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                <text>Gulielmus Cowper, Criminis Literarii Citatus, Coram Tribunali. Nobiliss: Ampliss: Societatis Britanno-Regiae, per Godefridum Bidloo</text>
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                <text>Within this pamphlet, directed at the Royal Society, Govard Bidloo accused the anatomist William Cowper of plagiarizing his earlier anatomical atlas by using his illustrations without permission. The pamphlet contains correspondence between the publishers Samuel Smith, Benjamin Walford, and Henry Boom,  the physician to King William III, Dr. Hutton and Bidloo, and between Bidloo and William Cowper.  Bidloo intiates his accusation by declaring Cowper to be a threat to all people publishing in the arts and sciences and demanding that the Royal Society expel him from their ranks. The pamphlet provides a vast amount of information regarding the transfer of Gerard de Lairesse's anatomical illustrations from Bidloo's publishers in Amsterdam, to Cowper's publishers in England. The pamphlet also sheds light on Bidloo's voracious personality as he provides a variety of colourful mockeries and names to describe Cowper and his plagiarism.</text>
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                <text>Godefridi Bidloo Opera Omnia Anatomico Chirurgica. Edita et Inedita. Quorum Sequens Pagina Seriem Continet. (Translated to: Govard Bidloo's Anatomical and Surgical works, published and unpublished, the order of which is contained in the following pages)</text>
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                <text>Anatomia Humani Corporis</text>
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                <text>Ontleding des Meschelyken Lichaams</text>
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                <text>Seventeenth century copyright conflicts</text>
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                <text>Godefridi Bidloo Opera Omnia Anatomico Chirurgica. Edita et Inedita. Quorum Sequens Pagina Seriem Continet. (Translated to: Govard Bidloo's Anatomical and Surgical works, published and unpublished, the order of which is contained in the following pages)</text>
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                <text>Govard Bidloo. "Gulielmus Cowper Criminis Literarii Citatus Coram Tribunali Nobiliss. Ampliss. Societatis Britanno-Regiae, per Godefridum Bidloo." In Godefridi Bidloo Opera Omnia Anatomico Chirurgica. Edita et Inedita. Quorum Sequens Pagina Seriem Continet. (Translated to: Govard Bidloo's Anatomical and Surgical works, published and unpublished, the order of which is contained in the following pages). Leiden, Samuel Luchtmans, 1715. Pp 57 - 122.</text>
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                <text>The Royal Society, London</text>
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                <text>Anatomia Humani Corporis</text>
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            <description>The topic of the resource</description>
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                <text>Anatomy</text>
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                <text>Govard Bidloo</text>
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                <text>The widow of Joannes van Someren, the heirs of Joannes van Dyk, Henry Boom and widow of Theodore Boom</text>
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                <text>1685</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Gerard de Lairesse (artist), Abraham Blooteling (portrait engraver), Peter and Philip van Gunst (engravers)</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Public Access (U.S. National Library of Medicine, 2004)</text>
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            <description>A related resource</description>
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                <text>Ontledings des Menschelyken Lichaams</text>
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                <text>136 p (105 Copperplate engravings), 51 x 36 cm</text>
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                <text>Seventeenth century Dutch anatomical atlas</text>
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                <text>Anatomia Humani Corporis, centum &amp; quinque tabulis, per artificiossis. G. de Lairesse ad vivum delineatis, demonstrata, veterum recentiorumque inventis explicata plurimisque, hactenus non detectis, illustrata.</text>
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                <text>Originally published in 1685 (a later, Dutch edition, was published in 1690), Anatomia Humani Corporis features 105 copperplate engravings of the body, illustrating the muscular, skeletal, reproductive, and systemic organization of the human body with commentary. Measuring at roughly 51 cm by 36 cm, Bidloo’s anatomical atlas is one of the largest atlases created in the early modern period. The artistic influence of de Lairesse is apparent in each of the illustrations as they present the body not only in almost life size scale, but with the finely detailed accuracy that only a skilled artist could provide. Anatomia Humani Corporis was published in Latin by the widow of Joannes van Someren (a prominent book publisher in Amsterdam who passed away between 1678 and 1679), the heirs of Joannes van Dyk, Henry Boom and the widow of Theodore Boom in Amsterdam. Anatomia was dedicated to Henry Casimir II, the Dutch Stadtholder of Friesland and Groningen.  The drawings for the illustrations were designed by the Dutch artist Gerard de Lairesse, a close acquaintance of Bidloo's, and engraved by the brothers Peter and Philip van Gunst. de Lairesse introduced Baroque and Pastoral elements to anatomical illustration that had otherwise been unheard of. The atlas is divided into two major sections, one detailing the muscular and systemic organization of the body, and the second detailing the skeletal makeup of the body. Eighty-three of the plates depict the body in various stages of dissection, some providing details of the instruments used. The remaining twenty-two plates, three display the surface anatomy, and nineteen depict the various bones that make up the skeleton.</text>
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                <text>Allegorical Title Page&#13;
Text Title Page&#13;
Dedication to Henry Casimir II&#13;
About the Author&#13;
Author's portrait&#13;
Appraisal&#13;
Index of Tables&#13;
Introduction&#13;
The first part of the dissection of the human body&#13;
The second part of the dissection of the human body, acting on the chest, back, and loins&#13;
The third part of the dissection of the human body, acting on the belly and even intestines&#13;
The fourth part of the dissection of the human body, acting on the female and male reproductive systems&#13;
The fifth part of the dissection of the human body, acting on the limbs&#13;
The sixth part of the dissection of the human body, acting on all bones&#13;
Conclusion</text>
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                <text>Beekman, Fenwick. “Bidloo and Cowper, Anatomists.” Annals of Medical History (1935): 113-129.&#13;
&#13;
Choulant, Ludwig. History of Bibliography of Anatomic Illustration In its Relation to Anatomic Science and the Graphic Arts. Trans. Mortimer Frank. Chicago: University of Chicago Press: 1920.&#13;
&#13;
Dumaitre, Paul. La curieuse destinee des planches anatomiques de Gerard de Lairesse. Amsterdam, Rodopi, 1982. Johns, Adrian. “Piracy and Usurpation: Natural Philosophy in Restoration.” In The Nature of the Book, Print and Knowledge in the Making. Chicago and London, University of Chicago Press, 1998.&#13;
&#13;
Kneoff, Rina. “Moral Lessons of Perfection: A Comparison of Mennonite and Calvinist Motives in the Anatomical Atlases of Bidloo and Albinus.” In Medicine and Religion in Enlightenment Europe. England: Ashgate Publishing Ltd., 2007. Pp 121-143.&#13;
&#13;
Kuretsky, Susan Donahue. “Lairesse Meets Bidloo, or the Case of the Absent Anatomist.” Midwestern Arcadia: Essays in Honor of Alison Kettering (2015): 28-38.&#13;
&#13;
Roberts, K. B., and Tomlinson, J. D. W. The Fabric of the Body: European Traditions of Anatomical Illustration. Oxford: Clarendon Press, 1992. </text>
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The sixth part of the dissection of the human body, acting on all bones&#13;
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&#13;
Choulant, Ludwig. History of Bibliography of Anatomic Illustration In its Relation to Anatomic Science and the Graphic Arts. Trans. Mortimer Frank. Chicago: University of Chicago Press: 1920.&#13;
&#13;
Dumaitre, Paul. La curieuse destinee des planches anatomiques de Gerard de Lairesse. Amsterdam, Rodopi, 1982. Johns, Adrian. “Piracy and Usurpation: Natural Philosophy in Restoration.” In The Nature of the Book, Print and Knowledge in the Making. Chicago and London, University of Chicago Press, 1998.&#13;
&#13;
Kneoff, Rina. “Moral Lessons of Perfection: A Comparison of Mennonite and Calvinist Motives in the Anatomical Atlases of Bidloo and Albinus.” In Medicine and Religion in Enlightenment Europe. England: Ashgate Publishing Ltd., 2007. Pp 121-143.&#13;
&#13;
Kuretsky, Susan Donahue. “Lairesse Meets Bidloo, or the Case of the Absent Anatomist.” Midwestern Arcadia: Essays in Honor of Alison Kettering (2015): 28-38.&#13;
&#13;
Roberts, K. B., and Tomlinson, J. D. W. The Fabric of the Body: European Traditions of Anatomical Illustration. Oxford: Clarendon Press, 1992.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19015">
                <text>Religious Identity</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19016">
                <text>Hemant Mehta</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="19017">
                <text>Friendly Atheists</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19018">
                <text>2019</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="19019">
                <text>Mehta, H. (n.d.). With Majority Rejecting Religion, Scotland is "No Longer a Faith-Based Country". Retrieved from https://friendlyatheist.patheos.com/2018/08/14/with-majority-rejecting-religion-scotland-is-no-longer-a-faith-based-country/.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19020">
                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="19021">
                <text>1580 x 850</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="19022">
                <text>Google Images</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
