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    <dcterms:title><![CDATA[THAIoml2017]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/1965">
    <dcterms:title><![CDATA[THAIoml2017]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/1988">
    <dcterms:title><![CDATA[THAItomyumk2017]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/1989">
    <dcterms:title><![CDATA[THAItomyumk2017]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/2744">
    <dcterms:title><![CDATA[The Accession of the Queen of India]]></dcterms:title>
    <dcterms:subject><![CDATA[Queen Victoria&#039;s accession in becoming Empress of India. ]]></dcterms:subject>
    <dcterms:source><![CDATA[Punch Magazine ]]></dcterms:source>
    <dcterms:rights><![CDATA[Punch Limited]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/2762">
    <dcterms:title><![CDATA[the Anatomy of Humane Bodies]]></dcterms:title>
    <dcterms:alternative><![CDATA[The anatomy of humane bodies, with figures drawn after the life by some of the best masters in Europe, and curiously engraven in one hundred and fourteen copper plates, illustrated with large explications, containing many new anatomical discoveries, and chirurgical observations, to which is added an introduction explaining the animal oeconomy, with a copious index.]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Anatomy]]></dcterms:subject>
    <dcterms:abstract><![CDATA[Published in 1698, the Anatomy of Humane Bodies brought great notoriety to William Cowper, both positive and negative. The anatomical atlas motivated a centuries long rise in interest in anatomical development in England that had been unheard of. Cowper purchased the 300 imprints of 105 copperplate engravings used in Govard Bidloo&#039;s atlas with the aid of his publisher, Samuel Smith, from the Dutch publishers  to accompany his own analysis of human anatomy.  Cowper commissioned 9 additional plates that details the musculature of the full body by Henry Cook, which were engraved by the Dutch engraver Michiel van der Gucht. Because Cowper was unable to edit the original engravings, his new English title was printed and pasted over the original Dutch title of Ontleding des Menschelyken Lichaams on the allegorical title page. The lack of credit given to Bidloo within the text however initiated one of the largest copyright scandals in the seventeenth and eighteenth century.  Regardless of the results that came from the copyright scandal, Cowper&#039;s English text accompanying the images is wholly original, offering a great deal of research and insight into the body that proved extremely valuable for medical development in the eighteenth century.]]></dcterms:abstract>
    <dcterms:tableOfContents><![CDATA[Allegorical title page<br />
Text title page<br />
Dedication to Charles Montague<br />
Introduction: Explaining the Animal Oeconomy<br />
To the Reader<br />
The Anatomy of Humane Bodies<br />
An Appendix, Representing the External Muscles, and other parts of Humane Bodies which are either Omitted, or not well Exprest in the preceding Tables<br />
The Index]]></dcterms:tableOfContents>
    <dcterms:creator><![CDATA[William Cowper]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Samuel Smith and Benjamin Walford]]></dcterms:publisher>
    <dcterms:date><![CDATA[1698]]></dcterms:date>
    <dcterms:created><![CDATA[1698]]></dcterms:created>
    <dcterms:contributor><![CDATA[Gerard de Lairesse (artist), Henry Cook (artist), Peter and Philip van Gunst (engravers), Michiel van der Gucht (engraver), John Closterman (portrait artist), John Smith (engraver)]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public Access (U.S. National Library of Medicine, 2004)]]></dcterms:rights>
    <dcterms:relation><![CDATA[Ontleding des Menschelyken Lichaams]]></dcterms:relation>
    <dcterms:references><![CDATA[Beekman, Fenwick. “Bidloo and Cowper, Anatomists.” Annals of Medical History (1935): 113-129.<br />
<br />
Choulant, Ludwig. History of Bibliography of Anatomic Illustration In its Relation to Anatomic Science and the Graphic Arts. Trans. Mortimer Frank. Chicago: University of Chicago Press: 1920.<br />
<br />
Dumaitre, Paul. La curieuse destinee des planches anatomiques de Gerard de Lairesse. Amsterdam, Rodopi, 1982.<br />
<br />
Johns, Adrian. “Piracy and Usurpation: Natural Philosophy in Restoration.” In The Nature of the Book, Print and Knowledge in the Making. Chicago and London, University of Chicago Press, 1998.<br />
<br />
Roberts, K. B., and Tomlinson, J. D. W. The Fabric of the Body: European Traditions of Anatomical Illustration. Oxford: Clarendon Press, 1992.<br />
<br />
Sanders, Mark A. “William Cowper and his Decorated Copperplate Initials.” The Anatomical Record, vol. 282 (2005): 5-12.]]></dcterms:references>
    <dcterms:format><![CDATA[288 p (105 + 9 Copperplate engravings) 51 x 36 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[Book]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Medical text]]></dcterms:type>
    <dcterms:identifier><![CDATA[Seventeenth century English anatomical atlas]]></dcterms:identifier>
    <dcterms:bibliographicCitation><![CDATA[Cowper, William. the Anatomy of Humane Bodies, with figures drawn after the life by some of the best masters in Europe, and curiously engraven in one hundred and fourteen copper plates, illustrated with large explications, containing many new anatomical discoveries, and chirurgical observations, to which is added an introduction explaining the animal oeconomy, with a copious index. Oxford, Printed at the Theatre, for Sam. Smith and Benj. Walford, 1698.]]></dcterms:bibliographicCitation>
    <dcterms:audience><![CDATA[Artists]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical practitioners]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical students]]></dcterms:audience>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/2752">
    <dcterms:title><![CDATA[The Anatomy of Humane Bodies, Allegorical Title Page]]></dcterms:title>
    <dcterms:alternative><![CDATA[The anatomy of humane bodies, with figures drawn after the life by some of the best masters in Europe, and curiously engraven in one hundred and fourteen copper plates, illustrated with large explications, containing many new anatomical discoveries, and chirurgical observations, to which is added an introduction explaining the animal oeconomy, with a copious index.]]></dcterms:alternative>
    <dcterms:subject><![CDATA[Anatomy]]></dcterms:subject>
    <dcterms:description><![CDATA[The allegorical title page of The Anatomy of Humane Bodies displays a scene with several individuals performing various tasks in a classical landscape. In the foreground, Father time is shown holding an hourglass while his scythe lies on the ground on the left. On the right of the foreground, three putti are depicted; one hold a piece of parchment, presumably with an anatomical diagram on it in front of the other two, one of which holds a skull, and the other points to a forearm which is spread across a small table. Behind them is the title of the atlas, which reads &quot;The Anatomy of Humane Bodies by William Cowper Surgeon. 1698,&quot; which is printed on a piece of paper and pasted over the original engraved title of Ontleding des Meschelyken Lichaams. This is engraved upon a shield resting against a platform on which the allegory of Medicine sits, identified by the large volume that she rests against and the knife like tool she holds in her hand. Beside her, a young boy stands, his face shrouded by drapery, and the skin of his arm removed to display the inner musculature. Flying above and behind the allegory of Medicine is Gloria, identified by her wings and two horns. Finally, in the background, flanked by distinctly Baroque architecture, two skeletons converse with each other. This allegorical title page was purchased alongside three hundred imprints of the 105 copperplate engravings featured within Govard Bidloo&#039;s atlases from his publishers.]]></dcterms:description>
    <dcterms:creator><![CDATA[Gerard de Lairesse (artist), Peter and Philip van Gunst (engravers)]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Printed at the theatre for Samuel Smith and Benjamin Walford, printers to the Royal Society in 1698.]]></dcterms:publisher>
    <dcterms:date><![CDATA[1698]]></dcterms:date>
    <dcterms:created><![CDATA[1698]]></dcterms:created>
    <dcterms:contributor><![CDATA[William Cowper]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Gerard de Lairesse]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Peter van Gunst]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Philip van Gunst]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Public Access (U.S. National Library of Medicine, 2004)]]></dcterms:rights>
    <dcterms:relation><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:relation>
    <dcterms:relation><![CDATA[Anatomia Humani Corporis]]></dcterms:relation>
    <dcterms:isPartOf><![CDATA[The Anatomy of Humane Bodies]]></dcterms:isPartOf>
    <dcterms:isVersionOf><![CDATA[Ontleding des Meschelyken Lichaams]]></dcterms:isVersionOf>
    <dcterms:format><![CDATA[Jpeg]]></dcterms:format>
    <dcterms:extent><![CDATA[62.5 x 36 cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Copperplate engraving on paper]]></dcterms:medium>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Medical Text]]></dcterms:type>
    <dcterms:identifier><![CDATA[Seventeenth century English medical practice]]></dcterms:identifier>
    <dcterms:bibliographicCitation><![CDATA[William Cowper. The Anatomy of Humane Bodies. Oxford, Printed at the theatre for Samuel Smith and Benjamin Walford, printers to the Royal Society, 1698.]]></dcterms:bibliographicCitation>
    <dcterms:audience><![CDATA[Artists]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical Practitioners]]></dcterms:audience>
    <dcterms:audience><![CDATA[Medical Students]]></dcterms:audience>
    <dcterms:audience><![CDATA[Members of the Royal Society]]></dcterms:audience>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/2900">
    <dcterms:title><![CDATA[The Angler&#039;s Dream - Tackling of the Loch Ness Monster. <br />
R.A. Rayner Postcard Example]]></dcterms:title>
    <dcterms:creator><![CDATA[Richard Arthur Rayner]]></dcterms:creator>
    <dcterms:date><![CDATA[circa 1930]]></dcterms:date>
    <dcterms:contributor><![CDATA[Google Images, Dundee LTD]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Dundee LTD]]></dcterms:rights>
    <dcterms:format><![CDATA[JPEG derived from google images]]></dcterms:format>
    <dcterms:extent><![CDATA[700 x 464 pixels]]></dcterms:extent>
    <dcterms:type><![CDATA[Postcard]]></dcterms:type>
    <dcterms:provenance><![CDATA[Google Images]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/1782">
    <dcterms:title><![CDATA[The Art of Cooking: A Series of Practical Lessons]]></dcterms:title>
    <dcterms:creator><![CDATA[Matilda Lees Dods]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Toronto: Hart &amp; Rawlinson]]></dcterms:publisher>
    <dcterms:date><![CDATA[1880]]></dcterms:date>
</rdf:Description><rdf:Description rdf:about="https://digex.lib.uoguelph.ca/items/show/2961">
    <dcterms:title><![CDATA[The Buchanan]]></dcterms:title>
    <dcterms:publisher><![CDATA[England]]></dcterms:publisher>
    <dcterms:date><![CDATA[circa 1900-1920]]></dcterms:date>
    <dcterms:contributor><![CDATA[Archival &amp; Special Collection, University of Guelph Library, Guelph, ON]]></dcterms:contributor>
    <dcterms:rights><![CDATA[In the public domain; For high quality reproductions, contact Archival &amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120, Ext. 53413]]></dcterms:rights>
    <dcterms:format><![CDATA[JPEG derived from master file, which was scanned from the original postcard in 24-bit color at 600 dpi in TIFF format using an Epson Expression 10000XL scanner.]]></dcterms:format>
    <dcterms:type><![CDATA[postcard]]></dcterms:type>
    <dcterms:identifier><![CDATA[ IXS1 MS A339]]></dcterms:identifier>
</rdf:Description></rdf:RDF>
