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                <text>Soulima Stravinsky to Boulanger
Voreppe
May 3, 1932
Dear Mademoiselle,
We were very touched by your kind thoughts for Easter and we thank you with all our hearts.
Thank you as well for your kind letter, which I am very embarrassed not to have answered until
today.
Is Madame Boulanger doing a bit better, is she suffering a bit less? I cannot express how much I
am affected by her long, painful suffering. I send my sympathy to you and to her.
I will probably see you again soon, which delights me greatly. I intend to come to Paris for a
couple of days at the end of May. Perhaps you will see my father beforehand because he leaves
for Paris this week to record L’Histoire du soldat and the Octuor.
I believe he wants to see you about me. I have every intention of seeing Philipp to get some
technical advice and some guidelines from him for my work. It needs to be done without
offending Madame Chailley at all and therein, it seems to me, lies the difficulty.
I am sure you will give me good advice about this and, in waiting to see you again soon, when I
can tell you all that I have done this winter, I send to you, my very dear Mademoiselle, my most
devoted affection and to Madame Boulanger my utmost respect.
Your
Sviatoslav Strawinsky
�</text>
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                <text>Soulima Stravinsky à Boulanger
Voreppe
le 3 mai [19]32
Chère Mademoiselle,
Nous avons été très touchés de votre bonne pensée pour le jour de Pâques et nous vous en
remercions tous de tout cœur.
Merci aussi pour votre si gentille lettre à laquelle je suis très confus de ne répondre
qu’aujourd’hui.
Madame Boulanger va-t-elle un peu mieux, souffre-t-elle un peu moins ? Je ne saurais vous dire
combien je suis affecté de cette longue et pénible souffrance et combien cela me cause de peine
pour elle et pour vous.
Je vous reverrai bientôt probablement et m’en réjouis beaucoup. Je compte venir à Paris pour
quelques jours fin mai. Vous verrez peut-être mon père avant car il part à Paris cette semaine
pour enregistrer L’Histoire du Soldat et l’Octour.
Je crois qu’il veut vous voir pour une question me concernant. J’ai l’intention de voir Philipp
pour recevoir de lui quelques conseils d’ordre technique et quelques directives pour mon travail.
Il s’agit d’autre part de le faire sans offenser aucunement Madame Chailley et c’est là, il me
semble, une difficulté.
Vous me donnerez je suis sûr, un bon conseil pour cela et en attendant de vous revoir bientôt et
de vous raconter tout ce qui j’ai fait cet hiver, je vous envoie, bien chère Mademoiselle, mon plus
dévoué attachement et à Madame Boulanger mes plus respectueux hommages.
Votre,
Sviatoslav Strawinsky
�</text>
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                <text>Boulanger to Stravinsky
Garden Street
Cambridge Mass.
Via “Queen Mary”
Sailing 6 avril
M. Igor Strawinsky
25 Faubourg St. Honoré
Paris, France
April 5, 1938
Dear Friend,
I am arriving from Washington—the performance can only take place in the first week of May—
rehearsals begin on the first. I have sent you a wire, because the program with the Thèmes du
concerto must to be given to the printer before the 20th because of the Blisses’ trip. I am also
anxious to work through the finale—because of my eyes, I must know it almost by heart.
Mrs. Bliss has asked me to handle all expenses for you—and yours [your family’s]? I would very
much like news!
With deepest affection,
Nadia
�</text>
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                <text>Boulanger à Igor Stravinsky
The Cosmopolitan Club of Philadelphia
1616 Latimer Street
Via « Queen Mary »
Sailing 6 avril
M. Igor Strawinsky
25 Faubourg St. Honoré
Paris, France
5 avril 1938
Cher Ami,
J’arrive de Washington—la séance ne peut avoir lieu que dans la 1ère
semaine de Mai—
répétitions commençant le 1er
. Je vous ai câblé, car le programme avec les Thèmes du Concerto
doit être donné à l’imprimeur avant le 20 — à cause d’un voyage des Bliss. Je suis aussi
anxieuse de travailler le final—à cause de mes yeux je dois savoir à peu près par cœur.
Mrs. Bliss m’a chargée de tout depensées [sic] pour vous—et les votres [sic]—je voudrais tant
avoir des nouvelles !
A vous de tout cœur,
Nadia
�</text>
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      </tag>
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      </tag>
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        <name>Mildred Woods Bliss</name>
      </tag>
      <tag tagId="490">
        <name>Nadia Location: Cambridge Massachusetts</name>
      </tag>
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                <text>Boulanger to Stravinsky
NADIA
63 GARDEN STREET
CAMBRIDGE, MASSACHUSETTS
(IGOR) STRAWINSKY
25 FAUBOURG ST HONORE
APRIL 5, 1938
BLISS MAY 1 STOP NEED YOU TO SEND THE MANUSCRIPT WE WILL COPY IT HERE
FONDLY
�</text>
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                <text>Boulanger à Stravinsky
NADIA
63 GARDEN STREET
CAMBRIDGE, MASSACHUSETTS
STRAWINSKY
25 FAUBOURG ST HONORE
6 AVRIL 1938
BLISS PREMIERE MAI STOP AU BESOIN ENVOYEZ MANUSCRIT URGENCE
COPIERONS ICI AFFECTION
�</text>
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      </tag>
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                <text>Gavryil Païchadze to Boulanger
Paris
22 rue d’Anjou (8ème)
G. Païchadze
Director
Des Editions S &amp; N Koussevitzky:
Editions Russes de Musique
Edition A. Gutheil
September 5, 1931
Dear Mademoiselle,
I sent you the new proofs of Stravinsky’s Symphonie de psaumes (piano/vocal) yesterday by
registered mail along with the exemplar of the first edition that you corrected.
I would ask you to look at these proofs at your first available opportunity and to return them to
me as soon as will be possible for you. This urgency is caused by the fact that the first edition of
the score has been sold out to the last copy for quite some time, and we have been forced to
refuse requests for this work, which is most unpleasant for both the composer and the editor. The
new printing is therefore very urgent, especially because we must give several performances of
the Symphonie during the first months of this upcoming season.
In the hopes that you will understand this S.O.S. call and thanking you in advance, please accept
my most respectful sentiments, Madame.
Sincerely,
G. Païchadze
�</text>
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                <text>Gavryil Païchadze à Boulanger
Paris
22 rue d’Anjou (8éme
)
G. Païchadze
Directeur
Des Éditions S &amp; N Koussevitzky :
Edition Russe de Musique
Edition A. Gutheil
5 septembre 1931
Chère Mademoiselle,
Je vous ai envoyé hier sous bandes recommandées les nouvelles épreuves de la Symphonie de
psaumes de Strawinsky (chant et piano) avec l’exemplaire de la première édition que vous avez
corrigé.
Je me permets de vous prier de regarder ces épreuves à votre premier moment libre et de me les
renvoyer aussi vite que ce sera possible pour vous. Cette urgence est causée par le fait que la
première édition de cette partition s’est épuisée jusqu’au dernier exemplaire il y a déjà un bon
moment et nous sommes obligés de refuser les demandes pour cette œuvre ce qui est très
désagréable pour le compositeur et pour l’éditeur. Le nouveau tirage presse donc beaucoup
d’autant plus que nous devons avoir beaucoup d’exécutions de cette Symphonie pendant les
premiers mois de cette saison.
Espérant que vous voudrez bien entendre cet appel de S.O.S. et vous remerciant d’avance, je
vous prie, chère Mademoiselle, de croire à mes sentiments respectueux.
G. Païchadze
�</text>
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                <text>Stravinsky to Boulanger
Voreppe (Isère)
June 5–8, 1932
How can I thank you, dear Nadia, for your sketches that are so full of a friendship, which is
particularly precious to me since I know only too well the priceless virtues of your heart and
ears!
But, I beg of you, do not be extravagant in finding me things that I love passionately but which
are, because of the dark times in which we live, unaffordable for us other musicians. Leave those
to the rich, if there are any left.
Most fondly,
Your 50-year-old friend*
Igor Strawinsky
*OK, I know it’s “Quinquagenarian,” but the number sounds better
�</text>
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                <text>Stravinsky à Boulanger
Voreppe (Isère)
le 5-18 juin [19]32
Comment vous remercier, chère Nadia, pour vos esquisses pleinne [sic] d’amitié qui m’est tant
particulièrement précieuse puisque je connais trop bien les qualités inestimables de votre cœur et
de votre oreille !
Mais, je vous en supplie, ne faites pas des folies pour me trouver des choses que j’aime
passionnément mais qui sont, par le sinistre temps que nous vivons, inabordables, pour nous
autres musiciens. Laissons cela aux riches s’il y [sic] a.
Je vous embrasse de tout cœur
Votre cinquantenaire*,
Igor Strawinsky
*quinquagenaire [sic], j’admets, mais le nombre sonne mieux
�</text>
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        <name>Recipient: Nadia Boulanger</name>
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                <text>Stravinsky to Boulanger
Paris
Mademoiselle Nadia Boulanger
63 Garden Street, Cambridge, Mass. U.S.A.
April 6, 1938
Very dear friend,
Received your cable this morning. Last night I received, on engraved proofs from Strecker,
pages 27–37 (inclusive) of the last movement of my Concerto in E-flat. I have just finished
correcting them and am sending them to you on the SS Europa. There are still some seven to
eight pages yet to come and I will send them to you as soon as I have them (next week). You can
therefore create the parts from what you have because [if you were to] work from the
manuscript—which has many missing bowings (and also quite a few mistakes that I have not had
the time to correct)—you would have serious difficulty establishing correct parts. I will try again
to obtain a special printing from Strecker for you.* Refer only to the copy (for the orchestral
parts) that you’ve already received from me (that being the corrected proofs of the first and
second movements) and which I’m sending you today.
It was very unexpected, this obsession with having our concert on the first of May, and has taken
us by surprise. I am hopeful that everything will sort itself out, especially when I think that it is
you who will be handling everything.
With deepest affection,
Your
Igor Strawinsky
[P.S.] Have you been able to speak to Mrs. Bliss on the subject of our last conversation?
*because you will be returning your own [current copy] in order to complete the parts.
�</text>
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                <text>Stravinsky à Boulanger
Paris
Mademoiselle Nadia Boulanger
63 Garden Street, Cambridge, Mass. U.S.A.
6 April 1938
Très chère amie,
Votre câble reçu ce matin. Hier soir reçu de Strecker les pages 27-37 incl. du dernier mouvement
de mon Concerto en mi bémol en épreuves gravées. Je viens de les corriger et vous les envoie
par le S/S EUROPA. Il nous reste que quelques 7 à 8 pages de la fin que je vous enverrai dès que
je les aurai (la semaine prochaine). Vous pouvez donc faire établir les parties d’après ce que vous
avez car d’après le manuscrit, où il y a beaucoup de coups d’archet qui manquent (et où il y a
également pas mal de fautes que je n’avais pas eu le temps de corriger) on aurait de la peine à
établir un matériel correct. Je tâcherai d’obtenir de Strecker encore un tirage spécial pour vous*.
Rendez seulement à la copie (pour les parties d’orchestre) ce que vous avez déjà de chez moi
(soit les épreuves corrigées de la 1-ère et de la 2-ème partie) et ce que je vous envoie
aujourd’hui.
C’était vraiment inattendu cette fixation au 1er
mai de notre concert et cela nous a pris au
dépourvu. Je veux espérer que tout s’arrangera et que tout se passera bien surtout quand je pense
que c’est vous qui aurez tout cela en mains.
Je vous embrasse très affectueusement
Votre
Igor Strawinsky
Avez-vous pu parler à Mme Bliss au sujet de notre dernière conversation ?
*car vous rendrez la vôtre pour l’extraction des parties [partitions]
�</text>
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                <text>Boulanger to Stravinsky
36 rue Ballu 9th
Mr. I. Strawinsky
25 Faubourg St. Honoré
Paris
[December 7, 1937]
The concert has just concluded—I do not know what to tell you, dear, special friend—but you
know, don’t you? Your genius has changed our path, our thought, our awareness, and never will
we be able to thank you enough! But you know what awkwardness keeps me from saying!
Fondly, and with very great affection, I am
Your
Nadia
�</text>
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                <text>Boulanger à Stravinsky
36 rue Ballu 9
Monsieur I. Strawinsky
25 Faubourg St. Honoré
Paris
[7 décembre 1937]
Le concert finit à l’instant—je ne sais rien vous dire, Cher unique ami—mais vous savez, n’est-
ce-pas ? Votre génie a changé notre route, notre pensée, notre conscience, et jamais nous ne
pourrons vous remercier ! Vous sentez pourtant tout ce que la maladresse m’empêche de vous
dire !
Je vous embrasse, et suis, en si grande affection,
Votre
Nadia
�</text>
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                <text>Catherine Stravinsky to Boulanger
Nice
May 7, 1931
Dear Friend,
Thank you so much for your very sincere letter reassuring us.
We are very grateful to you for having honestly shared your feelings and your point of view with
us. Unfortunately, it differs significantly from our own, but as you have given us your promise
that, in appearance, you will support us, we are firmly counting on you. Besides, the attitude to
take right now concerning young people is to interfere in no way in their relationships. The
young woman will return to America soon; one need neither try to make her return, nor oppose
it, but as for the future, leave it all up to the will of God, because it is not up to us to unite or
separate them. It is only important that Nini does not extend any formal promises, that is all.
I hope that everything is now clear between us.
I have not yet thanked you for having thought of us (Nini’s performance). Your telegram was a
great joy for us all.
Sviétik wrote to me that he will defer his exams until next year. So much the better! We approve
of it entirely. It was an effort well beyond his abilities as he now understands.
I will finish this letter by thanking you very sincerely for all the interest you have shown our son
and for your kind friendship toward us.
Believe that I am, dear Friend, your cordially devoted,
C. Stravinsky
�</text>
              </elementText>
              <elementText elementTextId="17206">
                <text>Catherine Stravinsky à Boulanger
Nice
le 7 mai 1931
Chère Amie,
Merci beaucoup de votre lettre si sincère qui nous rassure.
Nous vous sommes très reconnaissants de nous avoir exposé en toute franchise vos sentiments et
votre point de vue ; il diffère malheureusement sensiblement de nôtre [sic] mais comme vous
nous donnez la promesse de nous soutenir quoiqu’en apparence nous comptons fermement sur
vous. Du reste l’attitude à prendre maintenant vis-à-vis des jeunes gens est de n’intervenir
d’aucune façon dans leurs rapports. La jeune fille retournera bientôt en Amérique; il ne faut ni
tâcher de la faire revenir, ni s’y opposer, mais laisser tout à la volonté de Dieu quant à l’avenir,
car ce n’est pas à nous de les unir ou de les séparer. Il importe seulement que Nini ne se lie pas
de promesse formelle, voilà tout.
J’espère que tout est clair entre nous maintenant.
Je ne vous ai pas encore remerciée d’avoir pensé à nous (l’audition de Nini). Votre télégramme
nous a fait à tous grand plaisir.
Sviétik m’écrit qu’il remet ses examens à l’année prochaine. Tant mieux ? Nous l’approuvons
entièrement. C’était un effort vraiment audissus [sic] de ses forces comme il l’a compris
maintenant.
Je finis ma lettre et vous remercie bien sincèrement de tout l’interêt [sic] que vous portez à notre
fils et de votre bonne amitié envers nous.
Croyez-moi, chère Amie, votre très cordialement dévouée,
C. Stravinsky
�</text>
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        <name>Recipient: Nadia Boulanger</name>
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          <element elementId="49">
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                <text>Boulanger to Stravinsky
Les Maisonettes
Hanneucourt
by Gargenville (S&amp;O) PTH 28
Igor Strawinsky
La Virronière
Voreppe
Isère
September 7, 1931
Dear Friend,
I’ve made the corrections—everything is at rue d’Anjou—but unfortunately, a few questions
remain. I’m sorry to bother you, but what can be done? Respond on these sheets, make use of
this envelope, and forgive me for not having spared you this annoyance.
You know with what deep sentiments of admiration, affection, and confidence I call myself your,
NB
[P.S.] My respects to your dear Mother.
�</text>
              </elementText>
              <elementText elementTextId="17198">
                <text>Boulanger à Stravinsky
Les Maisonettes
Hanneucourt
par [sic] Gargenville (S&amp;O) PTH 28
Monsieur Igor Strawinsky
La Virronière
Voreppe
Isère
7 septembre 1931
Cher Ami,
J’ai fait les corrections—tout est rue d’Anjou—mais hélas, il reste quelques questions—Je suis
désolée de vous déranger, mais que faire ? Répondez sur les feuilles—servez-vous de
l’enveloppe et plaignez-moi de ne pouvoir vous épargner cet ennui.
Vous savez avec quel profond sentiment d’admiration, d’affection et de confiance je me dis
votre,
NB
[P.-S.] Mes respects à votre chère Maman.
�</text>
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        <name>Author: Nadia Boulanger</name>
      </tag>
      <tag tagId="459">
        <name>Igor Location: Voreppe</name>
      </tag>
      <tag tagId="462">
        <name>Nadia Location: Gargenville</name>
      </tag>
      <tag tagId="357">
        <name>Recipient: Igor Stravinsky</name>
      </tag>
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            <elementTextContainer>
              <elementText elementTextId="17207">
                <text>Catherine Stravinsky to Boulanger
Nice
April 8, 1931
Dear Mademoiselle,
Please allow me to write to you this letter on an issue concerning Sviétik that worries me greatly.
He spoke to me quite frankly about it and I told him all our thoughts on the subject. I would like
to share a few words with you regarding it as well.
My husband and I are not very sympathetic toward the idea of a marriage to someone from
outside our race and religion, a marriage which above all else seems very much premature to us,
seeing as Sviétik is still practically a child.
Nor can we forget that he is preparing himself for a career as a pianist, which particularly
complicates his case. Indeed, this field requires a great deal of travel and a lifestyle that, in our
opinion, at least at the beginning of artistic life, does not lend itself well to starting a family
(children are always to be expected). Moreover, one must remember that he still depends on us
entirely, that he is only a student of music and that he is not yet an established artist, earning his
own living.
For two years now, Sviétik has lived most of his life away from his family, and under these
conditions it has been difficult for us to exert an influence over him. It seems to us, dear friend,
that you are the best placed to help us with our difficulties. Permit us to believe you do not think
harshly of us for troubling you with our concerns.
As for the sentimental side of this affair, and without wanting to rush anything, we beg you to
support our point of view around Sviétik so that he sees, among all those who matter to him, a
uniform opinion on the questions that are tormenting him. I say this to you freely, because it
seems to us Sviétik is inclined to believe that you welcome favorably the idea of this union so
desired by him. As for us, we do not want Sviétik tied up by promises that perhaps shouldn’t be
fulfilled. I have suggested (and this so as to not sadden him entirely) that he wait at least a year
to return to the overall question of marriage.
I think that you share our views, which is why we have addressed this in all frankness and in an
appeal to your good friendship and would like to count firmly on your support and it is in this
hope that I extend to you, dear Mademoiselle, my best wishes,
Catherine Stravinsky
[P.S.] Please do forgive this slightly confusing letter, but having been extremely busy these last
few days I did not have time to put everything in order in this hurriedly written letter because I
would like for you to read it before Sviétik’s arrival
�</text>
              </elementText>
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                <text>Catherine Stravinsky à Boulanger
Nice
le 8 avril 1931
Chère Mademoiselle,
Permettez-moi de vous écrire ces lignes au sujet d’une question concernant Sviétik qui me
préocupe [sic] beaucoup. Il m’en a parlé très franchement et je lui ai dit tout ce que nous en
pensons. Je voudrais vous en dire aussi quelques mots.
Mon mari et moi nous ne sympathisons pas beaucoup à l’idée d’un mariage avec une étrangère
de race et de religion, mariage qui avant tout nous semble vraiment trop prématuré, vu que
Sviétik est encore lui-même, un demi-enfant.
Il ne faut pas oublier non plus qu’il se prépare pour une carrière de pianiste ce qui complique
particulièrement son cas. En effet, ce métier demande une vie mouvementée, des voyages, vie
qui à notre avis, ou plustôt [sic] début de vie artistique, ne se conforme pas très bien à un début
de vie de famille (des enfants sont toujours à prévoir). D’autre part il faut savoir qu’il dépend
encore entièrement de nous, qu’il n’est qu’étudiant en musique et qu’il n’est pas encore un artiste
achevé, gagnant sa vie lui-même.
Depuis deux ans Sviétik vit la plupart de l’année hors de sa famille et il nous est très difficile
d’exercer sur lui dans ces conditions une influence suivie. Vous, chère amie, vous êtes, il nous
semble, le mieux placée pour nous venir en aide dans nos difficultés. Permettez-nous de croire
que vous ne nous figuerez [sic] pas trop sévèrement de vous embarrasser [sic] par nos
préoccupations.
Tout en ménageant le côté sentimental de l’affaire et sans vouloir rien brusquer, nous vous prions
de soutenir auprès de Sviétik notre point de vue pour qu’il voie chez tous ceux qui comptent pour
lui une conformité d’opinion sur les questions qui le tourmentent. Je me permets de vous le dire
car il nous semble que Sviétik est enclin à croire que vous accueillez favorablement l’idée de
cette union si désirée par lui. Quant à nous nous ne voulons pas que Sviétik se lie par des
promesses qui ne devront peut-être pas se réaliser. Je lui ai dit (et ce pour ne pas l’atrisser [sic]
entre mesure) qu’il attende un an au moins pour revenir en général sur la question mariage.
Je pense que vous partagez nos idées, c’est pourquoi nous vous adressons en toute franchise à
votre bonne amitié et voudrions compter fermement sur votre appui et c’est dans cet espoir que
je vous prie de trouver ici chère Mademoiselle l’expression de mes sentiments bien cordialement
dévoués,
Catherine Stravinsky
Excusez, je vous prie, cette lettre un peu confuse mais étant très prise tous ces jours-ci je n’ai pas
le temps de mettre de l’ordre dans cette lettre écrite à la hâte car je voudrais que vous la lisiez
avant l’arrivée de Sviétik.
�</text>
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      </tag>
      <tag tagId="114">
        <name>Sviétik</name>
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