19 10 1009 https://digex.lib.uoguelph.ca/files/original/e011383ee001206a31e57ba08faf347d.pdf 227d402dbcd13a5f3e38675f7506866e https://digex.lib.uoguelph.ca/files/original/9e049ec8c70f9d2ef24219ee53d4c9fb.pdf 75a176845c79eea4402ac598f63250fe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 5 Description An account of the resource English translation and transcription of French originals from Chapter 5 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 5, 29 March 1955 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale de France Date A point or period of time associated with an event in the lifecycle of the resource 29 March 1955 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger Hotel Hassler-Roma Trinita Dei Monti Miss Nadia Boulanger 36 rue Ballu Paris 9th France March 29, 1955 Dearest Nadia, Here we are in Rome, with me in bed with a bad cold. Would you be an angel and call for a bottle of Balsamorhinol,* which we can't find here? Thank you for your telegram. I will be waiting for you on the 2nd. Love, Str. *French nose drops � Stravinsky à Boulanger Hotel Hassler-Roma Trinita Dei Monti Miss Nadia Boulanger 36 rue Ballu Paris 9ème France 29 mars 1955 Dearest Nadia, Nous voila à Rome, moi au lit avec un gris rhume (ruhme ?). Vous serez un ange de m’appeler un flacon de Balsamorhinol * qu’on ne trouve pas ici. Merci pour votre bon telegramme [sic]. Je vous attend le 2 Love, Str. *French nose drops � 1955 Author: Igor Stravinsky Igor Location: Trinita Dei Monti Nadia Location: 36 rue Ballu Recipient: Nadia Boulanger https://digex.lib.uoguelph.ca/files/original/463b1ccad5f9793c29061e72fca10dd4.pdf b19e773554277921f152c43c3116b12f https://digex.lib.uoguelph.ca/files/original/c900e47b638dfb07dfccf583a69807d9.pdf d18c8c4bb401473724581a9fa9ef0905 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 5 Description An account of the resource English translation and transcription of French originals from Chapter 5 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 5, 30 March 1955 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale de France Date A point or period of time associated with an event in the lifecycle of the resource 30 March 1955 Type The nature or genre of the resource Telegram UG Extracted Text Stravinsky to Boulanger ROME NADIA BOULANGER 36 RUE BALLY [sic], PARIS MARCH 30, 1955 WEVE RESERVED TWO ROOMS FOR YOU EDEN HOTEL HAPPY TO SEE YOU AGAIN STRAVINSKY � Stravinsky à Boulanger ROME NADIA BOULANGER 36 RUE BALLY, PARIS 30 MARS 1955 AVONS RESERVE POUR VOUS DEUX CHAMBRES EDEN HOTEL HEUREUX VOUS REVOIR STRAVINSKY � 1955 Author: Igor Stravinsky Igor Location: Rome Nadia Location: 36 rue Ballu Recipient: Nadia Boulanger https://digex.lib.uoguelph.ca/files/original/a19da2d24994b7241230a0707a34eb67.pdf 83c215b81e1ad5b1011c258840f279fe https://digex.lib.uoguelph.ca/files/original/a9e33e5c4a0240dd3df6178a5ef3fc34.pdf c98433259b8bacc621b670c2e2a3727c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 5 Description An account of the resource English translation and transcription of French originals from Chapter 5 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 5, 27 February 1956 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale de France Date A point or period of time associated with an event in the lifecycle of the resource 27 February 1956 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger Beverly Hills, California Miss Nadia Boulanger 36 rue Ballu Paris, IXth France February 27, 1956 My very dear Nadia, I have just read your kind letter of Feb. 21 and thank you with all my heart for having thought of March 2. What Halffter solicits is at the same time both touching and impossible for me. If you only knew everything I have to do before embarking in mid-June for Europe (Greece and Constantinople for our vacation, then concerts: Venice, Switzerland, Germany, Vienna and London, then returning to New York for Christmas, triple concert with the Philharmonic—Rite and Persephone—and recording Persephone with Columbia.)* I finished my Canticum Sacrum (short, 16 minutes, and quite difficult) and now . . . proofs, which means—corrections! Having finished the Canticum, I have put myself to work on an instrumental version (with choir) of J. S. Bach's Canonic Variations on Vom Himmel hoch da komm' ich her, which I have decided to do with my Canticum in Venice along with other compositions of a religious nature: Andrea Gabrieli, Schütz, Monteverdi, Gesualdo. The Bach Variations are taking more time than I thought. I am going to have Bob perform them here in the Ojai Festival in May where I am conducting my Noces. This work is interrupted by all sorts of things and right at this moment, for at least a week, by an “abbreviated version of Petroushka” for TV cartoons, length—12 minutes. They are making episodes of the start, of Petroushka's cell, of the Moor, one part of the Disguises and of Petroushka's death. In brief —a potpourri; and I am doing it for money!!! Yes, sir, it is certainly blameworthy but also excusable when one thinks of the taxes that gouge us without pity. *All this at the beginning of January 1957 to which a showing of Vera's paintings has just been added. Tomorrow the showing of her work at the Santa Barbara Museum will take place . . . Love, I Str. � Stravinsky à Boulanger Beverly Hills, California Miss Nadia Boulanger 36 rue Ballu Paris, IXeme France 27 fev/[19]56 Tres chere Nadia, Je viens de lire votre bonne lettre du 21 fvr. et vous remercie de tout cœur d’avoir pense au 2 mars. La chose que Halffter sollicite est à la fois touchante et irrealisable pour moi. Si vous sachiez seulement tout ce que j’ai a faire avant de m’embarquer mi-juin pou[r] l’Europe (Grece et Constantinople pour nos vacances, puis les concerts: Venise, Suisse, Allemagne, Vienne et Londres, puis retour a New York pour Christmas, triple concert a la Philharmonie—Sacre et Persephone—et enregistrement de Persephone avec Columbia.)* J’ai fini mon Canticum Sacrum (court, 16 minutes, et plutot difficile) et maintenant ….. epreuves, j’entends—corrections ! Ayant termine le Canticum je me suis mis au travail d’une version instrumentale (avec chœur) des Variations canoniques de J.S. Bach sur Vom Himmel hoch da komm’ ich her, que j’ai decide de faire avec mon Canticum a Venise a cote d’autre composition de caractere religieux : Andrea Gabrielli, Schutz, Monteverd[i], Gesualdo. Les Variations de Bach me prennent plus de temps que je pensais. Je vais les faire jouer ici par Bob dans les festivals d’Ojai en mai ou je dirige mes Noces. Ce travail est interrompu par toute espece de choses et en ce moment pour une semaine au moins, par une « abreviated [sic] version of Petroushka » pour des dessins animes a la TV, duree—12 minutes. On prend des episodes du debut, de la cellule de Petrouchka, du Maure, une partie des Deguises et de la mort de Petr. Bref—un potpourri ; et je la fais pour l’argent !!! yes [sic] sir, c’est certe blamable mais aussi explicable quand on pense aux taxes qu’on nous extirpe sans pitie. *Tout cela debut janvier 1957 a quoi vient de s’ajouter une exposition de tableaux de Vera. Demain aura lieu le vernissage au musee de Santa Barbara de son exposition par la… Love I Str. � 1956 Andrea Gabrielli Author: Igor Stravinsky Bach Canticum Sacrum Claudio Monteverdi Ernesto Halffter Igor Location: California Le Sacre Du Printemps Les Noces Nadia Location: 36 rue Ballu Perséphone Petroushka Recipient: Nadia Boulanger Rite of Spring Variations on von Himmel hoch da komm' ich her Vera Stravinsky https://digex.lib.uoguelph.ca/files/original/d8417e52bccf7a59c2cbc4fda20146b9.pdf d3bb8c18e3d0f6a9abd96d602e072255 https://digex.lib.uoguelph.ca/files/original/7daf0082ab103bbb0f63fccd1d563df1.pdf 07362f8848b8e782d0acb751d755abd1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 5 Description An account of the resource English translation and transcription of French originals from Chapter 5 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 5, 30 March 1956 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale de France Date A point or period of time associated with an event in the lifecycle of the resource 30 March 1956 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger Good Friday, [March 30] 1956_ My very dear Nadia, Happy Easter to you as well! My cantata for Venice is called Canticum Sacrum—for tenor, baritone, choir, and a large instrumental ensemble. Not long (17 minutes), somewhat difficult (particularly for the singers’ pitches). Latin text from the Vulgate. Vocal score will probably already appear in May, the full score—after Venice. Ask Dr. E. Roth (B&H in London) to send you the second set of proofs that I have just corrected—it will be easier, because here I have only manuscripts. I just finished (and sent back to London) an important arrangement of J. S. Bach's Chorale and five canonic variations—Vom Himmel hoch da komm' ich her—for instrumental ensemble and choir. I will conduct it with my Canticum in Venice and Bob [will conduct it] here, at Ojai, in the month of May. Poor Marie Blanche! Was it a stroke? Love I Str. � Stravinsky à Boulanger (Easter) vendredi Saint/[19]56 Tres chere Nadia, Bonne Paques a vous egalement ! Ma cantate pour Venise s’apelle Canticum Sacrum—pour Tenor Bariton, Chœur et grand ensemble instrumental. Pas long (17 minutes), assez difficile (surtout pour le pitch des chanteurs). Texte latin de la Vulgata. Vocal score paraitra probablement deja en Mai, le full score—apres Venise. Demandez Dr. E. Roth [sic] (B.&.H. a Londres) de vous envoyer la 2nde epreuve que je viens de corriger—ce sera plus simple, car ici je n’ai que les manuscrits. Je viens de terminer (et renvoyer a Londres) un arrangement important pour un ensemble instrumental avec chœurs du Choral et 5 variations canoniques de J.S. Bach— Vom Himmel hoch da komm’ ich her. Je vais le diriger avec mon Canticum a Venise et Bob ici, a Ojai au mois de mai. Pauvre Marie Blanche! Était-ce un stroke? Love I Str. � 1956 Author: Igor Stravinsky Cantata Cantate Canticum Sacrum Ernst Roth Marie Blanche de Polignac Recipient: Nadia Boulanger Robert Craft https://digex.lib.uoguelph.ca/files/original/39c8a3e19b821abba4922e4a3db58aae.pdf b16cbb2fc9f07a9091094d9e09757122 https://digex.lib.uoguelph.ca/files/original/82b6a5b890b2d078bec5102666cd4046.pdf df224dbb35b73a88c8ca71f29765fb6b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 5 Description An account of the resource English translation and transcription of French originals from Chapter 5 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 5, 16 May 1956 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale de France Date A point or period of time associated with an event in the lifecycle of the resource 16 May 1956 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger Hollywood May 16, 1956 My very dear Nadia, Excuse my silence—it's the fault of the Biennale! No one knows the date of my concert; all we know is that it will be no later than September 20. I cannot even obtain from them the smallest details about the choruses, orchestra, soloists; correspondence has been dragging on for months! It’s horrendous. I just changed the entire program, because they didn’t want to make my job easier in letting Bob Craft conduct the old Venetian masters that he certainly knows better than I. I sent a cable to tell them that I will conduct at the Fenice, and not at St Mark’s,* the following program: Canticum Mass Canticum Choral und Variationen (Vom Himmel hoch) of J. S. Bach in my arrangement for choir and orchestra. B. &. H. is in the process of printing it. As usual we are staying at the Bauer Gruenwald Hotel. In a month we are taking the train to New York where we will set off (Vulcania) for Athens. I am conducting Les Noces and Bob my Bach arrangement on May 27 at Ojai. Fond and affectionate wishes, I Str *Because one does not give a concert performance of a mass intended to accompany a religious service in a church. � Stravinsky à Boulanger Hollywood 16 mai 1956 Tres chere Nadia, Excusez mon silence—a Biennale la faute! Personne ne connait la date de mon concert ; tout ce qu’on sait c’est que cela ne sera pas plus tard que le 20 septembre. Je n’arrive meme pas a obtenir d’eux le moindre detail sur les chœurs, orchestre, solistes ; correspondance trainant des mois ! C’est epouventable. Je viens de changer le programme entier, car ils ne voulaient pas me faciliter la tache en donnant a Bob Craft la direction des vieux maitres venitiens qu’il connait certainement mieux que moi. Je leur ai cable que je dirigerai a la Fenice et non a St. Marc* le programme suivant : Canticum Messe Canticum Choral und Variationen (Vom Himmel hoch) de J.S. Bach dans mon arrangement pour chœur et orch. B. &. H. est en train de le graver. On descend comme toujours au Bauer Gruenwald Hotel. Dans un mois on prend le train pour NewYork [sic] ou on s’embarque (Vulcania) pour Athenes. Je dirige le 27 mai a Ojai Les Noces et Bob—mon arrangement de Bach. Vous embrasse affectueusement I Str *Car on ne donne pas dans une eglise une execution de concert d’une messe destine [sic] a accompagner un service divin. � 1956 Author: Igor Stravinsky Bach Igor Location: California Les Noces Mass Recipient: Nadia Boulanger Robert Craft Variations on von Himmel hoch da komm' ich her https://digex.lib.uoguelph.ca/files/original/b7f22eb08bdbd8f40b89d575adb99f2e.jpg 819b7400c3362342bcfe6ebf9d12ba0b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Walker's Emporium', Inverness, 1950s Creator An entity primarily responsible for making the resource J Nairn Date A point or period of time associated with an event in the lifecycle of the resource 1950s Source A related resource from which the described resource is derived Highland Photographic Archive (IMAG) https://digex.lib.uoguelph.ca/files/original/eb34b9ca7a5fb97de151d03539812a3e.jpeg 5fcb031a2c818cb04a5e0ec7e8f67217 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Main Street From The North, Pitlochry. Front of Postcard by J.B. White. Creator An entity primarily responsible for making the resource J.B White Date A point or period of time associated with an event in the lifecycle of the resource circa 1931-1944 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Repository: University of Guelph Archives &Special Collections Publisher An entity responsible for making the resource available Scotland, Dundee LTD Contributor An entity responsible for making contributions to the resource Archival & Special Collection, University of Guelph Library, Guelph, ON Rights Information about rights held in and over the resource J.B. White Format The file format, physical medium, or dimensions of the resource JPEG derived from master file, which was scanned from the original postcard in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner Type The nature or genre of the resource Postcard Identifier An unambiguous reference to the resource within a given context I XS1 MS A339 Extent The size or duration of the resource. 8.9cm x 14cm https://digex.lib.uoguelph.ca/files/original/383a25b78eb4c393246e8d276cd92de9.jpeg 3f20bdc125313afd378d995c492e4fc4 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Main Street From The North, Pitlochry. Back of Postcard by J.B. White. Edited with highlights. Creator An entity primarily responsible for making the resource J.B White edited by Aro Date A point or period of time associated with an event in the lifecycle of the resource 1931-1944 Edited 2019 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Repository: University of Guelph Archives &Special Collections https://digex.lib.uoguelph.ca/files/original/c98dd796219fe97252276d828fcec96f.jpeg cee4e55df27e294e9cdf9cb88b5966ec Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Main Street From The North, Pitlochry. Front of Postcard by J.B. White. Edited. Creator An entity primarily responsible for making the resource J.B White. Edited by Aro. Date Submitted Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal). 1931-1944 Edited 2019 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Repository: University of Guelph Archives &Special Collections https://digex.lib.uoguelph.ca/files/original/82167dfe8df31d12df374c7c2488650d.jpeg 08c47176d04c1078aa1347df5a31049b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Main Street from the North, Pitlochry Postcard Back Creator An entity primarily responsible for making the resource J.B. White Date A point or period of time associated with an event in the lifecycle of the resource circa 1931-1944 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. University of Guelph Archives & Special Collection Publisher An entity responsible for making the resource available Scotland, Dundee LTD Contributor An entity responsible for making contributions to the resource Archival & Special Collection, University of Guelph Library, Guelph, ON Rights Information about rights held in and over the resource J.B.White Format The file format, physical medium, or dimensions of the resource JPEG derived from master file, which was scanned from the original postcard in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner Type The nature or genre of the resource Postcard Identifier An unambiguous reference to the resource within a given context I XS1 MS A339 Extent The size or duration of the resource. 8.9cm x 14cm