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                <text>Boulanger et al. to Stravinsky
SANTA BARBARA, CALIFORNIA
IGOR STRAWINSKY
HOTEL HEMENWAY BOSTON MASS
JANUARY 15, 1944
HAD MOST WONDERFUL HOUR PERFECT TRANSMISSION EVERY DETAIL SO
CLEAR MADE US FEEL ABSOLUTELY WITH YOU ALL DEEPLY THANKFUL SO
ANXIOUSLY AWAITING YOUR RETURN LOVE
NADIA DIANE GEORGE BERMAN LEFEVRE
�</text>
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                <text>Boulanger et al. to Stravinsky
SANTA BARBARA, CALIFORNIA
IGOR STRAWINSKY
HOTEL HEMENWAY BOSTON MASS
15 JANUARY 1944
HAD MOST WONDERFUL HOUR PERFECT TRANSMISSION EVERY DETAIL SO
CLEAR MADE US FEEL ABSOLUTELY WITH YOU ALL DEEPLY THANKFUL SO
ANXIOUSLY AWAITING YOUR RETURN LOVE
NADIA DIANE GEORGE BERMAN LEFEVRE
�</text>
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      <tag tagId="543">
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        <name>Georgette Sachs</name>
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                <text>Boulanger to Stravinsky
SANTABARBARA CALIF
MR AND MRS IGOR STRAWINSKY
25 JAN 1944
JUST NOW REALIZED YOU ARE ON THE SAME TRAIN AS ARTHUR THRILLED AT
YOUR RETURN CAN HARDLY WAIT LOVE
GEORGE AND NADIA.
�</text>
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                <text>Boulanger à Stravinsky
SANTABARBARA CALIF
MR AND MRS IGOR STRAWINSKY=
25 JAN 1944
=JUST NOW REALIZED YOU ARE ON THE SAME TRAIN AS ARTHUR THRILLED AT
YOUR RETURN CAN HARDLY WAIT LOVE=
GEORGE AND NADIA.
NADIA.
�</text>
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                <text>Boulanger to Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
Mr. I. Strawinsky
1260 Wetherly Drive
Hollywood 46
California
January 26, 1944
Only a small hello, so happy that you are finally coming back. We [tried] in vain not to show it,
[but] to feel you so close changes everything.
If you realize what you have given to so many people, you ought to return [a happy man]. The
letters [we’ve] received and the news from the orchestra do [us] good. [There is] an enthusiasm
that [makes] those keenly [want] to thank you but dare not. [It has been] an event in Bostonian
life. This must seem typical, obvious, but . . . and we are so happy to see that despite everything,
you are good for them, for many, as you are in life.
We feel better since your visit—and we once again want to fight on.
Give Vera a kiss, may she give you a kiss for me, too, and may you both know the deep
tenderness I feel toward you,
Nadia B.
[P.S.] Still no news from Chicago, nor from Madison except a telegram overflowing with joy.
�</text>
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                <text>Boulanger à Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
Monsier I. Strawinsky
1260 Wetherly Drive
Hollywood 46
California
26 janvier 1944
Seulement un petit bonjour, si heureuse que vous reveniez enfin. On a beau ne pas se voir vous
sentir si près change tout.
Vous devez rentrer heureux, si vous avez mesuré ce que vous avez donné à tant de gens—les
lettres reçues, les nouvelles de l’orchestre font du bien—un enthousiasme qui laisse ceux qui
l’expriment désireux de vous remercier, et ne l’osant pas, un événement dans la vie de Boston.
Cela devrait sembler naturel, évident, mais…et on se réjouit de voir que malgré tout, vous êtes
bien pour eux, pour beaucoup, tel que vous êtes en réalité.
On se sent mieux dès vous—et on se reprend à vouloir lutter.
Embrassez Vera, qu’elle vous embrasse, et que tous deux, vous sachiez avec quelle profonde
tendresse je suis avec vous.
Nadia B.
[P.-S.] Pas encore de nouvelles de Chicago, ni de Madison excepté une dépêche pleine de joie.
�</text>
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                <text>Boulanger to Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
March 1, 1944
What happiness, Dear Igor, to have the Sonata soon. Here is $15.00, because . . . $3.00 is not
enough!
With all my affection for both of you,
Nadia B.
�</text>
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                <text>Boulanger à Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
1 mars 1944
Quel bonheur, Cher Igor, d’avoir bientôt la Sonate. Voilà $15.00, car…3 ne suffisent pas !
En toute affection à vous deux
Nadia B.
�</text>
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                <text>Boulanger to Stravinsky
Featherhill Ranch
Montecito
Santa Barbara
For March 3, 1944
Dear Friend,
May I place some flowers in front of Catherine’s portrait? When I received here the telegram
announcing that she had finished suffering, I knew that I would never console myself at having
lost her—or at least [at having] to finish the voyage without her.
In her memory, wholeheartedly fond wishes to you,
Nadia
�</text>
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                <text>Boulanger à Stravinsky
Featherhill Ranch
Montecito
Santa Barbara
Pour le 3 mars 1944
Cher Ami,
Voulez-vous me permettre de déposer ces fleurs devant le portrait de Catherine—quand j’ai reçu,
ici, le cable [sic] m’annonçant qu’elle avait fini de souffrir, j’ai su que je ne me consolerais
jamais de l’avoir perdue—ou du moins de finir le voyage sans elle.
Dans son cher souvenir, je vous embrasse de tout mon cœur
Nadia
�</text>
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                <text>Boulanger to Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
March 4, 1944
Dear Igor,
What Happiness to have the Sonata—how I love it, how balanced it is and how correct it is.
I cannot write to you, nor write about your music, because crushing humility overwhelms me
and my ridiculous attempt, but I know with unmistakable certainty that I love and understand it
as it must be, as it is. What pretension! I know . . . but this is the pretension I have, and every day
I thank God for having given me the dignity to measure my weakness, and furthermore the
privilege to know what it is.
THANK YOU
This is a “flippant” letter from a certain point of view, and absurd. This comes from being taught
to question and abolish all distance and to assume all liberties. But it’s a child who’s writing it,
and undoubtedly there is more [to this] than it seems, but . . . poor little one! And a few stamps to
settle the debt. Having stolen $4.36 of the $7.50 from you, I therefore steal from you $0.72 from
$15.00, and so as to not alert the police, here is what will spare me further complications.
With heartfelt affection,
Nadia B
�</text>
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                <text>Boulanger à Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
4 mars 1944
Cher Igor,
Quel Bonheur d’avoir la Sonate—comme je l’aime, comme elle s’équilibre, et comme elle a
raison.
Ne peux pas vous écrire, ni écrire à propos de votre musique—car alors l’humilité devient
écrasante, et la tentative ridicule, mais je sais avec cette certitude qui ne trompe pas que je l’aime
et l’entends comme il faut, comme elle est. Quelle prétention ! Je sais…mais cette prétention là je
l’ai, et tous les jours je remercie Dieu pour m’avoir donné la dignité de mesurer ma faiblesse, et
pourtant le privilège de savoir ce qui est.
MERCI
La lettre est « flippante » d’un certain point de vue, et absurde, cela résulte de l’éducation
donnée, questionner, abolir toutes les distances, et s’arroger toutes les libertés. Mais c’est un
enfant qui l’écrit, et sans doute y a-t-il là plus que l’on ne croit, mais…pauvre petit ! Et quelques
timbres, pour faire de bons comptes. Vous ayant volé 4.36 sur 7.50. Je vous vole donc 0.72 sur
15.00 et afin de ne pas alerter la police, voilà ce qui m’évitera des complications.
Vous embrasse tous deux de tout cœur.
Nadia B
�</text>
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                <text>Boulanger to Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
Mr. I. Strawinsky
1260 N. Wetherly Drive
Hollywood 46
California
July 2, 1944
Look what I received, Dear Igor—what do you suggest?
Too occupied since my arrival here to write, but between the lecture this winter, the memories of
each of your gestures, setting to rights what I said, sorting out the Sonata, and the Circus Polka,
the lecture on Babel, on Scherzo [à la] Russe, on Perséphone, and then my heart “that beats only
for you” as the song says, and it doesn’t lie. Truly, you are always here and present in Madison!
We live, quite tensely, somewhat somberly, with some relaxation, [illegible word] in the calm of
this place.
My best to Vera and you, my Dear—and already I say with impatience: When am I going to see
you again.
Your
N
[P.S.] Abbot Fortier . . . thrilled. But does not want to thank you before he has read—read and
understood everything. He’s not used to these combinations and so [he] struggles!!
�</text>
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                <text>Boulanger à Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
Monsieur I. Strawinsky
1260 N. Wetherly Drive
Hollywood 46
California
2 juillet 1944
Voici ce que je reçois, Cher Igor—que conseillez-vous ?
Trop occupée depuis mon arrivée ici pour écrire, mais entre la conférence de cet hiver, les
souvenirs de chacun de vos gestes, la mise au point que dis je [sic], le débrouillage de la Sonate
et de la Circus Polka, la lecture de Babel, du Scherzo Russe, de Perséphone—et puis mon cœur
« qui ne bat que pour vous » comme dit la chanson, et elle ne ment pas. Enfin, vous êtes
vraiment hote [sic] omniprésent à Madison !
On vit, bien tendu, un peu trop sombre, avec une détente, dû au calme de ce lieu.
Je vous embrasse Vera et vous, mon bien Cher—et déjà me dis avec impatience : Quand vais-je
enfin les revoir.
Votre
N
[P.-S.] L’Abbé Fortier…ravi. Mais ne veut pas vous remercier avant d’avoir lu—tout lu et
entendu—n’est pas habitué à cette combinaison, et se bat !!
�</text>
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                <text>Boulanger to Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
July 15, 1942 [recte 1944]
Dear Igor,
Since yesterday, a struggle between despair and rage! As I had told you, I wanted to give an
informal performance at Indiana University, Bloomington. And upon informing my student of
this, I told him: private performance, insisting that he publish nothing before I gave him an exact
text for the program. In his excessive joy, the idiot in fact published nothing except for the only
thing that he ought not have—and announced the premiere of your Sonata. I just sent him a livid
note that, barring a miracle, we could no longer play the Sonata thanks to his “disobedience”—
what do you think about this? I’m upset, but, how could I have foreseen that these precautions
would be inadequate. If you confirm my decision—place an (X) on the slip of attached paper
following “no.” If, given that it is a music school, you choose to overlook it—an (X) following
“yes.” But, I will understand (despite my despair), if it is rage that you choose and refuse in a fit
of anger.
Am proud of my honesty, because . . . You would undoubtedly never have known of his gaffe
otherwise. This is not blackmail—I am consoling myself over the fury I’ve felt since yesterday!
So terrible!
I’ll write Vera another day—first I’m going to confession!
With heartfelt affection for both of you,
NB
�</text>
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                <text>Boulanger à Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
15 Juillet 1942 [recte 1944]
Cher Igor,
Depuis hier, lutte entre la [sic] désespoir et la rage ! Comme je vous l’avais dit, je voulais donner
une audition, informelle, à Indiana University, Bloomington. Et en faisant part à mon élève, je lui
ai dit : private performance, en insistant qu’il ne publie rien avant que je lui donne un texte exact
pour le programme. Dans l’excès de sa joie, l’idiot n’a en effet rien publié, sauf la seule chose
qu’il ne fallait pas dire—et a annoncé la 1ère
de votre Sonate. Je viens de lui envoyer un mot
fulminant, lui annonçant que, à moins d’une sorte de miracle, on ne pouvait plus jouer la
[S]onate, grâce à sa « désobéissance »—qu’en dites-vous? Je suis navrée, mais, comment
pouvais-je prévoir que de telles précautions étaient insuffisantes. Si vous confirmez ma
décision—mettez une croix sur le petit papier ci-joint à la suite de non. Si, étant donné qu’il
s’agit d’une école de musique, vous êtes disposé à passer outre—une croix à la suite de oui.
Mais, je comprendrai, (malgré le désespoir), si c’est ma rage que vous choisissez et refusez, dans
un mouvement de colère.
Suis fière de mon honneteté[sic], car….Vous n’auriez sans doute jamais su sa gaffe. Ceci n’est
pas du chantage—je me console de ma fureur, depuis hier ! Assez affreuse !
Véra écrirai [sic] un autre jour—vais d’abord aller me confesser !
Vous embrasse tous deux de tout cœur
NB
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                <text>Boulanger to Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
Monsieur I. Strawinsky
1260 North Wetherly Drive
Hollywood 46
California
July 28, 1944
How kind and good you are. Thank you with all my heart. We are working on the Sonata here
for the Sisters and it is such a joy. We’re preparing Palestrina’s St. Dominic Mass, and the Mass
and the Sonata illuminate one other—they present the same problems, fundamentally—and the
material is so beautiful. Oh, how the two pianos sound . . .
No need for effusions, you know what I think better than I do!
To both of you, with all my heart,
Nadia
[P.S.] Everyone here is talking about you! Sister Edward and Sister Ignatia send many thoughts
to you.
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                <text>Boulanger à Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
Monsieur I. Strawinsky
1260 North Wetherly Drive
Hollywood 46
California
28 juillet 1944
Que vous êtes gentil, et bon. Merci de tout cœur. Nous travaillons la Sonate ici, pour les Sœurs,
et c’est une telle joie. Préparons une messe de Palestrina pour la St. Dominic, et le Messe et la
Sonate s’éclairent mutuellement, mêmes problèmes, au fond, et si belle matière. Comme les deux
pianos sonnent…
Allons, pas d’effusions, vous savez ce que je pense mieux que moi!
A vous deux de tout cœur
Nadia
[P.-S.] Tout le monde parle de vous ici! Sister Edward et Sister Ignatia vous envoient tant de
souvenirs.
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