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                <text>Stravinsky to Boulanger
Paris
Miss Nadia Boulanger
63 Garden Street
Cambridge, Mass
U.S.A.
April 11, 1938
Attached are some errors identified after having sent you the first pages of the third part of the
Concerto. I hope that this package reached you and that you sent back a copy.
I am sending you today (on the SS Aquitania that only leaves on the 13th—no ship before then)
the final pages of the movement. So now you have the entirety and I hope you’ll have the time
(too short, in my opinion) to finish the copying and to rehearse it with the musicians. All the
same, what madness to move ahead the date (May 1!) so suddenly without finding out if it would
be physically possible to have the time for the copying and the rehearsals. It was just discovered
that my manuscript was with the engraver, Schott, who sent it back April 9 (the SS Deutschland
left on the 8th—think of the bad luck, and no ship until the 13th) with the final pages (*) that I’ll
send you after tomorrow.
Yours,
I Str.
*proof engraving
�</text>
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                <text>Stravinsky à Boulanger
Paris
Mlle Nadia Boulanger
63 Garden Street
CAMBRIDGE, Mass
U.S.A.
11 avril 1938
Très chère amie,
Ci-joint quelques fautes relevées après vous avoir envoyé les première[s] pages de la troisième
partie du Concerto. J’espère que cet envoi vous est bien parvenu et que vous l’avez envoyé en
copie.
Aujourd’hui, je vous envoie (avec S/S Aquitania qui ne s’en va que le 13—pas de bateaux avant)
les dernières pages de ce mouvement. Donc maintenant vous avez le tout et j’espère que vous
aurez le temps (trop juste à mon avis) de finir la copie et de bien r[é]péter avec les musiciens.
Quelle folie quand même d’avancer si brusquement la date (1er
mai !) sans se renseigner s’il
serait matériellement possible d’avoir le temps pour la copie et les répétitions. Il s’est trouvé
justement que mon manuscrit était à la gravure chez Schott qui me l’a renvoyé le 9 avril (le 8
partait le S/S DEUTSCHLAND—pensez quelle déveine et jusqu’au 13 pas de bateaux) avec les
dernières pages (*) que je vous envoie après/demain.
Tout à vous,
I Str.
*en gravure (épreuve)
�</text>
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                <text>Stravinsky to Boulanger
Isère
La Virronière
Voreppe
Les Maisonettes
Hanneucourt
by Gargenville (S&amp;O) PTH 28
September 12, 1931
Very dear friend,
Thank you with all my heart for the trouble you have taken with this, and please kindly forgive
the haste of my responses.
Attached are the blue pages with my answers written beside them in the margins.
As for the first two questions of your letter—(1) indication of the Psalm numbers and (2) the use
of men’s and children’s voices, and in their absence, women’s voices in the composition—it is
completely essential to include this in the piano/vocal reduction. For the rest, if I remember, I’ve
already spoken to Païchadze about the matter. But my memory fails me to such a point [I have
even forgotten what my Symphonie de psaumes is called] that I can’t seem to remember anything
anymore! It’s becoming terrible.
Please believe in my loyal friendship and my infinite thanks,
Your
Igor Strawinsky
�</text>
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                <text>Stravinsky à Boulanger
Isère
La Virronière
Voreppe
Les Maisonettes
Hanneucourt
By Gargenville (S&amp;O) PTH 28
le 12 septembre 1931
Trés [sic] chère amie,
Merci de tout cœur pour la peine que vous y prenez et excusez-moi magnanimement la hâte de
mes réponses.
Ci-joint les pages bleues avec mes réponses à côté de vos questions sur leurs marges.
Quant aux deux premières questions de votre lettre :
1) l’indication des numéros des Psaumes et 2) la mention de la composition du chœur pour voix
d’hommes et d’enfants avec, à leur défaut, des voix de femmes, très indispensable de l’inserrer
[sic] dans cette réduction de piano et chant de chœur. Du reste, s’il m’en souvient, j’en ai parlé
dans ce sens à Païchadze. Mais la mémoire me fait à tel point défaut que [j’ai même oublié
comment s’appelle ma Symphonie de psaumes] je ne me souviens plus de rien! Ca dévient [sic]
terrible
Croyez à ma fidèle amitié et à ma reconnaissance infinie.
Votre
Igor Strawinsky
�</text>
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                <text>Stravinsky to Boulanger
Paris
March 19, 1936
My very dear friend,
I am still under the influence of yesterday evening’s serene memorial. I really would have liked
to see you, but the number of people going to greet you made it difficult for me.
I am thinking of you, believe me, and please accept these flowers intended for the grave of your
dearly departed.
Your
Igor Stravinsky
�</text>
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                <text>Stravinsky à Boulanger
Paris
le 19 mars 1936
Mon [sic] très chère amie,
Je suis encore sous l’impression de cette sereine commémoration d’hier soir
J’aurais bien voulu vous voir mais la quantité des personnes qui allaient vous saluer m’a un peu
troublé.
Je pense à vous, croyez le moi [sic] et acceptez, je vous prie, ces fleurs qui sont destinées à la
tombe de vous [sic] chères disparues
Votre
Igor Stravinsky
�</text>
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                <text>Boulanger to Stravinsky
Nadia Boulanger
63 Garden Street
Cambridge, Mass U.S.A.
Strawinsky
25 Faubourg Saint Honoré, Paris
APRIL 20, 1938
(DON’T) WORRY HAVING RECEIVED FROM YOU TWO FIRST PARTS STOP HAD THE
FINAL PART COPIED HERE
NADIA
�</text>
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                <text>Stravinsky à Boulanger
BOULANGER
63 GARDEN STREET
CAMBRIDGE MASSACHUSETTS (ETATS UNIS)
20 AVRIL 1938
STRECKER VOUS ENVOIE EUROPA MATERIEL COMPLET
STRAWINSKY
�</text>
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        <name>Recipient: Nadia Boulanger</name>
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                <text>Stravinsky to Boulanger
BOULANGER
63 GARDEN STREET
CAMBRIDGE, MASSACHUSETTS, U.S.A.
APRIL 20, 1938
STRECKER IS SENDING YOU THE COMPLETE SCORE [on the] EUROPA
STRAWINSKY
�</text>
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                <text>Stravinsky à Boulanger
Paris
Via Cherbourg,
S/S Europa
63 Garden Street
Cambridge, Mass
Étas-Unis d’Amérique
Le 25 avril [19]38
Très chère Nadia,
Demain part de Cherbourg “EUROPA” qui vous apportera ces lignes ainsi que la musique que
Strecker à [sic] remise à son bord à Bremen (avec une lettre pour vous). Cette musique (materiel
[sic] complet du Concerto en Mib) est envoyée en rouleaux (trois, si je ne me trompe) par poste
et… Strecker espère qu’il n’y aura pas de difficultés de douane qui pourraient retenir l’arrivée de
cette musique à temps pour les répétitions—chose qui serait vraiment épouvantable.
Dans ma première lettre à vous (du 6 avr.) je vous avais demande [sic] si vous aviez vu Mme
Bliss et si vous lui aviez parlé au sujet de notre dernier entretien ici—c. à d. question de second
et dernier versement. Vous ne m’aviez jamais répondu (je m’imagine tout ce que vous devez
retenir dans la tête!) Si vous y pensez, vous seriez bien gentille de lui en parler pour accelerer
[sic] le règlement ce qui me rendrait service (surtout maintenant—Dieu sait ce que me coûte la
maladie de ma fille et de ma femme)
J’attends avec impatience des nouvelles des répétitions et du materiel [sic], s’il arrivé à temps.
Je vous embrasse
Votre
I. Str
[P.-S.] Excusez le griffonnage en toute hâte
�</text>
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      </tag>
      <tag tagId="166">
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      </tag>
      <tag tagId="394">
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      </tag>
      <tag tagId="492">
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                <text>Stravinsky to Boulanger
I. Strawinsky
Pleyel
Paris
Mme [sic] Nadia Boulanger
Garganville [sic]
[August] 26, 1929
Dear friend,
I called your home to learn where to find you and was told it was necessary to write to you at
Garganville [sic], which is what I’m doing.
I absolutely need to see you to consult about a matter that is very important to me and concerns
the musical education of my younger son, who is a nineteen-year-old pianist.
Is it possible to see one another? I am staying in Paris for another ten days and I have come here
almost especially to settle his musical education in Paris and would be much obliged if you were
to arrange an appointment for me either here or at Pleyel’s, or (in case it is impossible for you
here) at Garganville,* where, in that case, I will come see you next week.
This weekend (which is to say Saturday, Sunday, and Monday until Tuesday afternoon) I will be
in the country, which is why I would be very grateful if you could send me a short
note by return post so that I will have it before heading to the countryside.
Thank you in advance, dear friend, and believe me to be your dearly devoted,
Igor Stravinsky
*Simply let me know
**How does one find you there?
�</text>
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                <text>Stravinsky à Boulanger
Mme. Nadia Boulanger
A Garganville [sic] (S.&amp;O.)
1e 26 [août] 1929
Cère [sic] amie,
J’ai téléphonné [sic] chez vous pour savoir où vous trouvez et on m’a dit qu’il fallait vous écrire
à Garganville [sic], c’est ce que je fais.
J’ai absolument besoin de vous voir pour vous consulter d’une affaire assez importante pour moi
et qui concerne l’éducation musicale de mon fils cadet qui est un pianiste de 19 ans.
Est-ce possible de se voir ? Je reste à Paris encore 10 jours et je suis venu presque spécialement
pour lui arranger son éducation musicale à Paris et vous serai bien reconnaissant de me fixer un
rendez-vous soit ici, chez Pleyel, soit (en cas qu’il vous est [sic] impossible ici) à Garganville*
[sic] même où je viendrai vous voir la semaine prochaine dans ce cas.
Ce week-end (c. à d. samedi, dimanche, et lundi jusqu`à mardi après-midi) je serai à la campagne
c’est pourquoi je vous serai très reconnaissant de m’envoyer un petit mot de réponse par ret. du
cour. afin de l’avoir encore avant d’aller à la campagne.
Merci d’avance, chère amie, et croyez-moi votre bien dévoué
Igor Strawinsky
*Indiquez moi seulement
**Comment vous trouver dans cette localité
�</text>
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      </tag>
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                <text>Stravinsky to Boulanger
Grenoble [Suisse]
36 rue Ballue
Paris 9
February 27, 1933
HAVE CONCERT 19 MARCH OSP PSAUMS, SACRE, ROSSIGNOL AND 21 MARCH
CONCERT WITH DUSHKIN LAUSANNE. STOP HAVE YET TO CLEARLY EXPLAIN IT
OUR FRIEND
FONDLY STRAWINSKY
�</text>
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                <text>Stravinsky à Boulanger
GRENOBLE, [SUISSE]
36 RUE BALLU,
PARIS 9
27 FEBRUARY 1933
AI 19 MARS CONCERT OSP PSAUMS, SACRE, ROSSIGNOL ET 21 MARS CONCERT
AVEC DUSHKIN LAUSANNE. STOP L’AVAIS POURTANT CLAIREMENT EXPLIQUÉ
NOTRE AMIE
AMITÉS STRAWINSKY
�</text>
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      </tag>
      <tag tagId="32">
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      </tag>
      <tag tagId="33">
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                <text>Stravinsky to Boulanger
Voreppe (Isère)
June 5–8, 1932
How can I thank you, dear Nadia, for your sketches that are so full of a friendship, which is
particularly precious to me since I know only too well the priceless virtues of your heart and
ears!
But, I beg of you, do not be extravagant in finding me things that I love passionately but which
are, because of the dark times in which we live, unaffordable for us other musicians. Leave those
to the rich, if there are any left.
Most fondly,
Your 50-year-old friend*
Igor Strawinsky
*OK, I know it’s “Quinquagenarian,” but the number sounds better
�</text>
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                <text>Stravinsky à Boulanger
Voreppe (Isère)
le 5-18 juin [19]32
Comment vous remercier, chère Nadia, pour vos esquisses pleinne [sic] d’amitié qui m’est tant
particulièrement précieuse puisque je connais trop bien les qualités inestimables de votre cœur et
de votre oreille !
Mais, je vous en supplie, ne faites pas des folies pour me trouver des choses que j’aime
passionnément mais qui sont, par le sinistre temps que nous vivons, inabordables, pour nous
autres musiciens. Laissons cela aux riches s’il y [sic] a.
Je vous embrasse de tout cœur
Votre cinquantenaire*,
Igor Strawinsky
*quinquagenaire [sic], j’admets, mais le nombre sonne mieux
�</text>
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      </tag>
      <tag tagId="43">
        <name>Birthday</name>
      </tag>
      <tag tagId="459">
        <name>Igor Location: Voreppe</name>
      </tag>
      <tag tagId="361">
        <name>Recipient: Nadia Boulanger</name>
      </tag>
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                <text>Stravinsky to Boulanger
Paris
Mademoiselle Nadia Boulanger
63 Garden Street, Cambridge, Mass. U.S.A.
April 6, 1938
Very dear friend,
Received your cable this morning. Last night I received, on engraved proofs from Strecker,
pages 27–37 (inclusive) of the last movement of my Concerto in E-flat. I have just finished
correcting them and am sending them to you on the SS Europa. There are still some seven to
eight pages yet to come and I will send them to you as soon as I have them (next week). You can
therefore create the parts from what you have because [if you were to] work from the
manuscript—which has many missing bowings (and also quite a few mistakes that I have not had
the time to correct)—you would have serious difficulty establishing correct parts. I will try again
to obtain a special printing from Strecker for you.* Refer only to the copy (for the orchestral
parts) that you’ve already received from me (that being the corrected proofs of the first and
second movements) and which I’m sending you today.
It was very unexpected, this obsession with having our concert on the first of May, and has taken
us by surprise. I am hopeful that everything will sort itself out, especially when I think that it is
you who will be handling everything.
With deepest affection,
Your
Igor Strawinsky
[P.S.] Have you been able to speak to Mrs. Bliss on the subject of our last conversation?
*because you will be returning your own [current copy] in order to complete the parts.
�</text>
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                <text>Stravinsky à Boulanger
Paris
Mademoiselle Nadia Boulanger
63 Garden Street, Cambridge, Mass. U.S.A.
6 April 1938
Très chère amie,
Votre câble reçu ce matin. Hier soir reçu de Strecker les pages 27-37 incl. du dernier mouvement
de mon Concerto en mi bémol en épreuves gravées. Je viens de les corriger et vous les envoie
par le S/S EUROPA. Il nous reste que quelques 7 à 8 pages de la fin que je vous enverrai dès que
je les aurai (la semaine prochaine). Vous pouvez donc faire établir les parties d’après ce que vous
avez car d’après le manuscrit, où il y a beaucoup de coups d’archet qui manquent (et où il y a
également pas mal de fautes que je n’avais pas eu le temps de corriger) on aurait de la peine à
établir un matériel correct. Je tâcherai d’obtenir de Strecker encore un tirage spécial pour vous*.
Rendez seulement à la copie (pour les parties d’orchestre) ce que vous avez déjà de chez moi
(soit les épreuves corrigées de la 1-ère et de la 2-ème partie) et ce que je vous envoie
aujourd’hui.
C’était vraiment inattendu cette fixation au 1er
mai de notre concert et cela nous a pris au
dépourvu. Je veux espérer que tout s’arrangera et que tout se passera bien surtout quand je pense
que c’est vous qui aurez tout cela en mains.
Je vous embrasse très affectueusement
Votre
Igor Strawinsky
Avez-vous pu parler à Mme Bliss au sujet de notre dernière conversation ?
*car vous rendrez la vôtre pour l’extraction des parties [partitions]
�</text>
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      </tag>
      <tag tagId="82">
        <name>Concerto in E-Flat</name>
      </tag>
      <tag tagId="166">
        <name>Dumbarton Oaks Concerto</name>
      </tag>
      <tag tagId="394">
        <name>Igor Location: Paris</name>
      </tag>
      <tag tagId="492">
        <name>Mildred Woods Bliss</name>
      </tag>
      <tag tagId="490">
        <name>Nadia Location: Cambridge Massachusetts</name>
      </tag>
      <tag tagId="361">
        <name>Recipient: Nadia Boulanger</name>
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          <element elementId="49">
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              </elementText>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="16013">
                <text>Paul Sacher Stiftung</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Boulanger to Igor Stravinsky
36 Rue Ballu 9th
Téléph Trinité 90-17
Mr. I. Strawinsky
To read on the way
Dear Friend,
To give you complete freedom, I have specified to the School at Fontainebleau that you will only
see students and offer a course for them if the number of students is sufficient. Rest assured the
matter remains open—but understand clearly that you can count on seeing them [the students] in
June and July. It is essential for the completion of projects. The projects are related to your work
and you—projects that, I believe, will interest you. And you are under no obligation, given the
way things have developed.
Your help is of such moral support, and I am in such need of it.
May God be with you on this journey during which so many thoughts accompany you.
Your
Nadia B.
�</text>
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                <text>Boulanger à Stravinsky
36 rue Ballu 9
Téléph Trinité 90-17
Monsieur I. Strawinsky
A lire en route
Cher Ami,
Pour vous laisser toute liberté j’ai spécifié à l’École de Fontainebleau que vous ne verriez les
élèves et ne leur feriez un cours que si le nombre des étudiants est suffisant. Restez donc sur
cette question ouverte—mais laissez entendre clairement que vous comptez les voir en Juin et
Juillet. C’est essentiel pour la réalisation de [sic] projets. Concernant vos œuvres et vous—
projets qui, je le crois, vous intéresseront. Et cela ne vous crée aucune obligation étant donné la
façon dont les choses sont présentées.
Que vous m’aidiez [sic] est un tel soutien moral et j’en ai si grand besoin.
Que Dieu soit avec vous dans ce voyage pendant lequel tant de pensées vous accompagnent.
Votre
Nadia B.
�</text>
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      </tag>
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        <name>Fountainebleau</name>
      </tag>
      <tag tagId="359">
        <name>Nadia Location: 36 rue Ballu</name>
      </tag>
      <tag tagId="361">
        <name>Recipient: Nadia Boulanger</name>
      </tag>
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