16 10 1009 https://digex.lib.uoguelph.ca/files/original/2cb9b210f85d21f9ac837045d4425c93.pdf 71a416c66776cd1346af139a170fa192 https://digex.lib.uoguelph.ca/files/original/da3ec962cc0328069ef27820a1d4b39f.pdf 2dd03b138d48f12eb9611229de92cebe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 6 Description An account of the resource English translation and transcription of French originals from Chapter 6 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 6, December 1966 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale Date A point or period of time associated with an event in the lifecycle of the resource December 1966 Type The nature or genre of the resource Telegram UG Extracted Text Stravinsky to Boulanger HOTEL PIERRE, NEW YORK NADIA BOULANGER 36 RUE BALLU PARIS DECEMBER 1966 AM TERRIBLY UPSET, CAN’T COME TO PARIS. I AM WRITING YOU WROTE TODAY WHY I AIRMAILING YOU TODAY WHY I DECLINE CANNOT ACCEPT YOUR AND PROPOSITION TO ANY MUSICAL MANIFESTATIONS PARTICIPATION IN PARIS. AFFECTIONATELY I STR � * * * Stravinsky à Boulanger HOTEL PIERRE, NEW YORK NADIA BOULANGER 36 RUE BALLU PARIS DÉCEMBRE 1966 NAVRE PAS POUVOIR VENIR PARIS. VOUS ECRIE AUJOUR WROTE YOU TODAY WHY I AIRMAILING YOU TODAY WHY I DECLINE CANNOT ACCEPT YOUR PROPOSITION TO ANY MUSICAL MANIFESTATIONS PARTICIPATION IN PARIS AFFECTIONATELY, I STR � 1966 Author: Igor Stravinsky Igor Location: New York Nadia Location: 36 rue Ballu Recipient: Nadia Boulanger https://digex.lib.uoguelph.ca/files/original/09766a844329358504f3851014beb627.pdf ed25c2a9f1f60b7c94957a66baad3943 https://digex.lib.uoguelph.ca/files/original/ae6ac4dcb7f12933d804879e96e6decc.pdf e2e7d41effa1dfc734bffc5924424673 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 6 Description An account of the resource English translation and transcription of French originals from Chapter 6 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 6, 11 December 1966 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale Date A point or period of time associated with an event in the lifecycle of the resource 11 December 1966 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger 1260 North Wetherly Drive Hollywood 69 California Miss Nadia Boulanger 36 rue Ballu, Paris December 11, 1966 My Dear, No time to write to you properly. Excuse me. 1) Variations dedicated to the memory of Aldous Huxley has nothing to do with his work. The months that this composition took me [to write] were the months when dear Aldous left us (throat cancer) and it was only natural that I dedicated this work to his memory. Of the rest, I am certain (and this does not discourage me) that this music would mean nothing to him (or would displease him) because what he liked was romantic and classical music, to which my composition is very much foreign. 2) I am no longer going to give concerts in Paris after the public’s and the press’s affront at the premiere of my Threni, conducted by myself in one of Boulez's concerts. This decision is final. 3) Moreover, let’s not forget that André Malraux—who (very naturally) is organizing an official event for the centenary of the great Baudelaire—had said not long ago that he considers music to be a secondary art. It would thus be ridiculous to impose on him (Minister of Public Instruction) pieces of a secondary art on such an important occasion. Those are the three things I wanted to say to you in response to your kind letter of December 4. Despite this “business” letter, I wish to underscore my friendship and best wishes, with which you are already familiar. Yours, I Str. P.S. Very touched by your letter in memory of my dear little girl. � * * * Stravinsky à Boulanger 1260 North Wetherly Drive Hollywood 69 Californie Miss Nadia Boulanger 36 rue Ballu, Paris 11 décembre 1966 Chere, Pas de temps pour vous ecrire convenablement. Excusez. 1) Variations dedie a la mémoire de Aldous Huxley n’a rien a faire avec son œuvre. Les mois que cette composition m’a pris furent les mois ou cher Aldous quittait sa vie (cancer de la gorge) et il n’etait que naturel que je dedicasse ce travail a sa mémoire. Du reste je suis certain (et cela ne me decourage pas) que cette musique ne lui dirait rien (ou lui deplairerait) car ce qu’il aimait etait la musique romantique et classique, dont ma composition est tres etrangere. 2) Je ne vais plus donner des concerts a Paris apres l’affrond du publique et de la presse a la premiere de mes Threni dirige par moi-meme dans un des concerts Boulez. C’est definitif cette decision. 3) D’autre part, ne l’oublions pas, que Andre Malraux qui (tres naturellement) organise une manifestation officielle pour le centenaire du grand Beaudelaire avait declare il n’y a pas longtemps qu’il considere la musique un art secondaire. Il serait donc ridicule de lui (Ministre de l’instruction Publique) imposer pour une si important occasion des pieces d’un art secondaire. Voila les troi[s] choses que je tenais a vous dire en reponse a votre bonne lettre du 4 decembre. Malgre cette lettre « d’affaire » je tiens a vous renouveler mes affections les plus cordiales que vous connaissez. Votre I Str. P.-S. Tres touche par vos lignes a la mémoire de ma chere fille. � 1966 André Malraux Author: Igor Stravinsky Igor Location: California Nadia Location: 36 rue Ballu Recipient: Nadia Boulanger Threni Variations Aldous Huxley in Memoriam https://digex.lib.uoguelph.ca/files/original/4ecbbd44728a3a7216320c500cf53706.pdf 70f7e0a06653a890f8d7a01dcce48739 https://digex.lib.uoguelph.ca/files/original/ed47fdfe8646a02597077de498c22f0c.pdf 38cced09dae80448be79f61b584497e3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 1 Description An account of the resource English translation and transcription of French originals from Chapter 1 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 1, 26 August 1929 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale de France Date A point or period of time associated with an event in the lifecycle of the resource 26 August 1929 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger I. Strawinsky Pleyel Paris Mme [sic] Nadia Boulanger Garganville [sic] [August] 26, 1929 Dear friend, I called your home to learn where to find you and was told it was necessary to write to you at Garganville [sic], which is what I’m doing. I absolutely need to see you to consult about a matter that is very important to me and concerns the musical education of my younger son, who is a nineteen-year-old pianist. Is it possible to see one another? I am staying in Paris for another ten days and I have come here almost especially to settle his musical education in Paris and would be much obliged if you were to arrange an appointment for me either here or at Pleyel’s, or (in case it is impossible for you here) at Garganville,* where, in that case, I will come see you next week. This weekend (which is to say Saturday, Sunday, and Monday until Tuesday afternoon) I will be in the country, which is why I would be very grateful if you could send me a short note by return post so that I will have it before heading to the countryside. Thank you in advance, dear friend, and believe me to be your dearly devoted, Igor Stravinsky *Simply let me know **How does one find you there? � Stravinsky à Boulanger Mme. Nadia Boulanger A Garganville [sic] (S.&O.) 1e 26 [août] 1929 Cère [sic] amie, J’ai téléphonné [sic] chez vous pour savoir où vous trouvez et on m’a dit qu’il fallait vous écrire à Garganville [sic], c’est ce que je fais. J’ai absolument besoin de vous voir pour vous consulter d’une affaire assez importante pour moi et qui concerne l’éducation musicale de mon fils cadet qui est un pianiste de 19 ans. Est-ce possible de se voir ? Je reste à Paris encore 10 jours et je suis venu presque spécialement pour lui arranger son éducation musicale à Paris et vous serai bien reconnaissant de me fixer un rendez-vous soit ici, chez Pleyel, soit (en cas qu’il vous est [sic] impossible ici) à Garganville* [sic] même où je viendrai vous voir la semaine prochaine dans ce cas. Ce week-end (c. à d. samedi, dimanche, et lundi jusqu`à mardi après-midi) je serai à la campagne c’est pourquoi je vous serai très reconnaissant de m’envoyer un petit mot de réponse par ret. du cour. afin de l’avoir encore avant d’aller à la campagne. Merci d’avance, chère amie, et croyez-moi votre bien dévoué Igor Strawinsky *Indiquez moi seulement **Comment vous trouver dans cette localité � 1929 Author: Igor Stravinsky Gargenville Music Lessons Pleyel Recipient: Nadia Boulanger https://digex.lib.uoguelph.ca/files/original/3718111ffd087351f234934f2d29cd0b.pdf 8ffb13c4c823162d69c4a7e18f18ddec https://digex.lib.uoguelph.ca/files/original/0d7a43c4218c3c7873479e132ed4ccf5.pdf b59f7bbd97260070149a21cd78ec7241 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 1 Description An account of the resource English translation and transcription of French originals from Chapter 1 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 1, 12 September 1931 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale de France Date A point or period of time associated with an event in the lifecycle of the resource 12 September 1931 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger Isère La Virronière Voreppe Les Maisonettes Hanneucourt by Gargenville (S&O) PTH 28 September 12, 1931 Very dear friend, Thank you with all my heart for the trouble you have taken with this, and please kindly forgive the haste of my responses. Attached are the blue pages with my answers written beside them in the margins. As for the first two questions of your letter—(1) indication of the Psalm numbers and (2) the use of men’s and children’s voices, and in their absence, women’s voices in the composition—it is completely essential to include this in the piano/vocal reduction. For the rest, if I remember, I’ve already spoken to Païchadze about the matter. But my memory fails me to such a point [I have even forgotten what my Symphonie de psaumes is called] that I can’t seem to remember anything anymore! It’s becoming terrible. Please believe in my loyal friendship and my infinite thanks, Your Igor Strawinsky � Stravinsky à Boulanger Isère La Virronière Voreppe Les Maisonettes Hanneucourt By Gargenville (S&O) PTH 28 le 12 septembre 1931 Trés [sic] chère amie, Merci de tout cœur pour la peine que vous y prenez et excusez-moi magnanimement la hâte de mes réponses. Ci-joint les pages bleues avec mes réponses à côté de vos questions sur leurs marges. Quant aux deux premières questions de votre lettre : 1) l’indication des numéros des Psaumes et 2) la mention de la composition du chœur pour voix d’hommes et d’enfants avec, à leur défaut, des voix de femmes, très indispensable de l’inserrer [sic] dans cette réduction de piano et chant de chœur. Du reste, s’il m’en souvient, j’en ai parlé dans ce sens à Païchadze. Mais la mémoire me fait à tel point défaut que [j’ai même oublié comment s’appelle ma Symphonie de psaumes] je ne me souviens plus de rien! Ca dévient [sic] terrible Croyez à ma fidèle amitié et à ma reconnaissance infinie. Votre Igor Strawinsky � 1931 Author: Igor Stravinsky Gavryil Païchadze Igor Location: Voreppe Nadia Location: Gargenville Recipient: Nadia Boulanger Symphonie De Psaumes Symphony of Psalms https://digex.lib.uoguelph.ca/files/original/367856e2103f1aeb120794e6795283e5.pdf a7d979eee121cef1dc9ff7c754d4735a https://digex.lib.uoguelph.ca/files/original/372a7269c4aebf0d5228ff4b961b2cc4.pdf 00623747f459c60245aeaade660de885 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 1 Description An account of the resource English translation and transcription of French originals from Chapter 1 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 1, 5-18 June 1932 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale de France Date A point or period of time associated with an event in the lifecycle of the resource 5-18 June 1932 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger Voreppe (Isère) June 5–8, 1932 How can I thank you, dear Nadia, for your sketches that are so full of a friendship, which is particularly precious to me since I know only too well the priceless virtues of your heart and ears! But, I beg of you, do not be extravagant in finding me things that I love passionately but which are, because of the dark times in which we live, unaffordable for us other musicians. Leave those to the rich, if there are any left. Most fondly, Your 50-year-old friend* Igor Strawinsky *OK, I know it’s “Quinquagenarian,” but the number sounds better � Stravinsky à Boulanger Voreppe (Isère) le 5-18 juin [19]32 Comment vous remercier, chère Nadia, pour vos esquisses pleinne [sic] d’amitié qui m’est tant particulièrement précieuse puisque je connais trop bien les qualités inestimables de votre cœur et de votre oreille ! Mais, je vous en supplie, ne faites pas des folies pour me trouver des choses que j’aime passionnément mais qui sont, par le sinistre temps que nous vivons, inabordables, pour nous autres musiciens. Laissons cela aux riches s’il y [sic] a. Je vous embrasse de tout cœur Votre cinquantenaire*, Igor Strawinsky *quinquagenaire [sic], j’admets, mais le nombre sonne mieux � 1932 Author: Igor Stravinsky Birthday Igor Location: Voreppe Recipient: Nadia Boulanger https://digex.lib.uoguelph.ca/files/original/4689096cf196e938225d7e7dbd5c0951.pdf 58765fff2487a1995b8c4d0de18265d1 https://digex.lib.uoguelph.ca/files/original/ff6208abe5102112203f5a055e9d2615.pdf 46dd83e625b2d087f651fe908c5de763 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 1 Description An account of the resource English translation and transcription of French originals from Chapter 1 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 1, 27 February 1933 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale de France Date A point or period of time associated with an event in the lifecycle of the resource 27 February 1933 Type The nature or genre of the resource Telegram UG Extracted Text Stravinsky to Boulanger Grenoble [Suisse] 36 rue Ballue Paris 9 February 27, 1933 HAVE CONCERT 19 MARCH OSP PSAUMS, SACRE, ROSSIGNOL AND 21 MARCH CONCERT WITH DUSHKIN LAUSANNE. STOP HAVE YET TO CLEARLY EXPLAIN IT OUR FRIEND FONDLY STRAWINSKY � Stravinsky à Boulanger GRENOBLE, [SUISSE] 36 RUE BALLU, PARIS 9 27 FEBRUARY 1933 AI 19 MARS CONCERT OSP PSAUMS, SACRE, ROSSIGNOL ET 21 MARS CONCERT AVEC DUSHKIN LAUSANNE. STOP L’AVAIS POURTANT CLAIREMENT EXPLIQUÉ NOTRE AMIE AMITÉS STRAWINSKY � 1933 Author: Igor Stravinsky Chant du Rossignol Lausanne Nadia Location: 36 rue Ballu Recipient: Nadia Boulanger Samuel Dushkin Symphonie De Psaumes Symphony of Psalms https://digex.lib.uoguelph.ca/files/original/29c8e31f68f7b6e555fb023a134e2acd.pdf b1ecbab16b4c767b1427e65cdc6b6f31 https://digex.lib.uoguelph.ca/files/original/b7ad918bf72e26fa845a56f87aee693f.pdf cc88d35f3a913c507b3b6fcb0ed47ef7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 1 Description An account of the resource English translation and transcription of French originals from Chapter 1 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 1, 19 March 1936 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale de France Date A point or period of time associated with an event in the lifecycle of the resource 19 March 1936 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger Paris March 19, 1936 My very dear friend, I am still under the influence of yesterday evening’s serene memorial. I really would have liked to see you, but the number of people going to greet you made it difficult for me. I am thinking of you, believe me, and please accept these flowers intended for the grave of your dearly departed. Your Igor Stravinsky � Stravinsky à Boulanger Paris le 19 mars 1936 Mon [sic] très chère amie, Je suis encore sous l’impression de cette sereine commémoration d’hier soir J’aurais bien voulu vous voir mais la quantité des personnes qui allaient vous saluer m’a un peu troublé. Je pense à vous, croyez le moi [sic] et acceptez, je vous prie, ces fleurs qui sont destinées à la tombe de vous [sic] chères disparues Votre Igor Stravinsky � 1936 Author: Igor Stravinsky Igor Location: Paris Madame Boulanger Recipient: Nadia Boulanger https://digex.lib.uoguelph.ca/files/original/d9a89b25a975bcfefb5d22943b96f25c.pdf c17b3300540d062d4c175b0f98268b0f https://digex.lib.uoguelph.ca/files/original/12b663f41258f7165cccbed21c41749f.pdf 8fe47f5ddd8bebdd303b13a21cbb1062 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 1 Description An account of the resource English translation and transcription of French originals from Chapter 1 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 1, 6 April 1938 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale de France Date A point or period of time associated with an event in the lifecycle of the resource 6 April 1938 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger Paris Mademoiselle Nadia Boulanger 63 Garden Street, Cambridge, Mass. U.S.A. April 6, 1938 Very dear friend, Received your cable this morning. Last night I received, on engraved proofs from Strecker, pages 27–37 (inclusive) of the last movement of my Concerto in E-flat. I have just finished correcting them and am sending them to you on the SS Europa. There are still some seven to eight pages yet to come and I will send them to you as soon as I have them (next week). You can therefore create the parts from what you have because [if you were to] work from the manuscript—which has many missing bowings (and also quite a few mistakes that I have not had the time to correct)—you would have serious difficulty establishing correct parts. I will try again to obtain a special printing from Strecker for you.* Refer only to the copy (for the orchestral parts) that you’ve already received from me (that being the corrected proofs of the first and second movements) and which I’m sending you today. It was very unexpected, this obsession with having our concert on the first of May, and has taken us by surprise. I am hopeful that everything will sort itself out, especially when I think that it is you who will be handling everything. With deepest affection, Your Igor Strawinsky [P.S.] Have you been able to speak to Mrs. Bliss on the subject of our last conversation? *because you will be returning your own [current copy] in order to complete the parts. � Stravinsky à Boulanger Paris Mademoiselle Nadia Boulanger 63 Garden Street, Cambridge, Mass. U.S.A. 6 April 1938 Très chère amie, Votre câble reçu ce matin. Hier soir reçu de Strecker les pages 27-37 incl. du dernier mouvement de mon Concerto en mi bémol en épreuves gravées. Je viens de les corriger et vous les envoie par le S/S EUROPA. Il nous reste que quelques 7 à 8 pages de la fin que je vous enverrai dès que je les aurai (la semaine prochaine). Vous pouvez donc faire établir les parties d’après ce que vous avez car d’après le manuscrit, où il y a beaucoup de coups d’archet qui manquent (et où il y a également pas mal de fautes que je n’avais pas eu le temps de corriger) on aurait de la peine à établir un matériel correct. Je tâcherai d’obtenir de Strecker encore un tirage spécial pour vous*. Rendez seulement à la copie (pour les parties d’orchestre) ce que vous avez déjà de chez moi (soit les épreuves corrigées de la 1-ère et de la 2-ème partie) et ce que je vous envoie aujourd’hui. C’était vraiment inattendu cette fixation au 1er mai de notre concert et cela nous a pris au dépourvu. Je veux espérer que tout s’arrangera et que tout se passera bien surtout quand je pense que c’est vous qui aurez tout cela en mains. Je vous embrasse très affectueusement Votre Igor Strawinsky Avez-vous pu parler à Mme Bliss au sujet de notre dernière conversation ? *car vous rendrez la vôtre pour l’extraction des parties [partitions] � 1938 Author: Igor Stravinsky Concerto in E-Flat Dumbarton Oaks Concerto Igor Location: Paris Mildred Woods Bliss Nadia Location: Cambridge Massachusetts Recipient: Nadia Boulanger https://digex.lib.uoguelph.ca/files/original/7bcc7c0dfae2b32b13810b34eace97bf.pdf ff68a239145ae5015c4697926637bfa4 https://digex.lib.uoguelph.ca/files/original/1275df99593a843817abb47fc9dd0d3d.pdf f7283299cde79eda7cae8e84bcc18000 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 1 Description An account of the resource English translation and transcription of French originals from Chapter 1 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 1, 11 April 1938 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale de France Date A point or period of time associated with an event in the lifecycle of the resource 11 April 1938 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger Paris Miss Nadia Boulanger 63 Garden Street Cambridge, Mass U.S.A. April 11, 1938 Attached are some errors identified after having sent you the first pages of the third part of the Concerto. I hope that this package reached you and that you sent back a copy. I am sending you today (on the SS Aquitania that only leaves on the 13th—no ship before then) the final pages of the movement. So now you have the entirety and I hope you’ll have the time (too short, in my opinion) to finish the copying and to rehearse it with the musicians. All the same, what madness to move ahead the date (May 1!) so suddenly without finding out if it would be physically possible to have the time for the copying and the rehearsals. It was just discovered that my manuscript was with the engraver, Schott, who sent it back April 9 (the SS Deutschland left on the 8th—think of the bad luck, and no ship until the 13th) with the final pages (*) that I’ll send you after tomorrow. Yours, I Str. *proof engraving � Stravinsky à Boulanger Paris Mlle Nadia Boulanger 63 Garden Street CAMBRIDGE, Mass U.S.A. 11 avril 1938 Très chère amie, Ci-joint quelques fautes relevées après vous avoir envoyé les première[s] pages de la troisième partie du Concerto. J’espère que cet envoi vous est bien parvenu et que vous l’avez envoyé en copie. Aujourd’hui, je vous envoie (avec S/S Aquitania qui ne s’en va que le 13—pas de bateaux avant) les dernières pages de ce mouvement. Donc maintenant vous avez le tout et j’espère que vous aurez le temps (trop juste à mon avis) de finir la copie et de bien r[é]péter avec les musiciens. Quelle folie quand même d’avancer si brusquement la date (1er mai !) sans se renseigner s’il serait matériellement possible d’avoir le temps pour la copie et les répétitions. Il s’est trouvé justement que mon manuscrit était à la gravure chez Schott qui me l’a renvoyé le 9 avril (le 8 partait le S/S DEUTSCHLAND—pensez quelle déveine et jusqu’au 13 pas de bateaux) avec les dernières pages (*) que je vous envoie après/demain. Tout à vous, I Str. *en gravure (épreuve) � 1938 Author: Igor Stravinsky Concerto in E-Flat Dumbarton Oaks Concerto Igor Location: Paris Mildred Woods Bliss Nadia Location: Cambridge Massachusetts Recipient: Nadia Boulanger https://digex.lib.uoguelph.ca/files/original/ca7701097300c538175b0de8d4215cce.pdf 70cbe60ffe4dc09a90c17a450ba09b6a https://digex.lib.uoguelph.ca/files/original/67a4420efba9be6d07037044052552ae.pdf 7930be6249587e435a89279afe458bea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 1 Description An account of the resource English translation and transcription of French originals from Chapter 1 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 1, 20 April 1938 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale de France Date A point or period of time associated with an event in the lifecycle of the resource 20 April 1938 Type The nature or genre of the resource Telegram UG Extracted Text Boulanger to Stravinsky Nadia Boulanger 63 Garden Street Cambridge, Mass U.S.A. Strawinsky 25 Faubourg Saint Honoré, Paris APRIL 20, 1938 (DON’T) WORRY HAVING RECEIVED FROM YOU TWO FIRST PARTS STOP HAD THE FINAL PART COPIED HERE NADIA � Stravinsky à Boulanger BOULANGER 63 GARDEN STREET CAMBRIDGE MASSACHUSETTS (ETATS UNIS) 20 AVRIL 1938 STRECKER VOUS ENVOIE EUROPA MATERIEL COMPLET STRAWINSKY � 1938 Author: Igor Stravinsky Concerto in E-Flat Dumbarton Oaks Concerto Nadia Location: Cambridge Massachusetts Recipient: Nadia Boulanger Willy Strecker