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                <text>Stravinsky to Boulanger
Hollywood
November 23, 1946
A[rthur] Sach[s] delivered your letter to us. What an honor! How to thank you. Today (Nov
23)—your telegram. Thank you, thank you, thank you, thank you, impatient to know the details
of the performance and the public’s reception.
No longer possible to write you letters—only phrases, and again without first names, if possible
(like you [do]).
We are going on tour Dec. 3. Starting in Montreal. Returning Feb. 4.
With all my heart,
Your
I Str.
[P.S.] All our most loyal thoughts to the Abbott [sic]. For you my very dear Nadia, Love Kisses
�</text>
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                <text>Stravinsky à Boulanger
Hollywood
23 novembre 1946
A. Sach nous a remis votre lettre. Quel honneur ! Comment vous remercier.
Aujourd’hui (23 nov)—votre cable. Merci, merci, merci, merci, d’impatience de savoir détails de
l’execution [sic] et accueil du public.
Plus possible d’écrire des lettres—seulement des phrases et encore sans prénoms, si possible
(comme vous)
Allons en tournés [sic] le 3 Dec. [sic] Commence par Montréal Dr. [sic] retour 4 février
De tout cœur,
Votre
I Str.
[P.-S.] À Mr. L’Abbé [Fortier] toutes nos pensées fidèles. À vous très chère Nadia, Love kisses
�</text>
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                <text>Stravinsky to Boulanger
Beverly Hills California
1260 Wetherly Drive
Hollywood H6 (46?), Calif
Miss Nadia Boulanger
122 Bay State Road
Boston, Mass.
November 16, 1945
My very dear Nadia,
Moved by your words, moved by your departure. I wonder, however, if this departure is truly
permanent in view of the upheaval created by de Gaulle’s leaving.
Have you heard Prokofieff's [sic] Symphony no. 5 (what are the other four that we have never
heard)? Unfortunately, at the same time as the broadcast, I had my rehearsal for Babel,
conducted by Werner Janssen—less helpless than the Dumbarton Oaks Concerto last year. I
don't think that this indicates progress on his part, simply that the piece is less difficult to
conduct
They say that Koussevitzky is having Shostakovsky [sic] come from Russia in March and it’s
also been said that Koussevitzky is retiring and giving up the baton at the beginning of the next
season to Mitropoulos. Sounds so exciting, but is it true?
Why do you bring up money (photostats of my Symphony). I can give you a gift, too—it's true,
it's nothing big, all the more reason to—why talk about it. You owe me nothing save a few “love
and kisses” in your next letter. (Pencil please—to erase)
Your
I Str.
Who loves you, who loves you, who loves you.
[P.S.] Received very kind words from Abbot Fortier (for the birth of little Jean)—don’t even
have time to respond to him. Tell him how touched I was. Thanks.
�</text>
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                <text>Stravinsky à Boulanger
Beverly Hills, California
1260 Wetherly Drive
Hollywood H6 (46?), Calif
Miss Nadia Boulanger
122 Bay State Road
Boston, Mass.
16 Nov 1945
Nadia très chère,
Touché par votre mot, touché par votre départ. Je me demande cependant si ce départ est
vraiment définitif vu le chambardement crée par le depart [sic] de De Gaulle.
Avez-vous entende [sic] la Symphonie de Prokofieff No. 5 (quelles sont les autres 4 qu’on a [sic]
jamais entendu ?). Malheureusement au moment du broadcast j’ai eu ma repetition [sic] de Babel
conduite par Werner Janssen moins « helpless » que Dumbarton Oaks Concerto l’année dernière.
Pense pas que cela signifie un progrès de sa part, simplement la pièce est moin [sic] difficile de
conduire.
On dit que Koussevitzky fait venir Shostakovsky [sic] de Russie en mars et on dit que
Koussevitzky se retire et cède la baguette à partir de la saison prochaine à Mitropoulos. So
exciting tout ça, mais est-ce vrai?
Pourquoi me parlez-vous d’argent (photostates de ma Symphonie). Je peux aussi vous faire un
cadeau—c’est vrai, ce n’est pas grand-chose, raison de plus—pourquoi en parler. Vous ne me
devez rien sauf quelques « love and kisses » dans votre prochaine lettre. (crayon S.V.P. pour
effacer)
Votre
I Str.
Qui vous aime, qui vous aime, qui vous aime.
[P.-S.] Reçu un très gentil mot de l’Abbé Fortier (pour la naissance du petit Jean)—même pas de
temps à lui répondre. Dites-lui combien j’ai été touché. Merci.
�</text>
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                <text>Boulanger to Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
Mr. I. Strawinsky
1260 N. Wetherly Drive
Hollywood 46
California
July 2, 1944
Look what I received, Dear Igor—what do you suggest?
Too occupied since my arrival here to write, but between the lecture this winter, the memories of
each of your gestures, setting to rights what I said, sorting out the Sonata, and the Circus Polka,
the lecture on Babel, on Scherzo [à la] Russe, on Perséphone, and then my heart “that beats only
for you” as the song says, and it doesn’t lie. Truly, you are always here and present in Madison!
We live, quite tensely, somewhat somberly, with some relaxation, [illegible word] in the calm of
this place.
My best to Vera and you, my Dear—and already I say with impatience: When am I going to see
you again.
Your
N
[P.S.] Abbot Fortier . . . thrilled. But does not want to thank you before he has read—read and
understood everything. He’s not used to these combinations and so [he] struggles!!
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                <text>Boulanger à Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
Monsieur I. Strawinsky
1260 N. Wetherly Drive
Hollywood 46
California
2 juillet 1944
Voici ce que je reçois, Cher Igor—que conseillez-vous ?
Trop occupée depuis mon arrivée ici pour écrire, mais entre la conférence de cet hiver, les
souvenirs de chacun de vos gestes, la mise au point que dis je [sic], le débrouillage de la Sonate
et de la Circus Polka, la lecture de Babel, du Scherzo Russe, de Perséphone—et puis mon cœur
« qui ne bat que pour vous » comme dit la chanson, et elle ne ment pas. Enfin, vous êtes
vraiment hote [sic] omniprésent à Madison !
On vit, bien tendu, un peu trop sombre, avec une détente, dû au calme de ce lieu.
Je vous embrasse Vera et vous, mon bien Cher—et déjà me dis avec impatience : Quand vais-je
enfin les revoir.
Votre
N
[P.-S.] L’Abbé Fortier…ravi. Mais ne veut pas vous remercier avant d’avoir lu—tout lu et
entendu—n’est pas habitué à cette combinaison, et se bat !!
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