14 10 1009 https://digex.lib.uoguelph.ca/files/original/fe16edc4ead3483665137a5b4f1ebd92.pdf 43b3b9ba033c5f4ba230390aa7341bc6 https://digex.lib.uoguelph.ca/files/original/4f1baad905aa9da9423a73046009d4dd.pdf 45daa43e40dbf4b58a081abb5b24240e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 4 Description An account of the resource English translation and transcription of French originals from Chapter 4 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 4, 27 April 1951 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque Nationale De Paris Date A point or period of time associated with an event in the lifecycle of the resource 27 April 1951 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger 1260 North Wetherly Drive Hollywood 46 California Mademoiselle Nadia Boulanger 36 rue Ballu Paris—9th (France) April 27, 1951 My dear Nadia, A thousand thanks for your very kind letter of April 11 (Cap d'Antibes). I signed a contract with the Biennale to conduct the premiere of The Rake's Progress at the Venice Festival on September 10. But it seems that my editor [at] Boosey & Hawkes was more or less further along with things at la Scala and, to avoid trouble, (which, personally, shouldn't concern me) he is looking to find a compromise of a nature that satisfies the Biennale as much as la Scala and myself. [A compromise] of the sort that would allow for la Scala to participate in the Festival, because as far as I’m concerned I do not want to modify the time of my arrival in Italy, which must be in Venice, rather than Milan. I have indeed heard murmurs of Markevitch’s success with Le Sacre but I did not know that he had done Mavra and Perséphone. I knew that he had conducted Orphée at the Venice Biennial in 1949, but I did not know that he had given concert performances of it. The opera is finished except for the short Prelude that I am in the process of composing; there will not be an overture. I still have lots of work because Boosey & Hawkes are printing the piano/vocal score, and I am constantly receiving proofs from Germany to correct. I am really counting on us seeing one another in Venice . . . But what madness awaits us there!!! Théodore's family will come from Switzerland with Kitty, and Milène and André (who will be in Nice this summer) will also pop by. Write me always dear Nadia, telling me a bit more about yourself. All my love, unfortunately, as always, with great haste. Your I Str. [P.S.] Where and when did you give the lectures (on my music) that you speak of? And what has become of Gunsbourg’s beautiful project in Monte-Carlo? There’s been no word. � Stravinsky à Boulanger 1260 North Wetherly Drive Hollywood 46 California Mademoiselle Nadia Boulanger 36 rue Ballu Paris—9eme (France) 27 avril 1951 Chere Nadia, Merci mille fois de votre si bonne lettre du 11 avril (Cap d’Antibes). J’ai signé un contrat avec la Biennale pour diriger la premiere du Rake’s Progress au Festival de Venise le 10 Septembre. Mais il semble que mon editeur Boosey & Hawkes s’etait plus ou moins avancé vis-à-vis de la Scala et, pour s’eviter des ennuis, (qui, personnellement, ne devraient pas me toucher) il cherche a trouver un compromis de nature a donner satisfaction tant a la Biennale qu’a la Scala et a moi-meme. En sorte qu’il est possible que la Scala participe au Festival car en ce qui me concerne je ne veux pas modifier l’epoque de ma venue en Italie, ce qui implique forcement Venise et non Milan. J’ai en effet entendu parler du succes de Markevitch avec Le Sacre mais j’ignorais qu’il eut fait Mavra et Persephone. Je savais qu’il avait dirige Orphee a la Biennale de Venise en 1949 mais je ne savais pas qu’il en avait donne des executions de concert. L’opera est termine sauf le court Prelude que je suis en train de composer ; il n’y aura pas d’ouverture. J’ai encore beaucoup de travail car Boosey & Hawkes grave le piano-chant et je recois sans cesse des epreuves a corriger d’Allemagne. Je compte bien que nous nous verrons a Venise… Mais quelle agitation nous attend la-bas!!!Les Theodore[s] y viendront de Suisse avec Kitty, et Milene et Andre (qui seront a Nice cet ete) y feront aussi un saut. Ecrivez-moi toujours chere Nadia, en me parlant un peu plus de vous-même. Je vous embrasse, comme toujours malheureusement en toute hate. Votre I Str. [P.-S.] Où avez-vous fait des conférences (sur ma musique) dont vous parlez et quand ? Et qu’est-ce qui est devenu le beau projet de Gunsburg à Monte-Carlo ? On entend plus parler. � 1951 André Marion Author: Igor Stravinsky Boosey & Hawkes Igor Location: California Igor Markevitch Mavra Milène Marion Milène Stravinsky Nadia Location: 36 rue Ballu Orpheus Perséphone Raoul Gunsbourg Recipient: Nadia Boulanger The Rake's Progress https://digex.lib.uoguelph.ca/files/original/ad74941da71941402fbce04fc66c7c30.pdf 1d33803f439c5ebe2e9fbcc969e712e5 https://digex.lib.uoguelph.ca/files/original/4c88f0c7145a7e8307474fc96efec2e3.pdf 8bab78cf2aa23f1fdc0915bce3a49c76 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 4 Description An account of the resource English translation and transcription of French originals from Chapter 4 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 4, 13 June 1951 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque Nationale De Paris Date A point or period of time associated with an event in the lifecycle of the resource 13 June 1951 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger 1260 North Wetherly Drive Hollywood 46, California Mademoiselle Nadia Boulanger 36 rue Ballu Paris, 9th (FRANCE) June 13, 1951 My dear Nadia, Your letter touched me greatly; we were all affected as well by the swift and almost unexpected death of Koussevitzky. At the request of Time magazine, I wrote these few lines included below: “That Serge Koussevitzky was a great celebrity, everybody knows; but that many careers were created by his generosity, very few know. When a man passes away those wishing to pay tribute to his memory recollect his good deeds, the things he did most ostensibly. Let us dwell today on those things that Serge Koussevitzky did for others without telling anyone about it. And for these secret things let him be rewarded manifestly.” I think my homage, limited to what is true, is in this way more sincere than many of the others that are being published right now. What is this pessimistic news that you’re only partially sharing with me? You seem to know more in France about the Italian premiere of The Rake than I do here. As for myself, I have a solid contract in my pocket with the Biennale and I will be in Italy on the scheduled dates (mid- August) to perform it. A couple of days ago I learned officially that La Scala has agreed with the Biennale to mount the Venetian production. But I have no other details; these Italians don’t seem to like to write. Therefore, I would like to know more about this from you if—as your letter left me to assume—you are collecting information from various sources. Who is saying what??? In Italy or elsewhere about my Rake??? . . . Don't leave me in the dark. Vera and I send you our great affection, I Str. � Stravinsky à Boulanger 1260 North Wetherly Drive Hollywood 46, California Mademoiselle Nadia Boulanger 36 rue Ballu Paris 9eme (FRANCE) 13 juin 1951 Chere [sic] Nadia, Vos lignes m’ont beaucoup touche; nous avons tous ete egalement atteints par la disparation si rapide et presqu’inattendue [sic] de Koussevitzky. J’ai ecrit—a la demande de Time magazine, les quelques lignes ci-dessous: “That Serge Koussevitzky was a great celebrity, everybody knows; but that many careers were created by his generosity, very few know. “When a man passes away those wishing to pay tribute to his memory recollect his good deeds, the things he did most ostensibly. “Let us dwell today on those things that Serge Koussevitzky did for others without telling anyone about it. And for these secret things let him be rewarded manifestly.” Je pense que mon hommage, limite a ce qui est vrai, est ainsi plus sincere que beaucoup de ceux qui sont publies a cette heure. Quelles sont ces nouvelles pessimistes dont vous me transmettez seulement quelques echos? Vous avez l’air d’en savoir en France plus que je n’en sais moi-meme ici, en ce qui concerne la premiere italienne du Rake. Pour ma part j’ai un solide contrat dans ma poche avec la Biennale et je me rendrai en Italie aux dates prevues (mi-Aout [sic]) pour l’executer. J’ai appris officieusement il y a quelques jours que la Scala se serait entendue avec la Biennale pour mettre sur pied la production venitienne. Mais je n’ai pas d’autres details; ces Italiens semblent ne pas aimer ecrire. Aussi aimerais-je en savoir plus long par vous si—comme votre lettre me le laisse supposer—vous recoltez des informations de sources variées. Qui dit quoi??? en Italie ou ailleurs au sujet de mon Rake???... Ne me laissez pas dans l’incertitude. Vera et moi vous embrassons bien affectueusement.— - I Str. � 1951 Author: Igor Stravinsky Igor Location: California Nadia Location: 36 rue Ballu Recipient: Nadia Boulanger Sergei Koussevitzky The Rake's Progress https://digex.lib.uoguelph.ca/files/original/fdb97fb757ff594dde92a6f8457482ff.pdf 276d0dd76c9221fe233f6f78be3c3d7d https://digex.lib.uoguelph.ca/files/original/a4d33fd5f8523c00636822ff129ca9bc.pdf eb494a06aa243b340b448eb5e0798120 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 4 Description An account of the resource English translation and transcription of French originals from Chapter 4 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 4, 27 July 1951 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque Nationale De Paris Date A point or period of time associated with an event in the lifecycle of the resource 27 July 1951 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger Mademoiselle Nadia Boulanger 36 rue Ballu Paris 9eme, France July 27, 1951 Dear Nadia, Just a letter in response to the questions you sent me in your letter from Fontainebleau on July 21, received just now. I leave here July 30 and will be in New York (Hotel Lombardy, 111 East 56th Street, New York 22, N.Y.) from August 2 to August 7, on which date I embark on the SS Constitution (American Export Lines) to arrive in Naples on August 15. I will be in Milan until September 3 (c/o Scala or Hotel Duomo) Following that, Venice (c/o Biennale or Hotel Bauer-Grunwald) The premiere I’m conducting is on September 8; afterward two other performances, the 10th and the 12th, under an unknown director, probably someone from [La] Scala (I have recommended Markevitch, but it appears that will not work out). After the shows I will probably make recordings of [The] Rake, but where? . . . (Venice or Milan) . . . and when exactly? . . . I have no idea. Afterward I have a pair of concerts in Milan at the Scala on the 27th and 28th of September. Then October 8: Cologne (Oedipus Rex); October 14: Baden-Baden; October 21: Munich (the new Oedipus Rex with Cocteau) I must reboard the SS Constitution in Genoa or Naples the 29th or 30th of October to come back to New York for November 7. See you soon. In all haste, I am very affectionately, Your Igor Stravinsky � Stravinsky à Boulanger Mademoiselle Nadia Boulanger 36 rue Ballu Paris 9eme (France) 27 juillet 1951 Chere Nadia, Juste ces lignes en response aux questions que vous me posez dans votre lettre de Fontainebleau du 21 juillet, recue a l’instant. Je pars d’ici le 30 juillet et serai a New York (Hotel Lombardy, III East 56th Street, New York 22, N.Y.) du 2 Aout au 7 Aout, date a laquelle j’embarque sur le SS « CONSTITUTION » (American Export Lines) pour arriver a Naples le 15 Aout. Je serai a Milan jusqu’au 3 septembre (c/o Scala or Hotel Duomo) Ensuite Venise (c/o Biennale ou Hotel Bauer-Grunwald) La premiere que je dirige est le 8 septembre ; ensuite deux autres spectacles, le 10 et le 12, sous une direction inconnue, probablement quelqu’un de La Scala (j’avais recommande Markevitch mais parait-il ca ne marche pas). Apres les spectacles il est probable que je ferai des enregistrements du Rake, mais ou ?...(Venise ou Milan)… et quand exactement ?...Je n’en sais rien. J’ai ensuite une paire de concerts a Milan a la Scala les 27 et 28 Septembre. Puis le 8 octobre : Cologne (Oedipus Rex); Le 14 Octobre : Baden-Baden; Le 21 Octobre: Munich (de nouveau Oedipus Rex avec Cocteau) ; Je dois reprendre le SS « CONSTITUTION » a Genes ou Naples le 29 ou le 30 Octobre pour rentrer a New York le 7 Novembre. A bientôt. En toute hate je vous embrasse bien affectueusement, Votre, Igor Stravinsky � 1951 Author: Igor Stravinsky Igor Markevitch Nadia Location: 36 rue Ballu Oedipus Rex Recipient: Nadia Boulanger The Rake's Progress https://digex.lib.uoguelph.ca/files/original/32a6ce617471ff7e9bffe6a299004185.pdf afff51ace0f97106b7d34bcc2a8af852 https://digex.lib.uoguelph.ca/files/original/d70dcf535c409cd9a7a509514fe846f1.pdf 328e5390dd82553b893e478deb13ee6e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 4 Description An account of the resource English translation and transcription of French originals from Chapter 4 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 4, 22 August 1951 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque Nationale De Paris Date A point or period of time associated with an event in the lifecycle of the resource 22 August 1951 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger Excelsior Napoli August 22, 1951 Dearest Nadia, I received your telegraph upon my arrival. Thank you! Unfortunately, the “air conditioning” on the SS Constitution wished me a case of pneumonia, Yes! A very good local doctor took agressive measures = penicillin (strong doses) and at the end of this week (August 26) I am going to Milan (Hotel Duomo) to start to work. Théodore's family is here close by. Very, very affectionately, I Str P.S. Vera has had horrible, unending bronchitis this whole time!! � Stravinsky à Boulanger Excelsior Napoli 22 août 1951 Dearest Nadia A mon arrivée ici, votre cable. Merci ! Malheureusement l’ « air contioning [sic]» de notre SS « Constitution » m’a voulu une pneumonie, Oui ! Un très bon docteur d’ici a pris des mesures energiques = penicillin [sic] (fortes doses) et fin de cette semaine (le 26 août) je vais à Milan (Hôtel Duomo) pour commencer à travailler. Les Théodores sont ici près de nous. Je vous embrasse très, très affectueusement, I Str P.S. Vera a eu pendant ce temps une bronchite à tant cesser !! � 1951 Author: Igor Stravinsky Recipient: Nadia Boulanger Théodore Stravinsky Theodore Strawinsky https://digex.lib.uoguelph.ca/files/original/f1e2c587d058535ee4d9ee8e7ac9030f.pdf 53ac6c793bdbeef3051221c57077db4e https://digex.lib.uoguelph.ca/files/original/e2a5d32520b18a04f179fa965db2113f.pdf 2396e571b1d29da11180d092f88620a9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 6 Description An account of the resource English translation and transcription of French originals from Chapter 6 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 6, 5 December 1956 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale Date A point or period of time associated with an event in the lifecycle of the resource 5 December 1956 Type The nature or genre of the resource Telegram 1956 Author: Igor Stravinsky Igor Location: London Nadia Location: 36 rue Ballu Recipient: Nadia Boulanger https://digex.lib.uoguelph.ca/files/original/737394050321175dd209a85284b13802.pdf 5b1c7fdebc2ccdeb092ea2f2fe9b2be5 https://digex.lib.uoguelph.ca/files/original/93034e5157a3d2084dbb9a1eaaab9b60.pdf 157c90a5c28a675ef9c471ff42f7e526 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 6 Description An account of the resource English translation and transcription of French originals from Chapter 6 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 6, 18 January 1957 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale Date A point or period of time associated with an event in the lifecycle of the resource 18 January 1957 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger 1260 N. Wetherly Drive Hollywood 46, California Miss Nadia Boulanger 36 rue [B]allu Paris, 9th France January 18, 1957 Always happy to have a short note from you, if only to ask me to support your students' access to scholarships. It is, of course, OK for the Hindu and the Dane How are you doing? Here everything is, for the moment, following its normal course. Have you photographed the microfilms I sent with Bob in November for you [?]* If yes—be an angel and send them back to me with someone who’s on their way to the United States. This film is very, very difficult to obtain, and I would like to make some reproductions here. My most affectionate wishes, my dear Nadia, I. Str [P.S.] * That of Schütz—Webern. � * * * Stravinsky à Boulanger 1260 N. Wetherly Drive Hollywood 46, California Miss Nadia Boulanger 36 rue Ballu Paris, 9eme France 18 janvier 1957 Toujours heureuse [sic] d’avoir un petit mot de vous, ne serait-ce que pour me demander d’appuiez [sic] l’accès à la bourse de vos élèves. Evidemment c’est OK pour l’hindou et le danois Comment allez-vous vous-même ? Ici tout [suit] pour le moment au cours normal. Avez-vous fait la photo des microfilms que je vous avais envoyé [sic] en Novembre avec Bob.* Si oui—soyez un ange et renvoyez-moi-les par quelqu’un qui se rend au Etats Unis. C’est un filme [sic] très très difficile à avoir et je voudrais faire ici quelques reproductions Chère Nadia, je vous embrasse bien affectueusement. I. Str *Celui de Schutz—Webern. � 1957 Anton Webern Author: Igor Stravinsky Igor Location: California Nadia Location: 36 rue Ballu Recipient: Nadia Boulanger Robert Craft https://digex.lib.uoguelph.ca/files/original/79392804ba81cb61cfc3fa976448be0d.pdf d662ed79bd601d1f822f11b2d6a6a7c3 https://digex.lib.uoguelph.ca/files/original/80010fb6ee0d3ee3a12b890f7d7b6495.pdf faa2a7a2463df8ce5a39d9efe252c649 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 6 Description An account of the resource English translation and transcription of French originals from Chapter 6 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 6, 12 May 1957 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale Date A point or period of time associated with an event in the lifecycle of the resource 12 May 1957 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger Santa Monica, Calif. Miss Nadia Boulanger 36 rue Ballu Paris, IX France May 12, 1957 My dear Nadia, This is to tell you I received your letter of April 16 and as always—no time for letters. Boulez made an excellent impression on all of us: a musician of the first order, highly intelligent, he has good manners and is probably a generous man. His Marteau sans maître, which he conducted so well here, is an admirably well-ordered score, in spite of all the auditory and visual complications (counterpoint, rhythm, tempo). Without being too familiar with Boulez's music, I find it, frankly, preferable to many other things from his generation. I never received the microfilm (Isaak-Webern) that you had promised me from George Sachs who was supposed to come to the United States this Easter. We haven't heard anything about it. Just spoke with Nica Nabokov who will have returned to Paris when you read these lines. Telephone him to get the latest news. Please respond. Love, I. Str � * * * Stravinsky à Boulanger Santa Monica CALIF. Miss Nadia Boulanger 36 rue Ballu Paris, IX-eme France 12 mai 1957 Chere Nadia, C’est pour vous dire que j’ai bien recu votre mot du 16 avril et comme toujours—pas de temps pour des lettres. Boulez nous a fait tous une excellente impression : musicien de tout premier ordre, hautement intelligent il a des bonnes manieres et probablement est un homme genereux. Son Marteau sans maitre qu’il a si bien dirige ici est une partition admirablement ordonnee malgre toutes les complications (contrepoint, rythme, mesure) [audible] et lisible [sic]. Sans me sentir familier avec cette musique de Boulez je la trouve franchement preferable a bien des choses de sa generation. Je n’ai jamais recu le microfilm (Issak-Webern) que vous m’aviez promis par George Sachs qui devait venir a Paques aux Etats Unies. On a rien entendu d’elle. Viens de parler avec Nica Nabokov qui sera rentre a Paris lorsque vous lirez ces lignes. Telephonnez-lui pour avoir des nouvelles toutes fraiches. R.S.P [sic] Love, I. Str � 1957 Author: Igor Stravinsky George Sachs Igor Location: California Nadia Location: 36 rue Ballu Nicolas Nabokov Pierre Boulez Recipient: Nadia Boulanger https://digex.lib.uoguelph.ca/files/original/9d8f7f3fdd835d34fefed3b45b413843.pdf 2cbf3a6216568705cf77ce845348670b https://digex.lib.uoguelph.ca/files/original/261270152d70ef355e0a7f6b86d0ee9c.pdf 96bd7558b8597c68eb0bf03e38487635 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 6 Description An account of the resource English translation and transcription of French originals from Chapter 6 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 6, 2 March 1958 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale Date A point or period of time associated with an event in the lifecycle of the resource 2 March 1958 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger Hollywood March 2, 1958 Thank you, thank you, dear Nadia, for your letter—I am very appreciative, believe me. We are going to Venice (certainly to Bauer) on July 29, embarking for New York on board the Cristoforo Colombo (which hit a whale between Genoa and Naples very recently). Threni (or Lamentations after the Vulgate) upon which the composition touches near the end, will be performed at the Scuola San Rocco under my direction around September 20; then I conduct Oedipus and Le Sacre and on Sept 24 I leave with my whole ensemble for Switzerland, where I am conducting Threni from Sept 25 to 29 in Geneva, Berne, Bâle, and Zurich. As for the desired allocation for the Lili Boulanger Fund: OK. Poor Marie-Blanche. I am thinking of her and I sympathize with your grief because I know you were great friends. I have as well just learned of a death that has greatly affected me—that of Alexandre Piovesan of the Venice Biennale, he couldn’t have been more than forty years old! Affectionately yours, I. Stravinsky � * * * Stravinsky à Boulanger Hollywood 2 mars 1958 Merci, merci, chere Nadia, de votre lettre – j’en suis tres sensible, croyez-le[-]moi. C’est a Venise (certainement au Bauer) que nous allons le 29 juillet en s’embarquant a New York au bord de Cristoforo Colombo (qui avait cogne une baleine entre Genes et Naples tres recemment). Threni (ou Lamentations d’apres le Vulgate) dont la composition touche vers la fin, passe a la Scuola San Rocco sous ma direction autour du 20 septembre ; je dirige ensuite Œdipe et le Sacre et le 24 sept. je pars avec tout mon ensemble en Suisse ou je dirige Threni du 25 au 29 sept. a Geneve, Berne, Bale, et Zurich. OK pour le Lili Boulanger Fund quant a l’attribution desiree. Pauvre Marie Blanche. Je pense a elle et je sympathise avec votre chagrin car, je sais, vous avez ete des grandes amies. Je viens aussi d’apprendre une mort qui m’a beaucoup affligee—celle d’Alexandre Piovesan de la Biennale de Venise, un homme de 40 ans a peine ! Affectueusement à vous, I. Stravinsky � 1958 Alessandro Piovesan Author: Igor Stravinsky Igor Location: California Lili Boulanger Marie Blanche de Polignac Oedipus Recipient: Nadia Boulanger Threni https://digex.lib.uoguelph.ca/files/original/ec949989b07d3859db40db2616a745ba.pdf 0bea00996cdb77ff7a252acb9c68dc80 https://digex.lib.uoguelph.ca/files/original/50364d093f5efaadbc12eb723860bada.pdf 38d54fd25a0f968f949a1f61735b43e4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 6 Description An account of the resource English translation and transcription of French originals from Chapter 6 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 6, 13 November 1958 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale Date A point or period of time associated with an event in the lifecycle of the resource 13 November 1958 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger Berkley 7 avenue Matignon Rond-Point des Champs-Elysées Paris, VII Tel: Balzac 02.24 Telegram Address: Berkleyeb Paris 45 Mademoiselle Nadia Boulanger 36 rue Ballu Paris, IX November 13, 1958 My very dear Nadia, I was at your house today, but nobody was there. Too bad, I send you all my heartfelt love. Attached is a note for Bruno Gillet that I ask you to give to him, Love, I Str � * * * Stravinsky à Boulanger Berkley 7 avenue Matignon Rond-Point des Champs-Elysées Paris . VIIè Tél Balzac 02.24 Adr. Télég. Berkleyeb Paris 45 Mademoiselle Nadia Boulanger 36 rue Ballu Paris, IX Colisee (8è) 1958 13 novembre 1958 Très chère Nadia, J’étais chez vous aujourd’hui, mais personne n’était la [sic]. Tant pis, je vous embrasse de tout cœur. Ci-joint un mot à Bruno Jillet[sic] que je vous prie de lui remettre, Love I Str � 1958 Author: Igor Stravinsky Bruno Gillet Igor Location: Paris Nadia Location: 36 rue Ballu Recipient: Nadia Boulanger https://digex.lib.uoguelph.ca/files/original/47b9db6edd3d767cd3903a076c8c8b13.pdf 772577a59daa29aa536745c1307838d2 https://digex.lib.uoguelph.ca/files/original/432777cd3b13e46cd2ec622ee5f02381.pdf 973ee56ae6e38f3c9da7d2e8e2e5993b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 6 Description An account of the resource English translation and transcription of French originals from Chapter 6 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 6, 25 February 1959 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale Date A point or period of time associated with an event in the lifecycle of the resource 25 February 1959 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger Los Angeles California Miss N. Boulanger 36 rue Ballu Paris, IX France February 25, 1959 My dear Nadia, Your letter is infinitely precious to me. This wound that I have carried now for twenty years still and always needs kindness. Thank you, very dear Nadia With all my heart, Yours, I Str. � * * * Stravinsky à Boulanger Los Angeles, California Miss N. Boulanger 36 rue Ballu Paris, IXeme France 25 février 1959 Ma chère Nadia, Votre lettre m’est infiniment précieuse. Cette plaie que je porte voila [sic] vingt ans a [sic] toujours encore besoin de sympathie. Merci, très chère Nadia De tout cœur, Votre I Str. � 1959 Author: Igor Stravinsky Igor Location: California Nadia Location: 36 rue Ballu Recipient: Nadia Boulanger