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                <text>Boulanger to Stravinsky
122 Bay State Road
Boston, Massachusetts
Kenmore 7277
Monsieur I. Strawinsky
1260 N. Wetherly Dr.
Hollywood
California
March 16, 1943
Dear Igor,
How dear your thoughts are to me. How I miss you, you and Vera. It is so silly, we have so little
time, [it is] fleeting, and we make such poor use of it! I do, at least. Undoubtedly, in facing this
dreary, mundane work, one makes a living, but . . . that which we’re given passes quickly, and
we miss our only true opportunities by losing contact with those we love.
When will you be in NY? Can you not come as far as here? I’ll doubtless see you, at least I will
do my best. But I would so like for my students to speak to you, or rather, to listen to you.
I’m sending you the Sonata in the same package. Sorry to be so late. You couldn’t imagine the
dreadful, absurd life I lead. It’s ridiculous, and inexcusable, but one cannot escape the system.
And yet . . . one really must!
This week is my week of reflection, a good twenty-five years since my little sister died, [and] on
Friday it will be eight years since Mother is no longer [with us]. I ask myself: Which is greater,
the inconsolable pain of having lost them, or the enduring joy of having lived in their shadow
and their light? You know, don’t you, that I never forget your mother, nor Catherine, nor Mika—
and in my memories, they hold a very real place. I see them, and it is my consolation, this
certainty of neither being able nor wanting to forget.
A thousand questions run through my mind—I would like very much to know what you have
done, how you are, etc. etc. All this winter, I have lived with your work, and every day I
understand better all that, though knowing it note by note, one never completely understands.
What the works, the true works, contain is inexhaustible.
But excuse all these excessive and awkward words—one alone would have sufficed—see you
soon.
You are going to receive a note from Tom Whittemore. He is arriving from Turkey where he was
working in [Hagia] Sophia and is a great friend of the Princesse de Polignac. I would be happy if
he were able to see you. He truly hopes to, and deserves it, because he is one of those really good
people.
Kiss Vera, and know that I am always wholeheartedly yours.
Nadia B.
[P.S] Is there a way to have the Scherzo and the end of the symphony (orchestral [part])?
�</text>
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                <text>Boulanger à Stravinsky
122 Bay State Road
Boston, Massachusetts
Kenmore 7277
Monsieur I. Strawinsky
1260 N. Wetherly Dr.
Hollywood, California
16 mars 1943
Cher Igor,
Que votre pensée m’est [sic] chère. Que je vous regrette, vous et Véra. C’est si bête—on a un
peu de temps, fugitif—et on le dépense si mal ! Moi, du moins—sans doute, on fait face au petit
misérable devoir matériel, on gagne sa vie, mais…ce qui nous est donné passe vite, et nous
perdons nos seules vraies chances en perdant le contact avec ceux que nous aimons.
Quand serez-vous à NY. Ne pouvez-vous venir jusqu’ici. Moi, je vous verrai sans doute, du
moins je ferai l’impossible. Mais je voudrais tant que mes élèves puissent vous parler, vous
écouter plutôt.
Je vous envoie la Sonate par le même courrier pardon d’avoir tant tardé. Vous ne pouvez [pas]
vous imaginer la vie effroyable et absurde que je mène. C’est idiot, et sans excuses, mais
l’engrenage, on n’échappe pas. Et puis…il faut bien !
Cette semaine est ma semaine de retraite, bien 25 ans que ma Petite est morte, vendredi 8 ans que
Maman n’est plus. Je me demande ce qui domine, l’inconsolable douleur de les avoir perdues, ou
l’impérissable joie d’avoir vécu dans leur ombre, et de [sic] leur lumière. Vous savez n’est-ce-
pas, que je n’oublie jamais, ni votre mère, ni Catherine, ni Mica—et dans mes souvenirs, elles
tiennent une place si réelle, je les vois, et c’est notre consolation, cette certitude de ne pouvoir ni
ne vouloir oublier.
Mille questions se pressent dans mon esprit—je voudrais tant savoir ce que vous avez fait,
comment vous allez, etc. etc. Tout cet hiver je l’ai vécu avec votre œuvre—et chaque jour je
comprends mieux tout ce que, la connaissant pourtant note par note, on ne comprend jamais
complètement. Ce que les œuvres, les vraies contiennent est inépuisable.
Mais pardon de tous ces mots superflus, et gauches—un seul aurait suffi—à bientôt.
Vous allez recevoir un mot de Tom Whittemore. Il arrive de Turquie où il travaillait à Sainte
Sophie, et est un grand ami de la Princesse de Polignac—je serais heureuse qu’il pût [sic] vous
voir. Il le désire tant—et le mérite, car il est quelqu’un de très bien.
Embrassez Véra, et sachez que je suis toujours de tout cœur votre
Nadia B.
[P.-S.] Y a-t-il moyen d’avoir le Scherzo et le final de la symphonie (orchestre).
�</text>
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                <text>Boulanger to Stravinsky
122 Bay State Road
Boston, Massachusetts
Kenmore 7277
December 14, 1942
Dear Igor,
Finally—a promise kept—I am sending you your Pater and Credo in the same package! Sorry
about the Sonata, it is not really my fault, but I hope [to send it] next week. Thank you for
Haïeff. Yes, you are a part of the Fund. I asked you when you were still living in Paris, in 1936, I
think.
Give my best to Vera, and know both of you that I am there where you are, with all my heart. My
God, what I would not give to see you again,
Yours,
Nadia B
�</text>
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                <text>Boulanger à Stravinsky
122 Bay State Road
Boston, Massachusetts
Kenmore 7277
14 dec. [sic] 1942
Cher Igor,
Enfin—une promesse tenue—par le même courrier je vous envoie le Pater et le Credo ! Pardon
pr. la Sonate—ce n’est vraiment pas de ma faute—mais j’espère, la semaine prochaine. Merci
pour Haïeff, oui, vous faites partie de la fondation. Je vous l’avais demandé quand vous étiez
encore à Paris, en 1936, je crois.
Embrassez Véra—et sachez tous deux que je suis là-bas où vous êtes, de tout cœur—Mon Dieu,
que ne donnerais-je pour vous revoir.
Votre
Nadia B
�</text>
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                <text>Stravinsky to Boulanger
1260 Wetherly Drive
Hollywood, California
Mademoiselle Nadia Boulanger
122 Bay State Road
Boston, Mass
Dec. 3, 1942
Just this signature that you asked of me, dear Nadia, and which I give to Haïeff with joy.
But are you sure that I am a member of Lili Boulanger’s Memorial Fund [sic]? I most
wholeheartedly don't object, but since when?
Forgive me for not having written you more—impossible right now, and I send you all my
faithful affection.
Yours
I Str.
�</text>
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1260 Wetherly Drive
Hollywood, California
Mademoiselle Nadia Boulanger
122 Bay state road
Boston, Mass
3 dec. [sic] 1942
Juste cette signature que vous me demandez, chère Nadia, et que je donne pour Haïeff avec joie.
Mais êtes-vous sur [sic] que je suis membre of the Lili Boulanger’s Memorial Fund ? Je veux
bien et de [bon] cœur, mais depuis quand ?
Pardonnez-moi de ne pas vous écrire plus longuement—impossible en ce moment et recevez
toute mon affection fidèle.
Votre
I Str.
�</text>
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                <text>Chapter 3, 28 November 1942</text>
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                <text>Nadia Boulanger </text>
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            <description>The topic of the resource</description>
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                <text>Igor Stravinsky</text>
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          <element elementId="48">
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                <text>Paul Sacher Stiftung</text>
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                <text>Boulanger to Stravinsky
122 Bay State Road
Boston, Massachusetts
Kenmore 7277
Mr I. Strawinsky
1260 North Wetherly Drive
Hollywood
California
Nov. 28, 1942
Dear Friend,
I’m ashamed by my long silence—it is not my fault, please believe me. Work is crazy, [I am]
extremely stressed about whether a glimmer of hope has appeared. The terrible sacrifices, the
endless suffering, demanding superhuman courage to have been submitted to the worst moral
torture for two years, [torture that] grips the heart and no longer allows freedom of thought. I
know, one must trust in God, and I bow my head without a whisper, but how can I not fearfully
think about what awaits those whom we love. How I pity you—because the silence that walls
them in leaves us only room to worry.
You will tell me “it’s far too easy to worry,” but—we know well that our hearts tremble if they
hope and withdraw to pray more fervently. Oh, how I miss Vera and you. Your presence is such
a necessity for the heart and mind. But, unfortunately, California is far.
Saint-Exupéry has been a great comfort. He is so strong, so good, but he leaves any day now to
join Giraud, and now, having found peace for himself, he will finally have the opportunity to act.
Excuse me for not having corrected the Sonata still. If you knew my life, you would understand.
I will get to it, I promise you, after the 20th.
Another thing, very pressing, the Lili Boulanger fund has a prize of $500 to distribute. The
young Alexï [sic] Haïeff has written a very good symphony in the right direction. Will you trust
me and vote for him? You will be doing him a great service, which he deserves for his talent, his
work, his seriousness—and his solitude. He lives only to write, and to earn a living, gives
lessons, and he is not one of those who knows how to overdo things.
I would not allow myself to ask you this if I did not know for sure you would be in agreement if
you saw the symphony.
It is—almost morning, and I can no longer find my words. With fondness, I am wholeheartedly,
Your
Nadia B
�</text>
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                <text>Boulanger à Stravinsky
122 Bay State Road
Boston, Massachusetts
Kenmore 7277
Monsieur I. Strawinsky
1260 North Wetherly Drive
Hollywood
California
28 nov. 1942
Cher Ami,
Ce long silence me fait honte—il n’est pas de ma faute—croyez-le bien—travail fou— tension
extrême car si une lueur d’espoir est apparue, les affreux sacrifices, les souffrances sans fin,
exigeant un courage surhumain d’être soumis depuis deux ans à la pire des tortures morales,
serrent le cœur et ne laissent plus de liberté à la pensée. Je sais, il faut faire confiance à Dieu—et
je m’incline sans murmurer—mais comment pourrais-je ne pas songer avec terreur à ce qui
attend ceux que nous aimons. Que je vous plains—car ce silence qui les emmure maintenant ne
laisse place pour nous qu’à l’inquiétude.
Vous me direz : « trop facile vraiment de s’inquiéter, » mais—nous savons bien que notre cœur
tremble, s’il espère et se replie pour prier avec plus de ferveur. Que vous me manquez Vera et
vous. Votre présence est une telle nécessité du cœur et de l’esprit. Mais, hélas, la Californie est
loin.
Saint[-]Exupéry a été d’un grand secours—il est si solide—si bien—mais il part d’un jour à
l’autre rejoindre Giraud, et maintenant a trouvé, lui, une tranquillité, puisqu’il va lui être donné
d’agir enfin.
Pardon de n’avoir pas corrigé encore la Sonate, si vous pourriez [sic] vous représenter ma vie,
vous comprendriez. Je vais m’en occuper, je vous promets, après le 20.
Autre chose—très pressé, le Lili Boulanger Fund a un prix de 500 dollars a [sic] distribuer. La
jeune Alexï Haïeff a écrit une symphonie très bien dans la bonne direction. Voulez-vous me faire
confiance [et] voter pour lui. Vous lui rendriez un grand service, mérité par son talent, son
travail, son sérieux—et sa solitude. Il ne vit que pour écrire, et gagner sa vie, en donnant des
leçons—et il n’est pas de ceux qui savent se pousser.
Je ne me permettrais pas de vous demander cela si je ne me sentais pas sûre, que vous seriez
d’accord si vous voyiez la symphonie.
Il est—presque le matin, et je ne trouve plus mes mots— je vous embrasse tous deux et suis de
tout cœur votre
Nadia B
�</text>
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        <name>Antoine Saint-Exupéry</name>
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        <name>Author: Nadia Boulanger</name>
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        <name>Henri Giraud</name>
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        <name>Igor Location: California</name>
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        <name>Nadia Location: Boston</name>
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        <name>Recipient: Igor Stravinsky</name>
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        <name>Vera Stravinsky</name>
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                  <text>Boulanger and the Stravinskys, Chapter 3</text>
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                  <text>English translation and transcription of French originals from Chapter 3 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018)</text>
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                <text>Chapter 3, 29 September 1942</text>
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          <element elementId="39">
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              <elementText elementTextId="14023">
                <text>Nadia Boulanger </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Igor &amp; Vera Stravinsky </text>
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              <elementText elementTextId="14025">
                <text>Paul Sacher Stiftung</text>
              </elementText>
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            <description/>
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                <text>Boulanger to Igor and Vera Stravinsky
122 Bay State Road
Boston
Del Monte Lodge
Pebble Beach, California
Ashton Stanley, Manager
September 29, 1942
Here we are, in view of Boston, and the train is bouncing along enthusiastically. That does not
mean all that much to you. But I know how these coming days will be, and I must, my dear Igor
and Vera, tell you what the visit to your place this Thursday meant. It was so nice for me, did me
much good, and I thank you with all my heart. [This note is] not very interesting, but I would not
have peace of mind without telling you. You are so good and I love you dearly.
Your
NB
�</text>
              </elementText>
              <elementText elementTextId="17060">
                <text>Boulanger à Stravinsky
Del Monte Lodge
Pebble Beach, California
ASHTON STANLEY, MANAGER
122 Bay State Road
Boston
29 septembre 1942
Nous voici en vue de Boston—que le train sautille avec ardeur—cela ne se voit que trop. Mais je
sais ce que seront ces journées qui viennen [sic], et il me faut, mes chers Igor et Vera, vous dire
ce qu’a été ce jeudi chez vous. Il m’a été si doux, m’a fait tant de bien, et je vous en remercie de
tout mon cœur. Pas bien intéressant, mais je n’aurais pas été tranquille sans vous l’avoir dit.
Vous êtes si bons et je vous aime tant.
Votre
NB
�</text>
              </elementText>
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        <name>Author: Nadia Boulanger</name>
      </tag>
      <tag tagId="369">
        <name>Igor Location: California</name>
      </tag>
      <tag tagId="536">
        <name>Nadia Location: Boston</name>
      </tag>
      <tag tagId="357">
        <name>Recipient: Igor Stravinsky</name>
      </tag>
      <tag tagId="411">
        <name>Recipient: Vera Stravinsky</name>
      </tag>
      <tag tagId="127">
        <name>Vera Stravinsky</name>
      </tag>
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