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                <text>Boulanger to Igor and Vera Stravinsky
Gerry’s Landing
Cambridge
Massachusetts
Trowbridge 7339
Studio
197 Coolidge Hill
Mr. &amp; Mrs. I. Strawinsky
1260 North Wetherly Drive
Hollywood
California
December 19, 1941
(Mother’s birthday)
Dear Vera and Igor,
Christmas will be here soon, and my thoughts are dedicated to reuniting with you, mixed with
the memories, the hopes, of those present and those absent. It is too emotional to try to say what
is felt, what is thought, and what is desired. But you know that there is not a day when I do not
feel you close to me, when I do not feel close to you.
And in the certainty of this very old and sure affection, I send my love to you both, and I am
wholeheartedly your
Nadia
1942
�</text>
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                <text>Boulanger aux Stravinskys (Véra et Igor)
Gerry’s Landing
Cambridge
Massachusetts
Trowbridge 7339
Studio
197 Coolidge Hill
Mr &amp; Mrs I. Strawinsky
1260 North Wetherly Drive
Hollywood
California
19 déc. 1941
(Anniversaire de Maman)
Chers Vera et Igor,
Voici bientôt Noël—et mes pensées vont tout particulièrement vous rejoindre—mêlant les
souvenirs, les espoirs, les présents, et les absents. On est trop ému pour tenter de dire ce qu’on
sent, ce qu’on pense, et ce que l’on veut. Mais vous savez qu’il n’est pas de jour où je ne vous
sens pas près de moi, où je ne me sens pas près de vous.
Et dans la certitude de cette affection si vieille, si sûre, je vous embrasse tous deux, du meilleur
de mon cœur me disant votre
Nadia
�</text>
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                <text>Boulanger to Stravinsky
Avon Old Farms
Avon, Connecticut
Gerry’s Landing
Cambridge Mass
7 Nov. 1941
Finally found a Littré, Dear Igor. But $60.00—$28.00 is better. I didn’t dare take it—but if you
want it, say the word—because the new copy is $100.00 and it seems improbable that we’ll find
others.
I’m taking the train in a few moments which explains my somewhat frantic letter. But know that
I think of you both all the time.
Fond regards,
Nadia
�</text>
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                <text>Boulanger à Stravinsky
Avon Old Farms
Avon, Connecticut
Gerry’s Landing
Cambridge Mass
7 nov. 1941
Enfin trouvé un [sic] littré [sic], Cher Igor—Mais—$60.00—le mieu [sic], $28.00. Je n’ai pas
osé le prendre—si vous le voulez pourtant, dire [sic] un mot—car l’exemplaire neuf lui est à
100.00 et il semble improbable qu’on en trouve d’autres.
Prends le train dans quelques instants ce qui explique ce mot [quasi] fébrile—vous sentirez
pourtant tous deux que je pense à tous deux sans cesse.
Je vous embrasse
Nadia
�</text>
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                <text>Stravinsky to Boulanger
1260 North Wetherly Drive
Hollywood, California
October 13, 1941
My dear Nadia,
A note to remind you not to forget to bring with you (when you come to see us this Friday) the
Harvard University Press form letter—I need to respond to him and I can’t even remember his
name!!! Also bring with you, if you think they’ll be useful, the letters and notes concerning my
Symphony.
We’re looking forward to seeing you, dearest,
Your
I St.
[P.S.] My fondest regards to the Sachses. I do not believe that it will be possible for us to come
to Santa Barbara this weekend—too many things are stalled and there are so many letters to
write.
�</text>
              </elementText>
              <elementText elementTextId="17114">
                <text>Stravinsky à Boulanger
1260 North Wetherly Drive
Hollywood, California
13 octobre 1941
Ma chère Nadia,
Ces lignes pour vous rappeler de ne pas oublier de prendre avec vous (quand vous viendrez nous
voir, ce vendredi) la lettre du type de la Harvard University Press—je dois lui repondre [sic] et je
ne me rappelle même pas de son nom!!! Prenez aussi avec vous, si vous le jugez utile, les lettres
et notes conçernant [sic] ma Symphonie.
On vous attends [sic], très chères,
Votre
I St.
[P.-S.] Miles [sic] choses aux Sachs. Je ne crois pas qu’il nous sera [sic] possible de venir cette
fin de semaine à Santa Barbara—trop de choses restées en panne et des lettres à écrire.
�</text>
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                <text>Stravinsky to Boulanger
1260 North Wetherly Drive
Hollywood, California
August 5, 1941
My dear Nadia,
Happy to know you [are] so close. May this stay with the good Sachses do you some good and
may this short vacation give you new strength—you need it since you give it away left and right
so generously.
The more you spend your energies thus, the more troubled your conscience will become. I know
that you have nothing to blame yourself for. These troubles are part of your nature and they will
torment you less when your heart’s strength returns to you. May God come to your aid.
Yours,
I Str.
[P.S.] Mr. Bliss was operated on last Saturday. We sent a telegraph to Mrs. Bliss to ask for news.
�</text>
              </elementText>
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                <text>Stravinsky à Boulanger
1260 North Wetherly Drive
Hollywood, California
le 5 août 1941
Ma chère Nadia,
Heureux de vous savoir si près. Que ce séjour chez les bons Sachs vous fasse du bien et que ces
courts[sic] vacances vous donnent des nouvelles forces—vous en avez besoin puisque vous les
distribuez si généreusement à droite et à gauche.
Plus vous les depenserez [sic] plus forts devant [sic] vos troubles de conscience. Je sais que vous
n’avez rien à vous reprocher. Ces troubles font partie de votre nature et ils vous tourmentèrent
[sic] moins quand les forces du cœur vous reviendront, Que Dieu vous vienne en aide.
Votre
I Str.
[P.-S.] Mr. Bliss était opéré samedi dernier. Nous avons télégraphié à Mrs. Bliss pour avoir des
nouvelles
�</text>
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                <text>Boulanger to Stravinsky
Chicago, Illinois [stamp]
c/o Mrs. Arthur Sachs
Ra Ben Farm
Hope Ranch Park
Santa Barbara Cal.
Mr. Igor Strawinsky
1260 North Wetherly Drive
Hollywood
California
August 1, 1941
Dear Friend,
Thank you for your letter—I will be in Santa Barbara on Monday, but will be resting for at least
ten days. I just finished my courses at the Convent, and . . . I don’t have a choice. It is nothing,
and it is not important. But an old tired heart does not bear it—in addition to the daily effort, the
remorse—and I cannot get used to the idea of having left them there, suffering, oh what
suffering. I know that certain tasks can only be accomplished this way, and I have the dearest
friends here like you couldn’t imagine—the most faithful. I have understood the value of these
weeks at the Convent, the work demands all of my attention—but . . . something stronger than all
that haunts my thoughts: “You left everything.” [Even] if I were to face hardship here,
everything is easy—and despite all that I have, my conscience is troubled and that is greater than
any reason, even the serious, concrete [ones], that I have to pursue my work here. And I know
this is all that one can do.
See you soon, I hope. We will arrange something, because we must settle these parts once and
for all (if that is even imaginable!).
You told me nothing of Milène, of Sviétik, but I guess there is the world between you, and
Théodore, harder again for you than for him!
To Vera and to you, with all my affection,
NB
�</text>
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Chicago, Illinois
C/O Mrs. Arthur Sachs
Ra Ben [sic] Farm
Hope Ranch Park
Santa Barbara Cal.
Monsieur Igor Strawinsky
1260 North Wetherly Drive
Hollywood
California
1[er
] août 1941
Cher Ami,
Merci de votre lettre—je serai à Santa Barbara lundi, mais pour être au repos pendant au moins
[dix] jours. Je viens de finir mes cours au Couvent, et…je n’ai pas le [sic] choix. Ce n’est rien, et
cela n’a pas d’importance. Mais un vieux cœur fatigué ne supporte pas, en plus de l’effort
journalier, les remords—et je ne peux me faire à l’idée de les avoir laissé là-bas, souffrant, quelle
souffrance. Je sais, certains devoirs ne sont possibles qu’ainsi, et j’ai ici des amis, comme on
n’en peut imaginer de plus chers—de plus fidèles. J’ai compris la valeur de ces semaines au
Couvent, le travail demande toute mon activité—mais…quelque chose de plus fort que tout
obsède ma pensée : « Tu as tout quitté ». Si je vivais ici de privations, mais tout est facile—et
malgré tout ce que j’ai le trouble de ma conscience est plus grand que toutes les raisons, même
sérieuses, réelles, que j’ai de poursuivre ma tache [sic] ici. Et je sais tou[t] ce qu’on peut faire.
A bientôt, j’espère—nous arrangerons quelque chose—car il faut regler [sic] ce matériel une fois
pour toutes (si cela est imaginable !)
Vous ne me dîtes rien de Milène— de Sviétik—et je devine ce qu’est ce monde entre vous—et
Theodore—plus dur encore pour vous que pour lui !
A Vera et à vous, en toute affection.
NB
�</text>
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                <text>Stravinsky to Boulanger
1260 North Wetherly Drive
Hollywood, California
July 29, 1941
Dear friend,
I received your letter of June 29 in Mexico City and am just responding to you today with a
couple of words to thank you for it. Reply quickly by return mail if you are coming here (or to
Santa Barbara where Mrs. Bliss is waiting for you) since in that case it would be simpler to look
at things concerning my symphony together and to make decisions face to face. It’s so
complicated to correspond on such subjects. I am so grateful to you for taking care of this, thank
you with all my heart! I am back from Mexico City with the two orch[estral] scores, mine and
the grey one that I want to try to correct according to my own. Can you believe those idiots at the
Associated Music Publishers sent (for some potential performances) a complete version of my
symphony to London before they had received your corrections!!!!!! So I await your response
doubly impatiently.
I’m sorry to hear that you’re in a poor state of health and beg you to give me details, if only as an
exception [to what you would usually do]. Is it your nerves, insomnia, or something bigger yet? I
am very worried.
I’ve just received a letter from Théodore who, the poor boy, was taken away by two policemen
to a concentration camp close to Toulouse where he spent four horrible days dying of hunger, a
result of measures taken by the government against all Russians without exception (Red or
White), following the break in diplomatic relations with the Soviets. If it wasn’t for the Swiss
Consul at Toulouse who acted as guarantor for my poor Théodore, he would still be imprisoned
like the others. Such noble measures are taken, probably to please Hitler, against refugees
deprived of all their rights. And [to think] Théodore offered his services to the French army at
the beginning of the war! The other day in Mexico City someone asked if I was for Pétain or,
like many French here, a “Degaullist,” I responded to them that I am “Disgueulsted.”
Very affectionately yours,
I. Stra
�</text>
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                <text>Stravinsky à Boulanger
1260 North Wetherly Drive
Hollywood, California
29 juillet 1941
Chere amie,
Votre lettre du 29 juin recue a Mexico et ne vous reponds qu’aujourd’hui quelques mots pour
vous en remercier. Repondez-moi vite par retour du courrier si vous venez ici (ou a Santa
Barbara ou Mme Bliss vous attend) puisque dans ce cas il serait plus simple de voir les choses
qui concernent ma symphonie ensemble et de prendre des decisions de vive voix. C’est si
complique de correspondre sur de pareils sujets. Je vous suis si reconnaissant de vous en
occuper, merci de tout cœur ! Je suis revenu de Mexico avec les deux partitions d’orch., la
mienne et la grise que je veux tachez [sic] de corriger d’apres la mienne. Immaginez-vous[sic]
que ces idiots de l’Associated Music Publishers ont expedie a Londres (pour des executions
eventuelles[sic]) un complet de ma symphonie avant qu’ils ayent [sic] recu vos corrections!!!!!!
J’attends donc avec une double impatience votre reponse.
Desole [sic] de vous savoir en mauvais etat de sante vous prie de me donner, ne serait-ce que par
exception, des details. Est-ce que c’est les nerfs, l’insomnie ou des choses plus importantes
encore ? Je suis tres inquiet.
Viens de recevoir une lettre de Theodore qui, le pauvre, etait emmene par deux gendarmes dans
un camp de concentration pres de Toulouse ou il a passe quatre affreuses journees crevant de
faim resultat de mesure prise par le gouvernement contre tous les russes sans exception (rouges
ou blancs) apres la rupture des relations diplomatiques avec les soviets . Si ce n’était le consul
suisse a Toulouse qui s’est porte garant de mon pauvre Theodore ce dernier serait toujours
emprisonne comme les autres. Nobles mesures prises, probablement pour faire plaisir a Hitler,
contre des refugiers prives de tous les droits. Et dire que Theodore a offert au debut de la guerre
ses services a l’armee francaise ! L’autre jour a Mexico quelqu’un m’avait demande si j’etais
pour Petain ou comme beaucoup de francais [sic] ici « Degaullistes », je leur ai repondu que je
suis Degueuliste.
Tres affectueusement,
Votre
I. Stra
�</text>
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                <text>Stravinsky to Boulanger
June 12, 1941
Good Lord, my dear Nadia! Your letter deeply distressed me! A single thing remains constant—
that is, your plan to come to Santa Barbara. So long as events don’t make you change your mind.
With deepest affection,
Your
I Str.
[P.S.] How is your arm? Have you been able to arrange your trip to Canada?
[P.P.S] Warm wishes to Sister Edward, please.
�</text>
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                <text>Stravinsky à Boulanger
12 juin [19]41
Quel divine, ma pauvre Nadia ! Votre lettre m’a beaucoup affligé. Une seule chose constante—
c’est votre projet de venir à Santa Barbara. Pourvu que les événements ne vous fassent pas
[changer] l’idée. Je vous embrasse très affectueusement,
Votre
I. Str.
[P.-S.] Comment vas [sic] la [sic] bras ? Avez[-]vous pu arrangé [sic] votre trip au Canada?
[P.P.-S.] Mes fidèles pensées à Sister Edward, je vous prie.
�</text>
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                <text>Nadia Boulanger </text>
              </elementText>
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          <element elementId="49">
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                <text>Igor Stravinsky</text>
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                <text>Paul Sacher Stiftung</text>
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                <text>Boulanger to Stravinsky
Gerry’s Landing
Cambridge, Massachusetts
Throwbridge 78–89
May 30, 1941
Dear Igor,
Forgive my silence, but everything justifies it—first, the worrying preoccupation we all share,
then the student who was to help me work for you was ill, and finally my arm has made writing
very difficult all these past months (while falling I horribly bruised my muscles and my nerves
are still very sore.)
I only had one new score, the second one—and this makes the work more uncertain, because I
have the feeling that I’m forgetting piles of details—moreover, I’ve had to accept, with much
gratitude, to go teach at Sister Edward’s Convent where I’ll be from June 18 to June 26—going
afterward to Santa Barbara (assuming this is still possible!)
I would have to find the right score here with the already corrected parts, around the 15th or 20th
of August (I have to go to Canada again for my visa to be changed to a Professor Visa) and I will
do everything that is possible. But the truth is that new parts must be created, and this I cannot
take on. The student who wanted to do it will not be here for months, unfortunately, and Barbara
does not have the means to assume such work. Ultimately, I will do all that I can—if you knew
how painful it is to write, you would understand why I’ve really not been able to do it.
It is peculiar, I was convinced I wrote to you several weeks ago, when I spoke with you about the
house, about this summer—was it actually a dream? I suddenly have doubts, and yet I can even
remember what I told you. I don’t know myself, anymore! My love to both of you,
NB
[P.S.] I hope to give you the Ave Maria next week. But . . . so many promises have already been
made to me that I don’t believe anything anymore—still, I have Noces, Apollon, Symphonie de
psaumes, Sérénade, etc. . . .
[P.P.S.] Am distressed.
�</text>
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                <text>Boulanger à Stravinsky
Gerry’s Landing
Cambridge, Massachusetts
Throwbridge 78-89
30 mai 1941
Cher Igor,
Pardon de mon silence—mais tout l’excuse—d’abord l’état d’affreuse préoccupation où nous
sommes tous, puis, la maladie de l’élève qui devait m’aider à travailler pour vous, enfin, un bras
qu’a rendu écrire très difficile tous ces mois-ci (en tombant...horriblement froissé des muscles, et
des nerfs encore très douloureux.)
Je n’avais qu’un matériel neuf, la 2de
partition—et cela rend le travail des plus douteux, car j’ai
l’impression d’oublier des tas de détails—de plus, j’ai dû accepter, avec quelle gratitude, d’aller
enseigner au Couvent de Sister Edward où je serai du 18 Juin [sic] au 26 Juillet [sic]—allant
ensuite à Santa Barbara (en admettant que tout cela soit encore possible !)
Il faudrait que je trouve la bonne partition ici avec le matériel déjà corrigé, vers le 15 ou 20 août
(il faut encore aller au Canada pour que mon visa soit changé en Professor Visa) et je ferai tout
ce qu’il est possible—mais la vérité c’est qu’il faudrait faire un matériel neuf—et cela je ne peux
l’entreprendre—l’élève qui voulait le faire ne sera pas en étant[sic] d’ici des mois. Hélas, et
Barbara n’a pas les moyens de se charger d’un tel travail. Enfin, je ferai tout ce que je pourrai—
si vous saviez combien c’est pénible d’écrire, vous comprendriez pourquoi je n’ai vraiment pas
pu le faire.
C’est singulier, j’étais persuadée vous avoir écrit, il y a quelques semaines, quand je vous ai
parlé de la maison, de cet été—est-ce vraiment un rêve ?—J’ai tout-à-coup des doutes—et
pourtant, je croyais même me souvenir de ce que je vous disais. Je ne sais plus moi-même ! Je
vous embrasse tous deux, avec la plus profonde affection.
NB
[P.-S.] J’espère vous offrir un Ave Maria la semaine prochaine. Mais…tant de promesses m’ont
déjà été faites que je ne crois plus à rien –pourtant j’ai Noces, Apollon, Symphonie de psaumes,
Sérénade, etc…
[P.P.S] Affligée
�</text>
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                <text>Igor Stravinsky</text>
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                <text>Nadia Boulanger </text>
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                <text>Stravinsky to Boulanger
2160 North Wetherly Drive
Hollywood, California
May 19, 1941
My dear Nadia,
Once again it has been a long time since I’ve heard any news of you. Are you still in Cambridge,
are you on vacation (rather implausible)? It has been an eternity (March 17) since you sent me
your (unfortunately sad) news. Since then, the Associated Music Publishers, in their letter from
April 1, spoke to me about you, letting me know that “the material of your Symphony was sent
to Miss Boulanger . . . she wrote us in the meantime that her corrections would be delayed as
she is rather busy at this time.” Is this time over? I’m wondering about this with a certain degree
of concern for two reasons: (1) My concert in Mexico City, where I am playing my symphony, is
approaching and I am wondering if I will be able to count on this newly corrected material from
you. (2) If we had sent you the unchanged piece from which I had conducted along with the
unaltered material (in order to help you with the corrections), I am scared that the Associated
Music Publishers, having to deliver this corrected material to the Mexico Philharmonic (it is
necessary to allow 10 to 14 days to send it from New York to Mexico) for my concerts
(beginning of July), will be obliged to take [the score] away from you, thereby interrupting your
precious work. Unless you will be able to continue correcting it according to the corrections
written partially in the gray score and on the bottom of the paper. As you see I am completely
ignorant of what is going on. A note from you would settle my nerves, providing the letter is
reassuring.
I received a letter from Mr. Forbes letting me know about his “Committee’s” refusal to publish
my lectures in two languages. I thought as much. They are now proposing to publish them only
in their original language, i.e., French. I consented. Their reasoning is incomprehensible to me. If
the edition, with the two combined texts, frightened them—a higher cost for the volume without
any great hope of a good run—what would be the advantage of publishing in French, I wonder?
All my affectionate and faithful thoughts, my very dear Nadia,
Your
I. Str
[P.S.] The troubling news from Vichy scares me.
�</text>
              </elementText>
              <elementText elementTextId="17136">
                <text>Stravinsky à Boulanger
2160 North Wetherly Drive
Hollywood, California
le 19 mai 1941
Ma chere Nadia,
Il y a denouveau[sic] longtemps que je n’entends plus parler de vous. Etes-vous toujours a
Cambridge, etes-vous en vacances (plustot [sic] invraisemblable)? Il y a des eternites (le 17
mars) que vous m’aviez envoye de vos (helas tristes) nouvelles. Depuis l’Associated Music
Publishers dans leur lettre du I-er avril me parlaient de vous en me faisant savoir que “the
material of your Symphony was sent to Miss Boulanger…she wrote us in the meantime that her
corrections would be delayed as she is rather busy at this time.” Is this time over? C’est ce que je
me demande avec une certaine inquietude pour deux raison [sic]: I.- Mon concert a Mexico, ou je
joue ma symphonie, s’approche et je me demande si je pourrai compter sur ce nouveau materiel
corrige par vous. 2.- Si on vous avait envoye avec le materiel vierge aussi celui d’apres lequel
j’ai dirige (afin de vous faciliter le travail de correction), j’ai bien peur que l’Associated Music
Publishers devant livrer ce materiel corrige a la Philharmonie de Mexico (il faut compter 10 a 14
jours, le transfert de New York a Mexico) pour mes concerts (commencement de juillet) se verra
oblige de vous l’enlever, interrompant ainsi votre precieux travail. A moins que vous puissiez le
continuer d’apres les corrections inscrites en partie sur la partition grise, en partie sur des bouts
de papier. Je suis comme vous voyez, dans l’ignorance complete de ce qui se passe. Un mot de
vous mettera [sic] en bon ordre mes nerfs, a condition que ce mot soit rassurant.
J’ai reçu une lettre de Mr.Forbes [sic] me faisant savoir le refus de son « Committee » de publier
mes cours en deux langues. Je m’y attendais. Ils me proposent maintenant de les publier
seulement dans leur langue originale, c. a d. en français. J’ai consenti. Leur raisonnement m’est
incomprehensible. Si l’edition, avec les deux textes ensemble, les effrayait—cout eleve du
volume sans grand espoir d’un fort tirage quel serait l’avantage de la publication en langue
française, je me demande.
Toutes mes affectueuses et fideles pensees, ma tres chere Nadia,
Votre Str
P.S. Les nouvelles troublantes de Vichy m’effrayent
�</text>
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      </tag>
      <tag tagId="528">
        <name>Poétique musicale</name>
      </tag>
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        <name>Recipient: Nadia Boulanger</name>
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                <text>Georgette &amp; Arthur Sachs </text>
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                <text>Stravinsky to Georgina and Arthur Sachs
April 31, 1941
Very dear friends,
Two words to ask you how things are going and if you’ve had troubling news regarding Nadia. I
did not write to her, not wishing to tire her with the obligation of responding if she still feels
weak right now. I would absolutely like to see her again before her departure, which is why I
would be infinitely grateful if you could let me know what has been decided with respect to her.
I received a letter from my son, Théodore. Indeed, it is as I had told you the other day: he is
asking me to find someone in France who would help him in his very difficult situation —he
finds himself like a prisoner in his town (Villemur, Haute-Garone) without being able to do the
least sort of work to feed himself or [to acquire] the basic necessities of life, which is already
hard enough. May his sense of liberty remain as it was before his internment. Would you know,
my dear friend, whom I might contact, either the Minister of the Interior or of Justice? Maybe
Nadia, who also wanted to intervene to help Théodore, could give you some useful advice?
Thank you, and thank you again to the both of you for the lovely days spent at your home with
you,
Your
I. Str.
�</text>
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                <text>Stravinsky aux Georgina et Arthur Sachs
31 Otc[sic] [19]41
Très chers amis,
Deux mots pour vous demander comment cela va et si vous n’avez pas eu des [sic] nouvelles
inquiétudes au sujet de Nadia. Je ne lui écris pas ne sachant plus voulant plus la fatiguer avec une
reponse [sic] si des fois elle se sentait encore faible. Je voudrai absolument la revoir encore avant
son depart [sic] c’est pourquoi je vous serai infiniment reconnaissant de me faire savoir ce qui est
decidé [sic] à son sujet.
J’ai reçu la lettre de mon fils Th. En effet c’est comme je vous l’avait [sic] dit l’autre jour : il me
demande de lui trouver en France quelqu’un qui l’aiderait dans sa situation si difficile–il se
trouve comme prisonnier dans son village (Villemur, Hte Garronne [sic]) sans pouvoir faire des
œuvres les plus ordinaires pour son alimentation et les besoins courants de la vie déjà sans cela
assez dure [sic]. Qu’en lui encore sa liberté comme avant sa captivité. Sauriez-y, ma chère amie,
à qui s’adresser, au ministre de l’intérieur ou à celui de la justice. Peut-etre [sic] Nadia qui
voulait aussi intervenir pour aider Th. pourrait vous donner un conseil utile.
Encore et encore merci a [sic] vous deux que vous deux [illegible strike out] de ces bonnes deux
journées passées son chez vous et avec vous,
Votre
I Str.
�</text>
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      </tag>
      <tag tagId="503">
        <name>Theodore Strawinsky</name>
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