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                <text>Stravinsky to Boulanger
Paris
Miss Nadia Boulanger
c/o Miss J. A. Carpenter
1020 Lake Shore Drive
Chicago, Ill.
U.S.A
SS Aquitania
Via Cherbourg
January 12, 1939
Dear Nadia,
How can I thank you for such kind wishes?
Now Sam has also left on the Ile de France (on the 11th). He saw an American woman to whom
Miss [sic] Bliss is sending letters and a copy of your cable (the one to Mrs. Bliss) to let her know
what there was to be done to secure the premiere of my Symphony in the United States next
season. Do you believe there is a possibility of success? My God, I would be so grateful if the
steps you have taken were to have the results we are hoping for.*
Here continual flus keep delaying our trip with Catherine to Pau.
Heartfelt wishes to you, my very dear Nadia. My kindest thoughts to the Carpenters.
Yours,
I Stravinsky
*If this thing becomes a reality, I would very much like to give my manuscript (of the Symphony)
to Mrs Bliss.
[P.S.] Best regards to Sister Edward
�</text>
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                <text>Stravinsky à Boulanger
Paris
Miss Nadia Boulanger
C/O Miss J. A. Carpenter
1020 Lake Shore Drive
Chicago Ill
États-Unis d’Amérique
S/S Aquitania
Via Cherbourg
le 12 janvier 39
Chère Nadia,
Comment vous remercier pour votre [sic] vœux si affectueux ?
Voilà que Sam est également parti en Ile de France (le 11). Il a vu une dame américaine à
laquelle Mlle Bliss envoyer [sic] des lettres et [la] copie de votre câble (à Mme Bliss) pour lui
faire savoir ce qu’il y avait à faire pour avoir la 1ère
de ma Symphonie aux États-Unis la saison
prochaine. Croyez-vous à la possibilité de la réussite ? Mon Dieu, ce que je vous serai
reconnaissant si les démarches que vous avez entreprises ayent le succès qu’on voudrait
espérer*.
Chez nous c’est les grypes [sic] qui continuent ce qui retarde notre voyage avec Catherine à Pau.
De tout cœur je vous embrasse ma très chère Nadia. Mes amitiés les plus cordiales aux
Carpenter.
Votre,
I Stravinsky
*Si la chose se réalise je voudrais tellement donner mon manuscrit (de la Symphonie) à Mme
Bliss
[P.-S.] Profond salut à la sœur Edward
�</text>
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                <text>Boulanger to Stravinsky
36 rue Ballu Paris
April 5, 1940
Dear Igor,
Where will this note find you, I don’t know, but I’d like you to know that I am wholeheartedly
with you both. It was necessary that your union take this definitive form, and I know that it’s
what Catherine would have wanted.
I seem far away, but I followed with a profound joy your winter, your activity, and its great
results. There are those who will never understand, there are those for whom you have provided
guidance. And, by being yourself, you illuminate for them the past and guide their future.
It was so beautiful, so good, and so necessary that you gave this concert. We were, for example,
overwhelmed by Preger’s case who, having wanted at all costs to serve, has fallen ill, both lungs
to be reopened after several weeks in the barracks. He must spend a year in a sanatorium, and
without your help, we could not insure him.
Mrs. Loudon is the president of our small committee. No meetings, no publicity, but true, active
support.
We have given concerts to armies with orchestras made up of professional musicians brought
together through the officers’ efforts, an admirable initiative that did so much good for those who
command so humanely, as well as for those who performed.
All this said too hastily, but I haven’t a minute. With great fondness for Vera and you, I am, with
all my heart, your
Nadia B.
�</text>
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                <text>Boulanger à Stravinsky
36 rue Ballu
5 avril 1940
Cher Igor,
Où vous rejoindra ce mot—je ne sais, mais je voudrais que vous sachiez que je suis de tout cœur
avec vous deux. Il fallait que votre union prit cette forme définitive, et je sais que c’est bien ainsi
que l’aurait désiré Catherine.
Je suis loin en apparence, mais j’ai suivi votre hiver, votre activité, et leur [sic] résultats si
grands, avec une profonde joie. Il y a ceux qui ne comprendront jamais, il y a ceux pour lesquels
vous avez fixé l’orientation. Et, en étant vous-même, vous éclairez pour eux le passé et
construisez leur avenir.
Que vous ayez donné ce concert est si beau, si bien, et si nécessaire. Nous étions par exemple,
bouleversés par le cas de Preger qui, ayant voulu coûte que coûte servir, est tombé malade, les
deux poumons rouverts, après quelques semaines de caserne. Il lui faut un an de sanatorium, sans
vous, nous ne pourions [sic] pas les lui assurer.
C’est Madame Loudon qui est présidente de notre petit comité. Pas de réunions, pas de publicité,
mais un vrai soutien, actif.
Nous avons donné des concerts aux armées avec les orchestres formés de musiciens
professionnels réunis par le soin des officiers, admirable initiative qui crée un tel bien entre ceux
qui commandent si humainement, et ceux qui exécutent.
Tout cela dit bien hâtivement, mais je n’ai pas une minute. Je vous embrasse, Véra et vous, et
suis de tout cœur votre,
Nadia B.
�</text>
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                <text>Stravinsky to Boulanger
June 12, 1941
Good Lord, my dear Nadia! Your letter deeply distressed me! A single thing remains constant—
that is, your plan to come to Santa Barbara. So long as events don’t make you change your mind.
With deepest affection,
Your
I Str.
[P.S.] How is your arm? Have you been able to arrange your trip to Canada?
[P.P.S] Warm wishes to Sister Edward, please.
�</text>
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                <text>Stravinsky à Boulanger
12 juin [19]41
Quel divine, ma pauvre Nadia ! Votre lettre m’a beaucoup affligé. Une seule chose constante—
c’est votre projet de venir à Santa Barbara. Pourvu que les événements ne vous fassent pas
[changer] l’idée. Je vous embrasse très affectueusement,
Votre
I. Str.
[P.-S.] Comment vas [sic] la [sic] bras ? Avez[-]vous pu arrangé [sic] votre trip au Canada?
[P.P.-S.] Mes fidèles pensées à Sister Edward, je vous prie.
�</text>
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                <text>Stravinsky to Boulanger
BEVERLY HILLS
CALIF
MISS NADIA BOULANGER
C/O MRS FORBES
GERRYS LANDING, CA[MBRIDGE]
12–13 MAR 1942
YOUR NOVEMBER DECEMBER LETTERS NEVER RECEIVED. BECAUSE FOR ME
OTTERLY [sic] IMPOSSIBLE PLEASE TAKE ALL NECESSARY STEPS TO RUSH
PUBLISHING MY LECTURES HAVE ENTIRE CONFIDENCE IN YOUR JUDGMENT
THANKS WARMEST GREETINGS=
IGOR STRAVISKY.
�</text>
              </elementText>
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                <text>Stravinsky à Boulanger
BEVERLY HILLS
CALIF[ORNIA]
MISS NADIA BOULANGER
C/O MRS FORBES
GERRYS LANDING, CA[MBRIDGE]
12-13 MAR 1942
YOUR NOVEMBER DECEMBER LETTERS NEVER RECEIVED. BECAUSE FOR ME
OTTERLY IMPOSSIBLE PLEASE TAKE ALL NECESSARY STEPS TO RUSH
PUBLISHING MY LECUTRES HAVE ENTIRE CONFIDENCE IN YOUR JUDGMENT
THANKS WARMEST GREETINGS=
IGOR STRAVISKY.
�</text>
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                <text>Stravinsky to Boulanger
1260 North Wetherly Drive
Hollywood, California
October 13, 1941
My dear Nadia,
A note to remind you not to forget to bring with you (when you come to see us this Friday) the
Harvard University Press form letter—I need to respond to him and I can’t even remember his
name!!! Also bring with you, if you think they’ll be useful, the letters and notes concerning my
Symphony.
We’re looking forward to seeing you, dearest,
Your
I St.
[P.S.] My fondest regards to the Sachses. I do not believe that it will be possible for us to come
to Santa Barbara this weekend—too many things are stalled and there are so many letters to
write.
�</text>
              </elementText>
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                <text>Stravinsky à Boulanger
1260 North Wetherly Drive
Hollywood, California
13 octobre 1941
Ma chère Nadia,
Ces lignes pour vous rappeler de ne pas oublier de prendre avec vous (quand vous viendrez nous
voir, ce vendredi) la lettre du type de la Harvard University Press—je dois lui repondre [sic] et je
ne me rappelle même pas de son nom!!! Prenez aussi avec vous, si vous le jugez utile, les lettres
et notes conçernant [sic] ma Symphonie.
On vous attends [sic], très chères,
Votre
I St.
[P.-S.] Miles [sic] choses aux Sachs. Je ne crois pas qu’il nous sera [sic] possible de venir cette
fin de semaine à Santa Barbara—trop de choses restées en panne et des lettres à écrire.
�</text>
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                <text>Stravinsky to Boulanger
1260 N. Wetherly Dr.
Hollywood, H6, Calif
Miss Nadia Boulanger
c/o Mrs. Shortell
339 Berry Ave
Chicago, Ill
June 15, 1945
My dear
Nothing to tell you, save that all I do is think of you and of your absence which I believe will be
unbearable to me.
Send news, please. You write so elegantly.
Yours,
I Str.
�</text>
              </elementText>
              <elementText elementTextId="16812">
                <text>Stravinsky à Boulanger
1260 N. Wetherly Dr.
Hollywood, H6, Calif
Miss Nadia Boulanger
c/o Mrs. Shortell
339 Berry Ave
Chicago, Ill
15 juin 1945
Très chère
Rien à vous dire, sauf que je ne fais que penser à vous et à votre absence qui, je le croies [sic] me
sera insaportable [sic].
Des nouvelles, je vous supplie, vous qui écrivez si facilement.
Votre
I Str.
�</text>
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                <text>Stravinsky to Boulanger
July 16, 1944
My dear,
Read this—Mr. Tangeman sent me these two articles with this remark: “Professor Guido
Stempel is a retired professor of philology without musical training.[”] The other article is from
the “student paper” in which the “musical training” does not appear to me to be clear.
What is the point of making this effort to receive such a reaction?
When will I see you?
Personally, I cannot yet travel.
Love Kisses,
I. Str.
�</text>
              </elementText>
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                <text>Stravinsky à Boulanger
16 juillet 1944
Chère,
Lisez ça—Mr. Tangeman m’envoi [sic] ces deux articles avec cette Remarque [sic]: “Professor
Guido Stempel is a retired professor of philology without musical training. The other article is
from the student paper” dont la “musical training” ne me parait [sic] pas evident.
Cela valait la peine de faire cet effort, pour recevoir une pareille réaction.
Quand vous verrai-je?
Moi, je ne puis encore bouger.
Love Kisses
I. Str.
�</text>
              </elementText>
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      </tag>
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      </tag>
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        <name>Guido Stempel</name>
      </tag>
      <tag tagId="184">
        <name>Nell Tangeman</name>
      </tag>
      <tag tagId="361">
        <name>Recipient: Nadia Boulanger</name>
      </tag>
      <tag tagId="183">
        <name>Robert Tangeman</name>
      </tag>
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              <elementText elementTextId="16761">
                <text>Stravinsky to Boulanger
Beverly Hills California
1260 Wetherly Drive
Hollywood H6 (46?), Calif
Miss Nadia Boulanger
122 Bay State Road
Boston, Mass.
November 16, 1945
My very dear Nadia,
Moved by your words, moved by your departure. I wonder, however, if this departure is truly
permanent in view of the upheaval created by de Gaulle’s leaving.
Have you heard Prokofieff's [sic] Symphony no. 5 (what are the other four that we have never
heard)? Unfortunately, at the same time as the broadcast, I had my rehearsal for Babel,
conducted by Werner Janssen—less helpless than the Dumbarton Oaks Concerto last year. I
don't think that this indicates progress on his part, simply that the piece is less difficult to
conduct
They say that Koussevitzky is having Shostakovsky [sic] come from Russia in March and it’s
also been said that Koussevitzky is retiring and giving up the baton at the beginning of the next
season to Mitropoulos. Sounds so exciting, but is it true?
Why do you bring up money (photostats of my Symphony). I can give you a gift, too—it's true,
it's nothing big, all the more reason to—why talk about it. You owe me nothing save a few “love
and kisses” in your next letter. (Pencil please—to erase)
Your
I Str.
Who loves you, who loves you, who loves you.
[P.S.] Received very kind words from Abbot Fortier (for the birth of little Jean)—don’t even
have time to respond to him. Tell him how touched I was. Thanks.
�</text>
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                <text>Stravinsky à Boulanger
Beverly Hills, California
1260 Wetherly Drive
Hollywood H6 (46?), Calif
Miss Nadia Boulanger
122 Bay State Road
Boston, Mass.
16 Nov 1945
Nadia très chère,
Touché par votre mot, touché par votre départ. Je me demande cependant si ce départ est
vraiment définitif vu le chambardement crée par le depart [sic] de De Gaulle.
Avez-vous entende [sic] la Symphonie de Prokofieff No. 5 (quelles sont les autres 4 qu’on a [sic]
jamais entendu ?). Malheureusement au moment du broadcast j’ai eu ma repetition [sic] de Babel
conduite par Werner Janssen moins « helpless » que Dumbarton Oaks Concerto l’année dernière.
Pense pas que cela signifie un progrès de sa part, simplement la pièce est moin [sic] difficile de
conduire.
On dit que Koussevitzky fait venir Shostakovsky [sic] de Russie en mars et on dit que
Koussevitzky se retire et cède la baguette à partir de la saison prochaine à Mitropoulos. So
exciting tout ça, mais est-ce vrai?
Pourquoi me parlez-vous d’argent (photostates de ma Symphonie). Je peux aussi vous faire un
cadeau—c’est vrai, ce n’est pas grand-chose, raison de plus—pourquoi en parler. Vous ne me
devez rien sauf quelques « love and kisses » dans votre prochaine lettre. (crayon S.V.P. pour
effacer)
Votre
I Str.
Qui vous aime, qui vous aime, qui vous aime.
[P.-S.] Reçu un très gentil mot de l’Abbé Fortier (pour la naissance du petit Jean)—même pas de
temps à lui répondre. Dites-lui combien j’ai été touché. Merci.
�</text>
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                <text>Stravinsky to Boulanger
July 18, 1944
Can we play the Sonata?
NO – NO
Don’t worry yourself about this. There are more important things. Of course:
“Yes.”
With fondness, my very dear Nadia
Your
I Str.
�</text>
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18 juillet 1944
Peut-on jouer la sonate [sic] ?
NON – NON
Ne vous faites pas de soucis de ce genre. Il y a des choses plus importantes. Certainement que
« Oui ».
Vous embrasse très chère Nadia,
Votre
I Str.
�</text>
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                <text>Stravinsky to Boulanger
Hollywood
March 18, 1944
My dear Nadia,
I don't have a memory for dates but it seems to me that it was in March 1935 that your dear
mother died, nine years ago . . .
I will not forget her in my prayers. I am thinking of you and send you my fondest wishes.
Your
I Str.
[P.S.] Tomorrow is the centenary of my dear Rimsky Korsakov.
�</text>
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                <text>Stravinsky à Boulanger
Hollywood,
le 18 mars 1944
Ma chère Nadia,
Je n’ai pas la mémoire des dates mais il me semble que c’était en mars 1935 que votre chère
mère était décédée, il y a neuf ans…
Je ne l’oublierai pas dans mes prières. Je pense à vous et vous embrasse très affectueusement.
Votre
I Str.
[P.-S.] Demain c’est le centenaire de mon chère [sic] Rimsky Korsakov.
�</text>
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