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                <text>Stravinsky to Boulanger
1260 North Wetherly Drive
Hollywood, California
August 5, 1941
My dear Nadia,
Happy to know you [are] so close. May this stay with the good Sachses do you some good and
may this short vacation give you new strength—you need it since you give it away left and right
so generously.
The more you spend your energies thus, the more troubled your conscience will become. I know
that you have nothing to blame yourself for. These troubles are part of your nature and they will
torment you less when your heart’s strength returns to you. May God come to your aid.
Yours,
I Str.
[P.S.] Mr. Bliss was operated on last Saturday. We sent a telegraph to Mrs. Bliss to ask for news.
�</text>
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                <text>Stravinsky à Boulanger
1260 North Wetherly Drive
Hollywood, California
le 5 août 1941
Ma chère Nadia,
Heureux de vous savoir si près. Que ce séjour chez les bons Sachs vous fasse du bien et que ces
courts[sic] vacances vous donnent des nouvelles forces—vous en avez besoin puisque vous les
distribuez si généreusement à droite et à gauche.
Plus vous les depenserez [sic] plus forts devant [sic] vos troubles de conscience. Je sais que vous
n’avez rien à vous reprocher. Ces troubles font partie de votre nature et ils vous tourmentèrent
[sic] moins quand les forces du cœur vous reviendront, Que Dieu vous vienne en aide.
Votre
I Str.
[P.-S.] Mr. Bliss était opéré samedi dernier. Nous avons télégraphié à Mrs. Bliss pour avoir des
nouvelles
�</text>
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                <text>Stravinsky to Boulanger
1260 North Wetherly Drive
Hollywood, California
October 13, 1941
My dear Nadia,
A note to remind you not to forget to bring with you (when you come to see us this Friday) the
Harvard University Press form letter—I need to respond to him and I can’t even remember his
name!!! Also bring with you, if you think they’ll be useful, the letters and notes concerning my
Symphony.
We’re looking forward to seeing you, dearest,
Your
I St.
[P.S.] My fondest regards to the Sachses. I do not believe that it will be possible for us to come
to Santa Barbara this weekend—too many things are stalled and there are so many letters to
write.
�</text>
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                <text>Stravinsky à Boulanger
1260 North Wetherly Drive
Hollywood, California
13 octobre 1941
Ma chère Nadia,
Ces lignes pour vous rappeler de ne pas oublier de prendre avec vous (quand vous viendrez nous
voir, ce vendredi) la lettre du type de la Harvard University Press—je dois lui repondre [sic] et je
ne me rappelle même pas de son nom!!! Prenez aussi avec vous, si vous le jugez utile, les lettres
et notes conçernant [sic] ma Symphonie.
On vous attends [sic], très chères,
Votre
I St.
[P.-S.] Miles [sic] choses aux Sachs. Je ne crois pas qu’il nous sera [sic] possible de venir cette
fin de semaine à Santa Barbara—trop de choses restées en panne et des lettres à écrire.
�</text>
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                <text>Stravinsky to Boulanger
BEVERLY HILLS
CALIF
MISS NADIA BOULANGER
C/O MRS FORBES
GERRYS LANDING, CA[MBRIDGE]
12–13 MAR 1942
YOUR NOVEMBER DECEMBER LETTERS NEVER RECEIVED. BECAUSE FOR ME
OTTERLY [sic] IMPOSSIBLE PLEASE TAKE ALL NECESSARY STEPS TO RUSH
PUBLISHING MY LECTURES HAVE ENTIRE CONFIDENCE IN YOUR JUDGMENT
THANKS WARMEST GREETINGS=
IGOR STRAVISKY.
�</text>
              </elementText>
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                <text>Stravinsky à Boulanger
BEVERLY HILLS
CALIF[ORNIA]
MISS NADIA BOULANGER
C/O MRS FORBES
GERRYS LANDING, CA[MBRIDGE]
12-13 MAR 1942
YOUR NOVEMBER DECEMBER LETTERS NEVER RECEIVED. BECAUSE FOR ME
OTTERLY IMPOSSIBLE PLEASE TAKE ALL NECESSARY STEPS TO RUSH
PUBLISHING MY LECUTRES HAVE ENTIRE CONFIDENCE IN YOUR JUDGMENT
THANKS WARMEST GREETINGS=
IGOR STRAVISKY.
�</text>
              </elementText>
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                <text>Stravinsky to Boulanger
1260 North Wetherly Drive
Hollywood, California
March 24, 1942
My very dear Nadia,
Here is a photo with a couple of words of thanks for Mme Rafaël [sic] Salem, just as you asked.
I am really embarrassed: it’s not just you who are my victim—I must bother your students again,
too! May they forgive me generously for this.
The two letters of which you speak (the one from Nov. 15 from Washington and the one from
Dec. 9 from Providence) never reached me. Whose fault, ours (wrong address) or the post
office’s? God knows. It is most unfortunate!
As for the $60 Litré[sic]—it’s too much money at this moment, though I don't find this to be an
exaggerated price.
Wait a bit for an orch. score of my new composition Dances concertantes (are you satisfied with
the title?): I need it here (radio project) and also eventually for the editor of the Associated Music
Publishers. The score is very carefully corrected. The performance gave me great joy.*
I want so much to see you.
With all my heart,
Your
I. Str.
*I’ve had five rehearsals with excellent musicians.
�</text>
              </elementText>
              <elementText elementTextId="17076">
                <text>Stravinsky à Boulanger
1260 North Wetherly Drive
Hollywood, California,
24 mars 1942
Très chère Nadia,
Voici un [sic] photo avec quelques mots de remerciements pour Mme Rafaël Salem, comme
vous me l’avez demandé.
Je suis vraiment confus : —non seulement vous, qui êtes ma victime—il faut que je derange [sic]
encore vos elèves [sic] ! Qu’ils me le pardonnent magnanimement.
Vos deux lettres dont vous me parlez (celle du 15 nov. de Washington et celle du 9 déc. de
Providence) ne me sont jamais par parvenues. À qui la faute, à nous (fausse adresse) ou à la
poste ? Dieu le sait. C’est bien fâcheux !
Pour le Litré [sic] à $60 – trop d’argent en ce moment-ci quoique je ne trouve pas que ce soit
exagéré comme prix.
Pour une partition d’orch. de ma nouvelle composition Danses Concertantes (êtes-vous satisfé
[sic] du titre?) attendez un peu : j’en ai besoin pour ici (projet de radio) et éventualité aussi de
l’éditer chez l’Associated Music Publishers. La part est très soigneusement corrigée. L’exécution
m’a donné beaucoup de joie *
J’ai tellement envie de vous voir
De tout cœur
Votre I. Str.
*j’ai eu 5 répétitions avec des excellents musiciens.
�</text>
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                <text>Stravinsky to Boulanger
1260 North Wetherly Drive
Hollywood, California
August 25, 1942
My dear Nadia,
Do whatever you can to come to Santa Barbara since for me, unfortunately—there is no chance I
can go to Glenbrook.*
Your note greatly touched and encouraged me in the hopes of seeing you again soon. I am sure
that if you are going “to try to spend a couple of days in Santa Barbara” you will come here and
we will see you.
Hoping to see you soon.
With great affection,
Your
I Str.
*I must stay here to make some important decisions.
�</text>
              </elementText>
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                <text>Stravinsky à Boulanger
1260 North Wetherly Drive
Hollywood, California
le 25 août 1942
Chère Nadia,
Faites l’impossible pour venir à Santa Barbara puisque pour moi malheureusement – aucune
chance d’aller à Glenbrook.*
Votre mot m’a beaucoup touché et encouragé dans l’espoir de vous revoir bientôt. Je suis sur
[sic] que si vous allez « essayez [sic] de passer quelques jours à Santa Barbara » vous y viendrez
et nous vous verrons.
Avec [sic] à bientôt
Avec toute mon affection,
Votre
I Str.
[P.-S.] * retentu [sic] ici par des decisions [sic] importantes.
�</text>
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                <text>Stravinsky to Boulanger
1260 Wetherly Drive
Hollywood, California
Mademoiselle Nadia Boulanger
122 Bay State Road
Boston, Mass
Dec. 3, 1942
Just this signature that you asked of me, dear Nadia, and which I give to Haïeff with joy.
But are you sure that I am a member of Lili Boulanger’s Memorial Fund [sic]? I most
wholeheartedly don't object, but since when?
Forgive me for not having written you more—impossible right now, and I send you all my
faithful affection.
Yours
I Str.
�</text>
              </elementText>
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                <text>Stravinsky à Boulanger
1260 Wetherly Drive
Hollywood, California
Mademoiselle Nadia Boulanger
122 Bay state road
Boston, Mass
3 dec. [sic] 1942
Juste cette signature que vous me demandez, chère Nadia, et que je donne pour Haïeff avec joie.
Mais êtes-vous sur [sic] que je suis membre of the Lili Boulanger’s Memorial Fund ? Je veux
bien et de [bon] cœur, mais depuis quand ?
Pardonnez-moi de ne pas vous écrire plus longuement—impossible en ce moment et recevez
toute mon affection fidèle.
Votre
I Str.
�</text>
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                <text>Stravinsky to Boulanger
1260 Wetherly Drive
March 20, 1943
My dear
Just a word to tell you my joy at receiving your letter, so affectionate as always.
Thank you as well for sending me the Sonata that I was waiting so impatiently for.
We have to be in NY on March 31 (Ritz-Tower). Happy at the possibility of seeing you again
soon
Your
I Str
P.S. The Scherzo and Finale of my Symphony are as difficult to obtain as the rest of the score—
it is not printed—it does little good to complain, as you know.
�</text>
              </elementText>
              <elementText elementTextId="17036">
                <text>Stravinsky à Boulanger
Le 20 mars 1943
Chère
Juste ce mot pour vous dire la joie d’avoir votre lettre si affectueuse comme toujours.
Merci également de m’envoyer ma Sonate que j’attendrai avec impatience.
Nous devons être à N.Y. le 31 mars (Ritz-Tower). Heureux dans l’espoir de vous revoir bientôt
Votre
I. Str
[P.-S.] Le Scherzo et Final de ma Symphonie est tant aussi difficile de procurer que la reste de la
partition—ce n’est pas gravé—c’est très mal protesté, comme vous le savez.
�</text>
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      </tag>
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                <text>Stravinsky to Boulanger
1260 North Wetherly Drive
Hollywood, California
May 18, 1943
My very dear Nadia,
In the next few days you’ll receive the photostats (negatives and positives) of the orchestral parts
for Oedipe and Apollo, as agreed, from the Economy Blue Print Co. They’ll send you this music
C.O.D.—in other words, paid on delivery. Despite the exceptionally low price (25¢ per page of
Oedipe and 16¢ for Apollo*) the total sum is considerable given that all [the pages] appear twice
(positive and negative). Let’s hope this enormous expense doesn’t turn you away from my music
for a while. Word of honor—I had nothing to do with it, it was you who wanted this.
A hot wind is blowing from the desert—after forty days in New York with its spring showers,
this makes one meditate on the imperfections of human physiology, and it is difficult to get back
to work.
How happy I was to see you again and to know you were in the room when I was conducting
Apollo. I'm in the process of rehearsing the Dumbarton Oaks Concerto for the First
Congregational Church of Los Angeles’ Modern Music concert. Today we are missing the two
horns and a contrabass, tomorrow probably others and the concert is May 22—how nice!
Merritt wrote me a very kind letter regarding my concert at the Fogg Museum. Have you had any
news?
Love and kisses,
I Stravinsky
*Approximately
�</text>
              </elementText>
              <elementText elementTextId="17022">
                <text>Stravinsky à Boulanger
1260 North Wetherly Drive
Hollywood, California
le 18 mai 1943
Tres chere Nadia,
Vous recevrez ces jours-ci les photostates (negatives &amp; positives) des partitions d’orchestre
d’Œdipe et Apollon, comme convenu, de la Economy Blue Print Co. Ils vous enverront cette
musique C.O.D.—autrement dit, contre remboursement. Malgre le prix exceptionellement bas
(25¢ la page d’ŒDIPE et 16¢ celle d’Apollon*) la somme totale est impressionante vu que le
tout est en double (positive et negative). Pourvu que cette enorme depense ne vous detourne pas
pour longtemps de ma musique; parole d’honneur—je n’y suis pour rien, c’est vous que l’avez
voulu.
Il souffle un vent chaud du desert—après 40 jours de New York avec ses giboulees de printemps
cela fait mediter sur l’imperfection de la physiologie humaine et on a de la peine a se remettre au
travail.
Que j’étais heureux de vous revoir et de vous savoir dans la salle quand je dirigeais Apollon. Je
suis en train de répéter le Dumbarton Oaks Concerto pour le concert de la Modern Music de
First Congregational Church of Los Angeles. Aujourd’hui il nous manquaient les deux cors et
une contrebasse, demain probablement d’autres et le concert est le 22 mai—c’est joli!
Merritt m’a écrit une très gentille lettre au sujet de mon concert au Fogg Museum. Avez-vous eu
des echos?
Love and kisses,
I Stravinsky
*a peu pres
�</text>
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                <text>Stravinsky to Boulanger
1260 Wetherly Drive
Hollywood, California
June 19, 1943
My dear,
So happy for your telegram—sending most affectionate thoughts,
Your
I. Str
[P.S.] Were you satisfied with the photostats? It was a real extravagance, this expense—forget
about it if possible.
[P.P.S] And Birti? Has he finally taken his course in Baltimore? I received a kind note from
Reginald Stewart thanking me for my letter and telling me he was going to see Birti—a month
ago.
[P.P.P.S] I am sending you this clipping—if it can reassure you
�</text>
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                <text>Stravinsky à Boulanger
1260 Wetherly Drive
Hollywood, California
le 19 juin 1943
Chère
Si heureux de votre télégramme—je vous embrasse bien affectueusement
Votre I. Str
[P.-S.] Avez-vous été satisfaite des photostates ? C’était une vraie folie, cette dépense—
oublions-le si possible.
[P.P.-S.] Et Birti? A-t-il finalement eu ces course [sic] à Baltimore ? J’ai reçu un gentil petit mot
de Reginald Stewart où il me remerciait pour ma lettre et me disait qu’il allait voir Birti—il y a
un mois.
[P.P.P.-S.] Je vous envoie cette coupure—si cela peut vous rassurer.
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                <text>Stravinsky to Boulanger
1260 North Wetherly Drive
Hollywood, California
June 29, 1943
Dear Nadia,
A few days ago I read this letter in the Los Angeles Times.
Have you received the photostats (negative and positive) of pages 58 and 59 of Oedipus that you
were missing? The Blue Print should have sent them to you 5–6 days ago. Very upset at this
oversight.
Sincere affections,
I Str.
�</text>
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                <text>Stravinsky à Boulanger
1260 North Wetherly Drive
Hollywood, California
le 29 juin 1943
Chere [sic] Nadia
Il y a quelques jours que je lisait [sic] cette note dans le Los Angeles Times
Avez-vous reçu les photostates (negative [sic] et positive [sic]) des pages 58 et 59 d’Œdipe qui
vous manquaient? Le Blue Print a du [sic] vous les envoyer il a 5-6 jours très confus de son
inadvertance.
Tendresses [sic] affections
I Str.
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