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                <text>Boulanger to Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
Monsieur I. Strawinsky
1260 North Wetherly Drive
Hollywood 46
California
July 28, 1944
How kind and good you are. Thank you with all my heart. We are working on the Sonata here
for the Sisters and it is such a joy. We’re preparing Palestrina’s St. Dominic Mass, and the Mass
and the Sonata illuminate one other—they present the same problems, fundamentally—and the
material is so beautiful. Oh, how the two pianos sound . . .
No need for effusions, you know what I think better than I do!
To both of you, with all my heart,
Nadia
[P.S.] Everyone here is talking about you! Sister Edward and Sister Ignatia send many thoughts
to you.
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                <text>Boulanger à Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
Monsieur I. Strawinsky
1260 North Wetherly Drive
Hollywood 46
California
28 juillet 1944
Que vous êtes gentil, et bon. Merci de tout cœur. Nous travaillons la Sonate ici, pour les Sœurs,
et c’est une telle joie. Préparons une messe de Palestrina pour la St. Dominic, et le Messe et la
Sonate s’éclairent mutuellement, mêmes problèmes, au fond, et si belle matière. Comme les deux
pianos sonnent…
Allons, pas d’effusions, vous savez ce que je pense mieux que moi!
A vous deux de tout cœur
Nadia
[P.-S.] Tout le monde parle de vous ici! Sister Edward et Sister Ignatia vous envoient tant de
souvenirs.
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                <text>Stravinsky to Boulanger
July 18, 1944
Can we play the Sonata?
NO – NO
Don’t worry yourself about this. There are more important things. Of course:
“Yes.”
With fondness, my very dear Nadia
Your
I Str.
�</text>
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                <text>Stravinsky à Boulanger
18 juillet 1944
Peut-on jouer la sonate [sic] ?
NON – NON
Ne vous faites pas de soucis de ce genre. Il y a des choses plus importantes. Certainement que
« Oui ».
Vous embrasse très chère Nadia,
Votre
I Str.
�</text>
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                <text>Stravinsky to Boulanger
July 16, 1944
My dear,
Read this—Mr. Tangeman sent me these two articles with this remark: “Professor Guido
Stempel is a retired professor of philology without musical training.[”] The other article is from
the “student paper” in which the “musical training” does not appear to me to be clear.
What is the point of making this effort to receive such a reaction?
When will I see you?
Personally, I cannot yet travel.
Love Kisses,
I. Str.
�</text>
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                <text>Stravinsky à Boulanger
16 juillet 1944
Chère,
Lisez ça—Mr. Tangeman m’envoi [sic] ces deux articles avec cette Remarque [sic]: “Professor
Guido Stempel is a retired professor of philology without musical training. The other article is
from the student paper” dont la “musical training” ne me parait [sic] pas evident.
Cela valait la peine de faire cet effort, pour recevoir une pareille réaction.
Quand vous verrai-je?
Moi, je ne puis encore bouger.
Love Kisses
I. Str.
�</text>
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        <name>Nell Tangeman</name>
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      <tag tagId="361">
        <name>Recipient: Nadia Boulanger</name>
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      <tag tagId="183">
        <name>Robert Tangeman</name>
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                <text>Boulanger to Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
July 15, 1942 [recte 1944]
Dear Igor,
Since yesterday, a struggle between despair and rage! As I had told you, I wanted to give an
informal performance at Indiana University, Bloomington. And upon informing my student of
this, I told him: private performance, insisting that he publish nothing before I gave him an exact
text for the program. In his excessive joy, the idiot in fact published nothing except for the only
thing that he ought not have—and announced the premiere of your Sonata. I just sent him a livid
note that, barring a miracle, we could no longer play the Sonata thanks to his “disobedience”—
what do you think about this? I’m upset, but, how could I have foreseen that these precautions
would be inadequate. If you confirm my decision—place an (X) on the slip of attached paper
following “no.” If, given that it is a music school, you choose to overlook it—an (X) following
“yes.” But, I will understand (despite my despair), if it is rage that you choose and refuse in a fit
of anger.
Am proud of my honesty, because . . . You would undoubtedly never have known of his gaffe
otherwise. This is not blackmail—I am consoling myself over the fury I’ve felt since yesterday!
So terrible!
I’ll write Vera another day—first I’m going to confession!
With heartfelt affection for both of you,
NB
�</text>
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                <text>Boulanger à Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
15 Juillet 1942 [recte 1944]
Cher Igor,
Depuis hier, lutte entre la [sic] désespoir et la rage ! Comme je vous l’avais dit, je voulais donner
une audition, informelle, à Indiana University, Bloomington. Et en faisant part à mon élève, je lui
ai dit : private performance, en insistant qu’il ne publie rien avant que je lui donne un texte exact
pour le programme. Dans l’excès de sa joie, l’idiot n’a en effet rien publié, sauf la seule chose
qu’il ne fallait pas dire—et a annoncé la 1ère
de votre Sonate. Je viens de lui envoyer un mot
fulminant, lui annonçant que, à moins d’une sorte de miracle, on ne pouvait plus jouer la
[S]onate, grâce à sa « désobéissance »—qu’en dites-vous? Je suis navrée, mais, comment
pouvais-je prévoir que de telles précautions étaient insuffisantes. Si vous confirmez ma
décision—mettez une croix sur le petit papier ci-joint à la suite de non. Si, étant donné qu’il
s’agit d’une école de musique, vous êtes disposé à passer outre—une croix à la suite de oui.
Mais, je comprendrai, (malgré le désespoir), si c’est ma rage que vous choisissez et refusez, dans
un mouvement de colère.
Suis fière de mon honneteté[sic], car….Vous n’auriez sans doute jamais su sa gaffe. Ceci n’est
pas du chantage—je me console de ma fureur, depuis hier ! Assez affreuse !
Véra écrirai [sic] un autre jour—vais d’abord aller me confesser !
Vous embrasse tous deux de tout cœur
NB
�</text>
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                <text>Boulanger to Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
Mr. I. Strawinsky
1260 N. Wetherly Drive
Hollywood 46
California
July 2, 1944
Look what I received, Dear Igor—what do you suggest?
Too occupied since my arrival here to write, but between the lecture this winter, the memories of
each of your gestures, setting to rights what I said, sorting out the Sonata, and the Circus Polka,
the lecture on Babel, on Scherzo [à la] Russe, on Perséphone, and then my heart “that beats only
for you” as the song says, and it doesn’t lie. Truly, you are always here and present in Madison!
We live, quite tensely, somewhat somberly, with some relaxation, [illegible word] in the calm of
this place.
My best to Vera and you, my Dear—and already I say with impatience: When am I going to see
you again.
Your
N
[P.S.] Abbot Fortier . . . thrilled. But does not want to thank you before he has read—read and
understood everything. He’s not used to these combinations and so [he] struggles!!
�</text>
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                <text>Boulanger à Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
Monsieur I. Strawinsky
1260 N. Wetherly Drive
Hollywood 46
California
2 juillet 1944
Voici ce que je reçois, Cher Igor—que conseillez-vous ?
Trop occupée depuis mon arrivée ici pour écrire, mais entre la conférence de cet hiver, les
souvenirs de chacun de vos gestes, la mise au point que dis je [sic], le débrouillage de la Sonate
et de la Circus Polka, la lecture de Babel, du Scherzo Russe, de Perséphone—et puis mon cœur
« qui ne bat que pour vous » comme dit la chanson, et elle ne ment pas. Enfin, vous êtes
vraiment hote [sic] omniprésent à Madison !
On vit, bien tendu, un peu trop sombre, avec une détente, dû au calme de ce lieu.
Je vous embrasse Vera et vous, mon bien Cher—et déjà me dis avec impatience : Quand vais-je
enfin les revoir.
Votre
N
[P.-S.] L’Abbé Fortier…ravi. Mais ne veut pas vous remercier avant d’avoir lu—tout lu et
entendu—n’est pas habitué à cette combinaison, et se bat !!
�</text>
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                <text>Igor Stravinsky</text>
              </elementText>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>Nadia Boulanger </text>
              </elementText>
            </elementTextContainer>
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          <element elementId="48">
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            <description>A related resource from which the described resource is derived</description>
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                <text>Bibliothque Nationale De Paris</text>
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                <text>Stravinsky to Boulanger
Hollywood
March 18, 1944
My dear Nadia,
I don't have a memory for dates but it seems to me that it was in March 1935 that your dear
mother died, nine years ago . . .
I will not forget her in my prayers. I am thinking of you and send you my fondest wishes.
Your
I Str.
[P.S.] Tomorrow is the centenary of my dear Rimsky Korsakov.
�</text>
              </elementText>
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                <text>Stravinsky à Boulanger
Hollywood,
le 18 mars 1944
Ma chère Nadia,
Je n’ai pas la mémoire des dates mais il me semble que c’était en mars 1935 que votre chère
mère était décédée, il y a neuf ans…
Je ne l’oublierai pas dans mes prières. Je pense à vous et vous embrasse très affectueusement.
Votre
I Str.
[P.-S.] Demain c’est le centenaire de mon chère [sic] Rimsky Korsakov.
�</text>
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        <name>Igor Location: California</name>
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      <tag tagId="361">
        <name>Recipient: Nadia Boulanger</name>
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      <tag tagId="178">
        <name>Rimsky Korsakov</name>
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    </tagContainer>
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              <name>Title</name>
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                  <text>Boulanger and the Stravinskys, Chapter 3</text>
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                  <text>English translation and transcription of French originals from Chapter 3 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018)</text>
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                <text>Chapter 3, 4 March 1944</text>
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                <text>Nadia Boulanger </text>
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          <element elementId="49">
            <name>Subject</name>
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                <text>Igor Stravinsky</text>
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          <element elementId="48">
            <name>Source</name>
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            <elementTextContainer>
              <elementText elementTextId="14163">
                <text>Paul Sacher Stiftung</text>
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            <name>Date</name>
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                <text>4 March 1944</text>
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                <text>Boulanger to Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
March 4, 1944
Dear Igor,
What Happiness to have the Sonata—how I love it, how balanced it is and how correct it is.
I cannot write to you, nor write about your music, because crushing humility overwhelms me
and my ridiculous attempt, but I know with unmistakable certainty that I love and understand it
as it must be, as it is. What pretension! I know . . . but this is the pretension I have, and every day
I thank God for having given me the dignity to measure my weakness, and furthermore the
privilege to know what it is.
THANK YOU
This is a “flippant” letter from a certain point of view, and absurd. This comes from being taught
to question and abolish all distance and to assume all liberties. But it’s a child who’s writing it,
and undoubtedly there is more [to this] than it seems, but . . . poor little one! And a few stamps to
settle the debt. Having stolen $4.36 of the $7.50 from you, I therefore steal from you $0.72 from
$15.00, and so as to not alert the police, here is what will spare me further complications.
With heartfelt affection,
Nadia B
�</text>
              </elementText>
              <elementText elementTextId="16960">
                <text>Boulanger à Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
4 mars 1944
Cher Igor,
Quel Bonheur d’avoir la Sonate—comme je l’aime, comme elle s’équilibre, et comme elle a
raison.
Ne peux pas vous écrire, ni écrire à propos de votre musique—car alors l’humilité devient
écrasante, et la tentative ridicule, mais je sais avec cette certitude qui ne trompe pas que je l’aime
et l’entends comme il faut, comme elle est. Quelle prétention ! Je sais…mais cette prétention là je
l’ai, et tous les jours je remercie Dieu pour m’avoir donné la dignité de mesurer ma faiblesse, et
pourtant le privilège de savoir ce qui est.
MERCI
La lettre est « flippante » d’un certain point de vue, et absurde, cela résulte de l’éducation
donnée, questionner, abolir toutes les distances, et s’arroger toutes les libertés. Mais c’est un
enfant qui l’écrit, et sans doute y a-t-il là plus que l’on ne croit, mais…pauvre petit ! Et quelques
timbres, pour faire de bons comptes. Vous ayant volé 4.36 sur 7.50. Je vous vole donc 0.72 sur
15.00 et afin de ne pas alerter la police, voilà ce qui m’évitera des complications.
Vous embrasse tous deux de tout cœur.
Nadia B
�</text>
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        <name>Igor Location: California</name>
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      <tag tagId="544">
        <name>Nadia Location: Montecito</name>
      </tag>
      <tag tagId="357">
        <name>Recipient: Igor Stravinsky</name>
      </tag>
      <tag tagId="190">
        <name>Sonata for Two Pianos</name>
      </tag>
    </tagContainer>
  </item>
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