12 10 1009 https://digex.lib.uoguelph.ca/files/original/c94448177e5482af63bc2f854336fe35.pdf 782c52dc3db3ade5c0df396b8508ae36 https://digex.lib.uoguelph.ca/files/original/5901337af014dd48fe4c89f17ef7e10c.pdf 6ca71103a7ad2c4754dcab72bf83c426 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 3 Description An account of the resource English translation and transcription of French originals from Chapter 3 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 3, 28 February 1944 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothque Nationale De Paris Date A point or period of time associated with an event in the lifecycle of the resource 28 February 1944 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger <Hollywood February 28, 1944 My dear Nadia, As promised, I am sending you a package with four copies of my Sonata. One of these copies is intended for you “with compliments of the author,” which is to say in French, “à l’œil” (for free). As for the other three, which are not for you, nothing can be done—we have to pay for them and the cost is $7.86. Here's a good opportunity to finally settle up my debt of $4.50 (I believe that's it—for the copies of the lecture) that you have been stubbornly refusing. Yes, $7.86 minus $4.50 makes $3.36, a sum that you unquestioningly owe me. To entertain you, [here is] a letter that’ll amuse you. Love Kisses, I Str. � Stravinsky à Boulanger Hollywood 28 fevrier 1944 Chère Nadia, Je vous envoie un paquet avec quatre exemplaires de ma Sonate comme promis. Un de ces exemplaires vous est destiné « with compliments of the author » ce qui veut dire en bon français à l’œil. Quant aux autres troi [sic], qui ne sont pas pour vous, il n’y a rien à faire—il faut les payer et c’est $7.86. Voilà une bonne occasion de régler enfin ma debte [sic] de $4.50 (je crois que c’est ça—pour les copies de la lecture) que vous vous obstiniez de [sic] refuser. Oui, $7.86 moins $4.50 fait $3.36, somme que vous me devez incontestablement. Pour vous divertir, [voilà] une lettre qui va vous amuser. Love Kisses I Str. � 1944 Author: Igor Stravinsky Igor Location: California Recipient: Nadia Boulanger Sonata for Two Pianos https://digex.lib.uoguelph.ca/files/original/bd0127a131bb2fa8bd57a96c3b43bd05.pdf a041b0c7d767a795b6cc93ff18c6f379 https://digex.lib.uoguelph.ca/files/original/550d95197abe107a6bd1223c1dd162e3.pdf 12abfb3e5d1ba37ccbb5660272711610 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 3 Description An account of the resource English translation and transcription of French originals from Chapter 3 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 3, 18 March 1944 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothque Nationale De Paris Date A point or period of time associated with an event in the lifecycle of the resource 18 March 1944 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger Hollywood March 18, 1944 My dear Nadia, I don't have a memory for dates but it seems to me that it was in March 1935 that your dear mother died, nine years ago . . . I will not forget her in my prayers. I am thinking of you and send you my fondest wishes. Your I Str. [P.S.] Tomorrow is the centenary of my dear Rimsky Korsakov. � Stravinsky à Boulanger Hollywood, le 18 mars 1944 Ma chère Nadia, Je n’ai pas la mémoire des dates mais il me semble que c’était en mars 1935 que votre chère mère était décédée, il y a neuf ans… Je ne l’oublierai pas dans mes prières. Je pense à vous et vous embrasse très affectueusement. Votre I Str. [P.-S.] Demain c’est le centenaire de mon chère [sic] Rimsky Korsakov. � 1944 Author: Igor Stravinsky Igor Location: California Recipient: Nadia Boulanger Rimsky Korsakov https://digex.lib.uoguelph.ca/files/original/7f72ae37821ab37114ce60567e6ec5b3.pdf 8dadad78f1e0cd0d6bf55bef891ea372 https://digex.lib.uoguelph.ca/files/original/8e36b37a448d8f12bb4fcc064fa76c4e.pdf 463be4c4a1b72e9b6524b696cb05ce2c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 3 Description An account of the resource English translation and transcription of French originals from Chapter 3 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 3, 16 July 1944 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothque Nationale De Paris Date A point or period of time associated with an event in the lifecycle of the resource 16 July 1944 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger July 16, 1944 My dear, Read this—Mr. Tangeman sent me these two articles with this remark: “Professor Guido Stempel is a retired professor of philology without musical training.[”] The other article is from the “student paper” in which the “musical training” does not appear to me to be clear. What is the point of making this effort to receive such a reaction? When will I see you? Personally, I cannot yet travel. Love Kisses, I. Str. � Stravinsky à Boulanger 16 juillet 1944 Chère, Lisez ça—Mr. Tangeman m’envoi [sic] ces deux articles avec cette Remarque [sic]: “Professor Guido Stempel is a retired professor of philology without musical training. The other article is from the student paper” dont la “musical training” ne me parait [sic] pas evident. Cela valait la peine de faire cet effort, pour recevoir une pareille réaction. Quand vous verrai-je? Moi, je ne puis encore bouger. Love Kisses I. Str. � 1944 Author: Igor Stravinsky Guido Stempel Nell Tangeman Recipient: Nadia Boulanger Robert Tangeman https://digex.lib.uoguelph.ca/files/original/3de1998d120755921f50ed429eeb074c.pdf 24fcbc25f669ae6f9c81de78e6a6e925 https://digex.lib.uoguelph.ca/files/original/9e9952538e3f7d0c8e1c457243c9de7b.pdf ff060864c6fcd806c9103b948f259955 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 3 Description An account of the resource English translation and transcription of French originals from Chapter 3 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 3, 18 July 1944 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothque Nationale De Paris Date A point or period of time associated with an event in the lifecycle of the resource 18 July 1944 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger July 18, 1944 Can we play the Sonata? NO – NO Don’t worry yourself about this. There are more important things. Of course: “Yes.” With fondness, my very dear Nadia Your I Str. � Stravinsky à Boulanger 18 juillet 1944 Peut-on jouer la sonate [sic] ? NON – NON Ne vous faites pas de soucis de ce genre. Il y a des choses plus importantes. Certainement que « Oui ». Vous embrasse très chère Nadia, Votre I Str. � 1944 Author: Igor Stravinsky Recipient: Nadia Boulanger Sonata for Two Pianos https://digex.lib.uoguelph.ca/files/original/9fc1d93df078cd86f7e20ab135332959.pdf cc04ef21de30ec1e33558d5419c39bb3 https://digex.lib.uoguelph.ca/files/original/bd25411fa4f693606a1f7b4c8aaead3d.pdf 0bd0adda39d66cc4beff6a82ed5dfb62 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 3 Description An account of the resource English translation and transcription of French originals from Chapter 3 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 3, 24 August 1944 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothque Nationale De Paris Date A point or period of time associated with an event in the lifecycle of the resource 24 August 1944 Type The nature or genre of the resource Letter 1944 Author: Igor Stravinsky Recipient: Nadia Boulanger Sonata for Two Pianos Willy Strecker https://digex.lib.uoguelph.ca/files/original/535024476c6f74ac80ab297da6042233.pdf 600a7783fda88e6b919413fe5d7cd86e https://digex.lib.uoguelph.ca/files/original/d751df8168fbb6166785040074a20561.pdf 09d5cb80bd920668372062581e617306 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 3 Description An account of the resource English translation and transcription of French originals from Chapter 3 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 3, 15 June 1945 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothque Nationale De Paris Date A point or period of time associated with an event in the lifecycle of the resource 15 June 1945 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger 1260 N. Wetherly Dr. Hollywood, H6, Calif Miss Nadia Boulanger c/o Mrs. Shortell 339 Berry Ave Chicago, Ill June 15, 1945 My dear Nothing to tell you, save that all I do is think of you and of your absence which I believe will be unbearable to me. Send news, please. You write so elegantly. Yours, I Str. � Stravinsky à Boulanger 1260 N. Wetherly Dr. Hollywood, H6, Calif Miss Nadia Boulanger c/o Mrs. Shortell 339 Berry Ave Chicago, Ill 15 juin 1945 Très chère Rien à vous dire, sauf que je ne fais que penser à vous et à votre absence qui, je le croies [sic] me sera insaportable [sic]. Des nouvelles, je vous supplie, vous qui écrivez si facilement. Votre I Str. � 1945 Author: Igor Stravinsky Igor Location: California Nadia Location: Chicago Recipient: Nadia Boulanger https://digex.lib.uoguelph.ca/files/original/2472897996e140ce94ecae2fe5935693.pdf 00e89fba1bed9a9657143b125cd84759 https://digex.lib.uoguelph.ca/files/original/5780a578cdf968e3d49927fdc1727561.pdf b8aea8759fd3bd1bae5f142f63581d39 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 3 Description An account of the resource English translation and transcription of French originals from Chapter 3 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 3, Undated Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothque Nationale De Paris Date A point or period of time associated with an event in the lifecycle of the resource Undated Type The nature or genre of the resource Letter 1945 Arthur Sachs Author: Igor Stravinsky Ebony Concerto Gabriel Fauré Madubo Milène Stravinsky Mina Svitalski Nini Recipient: Nadia Boulanger Soulima Stravinsky Symphonie Concertante Symphony in Three Movements Woodrow Charles Woody Herman https://digex.lib.uoguelph.ca/files/original/d2fb18b9833a65bbff309a35c2a8635e.pdf c71d5aa7cbf225bd480aad9d512b03ab https://digex.lib.uoguelph.ca/files/original/7db1d85aeb26a35232eb1437228f0878.pdf a06eff56f010c858530985e70f30b7c7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 3 Description An account of the resource English translation and transcription of French originals from Chapter 3 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 3, 16 November 1945 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothque Nationale De Paris Date A point or period of time associated with an event in the lifecycle of the resource 16 November 1945 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger Beverly Hills California 1260 Wetherly Drive Hollywood H6 (46?), Calif Miss Nadia Boulanger 122 Bay State Road Boston, Mass. November 16, 1945 My very dear Nadia, Moved by your words, moved by your departure. I wonder, however, if this departure is truly permanent in view of the upheaval created by de Gaulle’s leaving. Have you heard Prokofieff's [sic] Symphony no. 5 (what are the other four that we have never heard)? Unfortunately, at the same time as the broadcast, I had my rehearsal for Babel, conducted by Werner Janssen—less helpless than the Dumbarton Oaks Concerto last year. I don't think that this indicates progress on his part, simply that the piece is less difficult to conduct They say that Koussevitzky is having Shostakovsky [sic] come from Russia in March and it’s also been said that Koussevitzky is retiring and giving up the baton at the beginning of the next season to Mitropoulos. Sounds so exciting, but is it true? Why do you bring up money (photostats of my Symphony). I can give you a gift, too—it's true, it's nothing big, all the more reason to—why talk about it. You owe me nothing save a few “love and kisses” in your next letter. (Pencil please—to erase) Your I Str. Who loves you, who loves you, who loves you. [P.S.] Received very kind words from Abbot Fortier (for the birth of little Jean)—don’t even have time to respond to him. Tell him how touched I was. Thanks. � Stravinsky à Boulanger Beverly Hills, California 1260 Wetherly Drive Hollywood H6 (46?), Calif Miss Nadia Boulanger 122 Bay State Road Boston, Mass. 16 Nov 1945 Nadia très chère, Touché par votre mot, touché par votre départ. Je me demande cependant si ce départ est vraiment définitif vu le chambardement crée par le depart [sic] de De Gaulle. Avez-vous entende [sic] la Symphonie de Prokofieff No. 5 (quelles sont les autres 4 qu’on a [sic] jamais entendu ?). Malheureusement au moment du broadcast j’ai eu ma repetition [sic] de Babel conduite par Werner Janssen moins « helpless » que Dumbarton Oaks Concerto l’année dernière. Pense pas que cela signifie un progrès de sa part, simplement la pièce est moin [sic] difficile de conduire. On dit que Koussevitzky fait venir Shostakovsky [sic] de Russie en mars et on dit que Koussevitzky se retire et cède la baguette à partir de la saison prochaine à Mitropoulos. So exciting tout ça, mais est-ce vrai? Pourquoi me parlez-vous d’argent (photostates de ma Symphonie). Je peux aussi vous faire un cadeau—c’est vrai, ce n’est pas grand-chose, raison de plus—pourquoi en parler. Vous ne me devez rien sauf quelques « love and kisses » dans votre prochaine lettre. (crayon S.V.P. pour effacer) Votre I Str. Qui vous aime, qui vous aime, qui vous aime. [P.-S.] Reçu un très gentil mot de l’Abbé Fortier (pour la naissance du petit Jean)—même pas de temps à lui répondre. Dites-lui combien j’ai été touché. Merci. � 1945 Abbot Fortier Author: Igor Stravinsky Babel Hans-Werner Janssen Igor Location: California Nadia Location: Boston Recipient: Nadia Boulanger Sergei Koussevitzky Sergei Prokofiev https://digex.lib.uoguelph.ca/files/original/02861aa80b00d777d16b3f8349f63345.pdf 02b8df56cf9cdaff2b92c28149f5489b https://digex.lib.uoguelph.ca/files/original/60472da8d637e05d9a3846175937a1bf.pdf ca435dc5ff73200bc8f72a15c1bbcaba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 3 Description An account of the resource English translation and transcription of French originals from Chapter 3 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 3, 19 December 1945 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothque Nationale De Paris Date A point or period of time associated with an event in the lifecycle of the resource 19 December 1945 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger I.S. 1260 N. Wetherly Dr. Hollywood, Cal. Miss Nadia Boulanger 122 Bay State Road Boston, Mass. Los Angeles California Dec. 19, 1945 Nadia dear, I wonder if it’s [worth] the trouble of writing to us. When are you leaving? I wait for even the slightest word from you. How good you are to have thought of me on the day of my grief. Thank you. Always yours, I. Str [P.S.] Kyriena told me about the death of her father. Ziloti died at age 83. The poor old man had a very weak heart after successive cases of pneumonia. Milène and André received your precious presents from Canada. They suppose it’s your doing (the name of the exporter as well of the giver were missing) and both want to write with their gratitude and enthusiasm. Our plan is to have them come here. I think that you approve of that and if so—please exert all your influence when you are down there. Perhaps ask our dear friend Winifred to take care of the reservations at the Hotel Hemenway in Boston for the week of my concerts (February 18 to 24—days of our departure to and from Havana)? Is it as difficult as in N.Y.? � Stravinsky à Boulanger 1260 N. Wetherly Dr. Hollywood, Cal. Miss Nadia Boulanger 122 Bay State Road Boston, Mass. Los Angeles California 19 dec. [sic] 1945 Nadia chère, Je me demande si c’est la peine de nous écrire. A quand le depart [sic]? J’attends ne serait-ce qu’un mot de vous. Que vous êtes bonne d’avoir pensé à moi le jour de mon deuil. Merci Toujours à vous I. Str. [P.-S.] Kyriena m’announcé [sic] la mort de son père. Ziloti mort 83 ans. Le pauvre vieil homme avait un cœur bien affaibli après des pneumonies successives. Milène et André ont bien reçu vos précieux cadeaux canadiens, ils supposent que c’est de votre part (le nom de l’exportateur en plutôt du 1o donateur manquait) et veut [sic] tous ecrire [sic] leurs reconnaissances et enthousiasme. Nous avons le projet de les faire venir ici. Je pense que vous l’approuvez et si oui—please appuisez-vous [sic] de toutes vos forces quand vous serez la- bas [sic]. Peut-être demander notre chère ami [sic] Winifred de s’occuper des reservations [sic] à l’hotel [sic] Hemmenway [sic] à Boston pour la semaine de mes concerts (du 18 au 24 février—jours de notre depart [sic] à Havana)? Est-ce aussi difficile qu’à N.Y.? � 1945 Alexander Ilyich Ziloti André Marion Author: Igor Stravinsky Igor Location: California Milène Stravinsky Nadia Location: Boston Recipient: Nadia Boulanger Winifred Hope Johnstone https://digex.lib.uoguelph.ca/files/original/d3e2f81cbf64080f20ac49e3550ab3af.pdf 7ab4baa0154a525e367869d8316bbe31 https://digex.lib.uoguelph.ca/files/original/d5d43eed44d39b8af17da2a8f28aa48d.pdf d2c9d443a64a5de88c44234ec77c66fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 4 Description An account of the resource English translation and transcription of French originals from Chapter 4 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 4, 11 April 1946 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque Nationale De Paris Date A point or period of time associated with an event in the lifecycle of the resource 11 April 1946 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger Hollywood The house that you know by heart April 11, 1946 Nadia dear, Let me tell you, even if only in a few words, my immense joy at finally reading a word from you. Not embarrassed at all by your telegraphic speed, for these last years, it has been our БЫТЪ [our habit]—our way of doing things, our method. Don’t worry about it! I was of course eager to have your statements. Happily I read as much in as between the lines of your letter. Selfish conclusion: Inconsolable as I am to have lost you here, at least I have the satisfaction to think of and take pleasure in the crucial importance of your presence over there. I am with you with all my heart, I Str. [P.S.] Good tour in all senses but . . . tiring. Have you finally heard the London broadcast of my new symphony which Nini and Milène heard a week after my broadcast from N.Y (Jan. 27*) This possibility is miraculous, isn’t it? Tell Nini and Françoise that I wish to receive photos of my ВНУКЪ (grandson), I beg of them. He is superb, ravishing, and so daring. I want to write him a letter. It’s so true! The other day I produced some records with Columbia that go on sale toward the end of the year. At Winnifred's house in Boston, I took from your library one of the two photostats of my piano concerto. One remains for you. Don't give me an earful over this, I really need it for next season because I plan on playing it again with Beveridge, this time with the C.B.S., i.e. the broadcast [orchestra]. � Stravinsky à Boulanger Hollywood La maison que vous connaissez par cœur 11 avril 1946 Nadia, chérie. Laissez-moi vous dire, ne serait-ce que pas les qq. mots, l’immense joie de vous lire enfin. Pas gêné du tout pars [sic] votre speed télégraphique, depuis ces dernières années, c’est bien notre БЫТЪ—façon d’être, notre mode. Allez-y ! J’étais surtout avide d’avoir vos statements. Heureusement je les ai lu [sic] autant dans qu’entre les lignes de votre lettre. Conclusion égoïste : Inconsolable que je suis de vous avoir perdue ici, il me reste au moins cette satisfaction, c’est de penser et de jouir de l’importance décisive de votre présence là-bas. De tout cœur je suis avec vous, I Str. [P.-S.] Bonne tournée dans tous les sens mais…fatigante. Avez-vous, pour finir, entendre la transmission de Londres de ma nouvelle symphonie que Nini et Milène ont entendre [sic] un [sic] semaine après mon broadcast de N-Y (Jan. 27)* ? Miraculeux cette possibilité, n’est-ce pas ? Dites à Nini et Françoise qu’un vœux [sic] de recevoir les photos de ВНУКЪ (petit fils) je prie. Il est superbe, ravissement [sic], tellement brave. J’ai envie de lui écrire une lettre. C’est tellement ça ! J’en ai fait le lendemain des records avec Columbia et se sera mis en vente vers la fin de l’année. A Boston, chez Winnifred, j’ai pris dans votre bibliothèque un des deux photostats de mon piano concerto. Il vous en reste un. Ne m’engueulez pas, j’en ai rudement besoin pour la saison prochaine car je projetes [sic] de le rejouer avec Beveridge au C.B.S. cette fois-ci, CÀD le broadcast � 1946 Author: Igor Stravinsky Beveridge Webster Françoise Stravinsky Igor Location: California Milène Stravinsky Nini Recipient: Nadia Boulanger Soulima Stravinsky Milène Marion