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                <text>Boulanger to Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Palais de Fontainebleau (S.-&amp;-M.)
Bureau de New York
122 East 58th Street, N.Y. 22
Conservatoire de musique
Mr. Igor Stravinsky
1260 North Wetherly Drive
Hollywood 46
California
U.S.A.
August 6, 1964
My friend, what joy in reading that you are so especially well, active, and especially interested, I
believe, in this new house where I dream of being [one day]. I spent such happy hours in the one
that will become . . . “the old one.”
No one in the world, and this is inevitable, has your vitality: you are always twenty years old.
You’ll remember that Clémenceau met with a gentleman who, stunned by his vivacity, said to
him, “You are so young, Mr. President!” Clémenceau was at that point 88 years old. His
instantaneous reply: “When one is young, it is forever.” But now, to more serious things.
You’re coming to Berlin, aren’t you? Think of poor Nicky who at first thought only of you, and
now sees this festival centered on you, put together for you; he is frustrated that the inspiration
[for the event] might be missing
But what am I saying is, if it is better for you to turn down this trip, then it goes without saying it
needn’t be thought of anymore. All the same, I’ll still wager that you’ll be in Berlin at the end of
September. I would only go there for you, truth be told.
Best wishes to Bob, to Vera, to you. All my tenderness as always. Fondly,
NB
�</text>
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Boulanger à Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau de New-York : 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau
Le Directeur
Mr. Igor Stravinsky
1260 North Wetherly Road
Hollywood 46
California
USA
6 août 1964
Quelle joie mon ami que cette lettre où je vous vois si bien, si actif et intéressé, je crois,
par-dessus tout, par cette nouvelle maison où je rêve de me trouver. J’ai passé des heures
si heureuses dans celle qui va devenir… « la vieille »
Personne au monde, et c’est fatal, n’a votre vitalité : vous avez toujours vingt ans. Vous
vous souvenez de Clémenceau recevant un monsieur étonné par sa vivacité et lui disant
« Que vous êtes jeune, Monsieur le Président ! » Clémenceau avait alors 88 ans. La
réplique ne se fit pas attendre : « Quand on est jeune, c’est pour toujours. » Mais
maintenant, aux choses sérieuses.
Vous allez, n’est-ce-pas, venir à Berlin. Pensez à ce pauvre Nicky qui d’abord n’a pensé
qu’à vous, mais maintenant voit ce Festival centré sur vous, combiné pour vous ; frustré
de cette présence qui en faisait le rayonnement.
Mais que dis-je, s’il vaut mieux pour vous de renoncer à ce voyage, il n’y faut plus
songer, cela va sans dire. Tout de même, je parie encore que vous serez à Berlin fin
septembre. Je n’y viens que pour vous, à vrai dire.
Mille pensées pour Bob, pour Véra, à vous, toute ma tendresse de toujours, je vous
embrasse.
NB
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                <text>Boulanger to Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Palais de Fontainebleau (S.-&amp;-M.)
Bureau de New York
122 East 58th Street, N.Y. 22
Conservatoire de musique
I. Strawinsky
1260 N. Wetherly Drive
Hollywood 46
California
U.S.A.
November 7, 1964
My Friend,
A rather important letter today. The Polignac-Singer Committee is preparing a concert for the
celebration of Princess Winnie’s Centenary. We’ve come to ask you to write a work for the
concert, for a small orchestra of a maximum of fifteen instruments, perhaps with a narrator.
It goes without saying that the Committee asks you to state the terms under which you would
accept this commission. The concert would take place in October 1965. I can tell you that, in
principle, the committee will accept your conditions. The President, Mr. Heim, believes your
work alone would justify the entire program. Would you please tell me what you think about
this, because our plans depend on you. Must I tell you my hope.
(I felt such deep emotion seeing you and Vera again, and I admired Bob who put everything in
its place with such intelligence, such order. As for the work, how can one dare to speak of it. It is
essential and we are so happy to understand it. Each of your steps is so decisive.)
Fondly,
NB
�</text>
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                <text>* * *
Boulanger à Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau New-York : Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau
Le Directeur du Conservatoire
Monsieur I. Strawinsky
1260 N. Wehterly Drive
Hollwyood 46
California
USA
7 novembre 1964
Mon Ami
Lettre bien importante aujourd’hui. Le Comité Singer Polignac prépare un concert pour la
célébration du Centenaire de la Princesse Winnie. Nous venons vous prier d’écrire une
œuvre pour le concert—pour petit orchestre, au maximum 15 instruments peut-être avec
un récitant.
Il va sans dire que le Comité vous prie de lui dire dans quels termes vous accepteriez
cette commande. Le Concert aurait lieu en octobre 1965. Je puis vous dire qu’en principe
le Comité acceptera vos conditions. Le Président Monsieur Heim considère que votre
œuvre justifierait à elle seule le programme. Veuillez me dire ce que vous en pensez, car
tous nos plans dépendant de vous. Dois-je dire mon espoir.
(J’ai eu une vraie émotion à vous revoir, à revoir Vera, et j’ai admiré Bob qui a mis tout
en place avec une telle intelligence, un tel ordre—Quant à l’œuvre, qui peut se permettre
d’en parler. Elle s’impose et nous avons bien du bonheur à la comprendre. Chacun de
vous pas est decisif [sic])
Je vous embrasse,
NB
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                <text>Boulanger to Stravinsky
36 rue Ballu
Paris IX, France
Tel. Tri. 57-91
Mr. Igor Stravinsky
1260 N. Wetherly Drive
Hollywood 46
California
U.S.A.
November 14, 1964
Dear Igor,
Thank you for your telegram. I cannot respond with precise details, the Committee President is
absent. But I believe the amount would be $10,000, and perhaps the date changed, but I believe it
will [still] be in 1965.
You can imagine how much I hope this project becomes a reality. I am very sad, Pierre of
Monaco died Tuesday. I still can’t believe everything is finished. But what can I say, I will
always feel his presence.
The heart is tired, yet God’s will be done.
My fondest wishes.
I love you so, Dear Igor,
Your
Nadia
[P.S.] Tell me as soon as you can what you think of this offer.
[P.P.S.] I leave for Monaco but will be here on the 18th. Will telegram as soon as I’ve been able
to contact Mr. Heim.
�</text>
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Boulanger à Stravinsky
36 rue Ballu
Paris IXè
, France
Tel. Tri. 57-91
Monsieur Igor Stravinsky
1260 N. Wetherly Drive
Hollywood 46
California
USA
14 novembre 1964
Cher Igor,
Merci de votre cable [sic]. Ne puis vous répondre d’une manière precise [sic], le
Président du Comité est absent. Mais je crois que la somme pourrait être $10 000, et peut-
être la date changée, mais en 1965, je crois.
Vous imaginez combien je souhaite que ce projet devienne une réalité. Je suis très triste,
Pierre de Monaco est mort mardi. Ne puis encore croire que tout est fini. Mais que dis-je,
je le sentirai toujours present [sic].
Le cœur est fatiguée[sic] pourtant
La Volonté de Dieu soit faite.
Je vous embrasse très fort.
Je vous aime tant, Cher Igor.
Votre
Nadia
[P.-S.] Dites-moi de suite ce que vous pensez de l’offre.
[P.P.-S.] Pars pour Monaco mais serai ici le 18. Cablerai dès qu’aurai pu atteindre M.
Heim
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                <text>Boulanger to Stravinsky
36 rue Ballu
Paris IX
Tel. Tri. 57-91
November 24, 1964
My Friend,
I will be with you on Saturday with such great loyalty and emotion. I see everything again, as if
it were yesterday...
Words are pointless, we know what lives in our hearts, protected by silence.
I’ve returned—from Monaco—days of intense sadness, and yet so luminous. I knew Pierre of
Monaco very well and loved him a great deal. Everything he left behind will help us live despite
what he takes with him.
I don’t know if you could have known that he was truly so secret, so alone, and yet so rich.
The Foundation held on so tightly to the hope that this project would be realized, the only one
that appeared to me as the most beautiful, most appropriate [one], so everything is under
consideration again. But I believe their budget will not permit them to plan for what hasn’t been
discussed but surpasses their available funds.
I am, as always, with you, and I believe I understand you, see you, and always love you with all
my heart,
Nadia B
�</text>
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                <text>* * *
Boulanger à Stravinsky
36 rue Ballu
Paris IXè
, France
Tel. TRI. 57-91
24 novembre 1964
Mon Ami,
Avec quelle fidélité et quelle émotion je serai avec vous samedi. Je revois tout, comme si
c’était hier…
Les mots sont vains, nous savons ce qui vit dans nos cœurs, protégé par le silence.
Suis rentrée—Monaco—ces jours d’une si grande tristesse, si lumineux pourtant. J’ai
bien connu, beaucoup aimé Pierre de Monaco, tout ce qu’il laisse aidera-t-il a [sic] vivre
en dépit de tout ce qu’il emporte.
Je ne sais si vous avez pu savoir qu’il était vraiment, si secret, si seul et pourtant si riche.
La Fondation tenait tant à la réalisation de ce projet, le seul qui me paraissait et le plus
beau et le plus juste que tout est encore à l’examen. Mais je crois que leur budget ne leur
permet pas d’envisager ce qui n’est pas discuté mais dépasse les disponibilités.
Je suis, comme toujours, avec Vous, et je crois que vous entends, vous vois, et toujours
vous aime de tout mon cœur,
Nadia B
�</text>
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      <tag tagId="418">
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      </tag>
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          <element elementId="49">
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                <text>Boulanger to Théodore Strawinsky
November 24, 1964
Dear Théodore,
Thank you for your thoughtfulness, it is kind [of you] at a very painful time. Prince Pierre was so
close, so necessary, [he has left] a very deep emptiness.
But I am happy to know that you are finally at home. I hope so much that Denise truly feels
better.
Saw your Father in Berlin. His new work is moving was very beautiful—he himself is full of
ideas, of conviction, but it’s sad that his physical state weighs so heavily on him. I was so happy
to have spent those few hours with him. His joy about the new house is extraordinary. [He has]
the enthusiasm of someone whose future lies before him, yet . . . He knows, but he acts, lives,
and feels with a heightened acuity, as if he has nothing more to lose. A very beautiful courage
and inner strength. You have told me nothing about Kitty, are you also preoccupied? How I think
of you both, of your Mother, of Mika, on the 28th!
All my love,
Nadia.
�</text>
              </elementText>
              <elementText elementTextId="16596">
                <text>* * *
Boulanger à Théodore Strawinsky
24 novembre 1964
Cher Théodore,
Merci de votre pensée, elle m’est douce à un moment très douloureux. Le Prince Pierre
était si proche, et si nécessaire, vide très lourd.
Mais je suis heureuse de vous savoir enfin chez vous, j’espère tant que Denise se sent
vraiment mieux.
Vu votre Père à Berlin, nouvelle œuvre émouvante très belle, lui, plein d’idées, de
conviction, mais triste son état physique lui pèse tant. Quel bonheur d’avoir passé ces
quelques heures avec lui, sa joie de la nouvelle maison est extraordinaire, l’ardeur d’un
être qui a l’avenir devant lui, et pourtant…Il sait, mais il agit, vit, et sent avec une acuité
accrue, semble-t-il ne plus rien perdre. Très beau de courage, de force intérieure. Vous ne
me dites rien de Kitty, êtes-vous aussi préoccupé ? Que je pense à tous deux, à votre
Mère, à Mica, le 28 !
Je vous embrasse.
Nadia.
�</text>
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        <name>Author: Nadia Boulanger</name>
      </tag>
      <tag tagId="108">
        <name>Denise Stravinsky</name>
      </tag>
      <tag tagId="501">
        <name>Denise Strawinsky</name>
      </tag>
      <tag tagId="418">
        <name>Prince Pierre of Monaco</name>
      </tag>
      <tag tagId="365">
        <name>Recipient: Théodore Stravinsky</name>
      </tag>
      <tag tagId="141">
        <name>Théodore Stravinsky</name>
      </tag>
      <tag tagId="503">
        <name>Theodore Strawinsky</name>
      </tag>
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          <element elementId="49">
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              </elementText>
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              </elementText>
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          <element elementId="40">
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              <elementText elementTextId="16591">
                <text>Boulanger to Vera Stravinsky
* (annotations Stravinsky’s)
36 rue Ballu
Paris IX
Tel. TRI. 57-91
For December 25, 1964
Dear Vera,
New York—Hollywood—the ends of the earth . . . I do not know [where], but my wishes are
sent to you with profound tenderness. Do not be overwhelmed by my sentimental outpourings! I
will tell you again only that I love you so much, and pray to God for you, for your Peace and for
all to go as well as possible.
NY and Boston were turned upside down by the concerts. Here, Dirk Olsen understood Abraham
and Isaac, a very good impression. Le Roux and the orchestra are very good. How you were
missed.
My wishes for you both, for Bob, and for a little Vera born on an already long-ago [Orthodox]
Christmas. No memories of that for you, but a rich, beautiful, and daring life awaited.
With all my love,
Your
Nadia
�</text>
              </elementText>
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                <text>* * *
Boulanger à Vera Stravinsky
* annotations de Stravinsky
36 rue Ballu
Paris IXè
Tel. Tri. 57-91
Pour le 25 décembre 1964
Chère Vera,
New-York—Hollywood—le bout du monde…Je ne sais, mais mes vœux vont vers vous
en profonde tendresse. Ne vous accablerai pas de mes effusions sentimentales ! Vous
redis seulement que je vous aime beaucoup, et prie Dieu pour vous, pour votre Paix et
pour que tout aille aussi bien que possible.
NY et Boston ont été bouleversés par les concerts. Ici, Dirk Olsen a compris Abraham et
Isaac, très grand impression. Le Roux et l’orchestre très bien. Que vous manquiez.
Mes vœux pour vous deux, pour Bob, et pour une petite Vera née un Noël déjà lointain,
sans souvenir pour vous, mais qu’une vie riche, belle, et courageuse attendait.
Je vous embrasse bien fort,
Votre
Nadia
�</text>
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      </tag>
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      </tag>
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              </elementText>
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          <element elementId="49">
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                <text>Boulanger to Stravinsky
Mr. Igor Stravinsky
1260 or 1250 N. Wetherly Drive
Hollywood 46
California
U.S.A.
March 14, 1965
My friend,
March 2 has passed, it is far and yet always near. I didn’t write to you, yet thought of Her, of
you, of all who live in the shadows, and in the light.
I feel you very near. I live alongside the memories that remain of our origins, of Abraham, with
l’Élégie pour JFK, of this music of which every note has a real density.
I’m attaching a letter from Stoutz’s son—if you like, I can act as an intermediary. I doubt you
want to accept and that he can [afford your fee]. He is nevertheless very serious, and his desire to
obtain this work is at its height.
I have something to tell you. But all that we do not tell each other is there, very powerful, set in
stone.
Thank you for not ceasing to hear this world in your own way, and for the joy of the supreme
security of performance. “He who manages to see every detail sees the whole of everything.”
All my love to you and many thoughts for Vera and Bob,
Nadia B
[P.S.] I was in Rome, hence the delay.
�</text>
              </elementText>
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                <text>* * *
Boulanger à Stravinsky
Monsieur Igor Stravinsky
1260 ou 1250 N. Wetherly Drive
Hollywood 46
California
USA
14 mars 1965
Mon ami,
Le 2 mars est passé, loin et toujours proche. Je ne vous ai pas écrit, et pourtant, pensé, a
Elle, à vous, à tout ce qui vit dans l’ombre, et dans la lumière.
Je vous sens si proche. Je vis avec des souvenirs qui restent des sources, avec Abraham,
avec l’Élégie pr JFK, avec cette musique dont chaque note a une telle densité.
Vous joints une lettre du jeune de Stoutz si vous le préférez peut servir d’intermédiaire.
Je doute que vous veuillez accepter et que lui le puisse. Il est pourtant très sérieux, et son
désir d’obtenir cette œuvre au paroxysme !
Que de chose à vous dire. Mais tout ce que nous ne nous disons pas est là, très fort, dans
le roc.
Merci de ce monde que vous ne cessez d’entendre[étendre] à nos yeux, et la joie de cette
suprême sécurité dans l’exécution. « Qui arrive à voir le tout de chaque détail voit tout de
tout. »
Je vous embrasse et dis tant de pensées pour Vera et Bob,
Nadia B
[P.-S.] J’étais à Rome dont le retard.
�</text>
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Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau New York: Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau
Le Directeur
Mr. Igor Stravinsky
1260 N Wetherly Drive
Hollywood 46
California
U.S.A.
September 8, 1965 (for the 29th)
Dear Vera,
It’s soon your Saint’s Day. Certainly, there is something naïve about sending wishes. But, do we
not remain naïve in the deepest of sentiments? From the bottom of my heart, I send you warmest
wishes—hoping that few responsibilities, [moments of] glory, fatigue, travels, and obligations
will deplete your marvelous energy. Certainly, you have a unique opportunity, but how heavy [it
is], and the melancholy of seeing the years accumulate, and their weight imposed on him and on
you.
Yet his genius renews itself by an almost unbelievable miracle. His Requiem for T. S. Eliot is a
masterpiece. It is as monumental as it is condensed. And everything remains clarified by him
who has carried the torch all these years. Always the same, always new.
May God keep you in His Peace
I send you both my love and am your
Nadia B
[P.S.] Best wishes for Bob
�</text>
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Boulanger à Vera Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau New-York : Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau
Le Directeur
Monsieur Igor Stravinsky
1260 N Wetherly Drive
Hollywood 46
Californie
USA
8 septembre 1965 (Pour le 29)
Chère Vera,
Bientôt votre fête. Certes, il y a quelque chose de naïf à envoyer des vœux. Mais ne reste-
t-on pas naïf dans ses sentiments les plus profondes[sic] ? Et de tout cœur, je viens vous
embrasser—espérant que peu de responsabilités, de gloire, de fatigues, des voyages,
d’obligations, n’usent pas votre merveilleuse énergie. Certes, vous avez une chance
unique, mais combien lourde, et la mélancolie de voi[r] les années s’accumuler, et leur
poids poser sur lui, sur vous.
Son génie se renouvelle pourtant, par un miracle presque incroyable. Son Requiem pour
TS Eliot est un chef d’œuvre. Monumental autant que condensé. Et tout reste éclairé par
celui qui porte la lumière depuis tant d’années. Toujours elle-même, toujours nouvelle.
Que Dieu vous garde dans Sa Paix
Je vous embrasse tous deux et suis votre
Nadia B
[P.-S.] Mille pensées pour Bob.
�</text>
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                <text>Boulanger to Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau New-York : Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau
Le Directeur
Mr. Igor Stravinsky
1260 North Wetherly Drive
Hollywood 46
California
U.S.A.
December 4, 1966
Dear Friend,
Today I’m spending an unofficial Sunday close to you. For Baudelaire’s centenary, the Minister,
Mr. André Malraux, would like to organize an event to pay tribute to the musician who has
dominated, to say the least, this century. Therefore, would you agree to come to conduct the
French premiere of the work dedicated to the memory of Aldous Huxley along with the
Symphonie de psaumes and [other pieces] of yours that you would choose yourself?
In the event that you would be interested in accepting, under what terms would you like the
concert to be organized? What fee, how many rehearsals, and naturally, Bob?
Could you send me a night letter collect telling the dates, fee, number of rehearsals, Bob?
You would then receive an official letter confirming the invitation. Malraux attaches extreme
importance to this project as does Rufina Ampernova. He’ll write to you later, I’m so anxious to
read this work dedicated to the memory of Aldous Huxley.
Could you help me with this?
I send all my love.
Nadia B.
�</text>
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                <text>* * *
Boulanger à Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau New-York : Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau
Le Directeur
Monsieur Igor Stravinsky
1260 North Wetherly Drive
Hollywood 46
California
USA
4 décembre 1966
Mon Ami,
C’est aujourd’hui une démarche officieuse que je viens faire auprès de vous. Le Ministre,
M. André Malraux voudrait, pour le Centenaire de Baudelaire, organiser une
manifestation rendant hommage au musicien qui domine, à tout le moins, ce siècle. Donc,
accepteriez-vous de venir diriger l’œuvre dédié à la Mémoire d’Aldoux Huxley en 1ère
audition en France avec la Symphonie de psaumes et celles de vos œuvres que vous
désigneriez.
Dans quels termes, au cas où vous seriez disposé à accepter voudriez-vous que ce concert
soit organisé quel cachet, combien de répétitions, et naturellement Bob.
Voulez-vous bien m’envoyer une night letter collect me disant dates, cachet, nombre
répétitions, Bob.
Vous receviez alors une lettre officielle confirment cette invitation. Malraux attache une
extrême importance à ce projet D’autre part Rafina Ampernova vous écrira plus tard suis
si anxieuse de lire l’œuvre dédié à la memoir [sic] d’Aldoux Huxley. Pouvez-vous m’y
aider
Je vous embrasse bien fort.
Nadia B
�</text>
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                <text>Boulanger to Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau New-York: Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau
Le Directeur
February 13, 1967
Dear Friend,
I counted on sending a young Italian’s sheet music to you. He has just lost his mother in tragic
circumstances and wasn’t able to copy the scores. He has a great need for this award, is very
talented, and a worker—he needs to develop, but he is truly a musician. Did you agree to vote
for him? I hope so. He deserves it and has such a need. Tell Winifred if you accept my proposal
or not.
I think of you constantly, am immersed in the music of the recent meaningful years which were
so beautiful, but I don’t abandon the works of the past, which remain so new, so alive. But . . . I
will leave off with my superfluous comments. The music is, we are nothing, and words add
nothing to it.
I would like to see you so much. But I hear you in the silence and believe I understand you,
understand what will never be said. My fond wishes to you and also to Vera, my thoughts to Bob
and my affection to Milène.
Your
Nadia
�</text>
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                <text>* * *
Boulanger à Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau New-York : Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau
Le Directeur
13 février 1967
Cher Ami,
Je comptais envoyer des partitions d’un jeune italien Gianpaolo Bracati—Il vient de
perd[re] sa mère dans des circonstances tragiques et n’a pas pu copier des partitions. Il a
grand besoin de cet award, est très doué, travailleur—ayant besoin d’évoluer—mais
vraiment un musicien. Acceptiez-vous de voter pour lui ? Je le souhaite—il le mérite et
en a si grand besoin. Dites à Winifred si vous acceptez ma proposition—ou non.
Pense à vous sans cesse, suis plongée dans cette musique des dernières années si
significative, si belle, mais n’abandonne-pas les œuvres du passé, restées si neuves, si
vivantes. Mais…Je vous laisse tranquille avec mes commentaires superflus. La musique
est—on n’est rien—les mots ne lui ajoutant rien.
Que je voudrais vous voir. Mais je vous écoute dans le silence et crois vous entendre,
entendre ce que jamais ne sera dit. Je vous embrasse et Véra aussi sans oublier des
[pensées] pour Bob et ma tendresse à Milène.
Votre
Nadia
�</text>
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      </tag>
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      </tag>
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      </tag>
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