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                <text>Boulanger to Théodore Strawinsky
September 15, 1960
Dear Théodore,
I am thinking a lot about you right now. Are you going? Are you in Venice—is the past still
living in the present? All of this is preoccupying me as I know you are tormented by it. And it’s
sad, as each loses and nobody wins. And what we lose, especially in this manner, is never to be
found again. I want to hope that my worries are in vain, that you were able to spend some time
with your Father, to hear his new work, well-performed.
Alas, new works always seem difficult, audacious pieces, or more accurately, incomprehensible.
And in all his glory, your Father knows the bitterness of being, ultimately, rather alone with the
present—so cruelly and blindly misunderstood. All of that seems paradoxical and is veiled by a
small number of enlightened musicians and some courtiers.
Certainly, it does not matter: Le Sacre, Noces, Œdipe and soon Canticum Sacrum, then Threni
will take their legitimate places. I am very sad not to be in Venice, close to him—you know what
is in my heart, in my mind, in my life every day. But whether I’m close or far away, he always
seems present to me, and my reverence never ceases to accompany him.
Dear Théodore, all of this tells you, does it not, how much I love you all, Denise, Kitty—in the
memory of your Mother.
And I am your,
Nadia B.
P.S. I’ll be in Lans en Vercors until the end of the month without a doubt
�</text>
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                <text>* * *
Boulanger à Théodore Strawinsky
15 septembre 1960
Cher Théodore,
Je pense beaucoup à vous en ce moment. Allez-vous, êtes-vous à Venise—le passé reste-
t-il vivant dans le présent ? Tout cela me préoccupe comme je vous en sais tourmenté. Et
c’est triste, car chacun perd et personne ne gagne. Et ce que nous perdons, dans cet ordre
surtout, ne se retrouve jamais. Je veux espérer que mes alarmes sont vaines, que vous
avez pu aller passer quelques temps avec votre Père, entendre sa nouvelle œuvre, bien
exécutée.
Hélas les œuvres neuves semblent toujours difficiles, les œuvres audacieuses, ou plus
réellement vraies, incompréhensibles. Et dans toute sa gloire, votre Père connaît
l’amertume d’être, en fin de compte, à peu près seul avec son présent—si cruellement et
aveuglément méconnu. Tout cela semble paradoxal et est voilé par un petit nombre de
musiciens plus éclairés et de quelques courtisans.
Certes il importe peu : le Sacre, Noces, Œdipe et bientôt Canticum Sacrum, puis Threni
prendront leur place légitime. Suis très triste de n’être pas à Venise, près de lui—vous
savez ce qu’il est dans mon cœur, dans mon esprit, dans ma vie de chaque jour. Mais que
je sois proche ou lointaine, il me semble toujours présent et ma vénération ne cesse de
l’accompagner.
Cher Théodore, tout cela qui vous dit, n’est-ce pas, combien je vous aime tous, Denise,
Kitty—dans le souvenir de votre Mère.
Et je suis votre
Nadia B.
[P.-S.] Lans en Vercors jusqu’à la fin du mois sans doute
�</text>
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                <text>Théodore Strawinsky to Boulanger
Geneva
December 16, 1956
Dear Nadia,
I was so happy to hear your voice at the other end of the line the other day, but very upset to hear
that you would be entering a clinic. Even when the operation is nothing serious, it’s always
bothersome to undergo anaesthesia [and] we hope you are now free of the effects . . . and we
would be happy to have a little note to reassure us.
I don’t need to tell you how sad I was to see my father leave, or more exactly to know he
returned to America in less than perfect health (despite a . . . [illegibile] improvement) and the
distance that will separate us can do nothing but add to our anxiety and our worry . . . And no
one to watch over him.
I will have an exhibition at André Weil’s, on Matignon Avenue during the last two weeks in
February. Denise and I will be coming to Paris at the end of January, and we would be delighted
to see you again.
In anticipation, dear Nadia, accept our heartfelt wishes. Wishes for you at the end of this year
and on Christmas Eve.
Affectionately yours,
Théodore
P.S. Some very good news from Kitty, who is doing very well in her London life!
�</text>
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                <text>* * *
Théodore Strawinsky à Boulanger
Genève
16 décembre 1956
Chère Nadia,
J’ai été si heureux l’autre jour d’entendre votre voix au bout du fil, mais vraiment navré
d’apprendre que vous entriez en clinique. Même quand l’opération n’a rien de grave,
c’est toujours ennuyeux de sentir une narcose [et] nous espérons vivement que vous êtes
aujourd’hui hors d’affaire…et serions heureux d’avoir un tout petit mot pour nous
rassurer.
Je n’ai pas besoin de vous dire avec quelle tristesse j’ai vu mon père partir ou plus
exactement de le savoir regagner l’Amérique dans un état fort peu brillant (malgré
un…[lettre endommagée] amélioration) et les mètres qui vont nous séparer ne peuvent
qu’ajouter à notre angoisse et à notre inquiétude…Et personne pour veiller sur lui.
J’aurai une exposition chez André Weil, avenue Matignon la deuxième quinzaine de
février. Nous viendrons à Paris, Denise et moi, dès fin janvier et nous réjouissons de vous
revoir.
En attendant, chère Nadia, acceptez les vœux que nous formons de tout notre cœur vœux
pour vous en cette fin d’année et à la veille de Noël.
Affectueusement à vous,
Théodore
[P.-S.] De très bonnes nouvelles de Kitty qui se fait très bien à la vie de Londres !
�</text>
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                <text>Théodore Strawinsky to Boulanger
Geneva
November 17, 1964
Dear Nadia,
Denise and I know you are in deep sadness. Our thoughts, on the announcement of the passing of
Prince Pierre of Monaco, went directly to you, knowing what the heart of such a great and
faithful friend as you can give . . . and how it can weep at the heartbreak of such separation. We
are in Geneva now and once again under our own roof.
Allow me, dear Nadia, to tell you again of our deepest affection and kindest thoughts,
Théodore
�</text>
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                <text>* * *
Théodore Strawinsky à Boulanger
Genève
17 novembre 1964
Chère Nadia,
Nous vous savons, Denise et moi, dans une grande tristesse. Nos pensées, à l’annonce du
départ du Prince Pierre de Monaco, ont été aussitôt vers vous, sachant ce que votre cœur
de grande et fidèle amie peut donner…et pleurer au déchirement de la séparation.
Nous sommes à Genève maintenant et avons retrouvé notre toit.
Laissez-moi, chère Nadia, vous dire encore notre très profonde affection et nos pensées
émues.
Théodore
�</text>
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                <text>Boulanger to Denise Stravinsky
February 18, 1962
Dear Denise,
Without news for a long time, but I feel close [to you] and my thoughts are always with you. I do
hope that you are suffering less. But it has been so long—it’s a burden to be so patient.
I saw your father-in-law upon his return from Moscow, walking with a bit of difficulty, but with
an extraordinary presence—so preoccupied by you, by you all.
The recording of the Flood is impressive and allows for an understanding of the grandeur of the
work. Regarding A Sermon, Narration, Prayer [sic], which I heard on the radio, it is profoundly
moving. And if mastering these ever-new means is stupefying, the emotion that emanates from
this sublime work is inexpressible. What a supreme force of thought and feeling —which
[others] want to ignore!
Hug one another [for me] and know I am your,
Nadia B.
P.S. Not yet been able to write to Kitty. Going to do it one of these days I hope!
�</text>
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                <text>* * *
Boulanger à Denise Stravinsky
18 février 1962
Chère Denise,
Sans nouvelles depuis longtemps, je me sens pourtant proche et ma pensée ne vous quitte
pas. Je veux espérer que vous souffrez moins. Mais c’est si long—et une telle patience si
lourde.
Vu votre beau-père à son retour de Moscou, marchant avec un peu de difficulté, mais
d’une présence extraordinaire—si préoccupé de vous de vous tous.
Le disque du Flood est impressionnant et permet de comprendre la grandeur de l’œuvre.
Quant à celui de Sermon, Narration Prayer[sic], entendu à la radio, il est profondément
émouvant. Et si la maîtrise de moyens toujours nouveaux est stupéfiante, l’émotion qui se
dégage de cette œuvre sublime, elle est indicible.
Quelle force suprême de la pensée et de la sensibilité—ce que l’on veut ignorer !
Embrassez-vous les uns les autres et sachez-moi votre.
Nadia B.
P.S. N’ai pas encore pu écrire à Kitty. Vais le faire ces jours-ci j’espère !
�</text>
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                <text>Boulanger to Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
New York Office: Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau
Le Directeur du Conservatoire
June 18, 1962
Very dear Igor,
Soon will be the birthday the entire world celebrates yet does not know how to celebrate enough.
But once again I find myself near you in Hollywood—but also in Paris—I believe I’m sharing
some of your views toward the Past, some of your silence in the Present, and your view of the
new possibilities the material offers you and your mind.
I don’t dare tell you what leads me always to this struggle before you, one that has no beginning
and no end. In it I see your pain, your wounds, your aspirations, and I repeat, from the bottom of
my heart, “May Peace be with you.”
Your burden is heavy if it brings with it light, and I believe I feel and understand. I love you so
much.
I send you all my love, I say to you thank you, and I hear you wherever you may be, always
there,
Your
Nadia B
�</text>
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                <text>* * *
Boulanger à Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau New-York : Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau – Le Directeur du Conservatoire
18 juin 1962
Très cher Igor,
Bientôt cet anniversaire que le monde entier célèbre et ne saurait assez célébrer. Mais,
moi, je me retrouve, près de vous, à Hollywood—mais aussi à Paris— je crois partager
certains de vos regards vers le Passé, certaines de vos silences dans le Présent, et votre
perception de la nouvelle possibilité que vous offre la matière, et votre esprit.
Je n’ose vous dire ce qui m’ément[sic] toujours devant cette lutte avec vous-même qui
n’a commencement ni fin. J’y vois aussi vos peines, vos blessures, vos aspirations—et je
vous redis, du plus profond de mon cœur, « que la Paix soit avec vous ».
Votre fardeau est lourd, s’il est porteur de lumière, et je crois sentir, et comprendre. Je
vous aime tant.
Je vous embrasse, je vous dis merci, et je vous entends où que vous soyez, toujours là,
Votre,
Nadia B
�</text>
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        <name>Nadia Location: Fontainebleau</name>
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                <text>Boulanger to Théodore Strawinsky
November 18, 1970
Dear Théodore,
Without a doubt you have received this interview with your Father, a seemingly implausible
interview in all respects.
What can you do, what do you think? Need I tell you with what fondness I am constantly near to
you and Denise. Such drama has played out in this long and terrible battle,
NB.
�</text>
              </elementText>
              <elementText elementTextId="16518">
                <text>* * *
Boulanger à Théodore Strawinsky
18 novembre 1970
Cher Théodore,
Sans doute avez-vous reçu cette interview de votre Père, interview qui semble à tous
égards invraisemblables.
Que savez-vous, que pensez-vous ? Dois-je vous dire de quel cœur je suis sans cesse
auprès de vous et Denise. Quel drame se joue dans cette longue et terrible lutte.
NB.
�</text>
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      </tag>
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      </tag>
      <tag tagId="320">
        <name>Robert Craft</name>
      </tag>
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          <element elementId="39">
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              <elementText elementTextId="15735">
                <text>Nadia Boulanger </text>
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                <text>Boulanger to Théodore Strawinsky
October 19, 1968
Dear Théodore,
What sadness in your letter, how sad it is to think of such a glorious, very old man who is
battling with death, even more with illness, the decline it brings, all seen by a mind still so lucid
it is capable of measuring his suffering, weakness, weariness, and the body’s rejection.
How much I think of you, of Denise who is suffering as well, of this helplessness where you both
are, and what is there to do, what to say, what to hope? May God support those who travel such a
difficult road.
The ceremony on Thursday was very moving and to feel that her name was there where she lived
a whole part of her life was, for me, very sweet. [Now people will] become aware of her work,
and I can greet death with tranquility. Her memory will not be abandoned!
I send you all my most tender love. May God keep you,
Nadia B.
�</text>
              </elementText>
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                <text>* * *
Boulanger à Théodore Strawinsky
19 octobre 1968
Cher Théodore,
Que de tristesse dans votre lettre, que de tristesse à la pensée du très vieil homme si
glorieux qui lutte avec la mort, plus encore avec la maladie, la déchéance qu’elle amène,
vues par un esprit encore si lucide que sa souffrance mesurant la faiblesse, la lassitude et
les refus du corps.
Combien je pense à vous, à Denise si éprouvée aussi, à cette impuissance où vous êtes
tous deux que faire, que dire, qu’espérer ? Que Dieu soutienne ceux qui passent par un si
dur chemin.
La cérémonie de jeudi a été très émouvante et de sentir que son nom est là où elle a vécu
toute une partie de sa vie m’est très doux. Et puis on prend conscience de son œuvre, et je
vois arriver le départ avec tranquillité. Son souvenir ne sera pas abandonné !
Je vous embrasse tout deux bien tendrement. Dieu vous garde.
Nadia B.
�</text>
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                <text>Boulanger to Théodore Strawinsky
[No Date] [1962]
Dear Théodore,
Sorry I still haven’t written you. I am so shaken up. I spent Sunday afternoon with your Father—
surprising strength, enthusiasm and tenderness. The worry he creates for himself, for Denise, for
you, for Kitty. Perhaps he seems to remain silent, but he lives with those who are his life and
every detail remains engraved—all hidden in a seemingly contradictory appearance, but
nevertheless rooted within.
His impressions, his trip, this return to his childhood, his sense of modesty, his way of saying
nothing but what he wants to, and how the words must veil or divulge. It is true, he walks with
difficulty, it’s the only time where one can see the signs of the shocks he has undergone. His
spirit is young, alive, innovative, mobile, and what clairvoyance, what conviction as well, which
sometimes creates incontrollable, spontaneous reactions.
Unfortunately, I must hurry, I can spare anything but time, but I am with you, sharing in your
hopes, your expectations, knowing the weight of your intense patience.
Give Denise my love and know, both of you, that my thoughts never leave you. Thank you
again.
Yours,
NB
�</text>
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                <text>* * *
Boulanger à Théodore Strawinsky
[sans date] [1962]
Cher Théodore,
Pardon de ne pas vous avoir écrit encore. Suis si bousculée. Passé l’après-midi de
dimanche avec votre Père, étonnant de force, d’enthousiasme et de tendresse. Le souci
qu’il se fait pour Denise, pour vous, pour Kitty. Peut-être semble-t-il rester silencieux
mais il vit avec ceux qui sont sa vie et chaque détail resté gravé. Tout cela caché, en
apparence contradictoire, et pourtant si enraciné.
Ses impressions, son voyage, ce retour à son enfance, sa pudeur, son art de ne dire que ce
qu’il veut, et comment les termes doivent voiler ou découvrir. Il est vrai, il marche mal,
c’est le seul moment où l’on voit des signes de chocs qu’il a subis, l’esprit est jeune, vif,
novateur, en mouvement, et quelle clairvoyance, quelle conviction aussi qui crée parfois
des réactions d’une spontanéité incontrôlables.
Hélas il faut aller vite, je ne dispose de rien comme temps mais suis avec vous partageant
vos espoirs, votre attente, sachant le poids de cette patience si longue !
Embrassez Denise et sachez tous deux que ma pensée ne vous quitte pas. Merci encore.
Votre
NB
�</text>
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                <text>Théodore Strawinsky to Boulanger
Geneva
October 2, 1969
My very dear Nadia,
Thank you, thank you for your note and for your unfailing friendship toward my father and us.
Yes, the problems that are cropping up are so painful, and, as you say, critical in any plans, but
what and how should I feel when all access toward my father has been virtually blocked?! What
a tragedy, foremost for him, but also for us, his children . . . In such a situation we are powerless,
because what can we do that won’t provoke too much of a painful shock for him, even though I
know his deepest thoughts.
I have just received a heartbreaking letter from Milène. The poor girl has front row seats to this
tragedy. They are in New York (I mean my father) and plan to go to Paris around the 15th of this
month. Here is Milène’s address:
Mrs. André Marion
146 South La Peer Drive
Los Angeles Calif. 90048
U.S.A.
I send my heartfelt love, dear Nadia. Perhaps we’ll see each other soon,
Théodore
�</text>
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                <text>Igor and Vera Stravinsky to Boulanger
NADIA BOULANGER
36 RUE BALLU
VIA PARIS
SEPTEMBER 30, 1969
DEAR NADIA, WE THINK ABOUT YOU WITH LOVE AND HOPE TO SEE YOU IN
PARIS IN ONE MONTH
IGOR, VERA
�</text>
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                <text>Théodore Strawinsky to Boulanger
Geneva
November 20, 1970
Very dear Friend,
Once again your note upset me. No, I did not know anything about this interview or, rather,
pseudo-interview: When I think about this summer when we saw my father in Evian every day,
he was totally incapable of associating two ideas or two sentences in a row, having never even
understood that he was in Evian and no longer in New York! But the drama that surrounds him is
so great nothing surprises me . . .
Would you be so kind as to give me—by return mail if possible—the reference of the journal
that published the text and the date it came out, so that I might find it?
You understand us, I know, and you know how much all this tears us apart. Thank you
wholeheartedly. How I would love to see you!
Denise and I send our love and all of our deepest affection,
Théodore
�</text>
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                <text>* * *
Théodore Strawinsky à Boulanger
Genève
20 novembre 1970
Chère grande Amie,
Une fois de plus votre mot me bouleverse. Non, je ne sais rien de cette interview ou
plutôt pseudo-interview : quand je pense que cet été où nous avons vu mon père à Evian
chaque jour, il était totalement incapable d’associer deux idées ou deux phrases de suite,
n’ayant même jamais compris qu’il était à Evian et non plus à New York ! Mais le drame
est si grand autour de lui que tout me parait possible…
Auriez-vous la grande bonté de me donner—par retour de courrier si possible—la
référence, c. à. d. la revue qui a publié ce texte et la date de la parution, afin que je puisse
le procurer.
Vous nous comprenez, je le sais, et vous savez combien tout cela nous déchire. Merci de
tout cœur. Comme j’aimerais vous voir !
Nous vous embrassons, Denise et moi, avec toute votre profonde affection.
Théodore
�</text>
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