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                <text>Stravinsky to Boulanger
1260 Wetherly Drive
March 20, 1943
My dear
Just a word to tell you my joy at receiving your letter, so affectionate as always.
Thank you as well for sending me the Sonata that I was waiting so impatiently for.
We have to be in NY on March 31 (Ritz-Tower). Happy at the possibility of seeing you again
soon
Your
I Str
P.S. The Scherzo and Finale of my Symphony are as difficult to obtain as the rest of the score—
it is not printed—it does little good to complain, as you know.
�</text>
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                <text>Stravinsky à Boulanger
Le 20 mars 1943
Chère
Juste ce mot pour vous dire la joie d’avoir votre lettre si affectueuse comme toujours.
Merci également de m’envoyer ma Sonate que j’attendrai avec impatience.
Nous devons être à N.Y. le 31 mars (Ritz-Tower). Heureux dans l’espoir de vous revoir bientôt
Votre
I. Str
[P.-S.] Le Scherzo et Final de ma Symphonie est tant aussi difficile de procurer que la reste de la
partition—ce n’est pas gravé—c’est très mal protesté, comme vous le savez.
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                <text>Boulanger to Stravinsky
122 Bay State Road
Boston, Mass.
Tel. Kenmore 7277
Mr Igor Strawinsky
1260 Wetherly Drive
Hollywood 46
California
September 20, 1945
Dear Friend,
What a magnificent surprise, what happiness, and what satisfaction. You are an angel!
I cannot tell you about this exceedingly beautiful piece. I feel unworthy. This is the sixth letter
I’ve started. My praise seems to me so small, so awkward—courage will soon return to me, I
hope, but not today. I read, I reread. What success on the whole and in each detail, and . . . and
again I don’t know [what to say]. I am not going too fast! But I know what this symphony
represents. I love it and you. It is just too sad to not see you anymore, to not be near you at the
piano, to not have you hear me play it for you. This separation is awful. It weighs on me heavily.
Leaving for Montreal. Will write you upon my return. Jealous of all who have seen Vera’s
boutique, they tell me it is so stunning—not being able to go to Hollywood is a death sentence.
Received an interesting, kind letter from Sviétik. He seems happy, everyone writes to me about
him with much musical confidence. Everyone finds Françoise so kind. Saturday is his birthday. I
hope that my package will be there for that day. I really want to speak with you about the finale.
I cannot think of more to tell you about other things and yet, I do not see how I might
demonstrate to you that I understood! But I have understood, I believe, and heard—and I feel
very proud of myself!
You are too great for me to forget it, especially when I am not close to you and my old
incorrigible shyness is as strong as ever.
Thank you. You have given me the nicest double-present you could imagine and the two aspects
of the score follow the same line of thinking[:] an order established by one is definitively
expressed by the other.
I love you so much, admire you, and miss you. To you, to Vera, very fondly,
NB
�</text>
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                <text>Boulanger à Stravinsky
122 Bay State Road
Boston, Mass.
Tel. Kenmore 7277
Monsieur Igor Strawinsky
1260 Wetherly Drive
Hollywood 46
California
20 septembre 1945
Cher Ami,
Quelle magnifique surprise, quel bonheur, et quelle satisfaction. Vous êtes un ange!
Je ne peux pas vous parler de ce morceau si beau. Je m’en sens indigne. Voilà la 6è lettre que je
commence. Mes effusions me semblent si pauvrettes, si gauches—le courage me viendra bien, je
l’espère, mais pas aujourd’hui. Je lis, relis. Quelle réussite de l’ensemble, de chaque détail,
et…Je ne connais encore rien. Je ne vais pas si vite! Mais je sais ce qu’est la Symphonie. Je
l’aime et vous aime. Seulement c’est trop triste de ne plus vous voir, ne d’etre [sic] pas près de
vous, au piano, de ne pas vous l’entendre me la jouer, pour moi. C’est bête, cette séparation. Elle
me pèse bien lourdement.
Pars pour Montréal. Vous écrirai dès mon retour. Suis jalouse de tous ceux qui ont vu la boutique
de Vera, si étonnante me dit-on—ce n’est plus vivre que de ne plus prendre la route de
Hollywood.
Reçu une lettre de Sviétik, intéressante, gentille. Il semble heureux, tout le monde m’écrit à son
sujet avec tant de confiance musicale. Chacun trouve Françoise si gentille.
Samedi, son anniversaire. J’espère qu’il aura mon paquet pour ce jour-là. Ai tant envie de vous
parler du Final. Que je ne trouve plus rien à vous dire d’autre et pourtant, je ne vois pas vous
démontrant que j’ai compris! Mais j’ai compris, je crois, et entendu –et je me sens toute fière !
Vous êtes trop grand pour que je puisse l’oublier surtout quand je ne suis pas près de vous, et ma
vieille incorrigible timidité bat son plein.
Merci. Vous m’avez fait le plus beau double cadeau qui se puisse rêver, et les deux aspects de la
partition font suivre le cheminement de la pensée l’ordre ramassée de l’un, définitivement exposé
de l’autre.
Que je vous aime, vous admire, et que vous me manquez. À vous, à Vera bien tendrement,
NB
�</text>
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                <text>Boulanger to Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
March 21, 1945
Dear Friend,
Would you please sign this and send it back to me straight away? I trust that you will agree.
1) Arthur is the one who gave the sum so that Couture can work here.
2) This is the bursary awarded last year (you had already signed)
3) Bursary to be shared between these two young Poles with real talent (they have written
good quartets, symphonies) [and] are dying of hunger in France
4) Preger? I did not recommend him to you.
I have received many letters from France. It is a tragic situation. Annette works at the
Conservatoire—thirty and more than thirty at my place. hey are all hungry, and [have] nothing to
wear, money is less useful than supplies. I am deeply unhappy, but this is fair, punishment will
come . . . we don’t know when, but it surely will. Forgiven, yes, God forgives. I believe it very
strongly, but if He wasn’t [actually] punishing us, it [is] enough to have given us a conscience!
I am thinking of you and love you, both of you,
Fondly and with love to you both,
Nadia
�</text>
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                <text>Boulanger à Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
21 mars 1945
Cher Ami,
Voulez-vous bien signer ceci et me le renvoyer d’urgence. Je crois que vous serez d’accord.
1. C’est Arth. qui a donné la somme pour que Couture puisse travailler ici.
2. C’est la bourse attribuée l’an dernier (vous aviez déjà signé)
3. Bourse à partager entre ces deux jeunes Polonais de vrai talent (ont écrit de bons quatuors,
symphonies) sont mourant[s] de faim de France
4. Preger? je n’ai pas à vous le recommander.
Reçu pas mal de lettres de France. C’est une situation tragique. Annette travaille au
Conservatoire—30, chez moi + 30. Ils ont tous faim, et rien à se mettre, l’argent, moins utile que
les provisions. Je suis bien malheureuse, mais c’est juste, comme la punition vient, quand…on ne
sait pas, mais sûrement. Pardonné, oui, Dieu pardonne. Je le crois si fermement, mais s’Il ne
nous punissait pas, d’avoir mis en nous, la conscience, cela était assez!
Je vous embrasse et vous aime, vous deux,
Si profondément
Nadia
�</text>
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                <text>Boulanger to Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
Nov. 21, 1944
Thank you—the things to say about these pages! Dear Igor—
But we will be together soon. Have received [word] from Haïeff, everything is his fault, and not
his fault. (Winter’s fault, primarily). He has been sick, at the mercy of terrible difficulties. I will
bring you his letter. Forgive him. He needs it.
With all my heart,
Nadia B.
�</text>
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Featherhill Ranch
Montecito
Santa Barbara, California
21 nov. 1944
Merci—que de choses à dire à propos de cette feuille ! Cher Igor—
Mais nous nous verrons bientôt. Ai reçu de Haïeff—tout est de sa faute—et pas de sa faute. (De
la faute de Winter d’abord). Il a été malade, en proie à de lourdes difficultés. Vous apporterez sa
lettre, Pardonnez-lui—il le faut.
Vous embrasse tous deux, de tout cœur.
Nadia B.
�</text>
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                <text>Boulanger to Stravinsky
Glenbrook Lake Tahoe
Nevada
Glenbrook, Lake Tahoe, Nevada
Monsieur I. Strawinsky
1260 North Wetherly Drive
Hollywood California
August 22, 1942
Dear Friend,
To see you when one is at the height of exhaustion seems a folly and a crime! But now that you
are not coming—and that I risk not seeing you for many months, I am very simply, but
profoundly, sad.
I am going to try to spend a few days in Santa Barbara before going back to Boston, but . . . will
this be possible?
Truly, except for financially, it was a marvelous thing to be sick last year!!
Hugs to both of you, I am with all my heart
Your
Nadia B
�</text>
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                <text>Boulanger à Stravinsky
Glenbrook Lake Tahoe
Nevada
*mailed by Arthur Sachs
Glenbrook, Lake Tahoe, Nevada
22 aout 1942
Monsieur I. Strawinsky
1260 North Wetherly Drive
Hollywood California
22 août 1942
Cher Ami,
Vous voir quand on est au comble de l’abrutissement semble une folie et un crime ! Mais
maintenant que vous ne venez pas—et que je risque de ne pas vous voir pendant des longs mois,
je suis triste, bien simplement, mais profondément.
Je vais essayer de passer quelques jours à Santa-Barbara, avant de rentrer à Boston, mais…sera-
ce possible ?
Au fond, sinon matériellement, ç’a été une merveilleuse affaire d’être malade l’an dernier !!
Je vous embrasse tous deux et suis de tout cœur
Votre
Nadia B
�</text>
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                <text>Boulanger to Vera Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
December 22, 1943
Dear Vera,
First, business:
1) Do you want to give this package here to Elizabeth?
2) Do you want to give to the Bolms . . . ?
3) Here is the photo—I couldn’t find a frame here, or, [they were] too “beautiful.” In my
opinion, that would hardly suit [it].
4) I’ll send you the exact itinerary for Madison–Chicago.
5) The Hogarth—if you don’t like it, please tell me. I will take it back. I’m not sure
anymore whether I’d like to give it to you or not.
6) I couldn’t find what I wanted for you. I still hope to before your departure.
If gloves, what size?
Do you prefer a scarf, white or pink? Handkerchiefs?
What do I want . . . who knows anymore?
7) Thank you for the pencils, I look forward to [using] each in order.
8) Don’t forget you’re dining at Mrs. Smith’s on the 11th. Her sister is Miss Johnstone—
Boston, 122 Bay State Road.
I’ll write to you—fondly—I think of you all the time. May Christmas be kind to you.
With all my heart,
[unsigned]
�</text>
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                <text>Boulanger à Vera Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
22 décembre 1943
Chère Véra,
D’abord les affaires :
(1) Voulez-vous bien remettre à Elisabeth le paquet ci-joint
(2) Voulez-vous bien remettre aux Bolm…..
(3) Voilà la photo – je n’ai pu touver[sic] ici un cadre—ou trop « beau. » Cela n’allait guère
avec moi.
(4) Vous enverrai l’itinéraire exact Madison Chicago
(5) Le Hogarth – s’il ne vous plaît pas, dîtes-je vous en prie. Je le reprendrai. Je ne sais plus
si j’aime vous le donner ou non.
(6) Je n’ai pas pu trouver ce que je voulais pour vous. J’espère encore avant votre départ.
Si gants, quelle pointure ?
Préférez-vous écharpe, blanche, rose ? Mouchoirs ?
Ce que je voulais…qui sait peut-être encore
(7) Merci pour les crayons, j’espère chaque en ordre
(8) N’oubliez pas que vous dinez le 11 chez Mrs. Smith, sa sœur est Miss Johnstone—à
Boston 122 Bay State Road
Vous récrirai – vous embrasse – pense à vous tout le temps. Que Noël vous soit doux.
À vous de tout cœur
[non signée]
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                <text>Stravinsky to Boulanger
1260 North Wetherly Drive
Hollywood, California
March 24, 1942
My very dear Nadia,
Here is a photo with a couple of words of thanks for Mme Rafaël [sic] Salem, just as you asked.
I am really embarrassed: it’s not just you who are my victim—I must bother your students again,
too! May they forgive me generously for this.
The two letters of which you speak (the one from Nov. 15 from Washington and the one from
Dec. 9 from Providence) never reached me. Whose fault, ours (wrong address) or the post
office’s? God knows. It is most unfortunate!
As for the $60 Litré[sic]—it’s too much money at this moment, though I don't find this to be an
exaggerated price.
Wait a bit for an orch. score of my new composition Dances concertantes (are you satisfied with
the title?): I need it here (radio project) and also eventually for the editor of the Associated Music
Publishers. The score is very carefully corrected. The performance gave me great joy.*
I want so much to see you.
With all my heart,
Your
I. Str.
*I’ve had five rehearsals with excellent musicians.
�</text>
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                <text>Stravinsky à Boulanger
1260 North Wetherly Drive
Hollywood, California,
24 mars 1942
Très chère Nadia,
Voici un [sic] photo avec quelques mots de remerciements pour Mme Rafaël Salem, comme
vous me l’avez demandé.
Je suis vraiment confus : —non seulement vous, qui êtes ma victime—il faut que je derange [sic]
encore vos elèves [sic] ! Qu’ils me le pardonnent magnanimement.
Vos deux lettres dont vous me parlez (celle du 15 nov. de Washington et celle du 9 déc. de
Providence) ne me sont jamais par parvenues. À qui la faute, à nous (fausse adresse) ou à la
poste ? Dieu le sait. C’est bien fâcheux !
Pour le Litré [sic] à $60 – trop d’argent en ce moment-ci quoique je ne trouve pas que ce soit
exagéré comme prix.
Pour une partition d’orch. de ma nouvelle composition Danses Concertantes (êtes-vous satisfé
[sic] du titre?) attendez un peu : j’en ai besoin pour ici (projet de radio) et éventualité aussi de
l’éditer chez l’Associated Music Publishers. La part est très soigneusement corrigée. L’exécution
m’a donné beaucoup de joie *
J’ai tellement envie de vous voir
De tout cœur
Votre I. Str.
*j’ai eu 5 répétitions avec des excellents musiciens.
�</text>
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