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                <text>Anna Stravinsky to Boulanger
Voreppe
June 23, 1932
Dear Mademoiselle,
Your kind and affectionate note, which I received on the day of my son's birthday, touched me
greatly. Thank you wholeheartedly for having thought of me and I ask you to express my
gratitude to your Mother for thinking of me. Knowing her suffering of late, I wish for her
recovery.
Dear Mademoiselle, trust in my very sincere sentiments,
A[nna] Strawinsky
�</text>
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                <text>Anna Stravinsky à Boulanger
Voreppe
le 23 juin [19]32
Chère Mademoiselle,
Vos bonnes et affectueuses lignes, que j’ai reçues le jour de l’anniversaire de mon fils m’ont
beaucoup touchée[s]. Je vous remercie de tout cœur d’avoir pensé à moi et vous prie de dire à
Madame votre mère toute ma reconnaissance pour son bon souvenir. La sachant souffrante ces
derniers temps, je fais bien des vœux pour son rétablissement.
Croyez, chère Mademoiselle à mes très sincères sentiments,
A. Strawinsky
�</text>
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                <text>Anna Stravinsky to Boulanger
March 22, [19]35
My dear Mademoiselle,
I am deeply upset to learn of the great misfortune that has befallen you. I did not know your
Mother, but I know the deep filial love you felt for her and with all my heart I share in your grief.
Very sincerely,
Anna Strawinsky
�</text>
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                <text>Anna Stravinsky à Boulanger
Le 22 mars [19]35
Chère Mademoiselle,
Je suis profondément émue d’apprendre le grand malheur que vous accable. Je n’ai pas connue
[sic] Madame votre Mère, mais je sais le profond amour filial, qui vous attachait a [sic] elle et je
m’associe de tout mon cœur à votre deuil.
Très sincèrement,
Anna Strawinsky
�</text>
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                <text>Catherine Stravinsky to Boulanger
Nice
April 8, 1931
Dear Mademoiselle,
Please allow me to write to you this letter on an issue concerning Sviétik that worries me greatly.
He spoke to me quite frankly about it and I told him all our thoughts on the subject. I would like
to share a few words with you regarding it as well.
My husband and I are not very sympathetic toward the idea of a marriage to someone from
outside our race and religion, a marriage which above all else seems very much premature to us,
seeing as Sviétik is still practically a child.
Nor can we forget that he is preparing himself for a career as a pianist, which particularly
complicates his case. Indeed, this field requires a great deal of travel and a lifestyle that, in our
opinion, at least at the beginning of artistic life, does not lend itself well to starting a family
(children are always to be expected). Moreover, one must remember that he still depends on us
entirely, that he is only a student of music and that he is not yet an established artist, earning his
own living.
For two years now, Sviétik has lived most of his life away from his family, and under these
conditions it has been difficult for us to exert an influence over him. It seems to us, dear friend,
that you are the best placed to help us with our difficulties. Permit us to believe you do not think
harshly of us for troubling you with our concerns.
As for the sentimental side of this affair, and without wanting to rush anything, we beg you to
support our point of view around Sviétik so that he sees, among all those who matter to him, a
uniform opinion on the questions that are tormenting him. I say this to you freely, because it
seems to us Sviétik is inclined to believe that you welcome favorably the idea of this union so
desired by him. As for us, we do not want Sviétik tied up by promises that perhaps shouldn’t be
fulfilled. I have suggested (and this so as to not sadden him entirely) that he wait at least a year
to return to the overall question of marriage.
I think that you share our views, which is why we have addressed this in all frankness and in an
appeal to your good friendship and would like to count firmly on your support and it is in this
hope that I extend to you, dear Mademoiselle, my best wishes,
Catherine Stravinsky
[P.S.] Please do forgive this slightly confusing letter, but having been extremely busy these last
few days I did not have time to put everything in order in this hurriedly written letter because I
would like for you to read it before Sviétik’s arrival
�</text>
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                <text>Catherine Stravinsky à Boulanger
Nice
le 8 avril 1931
Chère Mademoiselle,
Permettez-moi de vous écrire ces lignes au sujet d’une question concernant Sviétik qui me
préocupe [sic] beaucoup. Il m’en a parlé très franchement et je lui ai dit tout ce que nous en
pensons. Je voudrais vous en dire aussi quelques mots.
Mon mari et moi nous ne sympathisons pas beaucoup à l’idée d’un mariage avec une étrangère
de race et de religion, mariage qui avant tout nous semble vraiment trop prématuré, vu que
Sviétik est encore lui-même, un demi-enfant.
Il ne faut pas oublier non plus qu’il se prépare pour une carrière de pianiste ce qui complique
particulièrement son cas. En effet, ce métier demande une vie mouvementée, des voyages, vie
qui à notre avis, ou plustôt [sic] début de vie artistique, ne se conforme pas très bien à un début
de vie de famille (des enfants sont toujours à prévoir). D’autre part il faut savoir qu’il dépend
encore entièrement de nous, qu’il n’est qu’étudiant en musique et qu’il n’est pas encore un artiste
achevé, gagnant sa vie lui-même.
Depuis deux ans Sviétik vit la plupart de l’année hors de sa famille et il nous est très difficile
d’exercer sur lui dans ces conditions une influence suivie. Vous, chère amie, vous êtes, il nous
semble, le mieux placée pour nous venir en aide dans nos difficultés. Permettez-nous de croire
que vous ne nous figuerez [sic] pas trop sévèrement de vous embarrasser [sic] par nos
préoccupations.
Tout en ménageant le côté sentimental de l’affaire et sans vouloir rien brusquer, nous vous prions
de soutenir auprès de Sviétik notre point de vue pour qu’il voie chez tous ceux qui comptent pour
lui une conformité d’opinion sur les questions qui le tourmentent. Je me permets de vous le dire
car il nous semble que Sviétik est enclin à croire que vous accueillez favorablement l’idée de
cette union si désirée par lui. Quant à nous nous ne voulons pas que Sviétik se lie par des
promesses qui ne devront peut-être pas se réaliser. Je lui ai dit (et ce pour ne pas l’atrisser [sic]
entre mesure) qu’il attende un an au moins pour revenir en général sur la question mariage.
Je pense que vous partagez nos idées, c’est pourquoi nous vous adressons en toute franchise à
votre bonne amitié et voudrions compter fermement sur votre appui et c’est dans cet espoir que
je vous prie de trouver ici chère Mademoiselle l’expression de mes sentiments bien cordialement
dévoués,
Catherine Stravinsky
Excusez, je vous prie, cette lettre un peu confuse mais étant très prise tous ces jours-ci je n’ai pas
le temps de mettre de l’ordre dans cette lettre écrite à la hâte car je voudrais que vous la lisiez
avant l’arrivée de Sviétik.
�</text>
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                <text>Catherine Stravinsky to Boulanger
Nice
May 7, 1931
Dear Friend,
Thank you so much for your very sincere letter reassuring us.
We are very grateful to you for having honestly shared your feelings and your point of view with
us. Unfortunately, it differs significantly from our own, but as you have given us your promise
that, in appearance, you will support us, we are firmly counting on you. Besides, the attitude to
take right now concerning young people is to interfere in no way in their relationships. The
young woman will return to America soon; one need neither try to make her return, nor oppose
it, but as for the future, leave it all up to the will of God, because it is not up to us to unite or
separate them. It is only important that Nini does not extend any formal promises, that is all.
I hope that everything is now clear between us.
I have not yet thanked you for having thought of us (Nini’s performance). Your telegram was a
great joy for us all.
Sviétik wrote to me that he will defer his exams until next year. So much the better! We approve
of it entirely. It was an effort well beyond his abilities as he now understands.
I will finish this letter by thanking you very sincerely for all the interest you have shown our son
and for your kind friendship toward us.
Believe that I am, dear Friend, your cordially devoted,
C. Stravinsky
�</text>
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                <text>Catherine Stravinsky à Boulanger
Nice
le 7 mai 1931
Chère Amie,
Merci beaucoup de votre lettre si sincère qui nous rassure.
Nous vous sommes très reconnaissants de nous avoir exposé en toute franchise vos sentiments et
votre point de vue ; il diffère malheureusement sensiblement de nôtre [sic] mais comme vous
nous donnez la promesse de nous soutenir quoiqu’en apparence nous comptons fermement sur
vous. Du reste l’attitude à prendre maintenant vis-à-vis des jeunes gens est de n’intervenir
d’aucune façon dans leurs rapports. La jeune fille retournera bientôt en Amérique; il ne faut ni
tâcher de la faire revenir, ni s’y opposer, mais laisser tout à la volonté de Dieu quant à l’avenir,
car ce n’est pas à nous de les unir ou de les séparer. Il importe seulement que Nini ne se lie pas
de promesse formelle, voilà tout.
J’espère que tout est clair entre nous maintenant.
Je ne vous ai pas encore remerciée d’avoir pensé à nous (l’audition de Nini). Votre télégramme
nous a fait à tous grand plaisir.
Sviétik m’écrit qu’il remet ses examens à l’année prochaine. Tant mieux ? Nous l’approuvons
entièrement. C’était un effort vraiment audissus [sic] de ses forces comme il l’a compris
maintenant.
Je finis ma lettre et vous remercie bien sincèrement de tout l’interêt [sic] que vous portez à notre
fils et de votre bonne amitié envers nous.
Croyez-moi, chère Amie, votre très cordialement dévouée,
C. Stravinsky
�</text>
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                <text>Catherine Stravinsky to Boulanger
Paris
April 15, 1936
My dear friend,
Thank you for your affectionate note that I received for Easter. Mother and I thank you with all
our hearts.
We were able to exchange telegrams with our travelers Easter Sunday and I also received three
letters. Now we need to wait for their arrival in Rio, from where they will write to me. So far the
sea is very calm and their trip has been enjoyable and very restful. I am sure this long crossing
will be good for the two of them. I hope these two months will go by very quickly for them and
maybe for me as well, and that God will grant me progress in my recuperation, so that I will be
refreshed for the arrival of my husband and for Théodore’s wedding. I don't know if Nini will
come back with his father or he will stay for his own concerts.
I hope, dear friend, that the calm of your country house has been a great rest for you, which you
certainly need.
Thinking affectionately of you,
Your
C. Strawinsky
[P.S.] (I return to Sancellemoz on Friday)
�</text>
              </elementText>
              <elementText elementTextId="17152">
                <text>Catherine Stravinsky à Boulanger
Paris
le 15 avr. 36
Bien chère Amie,
Merci pour vos lignes affectueuses que j’ai reçues pour Pâques. Maman et moi vous en
remercions de tout cœur.
Nous avons pu échanger des télégrammes avec nos voyageurs le jour de Pâques et j’ai aussi reçu
trois lettres. Maintenant, il faut attendre leur arrivée a [sic] Rio d’où ils m’écriront. Jusqu’à
présent la mer est très calme et leur voyage agréable et très reposant. Je suis sûre que cette
longue traversée leur fera à tous les deux beaucoup de bien. J’espère que ces deux mois
passeront très vite pour eux et peut-être pour moi aussi et que Dieu me donnera de faire encore
des progrès dans mon rétablissement, que je pourrai de nouveau venir pour l’arrivée de mon mari
et pour la noce de Théodore. Je ne sais pas si Nini rentera avec son père ou s’il restera encore
pour ses concerts personnels.
J’espère, chère Amie, que le calme de votre maison de campagne vous a été d’un grand repos,
dont certainement vous avez besoin.
Je vous embrasse en pensant affectueusement à vous
Votre
C. Strawinsky
[P.-S.] (Je rentre vendredi à Sancellemoz)
�</text>
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        <name>Recipient: Nadia Boulanger</name>
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      <tag tagId="66">
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                <text>Catherine Stravinsky to Boulanger
[1936–1937]
My very dear Friend,
How can I thank you for these beautiful flowers brought to me at the exact moment of my
arrival. I am so touched and send my love.
Thinking of you,
C. Strawinsky
�</text>
              </elementText>
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                <text>Catherine Stravinsky à Boulanger
[1936-1937]
Très chère Amie,
Comment vous remercier de ces belles fleurs qu’on m’apporte au moment même de mon arrivée.
Je suis tellement touchée et vous embrasse de tout cœur,
Toute à vous
C. Strawinsky
�</text>
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                <text>Gavryil Païchadze to Boulanger
Paris
22 rue d’Anjou (8ème)
G. Païchadze
Director
Des Editions S &amp; N Koussevitzky:
Editions Russes de Musique
Edition A. Gutheil
September 5, 1931
Dear Mademoiselle,
I sent you the new proofs of Stravinsky’s Symphonie de psaumes (piano/vocal) yesterday by
registered mail along with the exemplar of the first edition that you corrected.
I would ask you to look at these proofs at your first available opportunity and to return them to
me as soon as will be possible for you. This urgency is caused by the fact that the first edition of
the score has been sold out to the last copy for quite some time, and we have been forced to
refuse requests for this work, which is most unpleasant for both the composer and the editor. The
new printing is therefore very urgent, especially because we must give several performances of
the Symphonie during the first months of this upcoming season.
In the hopes that you will understand this S.O.S. call and thanking you in advance, please accept
my most respectful sentiments, Madame.
Sincerely,
G. Païchadze
�</text>
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Paris
22 rue d’Anjou (8éme
)
G. Païchadze
Directeur
Des Éditions S &amp; N Koussevitzky :
Edition Russe de Musique
Edition A. Gutheil
5 septembre 1931
Chère Mademoiselle,
Je vous ai envoyé hier sous bandes recommandées les nouvelles épreuves de la Symphonie de
psaumes de Strawinsky (chant et piano) avec l’exemplaire de la première édition que vous avez
corrigé.
Je me permets de vous prier de regarder ces épreuves à votre premier moment libre et de me les
renvoyer aussi vite que ce sera possible pour vous. Cette urgence est causée par le fait que la
première édition de cette partition s’est épuisée jusqu’au dernier exemplaire il y a déjà un bon
moment et nous sommes obligés de refuser les demandes pour cette œuvre ce qui est très
désagréable pour le compositeur et pour l’éditeur. Le nouveau tirage presse donc beaucoup
d’autant plus que nous devons avoir beaucoup d’exécutions de cette Symphonie pendant les
premiers mois de cette saison.
Espérant que vous voudrez bien entendre cet appel de S.O.S. et vous remerciant d’avance, je
vous prie, chère Mademoiselle, de croire à mes sentiments respectueux.
G. Païchadze
�</text>
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                <text>Igor Stravinsky </text>
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          <element elementId="49">
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                <text>Stravinsky to Boulanger
I. Strawinsky
Pleyel
Paris
Mme [sic] Nadia Boulanger
Garganville [sic]
[August] 26, 1929
Dear friend,
I called your home to learn where to find you and was told it was necessary to write to you at
Garganville [sic], which is what I’m doing.
I absolutely need to see you to consult about a matter that is very important to me and concerns
the musical education of my younger son, who is a nineteen-year-old pianist.
Is it possible to see one another? I am staying in Paris for another ten days and I have come here
almost especially to settle his musical education in Paris and would be much obliged if you were
to arrange an appointment for me either here or at Pleyel’s, or (in case it is impossible for you
here) at Garganville,* where, in that case, I will come see you next week.
This weekend (which is to say Saturday, Sunday, and Monday until Tuesday afternoon) I will be
in the country, which is why I would be very grateful if you could send me a short
note by return post so that I will have it before heading to the countryside.
Thank you in advance, dear friend, and believe me to be your dearly devoted,
Igor Stravinsky
*Simply let me know
**How does one find you there?
�</text>
              </elementText>
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                <text>Stravinsky à Boulanger
Mme. Nadia Boulanger
A Garganville [sic] (S.&amp;O.)
1e 26 [août] 1929
Cère [sic] amie,
J’ai téléphonné [sic] chez vous pour savoir où vous trouvez et on m’a dit qu’il fallait vous écrire
à Garganville [sic], c’est ce que je fais.
J’ai absolument besoin de vous voir pour vous consulter d’une affaire assez importante pour moi
et qui concerne l’éducation musicale de mon fils cadet qui est un pianiste de 19 ans.
Est-ce possible de se voir ? Je reste à Paris encore 10 jours et je suis venu presque spécialement
pour lui arranger son éducation musicale à Paris et vous serai bien reconnaissant de me fixer un
rendez-vous soit ici, chez Pleyel, soit (en cas qu’il vous est [sic] impossible ici) à Garganville*
[sic] même où je viendrai vous voir la semaine prochaine dans ce cas.
Ce week-end (c. à d. samedi, dimanche, et lundi jusqu`à mardi après-midi) je serai à la campagne
c’est pourquoi je vous serai très reconnaissant de m’envoyer un petit mot de réponse par ret. du
cour. afin de l’avoir encore avant d’aller à la campagne.
Merci d’avance, chère amie, et croyez-moi votre bien dévoué
Igor Strawinsky
*Indiquez moi seulement
**Comment vous trouver dans cette localité
�</text>
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      </tag>
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      </tag>
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        <name>Gargenville</name>
      </tag>
      <tag tagId="22">
        <name>Music Lessons</name>
      </tag>
      <tag tagId="20">
        <name>Pleyel</name>
      </tag>
      <tag tagId="361">
        <name>Recipient: Nadia Boulanger</name>
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                <text>Chapter 1, 12 September 1931</text>
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          <element elementId="40">
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                <text>Stravinsky to Boulanger
Isère
La Virronière
Voreppe
Les Maisonettes
Hanneucourt
by Gargenville (S&amp;O) PTH 28
September 12, 1931
Very dear friend,
Thank you with all my heart for the trouble you have taken with this, and please kindly forgive
the haste of my responses.
Attached are the blue pages with my answers written beside them in the margins.
As for the first two questions of your letter—(1) indication of the Psalm numbers and (2) the use
of men’s and children’s voices, and in their absence, women’s voices in the composition—it is
completely essential to include this in the piano/vocal reduction. For the rest, if I remember, I’ve
already spoken to Païchadze about the matter. But my memory fails me to such a point [I have
even forgotten what my Symphonie de psaumes is called] that I can’t seem to remember anything
anymore! It’s becoming terrible.
Please believe in my loyal friendship and my infinite thanks,
Your
Igor Strawinsky
�</text>
              </elementText>
              <elementText elementTextId="17194">
                <text>Stravinsky à Boulanger
Isère
La Virronière
Voreppe
Les Maisonettes
Hanneucourt
By Gargenville (S&amp;O) PTH 28
le 12 septembre 1931
Trés [sic] chère amie,
Merci de tout cœur pour la peine que vous y prenez et excusez-moi magnanimement la hâte de
mes réponses.
Ci-joint les pages bleues avec mes réponses à côté de vos questions sur leurs marges.
Quant aux deux premières questions de votre lettre :
1) l’indication des numéros des Psaumes et 2) la mention de la composition du chœur pour voix
d’hommes et d’enfants avec, à leur défaut, des voix de femmes, très indispensable de l’inserrer
[sic] dans cette réduction de piano et chant de chœur. Du reste, s’il m’en souvient, j’en ai parlé
dans ce sens à Païchadze. Mais la mémoire me fait à tel point défaut que [j’ai même oublié
comment s’appelle ma Symphonie de psaumes] je ne me souviens plus de rien! Ca dévient [sic]
terrible
Croyez à ma fidèle amitié et à ma reconnaissance infinie.
Votre
Igor Strawinsky
�</text>
              </elementText>
            </elementTextContainer>
          </element>
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      <tag tagId="457">
        <name>1931</name>
      </tag>
      <tag tagId="360">
        <name>Author: Igor Stravinsky</name>
      </tag>
      <tag tagId="118">
        <name>Gavryil Païchadze</name>
      </tag>
      <tag tagId="459">
        <name>Igor Location: Voreppe</name>
      </tag>
      <tag tagId="462">
        <name>Nadia Location: Gargenville</name>
      </tag>
      <tag tagId="361">
        <name>Recipient: Nadia Boulanger</name>
      </tag>
      <tag tagId="32">
        <name>Symphonie De Psaumes</name>
      </tag>
      <tag tagId="33">
        <name>Symphony of Psalms</name>
      </tag>
    </tagContainer>
  </item>
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                  <text>Boulanger and the Stravinskys, Chapter 1</text>
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          <element elementId="39">
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          <element elementId="49">
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              </elementText>
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          <element elementId="48">
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            <description>A related resource from which the described resource is derived</description>
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              </elementText>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>5-18 June 1932</text>
              </elementText>
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            <elementTextContainer>
              <elementText elementTextId="17185">
                <text>Stravinsky to Boulanger
Voreppe (Isère)
June 5–8, 1932
How can I thank you, dear Nadia, for your sketches that are so full of a friendship, which is
particularly precious to me since I know only too well the priceless virtues of your heart and
ears!
But, I beg of you, do not be extravagant in finding me things that I love passionately but which
are, because of the dark times in which we live, unaffordable for us other musicians. Leave those
to the rich, if there are any left.
Most fondly,
Your 50-year-old friend*
Igor Strawinsky
*OK, I know it’s “Quinquagenarian,” but the number sounds better
�</text>
              </elementText>
              <elementText elementTextId="17186">
                <text>Stravinsky à Boulanger
Voreppe (Isère)
le 5-18 juin [19]32
Comment vous remercier, chère Nadia, pour vos esquisses pleinne [sic] d’amitié qui m’est tant
particulièrement précieuse puisque je connais trop bien les qualités inestimables de votre cœur et
de votre oreille !
Mais, je vous en supplie, ne faites pas des folies pour me trouver des choses que j’aime
passionnément mais qui sont, par le sinistre temps que nous vivons, inabordables, pour nous
autres musiciens. Laissons cela aux riches s’il y [sic] a.
Je vous embrasse de tout cœur
Votre cinquantenaire*,
Igor Strawinsky
*quinquagenaire [sic], j’admets, mais le nombre sonne mieux
�</text>
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      </tag>
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      </tag>
      <tag tagId="43">
        <name>Birthday</name>
      </tag>
      <tag tagId="459">
        <name>Igor Location: Voreppe</name>
      </tag>
      <tag tagId="361">
        <name>Recipient: Nadia Boulanger</name>
      </tag>
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