bidloo Medicinae Doctoris et Chirurgi Anatomia Humani Corporis Centum et quinque tabulis Illustrata." This is engraved upon a shield resting against a platform on which the allegory of Medicine sits, identified by the large volume that she rests against and the knife like tool she holds in her hand. Beside her, a young boy stands, his face shrouded by drapery, and the skin of his arm removed to display the inner musculature. Flying above and behind the allegory of Medicine is Gloria, identified by her wings and two horns. Finally, in the background, flanked by distinctly Baroque architecture, two skeletons converse with each other,</text>
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                <text>Gerard de Lairesse (artist), Peter and Philip van Gunst (engravers)</text>
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                <text>1685</text>
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                <text>Govard Bidloo</text>
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                <text>Gerard de Lairesse</text>
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                <text>Peter van Gunst</text>
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                <text>Phillip van Gunst</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="17368">
                <text>Public Access (Vassar College Library)</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Ontleding des Meschelyken Lichaams</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>1690</text>
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            <name>Is Part Of</name>
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                <text>Anatomia Humani Corporis</text>
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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
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                <text>Govard Bidloo, Anatomia Humani Corporis. Amsterdam, for the widow of Joannes van Someren, the heirs of Joannes van Dyk, Henry Boom and widow of Theodore Boom, 1685.</text>
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                <text>Medical practitioners</text>
              </elementText>
              <elementText elementTextId="17381">
                <text>Medical students</text>
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              <description>A name given to the resource</description>
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                  <text>Bidloo and Cowper: Seventeenth Century Anatomical Conflicts</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Seventeenth Century Anatomical Atlas production and reception</text>
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              <description>An account of the resource</description>
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                  <text>This collection will contain a series of illustrations and texts from three seventeenth century Dutch and English anatomical atlases, as well as correspondence between the anatomists Govard Bidloo and William Cowper</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Rose Conlin</text>
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              <name>Publisher</name>
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              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1685-1698</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>Public Access (U.S. National Library of Medicine)</text>
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              <description>A language of the resource</description>
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              <description>Date of creation of the resource.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Appendix, Table 2: Male anatomical Figure showing Musculature</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Anatomy</text>
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            <description>An account of the resource</description>
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                <text>The second table of the appendix in William Cowper's The Anatomy of Humane Bodies depicts a male figure, facing away into a landscape that features an overlook, where the man stands, looking over a river, on which a walled town is located. His body is flayed of any skin, revealing the musculature underneath. The figure is posed in a contraposto stance, demonstrating how the muscles react when engaged and relaxed, and stretched in different ways through the positions of the legs and arms. The signature of the engraver, Michiel van der Gucht can be identified in the bottom right corner of the illustration. The signature of the artist who drew the illustrations, Henry Cook, can also be seen in the bottom left corner of the illustration. The appendix, a series of 9 additional plates designed by Henry Cook were added to the end of the 105 copperplate engravings designed by Gerard de Lairesse for Govard Bidloo's anatomical atlas. Bidloo's atlas failed to provide an examination of the entire musculature of the body, as well as several other features that Cowper felt was necessary to provide within his own anatomical atlas. The body is labelled in numerous locations with numbers and letters, identifying the different muscles of the body. </text>
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            <name>Creator</name>
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                <text>Henry Cook (artist), Michiel van der Gucht (engraver)</text>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="17455">
                <text>The Anatomy of Humane Bodies</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Printed at the theatre for Samuel Smith and Benjamin Walford, printers to the Royal Societyin 1698.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1698</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>William Cowper</text>
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                <text>Henry Cook</text>
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                <text>Michiel van der Gucht</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17461">
                <text>Public Access (U.S. National Library of Medicine, 2004)</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>Jpeg</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <name>Type</name>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Seventeenth century English medical practice</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>1698</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>The Anatomy of Humane Bodies</text>
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          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Copperplate engraving</text>
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          <element elementId="86">
            <name>Audience</name>
            <description>A class of entity for whom the resource is intended or useful.</description>
            <elementTextContainer>
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                <text>Artists</text>
              </elementText>
              <elementText elementTextId="17471">
                <text>Medical practitioners</text>
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              <elementText elementTextId="17472">
                <text>Medical students</text>
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            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>The anatomy of humane bodies, with figures drawn after the life by some of the best masters in Europe, and curiously engraven in one hundred and fourteen copper plates, illustrated with large explications, containing many new anatomical discoveries, and chirurgical observations, to which is added an introduction explaining the animal oeconomy, with a copious index.</text>
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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="17730">
                <text>William Cowper. "Appendix, 2nd Table." The Anatomy of Humane Bodies. Oxford, Printed at the theatre for Samuel Smith and Benjamin Walford, printers to the Royal Society, 1698.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="17316">
                  <text>Bidloo and Cowper: Seventeenth Century Anatomical Conflicts</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="17317">
                  <text>Seventeenth Century Anatomical Atlas production and reception</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection will contain a series of illustrations and texts from three seventeenth century Dutch and English anatomical atlases, as well as correspondence between the anatomists Govard Bidloo and William Cowper</text>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Rose Conlin</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
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                  <text>U.S. National Library of Medicine</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1685-1698</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="17323">
                  <text>Public Access (U.S. National Library of Medicine)</text>
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              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
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                <elementText elementTextId="17326">
                  <text>Latin</text>
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                <elementText elementTextId="17327">
                  <text>English</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>Medical Text</text>
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                  <text>Portraiture</text>
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              <name>Coverage</name>
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                  <text>Seventeenth Century Dutch Republic, Seventeenth Century England</text>
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              <name>Date Created</name>
              <description>Date of creation of the resource.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Gulielmus Cowper, Criminis Literarii Citatus, Coram Tribunali. Nobiliss: Ampliss: Societatis Britanno-Regiae, per Godefridum Bidloo</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Copyright</text>
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                <text>Plagiarism</text>
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                <text>Anatomy</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="17585">
                <text>Within this pamphlet, directed at the Royal Society, Govard Bidloo accused the anatomist William Cowper of plagiarizing his earlier anatomical atlas by using his illustrations without permission. The pamphlet contains correspondence between the publishers Samuel Smith, Benjamin Walford, and Henry Boom,  the physician to King William III, Dr. Hutton and Bidloo, and between Bidloo and William Cowper.  Bidloo intiates his accusation by declaring Cowper to be a threat to all people publishing in the arts and sciences and demanding that the Royal Society expel him from their ranks. The pamphlet provides a vast amount of information regarding the transfer of Gerard de Lairesse's anatomical illustrations from Bidloo's publishers in Amsterdam, to Cowper's publishers in England. The pamphlet also sheds light on Bidloo's voracious personality as he provides a variety of colourful mockeries and names to describe Cowper and his plagiarism.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="17586">
                <text>Govard Bidloo</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="17587">
                <text>Godefridi Bidloo Opera Omnia Anatomico Chirurgica. Edita et Inedita. Quorum Sequens Pagina Seriem Continet. (Translated to: Govard Bidloo's Anatomical and Surgical works, published and unpublished, the order of which is contained in the following pages)</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="17588">
                <text>Samuel Luchtmans</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1715</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17590">
                <text>Google (2011)</text>
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            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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Appraisal&#13;
The proceedings from Bidloo's lecture at a church in the Hague on March 11th, 1688&#13;
Index of Tables&#13;
Introduction&#13;
The first part of the dissection of the human body&#13;
The second part of the dissection of the human body, acting on the chest, back, and loins&#13;
The third part of the dissection of the human body, acting on the belly and even intestines&#13;
The fourth part of the dissection of the human body, acting on the female and male reproductive systems&#13;
The fifth part of the dissection of the human body, acting on the limbs&#13;
The sixth part of the dissection of the human body, acting on all bones&#13;
Conclusion</text>
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                <text>Beekman, Fenwick. “Bidloo and Cowper, Anatomists.” Annals of Medical History (1935): 113-129.&#13;
&#13;
Choulant, Ludwig. History of Bibliography of Anatomic Illustration In its Relation to Anatomic Science and the Graphic Arts. Trans. Mortimer Frank. Chicago: University of Chicago Press: 1920.&#13;
&#13;
Dumaitre, Paul. La curieuse destinee des planches anatomiques de Gerard de Lairesse. Amsterdam, Rodopi, 1982. Johns, Adrian. “Piracy and Usurpation: Natural Philosophy in Restoration.” In The Nature of the Book, Print and Knowledge in the Making. Chicago and London, University of Chicago Press, 1998.&#13;
&#13;
Kneoff, Rina. “Moral Lessons of Perfection: A Comparison of Mennonite and Calvinist Motives in the Anatomical Atlases of Bidloo and Albinus.” In Medicine and Religion in Enlightenment Europe. England: Ashgate Publishing Ltd., 2007. Pp 121-143.&#13;
&#13;
Kuretsky, Susan Donahue. “Lairesse Meets Bidloo, or the Case of the Absent Anatomist.” Midwestern Arcadia: Essays in Honor of Alison Kettering (2015): 28-38.&#13;
&#13;
Roberts, K. B., and Tomlinson, J. D. W. The Fabric of the Body: European Traditions of Anatomical Illustration. Oxford: Clarendon Press, 1992.</text>
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                <text>Philip van Gunst</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Public Access (U.S. National Library of Medicine, 2004)</text>
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                <text>Anatomia Humani Corporis</text>
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                <text>Anatomy of the Humane Bodies</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A language of the resource</description>
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                <text>Medical Text</text>
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                <text>Anatomia Humani Corporis</text>
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            <description>The material or physical carrier of the resource.</description>
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                <text>Govard Bidloo, Ontleding des Meschelyken Lichaams. Amsterdam, for the widow of Joannes van Someren, the heirs of Joannes van Dyk, Henry Boom and widow of Theodore Boom, 1690.</text>
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                <text>Artists</text>
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                <text>Medical practitioners</text>
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                <text>Medical students</text>
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                  <text>Bidloo and Cowper: Seventeenth Century Anatomical Conflicts</text>
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              <description>An entity primarily responsible for making the resource</description>
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                  <text>Rose Conlin</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>Public Access (U.S. National Library of Medicine)</text>
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              <description>A language of the resource</description>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>Seventeenth Century Dutch Republic, Seventeenth Century England</text>
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              <description>Date of creation of the resource.</description>
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                  <text>1685, 1690, 1698</text>
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            <description>A name given to the resource</description>
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                <text>Portrait of Govard Bidloo</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Portraiture</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This copperplate engraving of Govard Bidloo was created by a well established portrait engraver, Abraham Blooteling, after a drawing created by the artist Gerard de Lairesse. It is signed by the artist and engraver in the bottom left and right corners of the portrait. Bidloo is displayed in formal dress, equipped with a curled wig and two knives, facing the viewer in a three quarter turn. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Gerard de Lairesse (artist), Abraham Blooteling (engraver)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="17413">
                <text>Ontleding des Meschelyken Lichaams</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>U.S. National Library of Medicine</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1690</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Gerard de Lairesse</text>
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                <text>Abraham Blooteling</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17418">
                <text>Public Access (U.S. National Library of Medicine, 2004)</text>
              </elementText>
            </elementTextContainer>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Ontleding des Meschelyken Lichaams</text>
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              <elementText elementTextId="17420">
                <text>Anatomia Humani Corporis</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="17421">
                <text>Jpeg</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>Dutch</text>
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            <description>The nature or genre of the resource</description>
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                <text>Portraiture</text>
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                <text>Seventeenth century portraiture</text>
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            <description>Date of creation of the resource.</description>
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                <text>1690</text>
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              <elementText elementTextId="17427">
                <text>Ontleding des Meschelyken Lichaams</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>62.5 x 36 cm</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="17429">
                <text>Copperplate engraving</text>
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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
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              <elementText elementTextId="17430">
                <text>Govard Bidloo. Ontleding des Meschelyken Lichaams. Amsterdam, for the widow of Joannes van Someren, the heirs of Joannes van Dyk, Henry boom and widow of Theodore Boom, 1690.</text>
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              <description>A name given to the resource</description>
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                  <text>Bidloo and Cowper: Seventeenth Century Anatomical Conflicts</text>
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                  <text>Rose Conlin</text>
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                <text>The Anatomy of Humane Bodies</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>The twenty eighth table of each atlas by Govard Bidloo and William Cowper depicts the back of a woman, the skin peeled away to reveal the inner musculature, while the woman's body is supported by an engaged arm. The skin has been cut down the center of the back and peeled away, draping along the sides of the woman's body under the arms. A sheet surrounds the hips and genitals, creating a modest representation of the female body. Visible are the erector spinae muscles, which travel up the length of the back, the Thoracolumbar fascia which reach out along the width of the back from the spine, the deltoid muscles on the shoulder, and the teres minor and major muscles that lie underneath the deltoids. A portion of the trapezius muscle remains on the left and right, however much has been cut off to reveal the erector spinae muscles. Fatty deposits are also visible on the skin that pools around the hips of the woman's body in the form of bubble like nodes. Although the models used for this illustration were the dead cadavers that Bidloo dissected during the late 1670s and early 1680s, Gerard de Lairesse employs his own understanding of muscles to portray how they appear in different positions.</text>
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                <text>Public Access (Vassar College Library)</text>
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                <text>The Anatomy of Humane Bodies</text>
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                <text>Govard Bidloo, "28th Table." Anatomia Humani Corporis. Amsterdam, for the widow of Joannes van Someren, the heirs of Joannes van Dyk, Henry Boom and widow of Theodore Boom, 1685.</text>
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                <text>Medical students</text>
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                  <text>Rose Conlin</text>
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                <text>Table 67: Dissection of the Forearm</text>
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                <text>Latin</text>
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              <elementText elementTextId="17722">
                <text>Dutch</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17691">
                <text>Medical text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="17692">
                <text>1685</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="70">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="17693">
                <text>Anatomia Humani Corporis</text>
              </elementText>
              <elementText elementTextId="17723">
                <text>Ontleding des Menschelyken Lichaams</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="17694">
                <text>62.5 x 36 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="17695">
                <text>Copperplate engraving on paper</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="17696">
                <text>Bidloo, Govard. "67th Table." In Anatomia Humani Corporis. Amsterdam, for the widow of Joannes van Someren, the heirs of Joannes van Dyk, Henry Boom and widow of Theodore Boom, 1685.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Audience</name>
            <description>A class of entity for whom the resource is intended or useful.</description>
            <elementTextContainer>
              <elementText elementTextId="17697">
                <text>Artists</text>
              </elementText>
              <elementText elementTextId="17698">
                <text>Medical practitioners</text>
              </elementText>
              <elementText elementTextId="17699">
                <text>Medical students</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17719">
                <text>The 67th Table illustrates one stage in the process of dissecting the forearm. This particular stage highlights the muscles and sinew that connect from the elbow to the palm and fingers of the hand. The forearm appears to be separated at the elbow joint, which is concealed under heavy white drapery. The different muscles that attach to the fingers are pulled and kept tight by an interesting tool; beside the arm is a wooden box that had two rows of holes in it, in which a thin pole is inserted. The sinew is drawn up above the pole to demonstrate not only where the muscles connect on the hand, but also to demonstrate how the body reacts when the muscles are pulled (simulating tension and flexing), versus when they are let loose (simulating relaxed muscles). The scene is presented on a wooden plank, not very different from a cutting board.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17720">
                <text>Govard Bidloo</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
