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                <text>Boulanger to Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
Monsieur I. Strawinsky
Dec. 12, 1943
Dear Igor
1) Sister Edward Blackwell Edgewood College, Madison Road
2) have written to Neff[sic]
3) have written to Olga
4) Here are three ex. from the lecture in English
5) To type them in French, she asks 8 to 10 dollars. She must do it by the hour, because she types
slowly in French. What do you think? I will keep the French in the meantime.
6) Will pass all the arrangements on to you, arrival and departure times for Madison.
7) Would you like me to keep the third copy of the lecture? I will send it to you immediately if
you’d prefer to have it. You can give it to me on your way back, as always, if it suits you.
8) Here is the telegram from Neff[sic]
9) Have nothing from Sister E. on the matter. I told her that you agreed to come for a fee of $250
plus expenses. Of course, she simply told me that would be fine.
I hope I haven't forgotten anything. I send you my heartfelt affection and am sad not to see you
before Christmas, but . . . I am always with you,
Nadia
�</text>
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                <text>Boulanger à Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
Monsieur I. Strawinsky
12 déc. 1943
Cher Igor
1) Sister Edward Blackwell Edgewood College, Madison Road
2) ai écrit Neff [sic]
3) ai écrit Olga
4) Voilà 3 ex. de la conférence en anglais
5) pour la taper en français elle demande 8 à 10 dollars. Elle doit le faire à l’heure car elle va
lentement en français, que décidez-vous? Je garde le français en attendant.
6) Vous communiquerai tous les arrangements, heures de départ et d’arrivée pour Madison.
7) Voulez-vous bien que je garde la 3è copie de la conférence. Je vous l’enverrai aussitôt si vous
préférez l’avoir. Vous me la donnerez en revenant, toujours si cela vous convient.
8) Voici la dépêche de Neff [sic]
9) N’ai rien de Sister E. à ce sujet. Lui ai dit que vous consentiez à venir moyennant un
dédommagement de $250 et les frais, c’est entendu, elle m’a seulement dit d’accord.
J’espère que je n’ai rien oublié. Je vous embrasse de tout mon cœur et suis triste de ne pas vous
voir pr. Noël, mais…je suis toujours avec vous.
Nadia
�</text>
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                <text>Stravinsky to Boulanger
June 12, 1941
Good Lord, my dear Nadia! Your letter deeply distressed me! A single thing remains constant—
that is, your plan to come to Santa Barbara. So long as events don’t make you change your mind.
With deepest affection,
Your
I Str.
[P.S.] How is your arm? Have you been able to arrange your trip to Canada?
[P.P.S] Warm wishes to Sister Edward, please.
�</text>
              </elementText>
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                <text>Stravinsky à Boulanger
12 juin [19]41
Quel divine, ma pauvre Nadia ! Votre lettre m’a beaucoup affligé. Une seule chose constante—
c’est votre projet de venir à Santa Barbara. Pourvu que les événements ne vous fassent pas
[changer] l’idée. Je vous embrasse très affectueusement,
Votre
I. Str.
[P.-S.] Comment vas [sic] la [sic] bras ? Avez[-]vous pu arrangé [sic] votre trip au Canada?
[P.P.-S.] Mes fidèles pensées à Sister Edward, je vous prie.
�</text>
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            <description>The topic of the resource</description>
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                <text>Nadia Boulanger </text>
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          <element elementId="40">
            <name>Date</name>
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                <text>Stravinsky to Boulanger
BEVERLY HILLS
CALIF
MISS NADIA BOULANGER
C/O MRS FORBES
GERRYS LANDING, CA[MBRIDGE]
12–13 MAR 1942
YOUR NOVEMBER DECEMBER LETTERS NEVER RECEIVED. BECAUSE FOR ME
OTTERLY [sic] IMPOSSIBLE PLEASE TAKE ALL NECESSARY STEPS TO RUSH
PUBLISHING MY LECTURES HAVE ENTIRE CONFIDENCE IN YOUR JUDGMENT
THANKS WARMEST GREETINGS=
IGOR STRAVISKY.
�</text>
              </elementText>
              <elementText elementTextId="17086">
                <text>Stravinsky à Boulanger
BEVERLY HILLS
CALIF[ORNIA]
MISS NADIA BOULANGER
C/O MRS FORBES
GERRYS LANDING, CA[MBRIDGE]
12-13 MAR 1942
YOUR NOVEMBER DECEMBER LETTERS NEVER RECEIVED. BECAUSE FOR ME
OTTERLY IMPOSSIBLE PLEASE TAKE ALL NECESSARY STEPS TO RUSH
PUBLISHING MY LECUTRES HAVE ENTIRE CONFIDENCE IN YOUR JUDGMENT
THANKS WARMEST GREETINGS=
IGOR STRAVISKY.
�</text>
              </elementText>
            </elementTextContainer>
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      </tag>
      <tag tagId="517">
        <name>Edward Forbes</name>
      </tag>
      <tag tagId="369">
        <name>Igor Location: California</name>
      </tag>
      <tag tagId="506">
        <name>Nadia Location: Cambridge</name>
      </tag>
      <tag tagId="361">
        <name>Recipient: Nadia Boulanger</name>
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                <text>Stravinsky to Boulanger
1260 North Wetherly Drive
Hollywood, California
October 13, 1941
My dear Nadia,
A note to remind you not to forget to bring with you (when you come to see us this Friday) the
Harvard University Press form letter—I need to respond to him and I can’t even remember his
name!!! Also bring with you, if you think they’ll be useful, the letters and notes concerning my
Symphony.
We’re looking forward to seeing you, dearest,
Your
I St.
[P.S.] My fondest regards to the Sachses. I do not believe that it will be possible for us to come
to Santa Barbara this weekend—too many things are stalled and there are so many letters to
write.
�</text>
              </elementText>
              <elementText elementTextId="17114">
                <text>Stravinsky à Boulanger
1260 North Wetherly Drive
Hollywood, California
13 octobre 1941
Ma chère Nadia,
Ces lignes pour vous rappeler de ne pas oublier de prendre avec vous (quand vous viendrez nous
voir, ce vendredi) la lettre du type de la Harvard University Press—je dois lui repondre [sic] et je
ne me rappelle même pas de son nom!!! Prenez aussi avec vous, si vous le jugez utile, les lettres
et notes conçernant [sic] ma Symphonie.
On vous attends [sic], très chères,
Votre
I St.
[P.-S.] Miles [sic] choses aux Sachs. Je ne crois pas qu’il nous sera [sic] possible de venir cette
fin de semaine à Santa Barbara—trop de choses restées en panne et des lettres à écrire.
�</text>
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                <text>Boulanger to Stravinsky
122 Bay State Road
Boston, Massachusetts
Kenmore 7277
December 14, 1942
Dear Igor,
Finally—a promise kept—I am sending you your Pater and Credo in the same package! Sorry
about the Sonata, it is not really my fault, but I hope [to send it] next week. Thank you for
Haïeff. Yes, you are a part of the Fund. I asked you when you were still living in Paris, in 1936, I
think.
Give my best to Vera, and know both of you that I am there where you are, with all my heart. My
God, what I would not give to see you again,
Yours,
Nadia B
�</text>
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122 Bay State Road
Boston, Massachusetts
Kenmore 7277
14 dec. [sic] 1942
Cher Igor,
Enfin—une promesse tenue—par le même courrier je vous envoie le Pater et le Credo ! Pardon
pr. la Sonate—ce n’est vraiment pas de ma faute—mais j’espère, la semaine prochaine. Merci
pour Haïeff, oui, vous faites partie de la fondation. Je vous l’avais demandé quand vous étiez
encore à Paris, en 1936, je crois.
Embrassez Véra—et sachez tous deux que je suis là-bas où vous êtes, de tout cœur—Mon Dieu,
que ne donnerais-je pour vous revoir.
Votre
Nadia B
�</text>
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                <text>Soulima Stravinsky to Boulanger
56, rue de Bourgognue, Paris
June 14, 1945
Dear Nadia,
How can I tell you all that your very kind letter brought to us? What you wrote about
yourself, my father, and Vera moved me so deeply . . . And what happiness to feel that despite
this abyss of six terrifying years we still speak the same language, and we understand each other
implicitly despite the distances.
It is so nice to know that you are often close to my father and Vera. In each of their
letters, they speak of you to me, of their happiness to have you at their place. I know what you
mean to them and what they mean to you.
I received a package from you and am embarrassed despite all the joy that I had in
opening it. Embarrassed to have caused you daily tasks, because I know that over there nothing
is easy either. Let me express my deepest gratitude for your great kindness and for everything.
And you tell me that you’ve sent other things as well as some letters. It is disheartening—I never
received anything, at least nothing beyond this package some weeks ago from Mrs. Sachs, to
whom I wrote.
You make us hope for your coming return among us. I don’t dare believe, and yet Vera
wrote to me again that you are leaving them for Boston and probably Paris. You will find here all
those who cherish you, worship you, and await you. But I fear you will face great
disappointment in seeing what all these years of horror and misery have produced: pettiness,
selfishness, and meanness. As for our poor music, as for everything that we hold dear, let us not
speak of that. It is chaos. It would seem that the most elementary of values has been lost.
We are involved in some distressing performances, whose echoes, perhaps, have already reached
you. A “Strawinsky Quarrel” that has no other pretext than to enhance certain mediocre artists;
they have trouble camouflaging their desire to take Strawinsky’s place (anything but that!). It is
ridiculous, but the flippancy, the impudence of possible demonstrations is significant and
worrisome.
The monthly radio festivals should have brought us joy in hearing pretty much the entirety of his
work. Unfortunately, it is nothing more than a series of shaky, tiresome, pathetic, and most often
inexcusably poor performances. And to think, Mr. Rosenthal, to whom we owe all this, had the
nerve to violently oppose the committee’s initiative when they wanted to invite Strawinsky to
conduct all these festivals himself!
You have felt, very dear Nadia, that happiness has returned to me, you understand so well what
Françoise means to me, what our life is. And it is with a grateful acknowledgment that we
welcome the kind, warm words you sent for our child.
�I still have so many things to tell you, one letter does not suffice. Give us the pleasure of seeing
you soon and being able to continue a bond that all these draining years could not break.
Françoise joins with me to tell you how deeply moved she was in reading your letter, I am most
fondly, and with deepest and most devoted affection.
Your
Sviétik
�</text>
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                <text>Soulima Stravinsky à Boulanger
Paris
le 14 juin 1945
Chère Nadia,
Comment vous dire tout ce que votre si bonne lettre nous a apporté ? Ce que vous nous écrivez
de vous, de mon père, de Vera m’a ému si profondément…Et quel bonheur de sentir que malgré
ce gouffre de six années effroyables, nous parlons toujours le même langage, nous nous
comprenons, de si loin, à demi-mot.
Il m’est doux de savoir que vous êtes souvent près de mon père et de Vera. Dans chacune de
leurs lettres, ils me parlent de vous et du bonheur de vous avoir chez eux. Je sais ce que vous êtes
pour eux et ce qu’ils sont pour vous.
J’ai reçu un colis de vous et en suis confus malgré toute la joie que j’ai eue à l’ouvrir. Confus de
vous avoir occasionné des démarches quotidiennes, car je sais que là-bas tout n’est pas facile non
plus. Laissez-moi vous embrasser de tout mon cœur pour votre grande gentillesse et pour tout. Et
vous me dites en avoir expédié d’autres ainsi que des lettres. C’est désespérant—je n’ai jamais
rien reçu, à moins qu’il ne s’agisse d’un colis reçu il y a quelques semaines de Mrs. Sachs à qui
j’ai écrit.
Vous nous faites espérer votre prochain retour parmi nous. Je n’ose y croire et cependant Vera
m’écrit encore que vous les quittez pour Boston et probablement Paris. Vous trouverez ici tous
ceux qui vous chérissent, vous vénèrent, et vous attendent. Mais je crains votre grande déception
à voir tout ce que ces années d’horreur et de misère ont produit de mesquinerie, d’égoïsme et de
bassesse. Quant à notre pauvre musique, quant à tout ce qui nous est cher, n’en parlons pas. C’est
le cahos [sic]. On a perdu, semble-t-il, le sens le plus élémentaire des valeurs.
Nous assistons à des spectacles affligeants dont, peut-être, les échos vous sont déjà parvenus. Un
« querelle Strawinsky » qui n’est autre chose qu’un prétexte à certaine médiocrités de se mettre
en valeur ; elles camouflent à peine leur désir de supplanter Strawinsky (rien que cela!). Ce n’est
que ridicule, mais la désinvolture, l’impudence de possibles manifestations est significative et
inquiétante.
Des festivals que la Radio donne un[e] fois par mois devaient nous apporter la joie d’entendre à
peu près toute son œuvre. Hélas, ce n’est qu’une série d’éxécutions [sic] boiteuses, pénibles,
lamentables, et le plus souvent inexcusablement mauvaises. Et songez que M. Rosenthal à qui
nous devons cela a en le front de s’opposer avec violence contre l’initiative du comité qui
désirait inviter Strawinsky à diriger lui-même tous ces festivals !
�Vous avez senti, très chère Nadia, le bonheur qui me remplit, vous comprenez si bien ce qu’est
Françoise pour moi, ce qu’est notre vie. Et c’est avec une tendre reconnaissance que nous avons
accueilli bonnes et chaudes paroles pour notre enfant.
J’aurais encore tant de choses à vous dire. Une lettre n’y peut suffire. Donnez-nous vite la joie de
vous voir et de pouvoir continuer un contact que les années écoulées n’ont pu rompre.
Françoise se joint à moi pour vous dire toutes ses pensées émues à la lecture de votre lettre, je
vous embrasse de ma plus profonde et dévouée affection.
Votre
Sviétik
�</text>
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                <text>Boulanger to Vera Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
Mrs. I. Strawinsky
1260 N. Wetherly Drive
Hollywood
California
November 14, 1944
Dear Vera
Just a note, to thank you for all that you do for me—with such tenderness. It is the only word that
matches what you give to me. And to express the kindness I have experienced. You and Igor
give so much of your hearts to me. I am thankful and happy.
To break up these effusions [which are] at once both fleu-fleu, fleu-fleu, fleu and very exact.
Here are the accounts:
Paris City Books: $16.11
Mendelssohn’s Symphony: $1.40
Mozart: $0.35
Mozart: $0.40
Total: $18.75
Moussorgsky, which I already have: $15.00
Total: $33.75
But it will still be Igor who has given me Boris, because I’m going to keep his copy and give
mine away so as to keep the one he bought for me. Impossible to accept it without paying him.
That would cancel the gift given . . . . . . . well, intentionally.
Fond and heartfelt wishes to you both.
Your
NB
�</text>
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                <text>Boulanger à Vera Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
Mrs. I. Strawinsky
1260 N. Wetherly Drive
Hollywood
Californie
14 novembre 1944
Chère Véra
Seulement un mot, pour vous remercier de tout ce que vous faites pour moi—avec tendresse.
C’est le seul mot qui répondre à ce que vous me donnez. Et vous dire la douceur que j’en
éprouve. Vous et Igor me donnez tant de votre cœur. J’en suis reconnaissante et heureuse.
Pour rompre ces effusions—a la fois genre fleu-fleu, fleu-fleu fleu—et pourtant très exactes.
Voici des comptes :
Livres de la cité de Paris : 16.11
Symphonie Mendelssohn : 1.40
Mozart : .35
Mozart : .40
Total : 18.75
Moussorgsky qui [sic] j’ai déjà : 15
Total : 33.75
Mais ce sera tout de même [sic] Igor qui m’aura donné Boris, car je vais garder cet exemplaire et
faire présent du mien, afin de garder celui qu’il a pris pour moi. Impossible de l’accepter sans le
payer. J’annulerais le cadeau fait par a…….enfin, de l’intention.
Je vous embrasse tous deux et vous espère mieux.
Votre
NB
�</text>
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                <text>Boulanger to the Stravinskys
Featherhill Ranch
Montecito
Santa Barbara, California
Mr and Mrs I. Strawinsky
1260 N Wetherly Drive
Hollywood
Cal
January 15, 1944
My Dears,
We are awaiting the concert with impatience—oh, what this week will have been for you: the
rehearsals. Have you heard any news about Koussev[itsky’s]’s project? All of us would finally
like to know—we miss you a lot.
I hope that all is in order for Madison. You will find your tickets to Chicago. I also wrote to the
University [asking] for the cheque, saying you are a resident.
Fond and heartfelt wishes to both of you,
NB
�</text>
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                <text>Boulanger aux Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
Mr and Mrs I. Strawinsky
1260 N Wetherly Drive
Hollywood
Cal
15 jan. 1944
Mes très Chers,
Nous attendons le concert avec impatience—qu’aura été cette semaine pour vous, les répétitions,
aurez-vous eu des nouvelles du projet Koussev. Enfin, tout, nous voudrions savoir—vous nous
manquez tant.
J’espère que tout est en ordre avec Madison. Vous trouverez vos billets à Chicago. J’ai écrit aussi
à l’Université pour le chèque disant que vous êtes résident.
Vous embrasse tous deux de tout cœur
NB
�</text>
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SANTA BARBARA, CALIFORNIA
IGOR STRAWINSKY
HOTEL HEMENWAY BOSTON MASS
JANUARY 15, 1944
HAD MOST WONDERFUL HOUR PERFECT TRANSMISSION EVERY DETAIL SO
CLEAR MADE US FEEL ABSOLUTELY WITH YOU ALL DEEPLY THANKFUL SO
ANXIOUSLY AWAITING YOUR RETURN LOVE
NADIA DIANE GEORGE BERMAN LEFEVRE
�</text>
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SANTA BARBARA, CALIFORNIA
IGOR STRAWINSKY
HOTEL HEMENWAY BOSTON MASS
15 JANUARY 1944
HAD MOST WONDERFUL HOUR PERFECT TRANSMISSION EVERY DETAIL SO
CLEAR MADE US FEEL ABSOLUTELY WITH YOU ALL DEEPLY THANKFUL SO
ANXIOUSLY AWAITING YOUR RETURN LOVE
NADIA DIANE GEORGE BERMAN LEFEVRE
�</text>
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                <text>Boulanger to Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
July 15, 1942 [recte 1944]
Dear Igor,
Since yesterday, a struggle between despair and rage! As I had told you, I wanted to give an
informal performance at Indiana University, Bloomington. And upon informing my student of
this, I told him: private performance, insisting that he publish nothing before I gave him an exact
text for the program. In his excessive joy, the idiot in fact published nothing except for the only
thing that he ought not have—and announced the premiere of your Sonata. I just sent him a livid
note that, barring a miracle, we could no longer play the Sonata thanks to his “disobedience”—
what do you think about this? I’m upset, but, how could I have foreseen that these precautions
would be inadequate. If you confirm my decision—place an (X) on the slip of attached paper
following “no.” If, given that it is a music school, you choose to overlook it—an (X) following
“yes.” But, I will understand (despite my despair), if it is rage that you choose and refuse in a fit
of anger.
Am proud of my honesty, because . . . You would undoubtedly never have known of his gaffe
otherwise. This is not blackmail—I am consoling myself over the fury I’ve felt since yesterday!
So terrible!
I’ll write Vera another day—first I’m going to confession!
With heartfelt affection for both of you,
NB
�</text>
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                <text>Boulanger à Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
15 Juillet 1942 [recte 1944]
Cher Igor,
Depuis hier, lutte entre la [sic] désespoir et la rage ! Comme je vous l’avais dit, je voulais donner
une audition, informelle, à Indiana University, Bloomington. Et en faisant part à mon élève, je lui
ai dit : private performance, en insistant qu’il ne publie rien avant que je lui donne un texte exact
pour le programme. Dans l’excès de sa joie, l’idiot n’a en effet rien publié, sauf la seule chose
qu’il ne fallait pas dire—et a annoncé la 1ère
de votre Sonate. Je viens de lui envoyer un mot
fulminant, lui annonçant que, à moins d’une sorte de miracle, on ne pouvait plus jouer la
[S]onate, grâce à sa « désobéissance »—qu’en dites-vous? Je suis navrée, mais, comment
pouvais-je prévoir que de telles précautions étaient insuffisantes. Si vous confirmez ma
décision—mettez une croix sur le petit papier ci-joint à la suite de non. Si, étant donné qu’il
s’agit d’une école de musique, vous êtes disposé à passer outre—une croix à la suite de oui.
Mais, je comprendrai, (malgré le désespoir), si c’est ma rage que vous choisissez et refusez, dans
un mouvement de colère.
Suis fière de mon honneteté[sic], car….Vous n’auriez sans doute jamais su sa gaffe. Ceci n’est
pas du chantage—je me console de ma fureur, depuis hier ! Assez affreuse !
Véra écrirai [sic] un autre jour—vais d’abord aller me confesser !
Vous embrasse tous deux de tout cœur
NB
�</text>
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