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                <text>Appendix, Table 2: Male anatomical Figure showing Musculature</text>
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                <text>The second table of the appendix in William Cowper's The Anatomy of Humane Bodies depicts a male figure, facing away into a landscape that features an overlook, where the man stands, looking over a river, on which a walled town is located. His body is flayed of any skin, revealing the musculature underneath. The figure is posed in a contraposto stance, demonstrating how the muscles react when engaged and relaxed, and stretched in different ways through the positions of the legs and arms. The signature of the engraver, Michiel van der Gucht can be identified in the bottom right corner of the illustration. The signature of the artist who drew the illustrations, Henry Cook, can also be seen in the bottom left corner of the illustration. The appendix, a series of 9 additional plates designed by Henry Cook were added to the end of the 105 copperplate engravings designed by Gerard de Lairesse for Govard Bidloo's anatomical atlas. Bidloo's atlas failed to provide an examination of the entire musculature of the body, as well as several other features that Cowper felt was necessary to provide within his own anatomical atlas. The body is labelled in numerous locations with numbers and letters, identifying the different muscles of the body. </text>
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                <text>The Anatomy of Humane Bodies</text>
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                <text>The anatomy of humane bodies, with figures drawn after the life by some of the best masters in Europe, and curiously engraven in one hundred and fourteen copper plates, illustrated with large explications, containing many new anatomical discoveries, and chirurgical observations, to which is added an introduction explaining the animal oeconomy, with a copious index.</text>
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                <text>William Cowper. "Appendix, 2nd Table." The Anatomy of Humane Bodies. Oxford, Printed at the theatre for Samuel Smith and Benjamin Walford, printers to the Royal Society, 1698.</text>
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NADIA BOULANGER, C/O MARCELLE DE MANZIARLY
304 EAST 66 ST, NEW YORK
DECEMBER 30, 1945
MAY YOUR RETURN FRANCE BE NUCH [sic] HAPPINESS TO YOU DEAREST FRIEND.
TELL NINI AGREE ENTIRELY CHRISTEN JEAN CATHOLIC
HAPPY NEW YEAR BON VOYAGE LOVE KISSES=
IGOR VERA STRAVINSKY,
�</text>
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NADIA BOULANGER, C/O MARCELLE DE MANZIARLY
304 EAST 66 ST, NEW YORK
30 DECEMBER 1945
MAY YOUR RETURN FRANCE BE NUCH HAPPINESS TO YOU DEAREST FRIEND.
TELL NINI AGREE ENTIRELY CHRISTEN JEAN CATHOLIC
HAPPY NEW YEAR BON VOYAGE LOVE KISSES=
IGOR VERA STRAVINSKY,
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                  <text>English translation and transcription of French originals from Chapter 6 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018)</text>
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                <text>Chapter 6, 16 September 1957 </text>
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                <text>Igor &amp; Vera Stravinsky</text>
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                <text>Nadia Boulanger </text>
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                <text>Bibliothèque nationale</text>
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                <text>16 September 1957 </text>
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                <text>Telegram</text>
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                <text>Igor and Vera Stravinsky to Boulanger
VENICE
NADIA BOULANGER C/O MARKEVITCH
VILLARS SUR OLLON, SWITZERLAND
SEPTEMBER 16, 1957
OUR THOUGHTS OUR HEARTS WITH YOU DEAR NADIA ON THIS GREAT DAY OF
YOUR BIRTHDAY MANY HAPPY RETURNS
IGOR VERA STRAVINSKY
�</text>
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              <elementText elementTextId="16866">
                <text>* * *
Igor et Vera Stravinsky à Boulanger
VENICE
NADIA BOULANGER C/O MARKEVITCH
VILLARS-SUR-OLLON
16 SEPTEMBER 1957
NOS PENSEE NOS COEURS AVEC VOUS CHERE NADIA CE GRAND JOUR DE
VOTRE ANNIVERSAIRE MANY HAPPY RETURNS IGOR VERA STRAVINSKY
�</text>
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        <name>Recipient: Nadia Boulanger</name>
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        <name>Vera Stravinsky</name>
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