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                <text>Boulanger to Stravinsky
122 Bay State Road
Boston (15), Mass.
Tel. Kenmore 7277
Monsieur Igor Strawinsky
1260 North Wetherly Drive
Hollywood, California
June 18, 1943
Dear Friend,
Everything has arrived, has been bound, and I am delighted. Sad to be incoherent—you should
receive a very nice letter regarding these two scores. But you know, without my proving it in
words. I understand them, I believe, and I love them as much as I am able to love and admire
[anything].
Only . . . one complaint, are pages 58 and 59 of Oedipus supposed to be hidden from me? They
are missing, negative as well as positive. Would you please go to the trouble of having them
printed and sent to me: N.B., c/o Dominican Sisters Edgewood Madison Wisc.?
Today is your birthday. I have just sent you a sad little telegram. You should receive a “pretty”
letter with flowers all around. But, I send fondest thoughts, and I know that you know how much
I love you.
To you, to Vera, with all my heart,
NB
�</text>
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                <text>Boulanger à Stravinsky
122 Bay State Road
Boston (15), Mass.
Tel. Kenmore 7277
Monsieur Igor Strawinsky
1260 North Wetherly Drive
Hollywood, California
18 juin 1943
Cher Ami,
Tout est arrivé, a été relié, et je suis dans la joie. Triste d’être bête—vous devriez recevoir une si
belle lettre à propos de ces 2 partitions. Mais vous savez que sans savoir le prouver par des mots.
Je les comprends, je crois, et les aime autant que je suis capable d’aimer et d’admirer.
Seulement…une réclamation, les pages 58 et 59 d’Oedipus doivent-elle m’être cachées ? Elles
manquent, négatif aussi bien que positif. Voulez-vous bien prendre la peine de les faire tirer et
me les faire envoyer : N.B.
c/o Dominican Sisters Edgewood Madison Wisc.
C’est aujourd’hui votre anniversaire. Je viens de vous envoyer un pauvre petit télégramme. Vous
devriez recevoir une « belle » lettre avec des fleurs tout autour. Mais, je vous embrasse, et je sais
que vous savez combien je vous aime.
À vous, à Vera, de tout cœur,
NB
�</text>
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                <text>Stravinsky to Boulanger
Hollywood
March 18, 1944
My dear Nadia,
I don't have a memory for dates but it seems to me that it was in March 1935 that your dear
mother died, nine years ago . . .
I will not forget her in my prayers. I am thinking of you and send you my fondest wishes.
Your
I Str.
[P.S.] Tomorrow is the centenary of my dear Rimsky Korsakov.
�</text>
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                <text>Stravinsky à Boulanger
Hollywood,
le 18 mars 1944
Ma chère Nadia,
Je n’ai pas la mémoire des dates mais il me semble que c’était en mars 1935 que votre chère
mère était décédée, il y a neuf ans…
Je ne l’oublierai pas dans mes prières. Je pense à vous et vous embrasse très affectueusement.
Votre
I Str.
[P.-S.] Demain c’est le centenaire de mon chère [sic] Rimsky Korsakov.
�</text>
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                <text>Stravinsky to Boulanger
1260 North Wetherly Drive
Hollywood, California
May 18, 1943
My very dear Nadia,
In the next few days you’ll receive the photostats (negatives and positives) of the orchestral parts
for Oedipe and Apollo, as agreed, from the Economy Blue Print Co. They’ll send you this music
C.O.D.—in other words, paid on delivery. Despite the exceptionally low price (25¢ per page of
Oedipe and 16¢ for Apollo*) the total sum is considerable given that all [the pages] appear twice
(positive and negative). Let’s hope this enormous expense doesn’t turn you away from my music
for a while. Word of honor—I had nothing to do with it, it was you who wanted this.
A hot wind is blowing from the desert—after forty days in New York with its spring showers,
this makes one meditate on the imperfections of human physiology, and it is difficult to get back
to work.
How happy I was to see you again and to know you were in the room when I was conducting
Apollo. I'm in the process of rehearsing the Dumbarton Oaks Concerto for the First
Congregational Church of Los Angeles’ Modern Music concert. Today we are missing the two
horns and a contrabass, tomorrow probably others and the concert is May 22—how nice!
Merritt wrote me a very kind letter regarding my concert at the Fogg Museum. Have you had any
news?
Love and kisses,
I Stravinsky
*Approximately
�</text>
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                <text>Stravinsky à Boulanger
1260 North Wetherly Drive
Hollywood, California
le 18 mai 1943
Tres chere Nadia,
Vous recevrez ces jours-ci les photostates (negatives &amp; positives) des partitions d’orchestre
d’Œdipe et Apollon, comme convenu, de la Economy Blue Print Co. Ils vous enverront cette
musique C.O.D.—autrement dit, contre remboursement. Malgre le prix exceptionellement bas
(25¢ la page d’ŒDIPE et 16¢ celle d’Apollon*) la somme totale est impressionante vu que le
tout est en double (positive et negative). Pourvu que cette enorme depense ne vous detourne pas
pour longtemps de ma musique; parole d’honneur—je n’y suis pour rien, c’est vous que l’avez
voulu.
Il souffle un vent chaud du desert—après 40 jours de New York avec ses giboulees de printemps
cela fait mediter sur l’imperfection de la physiologie humaine et on a de la peine a se remettre au
travail.
Que j’étais heureux de vous revoir et de vous savoir dans la salle quand je dirigeais Apollon. Je
suis en train de répéter le Dumbarton Oaks Concerto pour le concert de la Modern Music de
First Congregational Church of Los Angeles. Aujourd’hui il nous manquaient les deux cors et
une contrebasse, demain probablement d’autres et le concert est le 22 mai—c’est joli!
Merritt m’a écrit une très gentille lettre au sujet de mon concert au Fogg Museum. Avez-vous eu
des echos?
Love and kisses,
I Stravinsky
*a peu pres
�</text>
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        <name>Antoine Saint-Exupéry</name>
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                <text>Boulanger to Igor and Vera Stravinsky
Gerry’s Landing
Cambridge
Massachusetts
Trowbridge 7339
Studio
197 Coolidge Hill
Mr. &amp; Mrs. I. Strawinsky
1260 North Wetherly Drive
Hollywood
California
December 19, 1941
(Mother’s birthday)
Dear Vera and Igor,
Christmas will be here soon, and my thoughts are dedicated to reuniting with you, mixed with
the memories, the hopes, of those present and those absent. It is too emotional to try to say what
is felt, what is thought, and what is desired. But you know that there is not a day when I do not
feel you close to me, when I do not feel close to you.
And in the certainty of this very old and sure affection, I send my love to you both, and I am
wholeheartedly your
Nadia
1942
�</text>
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Gerry’s Landing
Cambridge
Massachusetts
Trowbridge 7339
Studio
197 Coolidge Hill
Mr &amp; Mrs I. Strawinsky
1260 North Wetherly Drive
Hollywood
California
19 déc. 1941
(Anniversaire de Maman)
Chers Vera et Igor,
Voici bientôt Noël—et mes pensées vont tout particulièrement vous rejoindre—mêlant les
souvenirs, les espoirs, les présents, et les absents. On est trop ému pour tenter de dire ce qu’on
sent, ce qu’on pense, et ce que l’on veut. Mais vous savez qu’il n’est pas de jour où je ne vous
sens pas près de moi, où je ne me sens pas près de vous.
Et dans la certitude de cette affection si vieille, si sûre, je vous embrasse tous deux, du meilleur
de mon cœur me disant votre
Nadia
�</text>
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      <tag tagId="490">
        <name>Nadia Location: Cambridge Massachusetts</name>
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        <name>Recipient: Igor Stravinsky</name>
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                <text>Stravinsky to Boulanger
I.S.
1260 N. Wetherly Dr.
Hollywood, Cal.
Miss Nadia Boulanger
122 Bay State Road
Boston, Mass.
Los Angeles
California
Dec. 19, 1945
Nadia dear,
I wonder if it’s [worth] the trouble of writing to us. When are you leaving? I wait for even the
slightest word from you.
How good you are to have thought of me on the day of my grief. Thank you.
Always yours,
I. Str
[P.S.] Kyriena told me about the death of her father. Ziloti died at age 83. The poor old man had
a very weak heart after successive cases of pneumonia.
Milène and André received your precious presents from Canada. They suppose it’s your doing
(the name of the exporter as well of the giver were missing) and both want to write with their
gratitude and enthusiasm. Our plan is to have them come here. I think that you approve of that
and if so—please exert all your influence when you are down there.
Perhaps ask our dear friend Winifred to take care of the reservations at the Hotel Hemenway in
Boston for the week of my concerts (February 18 to 24—days of our departure to and from
Havana)?
Is it as difficult as in N.Y.?
�</text>
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                <text>Stravinsky à Boulanger
1260 N. Wetherly Dr.
Hollywood, Cal.
Miss Nadia Boulanger
122 Bay State Road
Boston, Mass.
Los Angeles
California
19 dec. [sic] 1945
Nadia chère,
Je me demande si c’est la peine de nous écrire. A quand le depart [sic]? J’attends ne serait-ce
qu’un mot de vous.
Que vous êtes bonne d’avoir pensé à moi le jour de mon deuil. Merci
Toujours à vous
I. Str.
[P.-S.] Kyriena m’announcé [sic] la mort de son père. Ziloti mort 83 ans. Le pauvre vieil homme
avait un cœur bien affaibli après des pneumonies successives.
Milène et André ont bien reçu vos précieux cadeaux canadiens, ils supposent que c’est de votre
part (le nom de l’exportateur en plutôt du 1o
donateur manquait) et veut [sic] tous ecrire [sic]
leurs reconnaissances et enthousiasme. Nous avons le projet de les faire venir ici. Je pense que
vous l’approuvez et si oui—please appuisez-vous [sic] de toutes vos forces quand vous serez la-
bas [sic].
Peut-être demander notre chère ami [sic] Winifred de s’occuper des reservations [sic] à l’hotel
[sic] Hemmenway [sic] à Boston pour la semaine de mes concerts (du 18 au 24 février—jours de
notre depart [sic] à Havana)?
Est-ce aussi difficile qu’à N.Y.?
�</text>
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      </tag>
      <tag tagId="210">
        <name>André Marion</name>
      </tag>
      <tag tagId="360">
        <name>Author: Igor Stravinsky</name>
      </tag>
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                <text>Stravinsky to Boulanger
1260 Wetherly Drive
Hollywood, California
June 19, 1943
My dear,
So happy for your telegram—sending most affectionate thoughts,
Your
I. Str
[P.S.] Were you satisfied with the photostats? It was a real extravagance, this expense—forget
about it if possible.
[P.P.S] And Birti? Has he finally taken his course in Baltimore? I received a kind note from
Reginald Stewart thanking me for my letter and telling me he was going to see Birti—a month
ago.
[P.P.P.S] I am sending you this clipping—if it can reassure you
�</text>
              </elementText>
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                <text>Stravinsky à Boulanger
1260 Wetherly Drive
Hollywood, California
le 19 juin 1943
Chère
Si heureux de votre télégramme—je vous embrasse bien affectueusement
Votre I. Str
[P.-S.] Avez-vous été satisfaite des photostates ? C’était une vraie folie, cette dépense—
oublions-le si possible.
[P.P.-S.] Et Birti? A-t-il finalement eu ces course [sic] à Baltimore ? J’ai reçu un gentil petit mot
de Reginald Stewart où il me remerciait pour ma lettre et me disait qu’il allait voir Birti—il y a
un mois.
[P.P.P.-S.] Je vous envoie cette coupure—si cela peut vous rassurer.
�</text>
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                <text>Stravinsky to Boulanger
2160 North Wetherly Drive
Hollywood, California
May 19, 1941
My dear Nadia,
Once again it has been a long time since I’ve heard any news of you. Are you still in Cambridge,
are you on vacation (rather implausible)? It has been an eternity (March 17) since you sent me
your (unfortunately sad) news. Since then, the Associated Music Publishers, in their letter from
April 1, spoke to me about you, letting me know that “the material of your Symphony was sent
to Miss Boulanger . . . she wrote us in the meantime that her corrections would be delayed as
she is rather busy at this time.” Is this time over? I’m wondering about this with a certain degree
of concern for two reasons: (1) My concert in Mexico City, where I am playing my symphony, is
approaching and I am wondering if I will be able to count on this newly corrected material from
you. (2) If we had sent you the unchanged piece from which I had conducted along with the
unaltered material (in order to help you with the corrections), I am scared that the Associated
Music Publishers, having to deliver this corrected material to the Mexico Philharmonic (it is
necessary to allow 10 to 14 days to send it from New York to Mexico) for my concerts
(beginning of July), will be obliged to take [the score] away from you, thereby interrupting your
precious work. Unless you will be able to continue correcting it according to the corrections
written partially in the gray score and on the bottom of the paper. As you see I am completely
ignorant of what is going on. A note from you would settle my nerves, providing the letter is
reassuring.
I received a letter from Mr. Forbes letting me know about his “Committee’s” refusal to publish
my lectures in two languages. I thought as much. They are now proposing to publish them only
in their original language, i.e., French. I consented. Their reasoning is incomprehensible to me. If
the edition, with the two combined texts, frightened them—a higher cost for the volume without
any great hope of a good run—what would be the advantage of publishing in French, I wonder?
All my affectionate and faithful thoughts, my very dear Nadia,
Your
I. Str
[P.S.] The troubling news from Vichy scares me.
�</text>
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                <text>Stravinsky à Boulanger
2160 North Wetherly Drive
Hollywood, California
le 19 mai 1941
Ma chere Nadia,
Il y a denouveau[sic] longtemps que je n’entends plus parler de vous. Etes-vous toujours a
Cambridge, etes-vous en vacances (plustot [sic] invraisemblable)? Il y a des eternites (le 17
mars) que vous m’aviez envoye de vos (helas tristes) nouvelles. Depuis l’Associated Music
Publishers dans leur lettre du I-er avril me parlaient de vous en me faisant savoir que “the
material of your Symphony was sent to Miss Boulanger…she wrote us in the meantime that her
corrections would be delayed as she is rather busy at this time.” Is this time over? C’est ce que je
me demande avec une certaine inquietude pour deux raison [sic]: I.- Mon concert a Mexico, ou je
joue ma symphonie, s’approche et je me demande si je pourrai compter sur ce nouveau materiel
corrige par vous. 2.- Si on vous avait envoye avec le materiel vierge aussi celui d’apres lequel
j’ai dirige (afin de vous faciliter le travail de correction), j’ai bien peur que l’Associated Music
Publishers devant livrer ce materiel corrige a la Philharmonie de Mexico (il faut compter 10 a 14
jours, le transfert de New York a Mexico) pour mes concerts (commencement de juillet) se verra
oblige de vous l’enlever, interrompant ainsi votre precieux travail. A moins que vous puissiez le
continuer d’apres les corrections inscrites en partie sur la partition grise, en partie sur des bouts
de papier. Je suis comme vous voyez, dans l’ignorance complete de ce qui se passe. Un mot de
vous mettera [sic] en bon ordre mes nerfs, a condition que ce mot soit rassurant.
J’ai reçu une lettre de Mr.Forbes [sic] me faisant savoir le refus de son « Committee » de publier
mes cours en deux langues. Je m’y attendais. Ils me proposent maintenant de les publier
seulement dans leur langue originale, c. a d. en français. J’ai consenti. Leur raisonnement m’est
incomprehensible. Si l’edition, avec les deux textes ensemble, les effrayait—cout eleve du
volume sans grand espoir d’un fort tirage quel serait l’avantage de la publication en langue
française, je me demande.
Toutes mes affectueuses et fideles pensees, ma tres chere Nadia,
Votre Str
P.S. Les nouvelles troublantes de Vichy m’effrayent
�</text>
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                <text>Boulanger to Stravinsky
November 19, 1940
Dear, Dear Igor,
Sorry for not having written yet [and] not telling you that I had seen Sviétik in Vichy, that they
all are as well as possible, courageous, and that he, Sviétik, has a sort of confidence in himself.
And then I received your telegram, which was so nice, so good, so necessary.
But . . . limited time and above all, personal difficulties. Everything is still so hard! How I would
like to see you, you and Vera both. I need to build up my strength again, [I need] to see you.
To think that no one had told me: the Symphony in Chicago. I found out two days after!
Completely ridiculous.
I hope the Forbeses will agree to keep me. The need to be “home,” which I can satisfy a little
here, is so great. My God, my heart is heavy, but one must hope, and fight on!
I send my love to both of you, and am with all my heart,
Your
Nadia
�</text>
              </elementText>
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                <text>Boulanger à Stravinsky
19 novembre 1940
Cher, Cher Igor,
Pardon de ne pas vous avoir encore écrit, vous avoir dit que j’avais vu Sviétik à Vichy, qu’ils
sont tous aussi bien que possible, courageux, et avec une sorte de confiance en lui-même,
Sviétik. Puis, votre télégramme, si gentil, si bon, si nécessaire.
Mais…temps limité et surtout, difficultés intérieures. Tout est encore si dur ! Que je voudrais
vous voir, Véra et vous, besoin de se retremper, de vous retrouver.
Dire que personne ne m’a dit : la Symphonie à Chicago. J’ai su deux jours après ! Trop absurde.
J’espère que les Forbes vont consentir à me garder, le besoin d’être « chez soi » que je peux
assouvir un peu ici, est si grand. Mon Dieu, que le cœur est lourd, mais il faut espérer, et lutter !
Je vous embrasse, tous deux, et suis de tout cœur,
Votre
Nadia
�</text>
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        <name>Edward Forbes</name>
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        <name>Recipient: Igor Stravinsky</name>
      </tag>
      <tag tagId="28">
        <name>Soulima Stravinsky</name>
      </tag>
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        <name>Sviétik</name>
      </tag>
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        <name>Vera Stravinsky</name>
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                <text>Boulanger to Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
Mr. I. Strawinsky
1260 N. Wetherly Drive
Hollywood 46
California
July 2, 1944
Look what I received, Dear Igor—what do you suggest?
Too occupied since my arrival here to write, but between the lecture this winter, the memories of
each of your gestures, setting to rights what I said, sorting out the Sonata, and the Circus Polka,
the lecture on Babel, on Scherzo [à la] Russe, on Perséphone, and then my heart “that beats only
for you” as the song says, and it doesn’t lie. Truly, you are always here and present in Madison!
We live, quite tensely, somewhat somberly, with some relaxation, [illegible word] in the calm of
this place.
My best to Vera and you, my Dear—and already I say with impatience: When am I going to see
you again.
Your
N
[P.S.] Abbot Fortier . . . thrilled. But does not want to thank you before he has read—read and
understood everything. He’s not used to these combinations and so [he] struggles!!
�</text>
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                <text>Boulanger à Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
Monsieur I. Strawinsky
1260 N. Wetherly Drive
Hollywood 46
California
2 juillet 1944
Voici ce que je reçois, Cher Igor—que conseillez-vous ?
Trop occupée depuis mon arrivée ici pour écrire, mais entre la conférence de cet hiver, les
souvenirs de chacun de vos gestes, la mise au point que dis je [sic], le débrouillage de la Sonate
et de la Circus Polka, la lecture de Babel, du Scherzo Russe, de Perséphone—et puis mon cœur
« qui ne bat que pour vous » comme dit la chanson, et elle ne ment pas. Enfin, vous êtes
vraiment hote [sic] omniprésent à Madison !
On vit, bien tendu, un peu trop sombre, avec une détente, dû au calme de ce lieu.
Je vous embrasse Vera et vous, mon bien Cher—et déjà me dis avec impatience : Quand vais-je
enfin les revoir.
Votre
N
[P.-S.] L’Abbé Fortier…ravi. Mais ne veut pas vous remercier avant d’avoir lu—tout lu et
entendu—n’est pas habitué à cette combinaison, et se bat !!
�</text>
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      </tag>
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        <name>Babel</name>
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        <name>Vera Stravinsky</name>
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