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                <text>Anna Stravinsky to Boulanger
March 22, [19]35
My dear Mademoiselle,
I am deeply upset to learn of the great misfortune that has befallen you. I did not know your
Mother, but I know the deep filial love you felt for her and with all my heart I share in your grief.
Very sincerely,
Anna Strawinsky
�</text>
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                <text>Anna Stravinsky à Boulanger
Le 22 mars [19]35
Chère Mademoiselle,
Je suis profondément émue d’apprendre le grand malheur que vous accable. Je n’ai pas connue
[sic] Madame votre Mère, mais je sais le profond amour filial, qui vous attachait a [sic] elle et je
m’associe de tout mon cœur à votre deuil.
Très sincèrement,
Anna Strawinsky
�</text>
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                <text>Théodore Strawinsky to Boulanger
Paris
March 22, 1935
Know, dear Mademoiselle, that all my heart is with you in the great misfortune that has so
cruelly befallen you.
Your most sincerely devoted,
Théodore Strawinsky
�</text>
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                <text>Théodore Strawinsky à Boulanger
Paris
22 mars [19]35
Croyez-moi, chère Mademoiselle, de tout cœur avec vous dans le grand malheur qui vient de
vous frapper si cruellement.
Votre très sincèrement dévoué
Théodore Strawinsky
�</text>
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                <text>Anna Stravinsky to Boulanger
Voreppe
June 23, 1932
Dear Mademoiselle,
Your kind and affectionate note, which I received on the day of my son's birthday, touched me
greatly. Thank you wholeheartedly for having thought of me and I ask you to express my
gratitude to your Mother for thinking of me. Knowing her suffering of late, I wish for her
recovery.
Dear Mademoiselle, trust in my very sincere sentiments,
A[nna] Strawinsky
�</text>
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                <text>Anna Stravinsky à Boulanger
Voreppe
le 23 juin [19]32
Chère Mademoiselle,
Vos bonnes et affectueuses lignes, que j’ai reçues le jour de l’anniversaire de mon fils m’ont
beaucoup touchée[s]. Je vous remercie de tout cœur d’avoir pensé à moi et vous prie de dire à
Madame votre mère toute ma reconnaissance pour son bon souvenir. La sachant souffrante ces
derniers temps, je fais bien des vœux pour son rétablissement.
Croyez, chère Mademoiselle à mes très sincères sentiments,
A. Strawinsky
�</text>
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                <text>Stravinsky to Boulanger
BOULANGER
63 GARDEN STREET
CAMBRIDGE, MASSACHUSETTS, U.S.A.
APRIL 20, 1938
STRECKER IS SENDING YOU THE COMPLETE SCORE [on the] EUROPA
STRAWINSKY
�</text>
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                <text>Stravinsky à Boulanger
Paris
Via Cherbourg,
S/S Europa
63 Garden Street
Cambridge, Mass
Étas-Unis d’Amérique
Le 25 avril [19]38
Très chère Nadia,
Demain part de Cherbourg “EUROPA” qui vous apportera ces lignes ainsi que la musique que
Strecker à [sic] remise à son bord à Bremen (avec une lettre pour vous). Cette musique (materiel
[sic] complet du Concerto en Mib) est envoyée en rouleaux (trois, si je ne me trompe) par poste
et… Strecker espère qu’il n’y aura pas de difficultés de douane qui pourraient retenir l’arrivée de
cette musique à temps pour les répétitions—chose qui serait vraiment épouvantable.
Dans ma première lettre à vous (du 6 avr.) je vous avais demande [sic] si vous aviez vu Mme
Bliss et si vous lui aviez parlé au sujet de notre dernier entretien ici—c. à d. question de second
et dernier versement. Vous ne m’aviez jamais répondu (je m’imagine tout ce que vous devez
retenir dans la tête!) Si vous y pensez, vous seriez bien gentille de lui en parler pour accelerer
[sic] le règlement ce qui me rendrait service (surtout maintenant—Dieu sait ce que me coûte la
maladie de ma fille et de ma femme)
J’attends avec impatience des nouvelles des répétitions et du materiel [sic], s’il arrivé à temps.
Je vous embrasse
Votre
I. Str
[P.-S.] Excusez le griffonnage en toute hâte
�</text>
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                <text>Boulanger to Stravinsky
Monsieur I. Strawinsky
25 Faubourg St. Honoré
Paris, France
May 15, 1938
Dear Friend,
I have not been able to write you, because the life I lead is an impossible problem. But I must, all
the same, tell you what a joy the concert was at the Blisses’ on the 8th. I knew, but did not know
at all, the joy I would find in performing the Concerto—and upon listening to it, I have
understood once again [things that] I wouldn’t know how to tell you. I can’t express it, but such
loneliness is a certainty in my life.
And, after all the courses dedicated to your music, I believe that I understand all the better.
The Concerto was played honestly, well, very well—and was understood, I believe. There
remain many mistakes—and a few problems—I hope that you can wait for my return before
printing it, because it seems to me that a few passages should be modified in places (insufficient
repeats, the notation, etc.) and I cannot formulate the list at this time—I work almost night and
day.
How can I thank you? And how can I prove to you such great devotion? You have clarified
everything, not only through your works, but also by the clarity they project onto all music.
You have given us ears and a conscience! I cannot tear myself away from the Concerto—
everything has such an unexpected sound!
I think of you and your family with deep affection, and am close to you through these heavy,
anxious times. May God be with you and bring peace. This helplessness in the face of sickness is
so frightful.
Your
Nadia
[P.S.] You must know that the Blisses were deeply moved by the Concerto and are so thankful.
�</text>
              </elementText>
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                <text>Boulanger à Stravinsky
Gargenville S.O.
25 Aout 1938
Cher Ami
Voici enfin mon pauvre petit chèque.
Vous savez, n’est-ce-pas, qu’il me fait honte, mais…
Vous savez aussi que je voudrais pourtant vous témoigner de cette manière matérielle autant
qu’en esprit et en affection, ma gratitude.
De tout cœur, je vous embrasse et suis votre,
NB
�</text>
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        <name>1938</name>
      </tag>
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        <name>Author: Nadia Boulanger</name>
      </tag>
      <tag tagId="82">
        <name>Concerto in E-Flat</name>
      </tag>
      <tag tagId="166">
        <name>Dumbarton Oaks Concerto</name>
      </tag>
      <tag tagId="462">
        <name>Nadia Location: Gargenville</name>
      </tag>
      <tag tagId="357">
        <name>Recipient: Igor Stravinsky</name>
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          <element elementId="49">
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        <elementContainer>
          <element elementId="92">
            <name>Extracted Text</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="17175">
                <text>Boulanger to Stravinsky
36 rue Ballu 9th
Téléph: Trinité 90-17
Monsieur I. Strawinsky
Voreppe
Isère
February 25, 1933
Dear Friend,
Forgive me for coming to bother you about a matter that truthfully is none of my business. But I
am currently working on the Oedipus Rex project—I now have the greatest hopes of finishing it.
Your absence at the March 21 concert greatly distressed our mutual friend, just when she is
taking such pleasure in convincing herself of her active admiration for your work.
All things considered, this is what I found. Would you accept, without anyone knowing (no
exceptions, you have my word) compensation of five, maybe six thousand francs to come
conduct Renard? I want to finalize this and without fear of the least indiscretion—send an urgent
telegraph because the OSP must decide by Tuesday at the latest. It would be unthinkable to do it
without you and it would be so beautiful to hear Renard with you.
Forgive me and know I am your deeply devoted,
NB
�</text>
              </elementText>
              <elementText elementTextId="17176">
                <text>Boulanger à Stravinsky
36 rue Ballu 9ème
Téléph: Trinité 90-17
Monsieur I. Strawinsky
Voreppe
Isère
25 février 1933
Cher Ami,
Pardonnez-moi de venir vous ennuyer au sujet d’une chose qui, en principe ne me regarde pas.
Mais je me suis occupée activement du projet Œdipes [sic] Rex—j’ai actuellement les plus
grandes espérances d’aboutir. Or, votre absence au concert du 21 mars cause à notre amie
commune un véritable chagrin, au moment même où elle se réjouît de se prouver à elle-même
son admiration active pour votre œuvre.
Tout bien pesé, voici ce que j’ai trouvé. Accepteriez-vous, à l’insu de tout le monde (sans aucune
exception, parole d’honneur) un dédommagement de cinq, peut-être de 6000fr pour venir diriger
Renard. Je veux les obtenir et sans craindre la moindre indiscrétion –télégraphiez seulement
d’urgence car l’OSP doit prendre une décision mardi dernière limite. Votre absence semble
impossible et ce serait si beau d’entendre Renard avec vous.
Pardonnez-moi et sachez avec quel profond dévouement je suis votre
NB
�</text>
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    </elementSetContainer>
    <tagContainer>
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        <name>Author: Nadia Boulanger</name>
      </tag>
      <tag tagId="459">
        <name>Igor Location: Voreppe</name>
      </tag>
      <tag tagId="359">
        <name>Nadia Location: 36 rue Ballu</name>
      </tag>
      <tag tagId="55">
        <name>Oedipus Rex</name>
      </tag>
      <tag tagId="357">
        <name>Recipient: Igor Stravinsky</name>
      </tag>
      <tag tagId="56">
        <name>Renard</name>
      </tag>
    </tagContainer>
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              </elementText>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16047">
                <text>Soulima Stravinsky</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16048">
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              </elementText>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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              </elementText>
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          </element>
          <element elementId="51">
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              </elementText>
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          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>UG</name>
        <description/>
        <elementContainer>
          <element elementId="92">
            <name>Extracted Text</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="17145">
                <text>Soulima Stravinsky to Boulanger
Paris
September 25, 1936
Very dear Mademoiselle,
Your note touched me so! My wholehearted thanks for it. Mother has returned to Paris for good
this time and this is such a delight for all of us.
I hope to see you soon and send along my most respectful and devoted wishes,
Your
Sviétik
�</text>
              </elementText>
              <elementText elementTextId="17146">
                <text>Soulima Stravinsky à Boulanger
Paris
le 25 [septembre] 36
Bien chère Mademoiselle,
Vos lignes m’ont tant touché [sic]! Je vous en remercie de tout cœur. Maman est rentrée à Paris,
definitivement [sic] cette fois-ci et c’est un tel bonheur pour nous tous.
J’espère vous voir bientôt et vous envoie en attendant mon souvenir le plus respectueux et fidèle,
Votre,
Sviétik
�</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="478">
        <name>1936</name>
      </tag>
      <tag tagId="379">
        <name>Author: Soulima Stravinsky</name>
      </tag>
      <tag tagId="361">
        <name>Recipient: Nadia Boulanger</name>
      </tag>
      <tag tagId="484">
        <name>Soulima Stravinsky Location: Paris</name>
      </tag>
      <tag tagId="122">
        <name>Svétik</name>
      </tag>
    </tagContainer>
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          <element elementId="39">
            <name>Creator</name>
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              <elementText elementTextId="15879">
                <text>Igor Stravinsky </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
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            <description>The topic of the resource</description>
            <elementTextContainer>
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              </elementText>
            </elementTextContainer>
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          <element elementId="48">
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              </elementText>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <elementTextContainer>
              <elementText elementTextId="17211">
                <text>Stravinsky to Boulanger
I. Strawinsky
Pleyel
Paris
Mme [sic] Nadia Boulanger
Garganville [sic]
[August] 26, 1929
Dear friend,
I called your home to learn where to find you and was told it was necessary to write to you at
Garganville [sic], which is what I’m doing.
I absolutely need to see you to consult about a matter that is very important to me and concerns
the musical education of my younger son, who is a nineteen-year-old pianist.
Is it possible to see one another? I am staying in Paris for another ten days and I have come here
almost especially to settle his musical education in Paris and would be much obliged if you were
to arrange an appointment for me either here or at Pleyel’s, or (in case it is impossible for you
here) at Garganville,* where, in that case, I will come see you next week.
This weekend (which is to say Saturday, Sunday, and Monday until Tuesday afternoon) I will be
in the country, which is why I would be very grateful if you could send me a short
note by return post so that I will have it before heading to the countryside.
Thank you in advance, dear friend, and believe me to be your dearly devoted,
Igor Stravinsky
*Simply let me know
**How does one find you there?
�</text>
              </elementText>
              <elementText elementTextId="17212">
                <text>Stravinsky à Boulanger
Mme. Nadia Boulanger
A Garganville [sic] (S.&amp;O.)
1e 26 [août] 1929
Cère [sic] amie,
J’ai téléphonné [sic] chez vous pour savoir où vous trouvez et on m’a dit qu’il fallait vous écrire
à Garganville [sic], c’est ce que je fais.
J’ai absolument besoin de vous voir pour vous consulter d’une affaire assez importante pour moi
et qui concerne l’éducation musicale de mon fils cadet qui est un pianiste de 19 ans.
Est-ce possible de se voir ? Je reste à Paris encore 10 jours et je suis venu presque spécialement
pour lui arranger son éducation musicale à Paris et vous serai bien reconnaissant de me fixer un
rendez-vous soit ici, chez Pleyel, soit (en cas qu’il vous est [sic] impossible ici) à Garganville*
[sic] même où je viendrai vous voir la semaine prochaine dans ce cas.
Ce week-end (c. à d. samedi, dimanche, et lundi jusqu`à mardi après-midi) je serai à la campagne
c’est pourquoi je vous serai très reconnaissant de m’envoyer un petit mot de réponse par ret. du
cour. afin de l’avoir encore avant d’aller à la campagne.
Merci d’avance, chère amie, et croyez-moi votre bien dévoué
Igor Strawinsky
*Indiquez moi seulement
**Comment vous trouver dans cette localité
�</text>
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                <text>Stravinsky to Boulanger
Grenoble [Suisse]
36 rue Ballue
Paris 9
February 27, 1933
HAVE CONCERT 19 MARCH OSP PSAUMS, SACRE, ROSSIGNOL AND 21 MARCH
CONCERT WITH DUSHKIN LAUSANNE. STOP HAVE YET TO CLEARLY EXPLAIN IT
OUR FRIEND
FONDLY STRAWINSKY
�</text>
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                <text>Stravinsky à Boulanger
GRENOBLE, [SUISSE]
36 RUE BALLU,
PARIS 9
27 FEBRUARY 1933
AI 19 MARS CONCERT OSP PSAUMS, SACRE, ROSSIGNOL ET 21 MARS CONCERT
AVEC DUSHKIN LAUSANNE. STOP L’AVAIS POURTANT CLAIREMENT EXPLIQUÉ
NOTRE AMIE
AMITÉS STRAWINSKY
�</text>
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        <name>Nadia Location: 36 rue Ballu</name>
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      <tag tagId="32">
        <name>Symphonie De Psaumes</name>
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      <tag tagId="33">
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                <text>Boulanger to Igor Stravinsky
36 rue Ballu, 9th
March 27, 1936
Dear Friend,
Here is the sheet music for Perséphone. I cannot tell you my sorrow in parting with it—not a day
went by that I did not owe it for profound and radiant joys. I was hoping to make a two-piano
reduction—this will [have to wait] for your return. Allow me also to enclose a cheque—if the
circumstances and my stupid illness were not complicating everything, you would have had it
sooner. But what you’ve given is so meaningful that many years will pass before we will have
exhausted its richness.
How can I thank you—need I tell you. You know, don't you, what you mean to all of us, and
above all, I add to a limitless admiration my whole-hearted affection, dear Friend,
Your
Nadia Boulanger
�</text>
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                <text>Boulanger à Stravinsky
36 rue Ballu, 9ème
27 mars 1936
Cher Ami,
Voici la partition de Perséphone. Je ne peux vous dire avec quel chagrin je m’en sépare—il n’y a
pas de jour où je ne lui aie [sic] dû de profondes et lumineuses joies. J’avais espéré faire une
réduction pour 2 pianos—ce sera pour votre retour. Permettez-moi aussi de joindre un chèque—
si les circonstances, et ma stupide maladie n’avaient tout compliqué, vous auriez été là plus
souvent. Mais ce que vous avez donné a une telle signification que bien des années passeront
avant que nous n’ayons épuisé la richesse.
Combien je vous remercie—dois-je vous le dire. Vous sentez, n’est-ce-pas, ce que vous êtes pour
nous tous et au surplus, ajoutée à une admiration sans limites, quelle affection profonde me fait
de tout cœur, cher Ami, votre
Nadia Boulanger
�</text>
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      </tag>
      <tag tagId="121">
        <name>Perséphone</name>
      </tag>
      <tag tagId="357">
        <name>Recipient: Igor Stravinsky</name>
      </tag>
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