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                <text>Stravinsky to Boulanger
BOULANGER
63 GARDEN STREET
CAMBRIDGE, MASSACHUSETTS, U.S.A.
APRIL 20, 1938
STRECKER IS SENDING YOU THE COMPLETE SCORE [on the] EUROPA
STRAWINSKY
�</text>
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                <text>Stravinsky à Boulanger
Paris
Via Cherbourg,
S/S Europa
63 Garden Street
Cambridge, Mass
Étas-Unis d’Amérique
Le 25 avril [19]38
Très chère Nadia,
Demain part de Cherbourg “EUROPA” qui vous apportera ces lignes ainsi que la musique que
Strecker à [sic] remise à son bord à Bremen (avec une lettre pour vous). Cette musique (materiel
[sic] complet du Concerto en Mib) est envoyée en rouleaux (trois, si je ne me trompe) par poste
et… Strecker espère qu’il n’y aura pas de difficultés de douane qui pourraient retenir l’arrivée de
cette musique à temps pour les répétitions—chose qui serait vraiment épouvantable.
Dans ma première lettre à vous (du 6 avr.) je vous avais demande [sic] si vous aviez vu Mme
Bliss et si vous lui aviez parlé au sujet de notre dernier entretien ici—c. à d. question de second
et dernier versement. Vous ne m’aviez jamais répondu (je m’imagine tout ce que vous devez
retenir dans la tête!) Si vous y pensez, vous seriez bien gentille de lui en parler pour accelerer
[sic] le règlement ce qui me rendrait service (surtout maintenant—Dieu sait ce que me coûte la
maladie de ma fille et de ma femme)
J’attends avec impatience des nouvelles des répétitions et du materiel [sic], s’il arrivé à temps.
Je vous embrasse
Votre
I. Str
[P.-S.] Excusez le griffonnage en toute hâte
�</text>
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                <text>Stravinsky to Boulanger
1260 North Wetherly Drive
Hollywood 46, California
Mademoiselle Nadia Boulanger
36 rue Ballu
Paris, IX (FRANCE)
January 22, 1952
My dear Nadia,
Thank you for your affectionate letter (of January 17).
You did well in keeping a copy of the little chorale for yourself, because one of the two was in
fact intended for you, the other for you to give to Gavoty at Le Figaro, which you have surely
done.
I am happy and reassured to know you have finally received the three volumes of The Rake
(photocopy of my summary sketches).
Do you know a professor (I do not know of what) by the name of Leon Oleggini? I recently
received a letter from the editors Maurice and Pierre Foetisch, of Lausanne, telling me that they
had bought the manuscript of a book written about me by this gentleman. They asked me to
supply them with photos to illustrate the book that they propose to publish with a catalogue of
my works!!! I calmed them down, knowing neither the author nor the book and not having the
time to dedicate to them. But on the other hand, I am in the process of making, on my own, and
little by little, a complete (and, for the first time, exact) catalogue of my complete works.
Nabokov tells me that they, in principle, agree I may conduct The Rake at the opera, but that
Lehmann cannot decide anything for three weeks. On the other hand, Dr. Roth writes me from
London that Bondeville is managing the opera. Ultimately, I do not understand who is in charge
of whom or what. Nabokov pointed out to me new singers that I of course do not know: Janine
Michaud (Anne), Roger Bourdin (Shadow). Do you know them?
Have you seen the French translation? If so, what do you think of it?
Be an angel and respond to me as quickly as possible, it would be a pleasure to hear from you.
Love,
I Str.
�</text>
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                <text>Stravinsky à Boulanger
1260 North Wetherly Drive
Hollywood 46, California
Mademoiselle Nadia Boulanger
36 rue Ballu
Paris 9ème
(FRANCE)
22 janvier 1952
Chere Nadia,
Merci de votre affectueuse lettre (du 17 Janvier).
Vous avez bien fait de garder pour vous un exemplaire du petite chorale [sic] car l’un des deux
vous etait en effet destine, l’autre devant etre remis par vos soins a Gavoty, du Figaro, ce que
vous avez surement fait.
Je suis content et rassure d’apprendre que vous avez enfin reçu les trois volumes du RAKE
(photocopie de mes summary sketches).
Connaissez-vous un professeur (je ne sais de quoi) du nom de Leon Oleggini ? J’ai reçu
dernierement une lettre des editeurs Maurice et Pierre Foetisch, de Lausanne, me disant qu’ils
avaient acheté le manuscrit d’un livre ecrit sur moi par ce monsieur. Ils me demandaient de leur
fournir differentes photos pour illustrer l’ouvrage qu’ils se proposent de publier avec le catalogue
de mes œuvres !!! Je les ai calmes, ne connaissant ni l’auteur ni l’ouvrage et n’ayant pas de
temps a leur consacrer. Mais par contre je suis en train de faire moi-meme, petit a petit, un
catalogue complet (et pour la premiere fois exact) de mon œuvre complete.
Nabakov m’ecrit qu’on est en principe d’accord pour que je dirige le RAKE a l’Opera , mais que
Lehmann ne peut rien decider avant 3 semaines. D’autre part le Dr. Roth m’ecrit de Londres que
l’Opera est entre les mains de Bondeville. Finalement je ne comprends pas qui commande qui et
quoi. Nabokov me signale des chanteurs nouveaux que je ne connais evidemment pas : Janine
Michaud (Anne), Roger Bourdin (Shadow). Les connaissez-vous ?
Avez-vous vu la traduction francaise, si oui qu’en pensez-vous ?
Soyez un ange, et repondez-moi le plus vite possible, vous me ferez plaisir.
Love,
I Str.
�</text>
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                <text>Stravinsky to Boosey &amp; Hawkes
(original in English)
Dr. E. Roth
Director
Boosey &amp; Hawkes Ltd.
295 Regent Street
London W. I. (England)
February 8, 1952
Dear Dr. Roth,
I have just received a letter from Nadia Boulanger whom I had asked to give me her opinion
about the French translation of the Rake’s.
Her answer is not too cheerful.
I understand that the French translation by this Mr. de Badet (by the way I have never understood
who commissioned him: you or the Grand Opéra?) in many instances is completely off and, still
worse, has led to some musical changes which completely erase the original rhythmical sense.
I know that some alterations are unavoidable but the result must not be complete nonsense, as the
case seems to be.
Please contact Miss Boulanger and ask her to handle the problem of straightening out the
mistakes herself. I cannot do it from here; time is running short and moreover Miss Boulanger is
at hand and perfectly aware of the situation. Till Monday, February 18th, she will be lecturing on
the Rake’s at the Monaco Palace, Principality of Monaco. Thereafter she will go back to her
regular address, 36 rue Ballu, Paris 9ème.
Sincerely,
IS
�</text>
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                <text>Stravinsky to Boosey &amp; Hawkes
(original in English)
Dr. E. Roth
Director
Boosey &amp; Hawkes Ltd.
295 Regent Street
London W. I. (England)
February 8, 1952
Dear Dr. Roth,
I have just received a letter from Nadia Boulanger whom I had asked to give me her opinion
about the French translation of the Rake’s.
Her answer is not too cheerful.
I understand that the French translation by this Mr. de Badet (by the way I have never understood
who commissioned him: you or the Grand Opéra?) in many instances is completely off and, still
worse, has led to some musical changes which completely erase the original rhythmical sense.
I know that some alterations are unavoidable but the result must not be complete nonsense, as the
case seems to be.
Please contact Miss Boulanger and ask her to handle the problem of straightening out the
mistakes herself. I cannot do it from here; time is running short and moreover Miss Boulanger is
at hand and perfectly aware of the situation. Till Monday, February 18th, she will be lecturing on
the Rake’s at the Monaco Palace, Principality of Monaco. Thereafter she will go back to her
regular address, 36 rue Ballu, Paris 9ème.
Sincerely,
IS
�</text>
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                <text>Stravinsky to Boulanger
1260 North Wetherly Drive
Hollywood 46, California
Mademoiselle Nadia Boulanger
Monaco Palace
Principality of Monaco
February 8, 1952
My dear Nadia,
I was quite disappointed to learn the results of your investigation at rue d’Anjou concerning the
French version of The Rake. I would like to believe that it is not a complete catastrophe but
limited to a few places.
I just wrote to Dr. Roth to ask him to get in touch with you immediately to place you in charge of
putting all this in order. Otherwise, I do not know who to contact and you are in a position to
choose someone competent in the matter. As for myself, I am too far away and don't have the
time.
Keep me up to date about what comes of this.
Tell me as well for which audience you gave your lectures about The Rake to in Monaco.
Still no decision from the Paris Opera. But the programs that have already arrived here announce
a heap of Strauss operas and The Rake isn't mentioned in them . . .
Fond wishes,
I Str.
�</text>
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                <text>Stravinsky à Boulanger
1260 North Wetherly Drive
Hollywood 46, California
Mademoiselle Nadia Boulanger
Le Palais de Monaco
Principaute de Monaco
8 février 1952
Chere Nadia,
J’ai été assez deçu en apprenant les resultats de votre enquete rue d’Anjou au sujet du Rake en
francais. Je veux bien croire que la catastrophe n’est pas generale et qu’elle se limite a certaines
places.
Je viens d’ecrire au Dr. Roth en lui demandant de se mettre immediatement en rapport avec vous
pour vous charger de mettre ordre a cela. Autrement, je ne sais pas a qui m’adresser et vous etes
a meme de choisir quelqu’un de competent en la matiere. Quant a moi jesuis [sic] trop loin et
n’ai pas le temps.
Tenez-moi au courant de ce qui en advient.
Dites-moi aussi pour quel auditoire vous etes allée donner vos conferences sur le Rake a
Monaco.
Toujours pas de decision de l’Opera de Paris. Mais les programmes deja parvenus ici annoncent
un tas d’operas de Strauss et le Rake n’y est pas mentionné…
Je vous embrasse affectueusement.
I Str.
�</text>
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                <text>Stravinsky to Boulanger
(starts with copy of a letter to Antonio Ghinghelli, Italy)
Dr. Antonio Ghiringhelli
Superintendent
Teatro alla Scala
Milan (Italy)
February 13, 1952
Dear friend,
Thank you for your letter of February 7 which cleared up the confusion surrounding the question
of the volumes of The Rake's Progress for me.
No matter what the origin of one or the other, the reality is that the two volumes that
Mademoiselle Boulanger has already received from you are not those I had intended for her. In
this case, I ask you to please send Mademoiselle Boulanger, 36 rue Ballu, Paris, 9e, the three
volumes that you still have at my disposal in your archives.
Thank you in advance and excuse the inconvenience.
�</text>
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(au début, une copie d’une lettre destinée à Antonio Ghiringhelli, Italie)
(COPIE)
Dr. Antonio Ghiringhelli
Sovrintendente
Teatro alla Scala
Milan (Italie)
13 février 1952
Cher ami,
Merci de votre lettre du 7 fevrier qui eclarait pour moi la confusion entourant la question des
volumes du Rake’s Progress.
Quelle que soit la provenance des uns ou des autres, il se fait que les deux volumes que
Mademoiselle Boulanger a deja recus de vous ne sont pas ceux que je lui destinais. Dans ces
conditions, je vous prie de bien vouloir envoyer a Mademoiselle Boulanger, 36 rue Ballu, Paris,
9e
, les trois volumes que vous avez encore a ma disposition dans vos archives.
Merci d’avance et excusez le derangement ainsi cause.
�</text>
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      <tag tagId="283">
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                <text>Dear Nadia,
Having received word from Ghiringhelli, I was finally able to sort out the story of the Rake’s. In
fact, they didn’t send you my own copies (complete opera in three volumes) but two volumes
(acts 1 and 2) which were all that Boosey &amp; Hawkes had, and which they had made available to
La Scala.
According to the preceding letter you see that you are going to receive the three volumes. Decide
for yourself what you want to do with the other two, or, to be safe, ask Boosey &amp; Hawkes what
they would like to do about them.
Love,
I Str.
�</text>
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                <text>Chere Nadia,
Ayant recu un mot de Ghiringhelli j’ai enfin pu y voir clair dans l’histoire des volumes du Rake.
On vous en effet envoyé non pas mes exemplaires a moi (opera complet en 3 volumes) mais 2
volumes (actes 1 et 2) qui etaient tout ce que Boosey &amp; Hawkes possedaient alors, et qu’ils
avaient mis a la disposition de la Scala.
D’apres ce qui precede vous verrez que vous allez recevoir les 3 volumes. Decidez vous-meme
ce que vous voulez faire des deux autres ou, pour etre plus en surete, demandez vous-meme a
Boosey &amp; Hawkes ce qu’ils veulent en faire.
Love
I Str.
�</text>
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                <text>Stravinsky to Boulanger
Mademoiselle Nadia Boulanger
36 rue Ballu
Paris 9th (France)
April 14, 1952
My dear Nadia,
A final note to respond to your letter of April 9.
We are leaving New York on Monday April 28 at 5:00 p.m. with TWA Flight 922. We have a
short stop at the Paris-Orly airfield on Tuesday, April 29 around 1:25 p.m. and continue on the
same airplane to Geneva, to attend performances of The Rake in French on May 2 and 4. We will
then return to Paris on May 8.
As for the small reception after Oedipus Rex, I cannot answer from here. We will need to talk
about this again in Paris and see how everything looks then.
Regarding The Rake, I do not know if, in the end, we will put it on in Paris in May. After what
happened to poor Désormière, it seems doubtful. But you must have known about this sooner
than I.
Fond wishes. “See you soon,”
I Str.
�</text>
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                <text>Stravinsky à Boulanger
Mademoiselle Nadia Boulanger
36 rue Ballu
Paris 9eme
(France)
14 avril 1952
Chere Nadia,
Ce dernier mot pour repondre a votre note du 9 avril.
Nous quittons New York Lundi 28 Avril a 17 Heures par TWA Flight 922. Nous ferons une
courte escale a l’aerodrome de Paris-Orly le Mardi 29 Avril vers 13 Heures [sic] 25 et
continuons notre route avec le meme avion jusqu'à Geneve, pour y assister aux representations
du Rake en francais les 2 et 4 Mai. Nous reviendrons ensuite a Paris le 8 Mai.
Pour ce qui est d’une petite reception apres OEDIPUS REX je ne peux pas repondre d’ici. Il faut
en reparler a Paris et voir comment tout se presente.
A propos du Rake j’ignore si, finalement, on va le donner a Paris en Mai. Apres ce qui est arrive
au pauvre Desormieres cela me parait douteux. Mais vous devez en savoir plus long que moi.
Je vous embrasse. « A bientôt ».
I Str.
�</text>
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