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                  <text>English translation and transcription of French originals from Chapter 6 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018)</text>
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                <text>Boulanger to Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Palais de Fontainebleau (S.-&amp;-M.)
Bureau de New York
122 East 58th Street, N.Y. 22
Conservatoire de musique
I. Strawinsky
1260 N. Wetherly Drive
Hollywood 46
California
U.S.A.
November 7, 1964
My Friend,
A rather important letter today. The Polignac-Singer Committee is preparing a concert for the
celebration of Princess Winnie’s Centenary. We’ve come to ask you to write a work for the
concert, for a small orchestra of a maximum of fifteen instruments, perhaps with a narrator.
It goes without saying that the Committee asks you to state the terms under which you would
accept this commission. The concert would take place in October 1965. I can tell you that, in
principle, the committee will accept your conditions. The President, Mr. Heim, believes your
work alone would justify the entire program. Would you please tell me what you think about
this, because our plans depend on you. Must I tell you my hope.
(I felt such deep emotion seeing you and Vera again, and I admired Bob who put everything in
its place with such intelligence, such order. As for the work, how can one dare to speak of it. It is
essential and we are so happy to understand it. Each of your steps is so decisive.)
Fondly,
NB
�</text>
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                <text>* * *
Boulanger à Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau New-York : Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau
Le Directeur du Conservatoire
Monsieur I. Strawinsky
1260 N. Wehterly Drive
Hollwyood 46
California
USA
7 novembre 1964
Mon Ami
Lettre bien importante aujourd’hui. Le Comité Singer Polignac prépare un concert pour la
célébration du Centenaire de la Princesse Winnie. Nous venons vous prier d’écrire une
œuvre pour le concert—pour petit orchestre, au maximum 15 instruments peut-être avec
un récitant.
Il va sans dire que le Comité vous prie de lui dire dans quels termes vous accepteriez
cette commande. Le Concert aurait lieu en octobre 1965. Je puis vous dire qu’en principe
le Comité acceptera vos conditions. Le Président Monsieur Heim considère que votre
œuvre justifierait à elle seule le programme. Veuillez me dire ce que vous en pensez, car
tous nos plans dépendant de vous. Dois-je dire mon espoir.
(J’ai eu une vraie émotion à vous revoir, à revoir Vera, et j’ai admiré Bob qui a mis tout
en place avec une telle intelligence, un tel ordre—Quant à l’œuvre, qui peut se permettre
d’en parler. Elle s’impose et nous avons bien du bonheur à la comprendre. Chacun de
vous pas est decisif [sic])
Je vous embrasse,
NB
�</text>
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