31 10 1009 https://digex.lib.uoguelph.ca/files/original/a19da2d24994b7241230a0707a34eb67.pdf 83c215b81e1ad5b1011c258840f279fe https://digex.lib.uoguelph.ca/files/original/a9e33e5c4a0240dd3df6178a5ef3fc34.pdf c98433259b8bacc621b670c2e2a3727c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 5 Description An account of the resource English translation and transcription of French originals from Chapter 5 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 5, 27 February 1956 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale de France Date A point or period of time associated with an event in the lifecycle of the resource 27 February 1956 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger Beverly Hills, California Miss Nadia Boulanger 36 rue Ballu Paris, IXth France February 27, 1956 My very dear Nadia, I have just read your kind letter of Feb. 21 and thank you with all my heart for having thought of March 2. What Halffter solicits is at the same time both touching and impossible for me. If you only knew everything I have to do before embarking in mid-June for Europe (Greece and Constantinople for our vacation, then concerts: Venice, Switzerland, Germany, Vienna and London, then returning to New York for Christmas, triple concert with the Philharmonic—Rite and Persephone—and recording Persephone with Columbia.)* I finished my Canticum Sacrum (short, 16 minutes, and quite difficult) and now . . . proofs, which means—corrections! Having finished the Canticum, I have put myself to work on an instrumental version (with choir) of J. S. Bach's Canonic Variations on Vom Himmel hoch da komm' ich her, which I have decided to do with my Canticum in Venice along with other compositions of a religious nature: Andrea Gabrieli, Schütz, Monteverdi, Gesualdo. The Bach Variations are taking more time than I thought. I am going to have Bob perform them here in the Ojai Festival in May where I am conducting my Noces. This work is interrupted by all sorts of things and right at this moment, for at least a week, by an “abbreviated version of Petroushka” for TV cartoons, length—12 minutes. They are making episodes of the start, of Petroushka's cell, of the Moor, one part of the Disguises and of Petroushka's death. In brief —a potpourri; and I am doing it for money!!! Yes, sir, it is certainly blameworthy but also excusable when one thinks of the taxes that gouge us without pity. *All this at the beginning of January 1957 to which a showing of Vera's paintings has just been added. Tomorrow the showing of her work at the Santa Barbara Museum will take place . . . Love, I Str. � Stravinsky à Boulanger Beverly Hills, California Miss Nadia Boulanger 36 rue Ballu Paris, IXeme France 27 fev/[19]56 Tres chere Nadia, Je viens de lire votre bonne lettre du 21 fvr. et vous remercie de tout cœur d’avoir pense au 2 mars. La chose que Halffter sollicite est à la fois touchante et irrealisable pour moi. Si vous sachiez seulement tout ce que j’ai a faire avant de m’embarquer mi-juin pou[r] l’Europe (Grece et Constantinople pour nos vacances, puis les concerts: Venise, Suisse, Allemagne, Vienne et Londres, puis retour a New York pour Christmas, triple concert a la Philharmonie—Sacre et Persephone—et enregistrement de Persephone avec Columbia.)* J’ai fini mon Canticum Sacrum (court, 16 minutes, et plutot difficile) et maintenant ….. epreuves, j’entends—corrections ! Ayant termine le Canticum je me suis mis au travail d’une version instrumentale (avec chœur) des Variations canoniques de J.S. Bach sur Vom Himmel hoch da komm’ ich her, que j’ai decide de faire avec mon Canticum a Venise a cote d’autre composition de caractere religieux : Andrea Gabrielli, Schutz, Monteverd[i], Gesualdo. Les Variations de Bach me prennent plus de temps que je pensais. Je vais les faire jouer ici par Bob dans les festivals d’Ojai en mai ou je dirige mes Noces. Ce travail est interrompu par toute espece de choses et en ce moment pour une semaine au moins, par une « abreviated [sic] version of Petroushka » pour des dessins animes a la TV, duree—12 minutes. On prend des episodes du debut, de la cellule de Petrouchka, du Maure, une partie des Deguises et de la mort de Petr. Bref—un potpourri ; et je la fais pour l’argent !!! yes [sic] sir, c’est certe blamable mais aussi explicable quand on pense aux taxes qu’on nous extirpe sans pitie. *Tout cela debut janvier 1957 a quoi vient de s’ajouter une exposition de tableaux de Vera. Demain aura lieu le vernissage au musee de Santa Barbara de son exposition par la… Love I Str. � 1956 Andrea Gabrielli Author: Igor Stravinsky Bach Canticum Sacrum Claudio Monteverdi Ernesto Halffter Igor Location: California Le Sacre Du Printemps Les Noces Nadia Location: 36 rue Ballu Perséphone Petroushka Recipient: Nadia Boulanger Rite of Spring Variations on von Himmel hoch da komm' ich her Vera Stravinsky https://digex.lib.uoguelph.ca/files/original/1580c481da20159e844f0d3a5bddd163.pdf 8b80629db05ef0d211236ff6fc1983b7 https://digex.lib.uoguelph.ca/files/original/875ec8fd374f52e0677fb52a02ac2264.pdf b82c6d3089be24c2d5a4bbd7f54350f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 5 Description An account of the resource English translation and transcription of French originals from Chapter 5 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 5, 27 June 1953 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale de France Date A point or period of time associated with an event in the lifecycle of the resource 27 June 1953 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger 1260 North Wetherly Drive Hollywood 46, California Mademoiselle Nadia Boulanger 36 rue Ballu Paris, 9th (France) June 27, 1953 Dear Nadia, I was happy to have your letter giving me your comments on the performance of [The] Rake at the Opera Comique. I received word from Françoise yesterday, and I notice that your impressions were similar. All the better. At the heart of it, it must be a good performance, but I, like you, deplore that there were changes [that caused problems] with continuity between scenes. It is precisely what I feared everywhere and I had finally managed to avoid in the Boston performance. I have asked Swarzensky, from rue d’Anjou, to send me the press clippings, and I hope he will do it. Those who told you I was thrilled with the Boulez article are in all cases quite adept at invention. In any case I only became aware of it eight days ago, and consequently no one has had the time to hear about my reactions since, in any case it would suffice to read the middle of page 221 to be sure I am not at risk of being more charmed by Boulez than he pretends to be by me. If you have the time, I suggest you also see Souvtchinsky’s article: Page 21: “. . . the young, contemporary music’s aspirations which are no longer with Stravinsky . . . ” Also page 22, note I: “Above all, it is evidently a question of Stravinsky’s great works like Le Sacre du printemps, Les Noces, Le Rossignol.” The Salon’s careerism continues!!! . . . Did you receive my letter? You haven’t told me about the Cantata . . . I would like, however, to know how they sang and played it and how it was received? Do not be “lazy”; answer me soon. While waiting, I send fond wishes, I. Str. � Stravinsky à Boulanger 1260 North Wetherly Drive Hollywood 46, California Mademoiselle Nadia Boulanger 36 rue Ballu Paris, 9eme (France) 27 juin 1953 Chere Nadia, J’ai ete heureux d’avoir votre lettre m’apportant vos commentaires sur l’execution du Rake a l’Opera Comique. Hier, j’avais recu un mot de Francoise et je constate que vos impressions son semblables. Tant mieux. Au fond, ca devait etre une bonne execution, mais je deplore, comme vous, qu’il y ait eu des solutions de continuite entre tableaux. C’est precisement ce que je redoute partout et avais enfin reussi a eviter dans l’execution de Boston. J’ai demande a Swarzensky, de la rue d’Anjou, de m’envoyer la presse et j’espere qu’il le fera. Ceux qui vous ont dit que j’étais emballe par l’article de Boulez ont en tout cas le genie de l’invention. D’une part je n’en ai pris connaissance qu’il y a huit jours, et par consequent personne n’a eu le temps de connaitre mes reactions jusque la [sic], d’autre part il suffit de lire au milieu de la page 221 pour etre sur que je risque pas d’etre plus charme par Boulez qu’il pretend l’etre pour moi. Si vous avez le temps, je vous suggere egalement de voir l’article de Souvtchinsky : Page 21 : « … les aspirations de la jeune musique contemporaine qui n'est plus avec Stravinsky… » Aussi page 22, note 1 : « Evidemment il est question, avant tout, des grandes œuvres de Strawinsky, comme Le Sacre du printemps, Les Noces, Le Rossignol. » Le carrierisme de salon continue !!!... Avez-vous recu ma letter ? Vous ne me parlez pas de la Cantate… je voudrais cependant bien savoir comment on l’a chantee et jouee et comment elle a ete recue?. Ne soyez pas « lazy » ; repondez-moi bientôt. En attendant, je vous embrasse bien affectueusement, I. Str. � 1953 Author: Igor Stravinsky Cantata Cantate Françoise Stravinsky Igor Location: California Le Sacre Du Printemps Les Noces Nadia Location: 36 rue Ballu Pierre Souvtchinsky Recipient: Nadia Boulanger Rite of Spring The Rake's Progress https://digex.lib.uoguelph.ca/files/original/de4748fde2c4ccd209a957f34c4046bd.pdf e3c1182d5f185974880d31051bc0e2e8 https://digex.lib.uoguelph.ca/files/original/720c24551e89ca4e321d58348b0da727.pdf a00226c7854535e51aba36cde6efe36e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 5 Description An account of the resource English translation and transcription of French originals from Chapter 5 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 5, 28 March 1952 Creator An entity primarily responsible for making the resource Nadia Boulanger Subject The topic of the resource Igor Stravinsky Source A related resource from which the described resource is derived Paul Sacher Stiftung Date A point or period of time associated with an event in the lifecycle of the resource 28 March 1952 Type The nature or genre of the resource Letter UG Extracted Text Boulanger to Stravinsky 36 rue Ballu March 28, 1952 Dear Igor, Pardon me, but Dr. Roth has taken the score back and made arrangements for Badet and Désormière to do the translations. God willing they will succeed. Some passages are good, but there are so many things to redo. After having studied the question quite closely and assessing the difficulties, François V. had arrived at the conclusion that a good result was possible. Fond wishes, N.B. [P.S.] Demand to review it before a decision is made. � Boulanger à Stravinsky 36 rue Ballu 28 mars 1952 Cher Igor, Excusez-moi, mais le Dr. Roth a fait reprendre la partition et fait arranger la traduction par Badet et Désomière. Dieu veuille qu’ils réussissent—certains passages sont bien mais tant de choses à refaire. Après avoir étudié la question de très près—et mesurant la difficulté, François V. était arrivé à la conclusion qu’un bon résultat était possible. Je vous embrasse N.B. [P.)S.] Exigez de revoir avant qu’une décision soit prise � 1952 André de Badet Author: Nadia Boulanger Ernst Roth François Valéry Nadia Location: 36 rue Ballu Recipient: Igor Stravinsky Roger Desormière https://digex.lib.uoguelph.ca/files/original/7d81b71ed0147dcf48ec53f34e3d7302.pdf 561c7cf4bfd8dc9b7df1e2e4ec53cf33 https://digex.lib.uoguelph.ca/files/original/a7709035016af5eb35c2eafe6cae570f.pdf 4873b495322ecee159d438dd87722f4a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 5 Description An account of the resource English translation and transcription of French originals from Chapter 5 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 5, 28 September 1953 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale de France Date A point or period of time associated with an event in the lifecycle of the resource 28 September 1953 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger 1260 North Wetherly Drive Hollywood 46, California Mademoiselle Nadia Boulanger 36 rue Ballu Paris, 9th (France) September 28, 1953 Dear Nadia, We are happy to finally have news from you. Thank you for giving me your comments on The Rake and the Opéra Comique. I didn’t know that Beydts had died. Who will take over from him? I had always thought the French version would be the most difficult to stage and, most certainly, the present translation did not help to overcome these difficulties, but did quite the reverse. Let’s hope that one day, as you imagine, we will succeed in doing better. Soulima, back from Urbana, told me that Swarsenski (from Boosey & Hawkes, rue d’Anjou) had organized a group to present The Rake in the provinces. Is this what you are speaking of in mentioning Tours? Great success in Edinburgh—I have received quite a bit of feedback from there. As for your “request,” as nice as it seems to me, I can only—unfortunately!—respond to you in the negative, because I am absolutely overrun with work and a surplus of commitments. After having lost about two months this summer to an operation and getting myself back on my feet, I have just agreed to write a ballet for Kirstein-Balanchine (New York City Center). I am in the middle of another project, I have a two-month American tour followed by a two-and-a-half- month European tour (Rome at Easter, Turin, Switzerland, Germany, England, Lisbon). After that, I will just have to try to catch up on the work that will have piled up. So, my dear Nadia, please forgive me and understand. With an affectionate kiss, I Str. � Stravinsky à Boulanger 1260 North Wetherly Drive Hollywood 46, California Mademoiselle Nadia Boulanger 36 rue Ballu Paris, 9eme (France) Le 28 septembre 1953 Chere Nadia, Nous sommes heureux d’avoir enfin de vos nouvelles. Merci de me donner vos commentaires sur le Rake et l’Opera Comique. Je ne savais pas que Beydts etait mort. Qui va lui succeder ? J’avais toujours pense que la version francaise serait la plus difficiles a etablir et, assurement, la traduction presente n’a pas aide a surmonter les difficultes, au contraire. Esperons qu’un jour, comme vous l’envisagez, on reuissira a faire mieux. Soulima, de retour a Urbana, m’a dit qui Swarsenski (de Boosey & Hawkes, rue d’Anjou) avait organisee une troupe pour presenter le Rake en province. Est-ce de cela que vous parlez en mentionnant Tours ? Gros success a Edinburgh d’où j’ai eu plusieurs echos. Quant a votre « priere », toute sympathique qu’elle me soit, je ne peux vous repondre—helas !— que negativement car je suis absolument deborde de travail et surcharge d’engagements. Apres avoir perdu environ 2 mois cet été a me faire operer et a me remettre en circuit, je viens d’accepter de faire un ballet pour Kirstein-Balanchine (New York City Center), j’ai une autre affaire en course, j’ai 2 mois de tournee americaine suivis de 2 mois ½ environ de tournee europeenne (Rome a Paques, Turin, Suisse, Allemagne, Angleterre, Lisbonne). Apres ca, je n’aurai qu’a essayer de rattraper tout le retard accumule. Alors, chere Nadia, ne m’en voulez pas, et comprenez-moi. Je vous embrasse affectueusement, I. Str. � 1953 Agon Author: Igor Stravinsky Igor Location: California Lincoln Kirstein Louis Beydts Nadia Location: 36 rue Ballu Recipient: Nadia Boulanger The Rake's Progress https://digex.lib.uoguelph.ca/files/original/3472dd35f6a6b8ba9a8acdfd389ad53d.pdf 4a78aed6ab2fb8629e44ef71843cd60f https://digex.lib.uoguelph.ca/files/original/e858361f42f2a17970aada1b275170ea.pdf 646beb26d15a71964e5fdfeb781536cc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 5 Description An account of the resource English translation and transcription of French originals from Chapter 5 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 5, 28 September 1953 Creator An entity primarily responsible for making the resource Soulima Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale de France Date A point or period of time associated with an event in the lifecycle of the resource 28 September 1953 Type The nature or genre of the resource Letter UG Extracted Text Soulima Stravinsky to Boulanger 910 W. Oregon Urbana, Ill Mlle Nadia Boulanger 36 rue Ballu Paris, 9th France September 28, 1953 Dear Nadia, Here are my wishes for your birthday, your health and for your priceless work. May you continue to create around you that unity of thought which is more necessary today than ever. And it was so comforting to see you, even for such a short amount of time. So many things weren’t said . . . At least I know that we always speak the same language, that the same values are dear to us both. These days I receive excellent news from my father, including the score for his Sextet (Clar., Horn, Bassoon, Piano, Viol, Vla, Cello). I read it and reread it, but that isn’t enough for me. There are always great surprises for the ear with his music. Is it not that which is so often missing from all other music? I send you fondest wishes, my dear Nadia, with all my affection. Françoise and Jean join me in my wishes. Your Soulima, Str. � Soulima Stravinsky à Boulanger Soulima Stravinsky 910 W. Oregon Urbana, Ill Mlle Nadia Boulanger 36 rue Ballu Paris, 9e France 28 septembre 1953 Chère Nadia, Voici vous mes vœux pour votre fête, pour votre santé et pour que votre inappréciable activité continue à créer autour de vous cette unité de pensée plus nécessaire aujourd’hui que jamais. Et ça été si réconfortant de vous voir, même pour de si courts instants. Tant de choses qui n’ont pas été dites…Du moins, je sais que nous parlons toujours la même langue, que les mêmes valeurs nous sont chères. D’excellentes nouvelles me parviennent ces jours-ci de mon père. Parmi elles la partition du son Sextet (Clar., Cor, Basson, Piano, Viol, Vla, Cello). Je le lis, et le relis, mais cela ne me suffit pas. Il y a toujours avec sa musique une immense surprise de l’oreille. N’est-ce pas là ce qui manque si souvent à toute d’autre musique ? Je vous embrasse, ma chère Nadia, de toute mon affection. Françoise et Jean se joignent à mes vœux. Votre Soulima, Str. � 1953 Author: Soulima Stravinsky Recipient: Nadia Boulanger Soulima Stravinsky Location: Illinois https://digex.lib.uoguelph.ca/files/original/e011383ee001206a31e57ba08faf347d.pdf 227d402dbcd13a5f3e38675f7506866e https://digex.lib.uoguelph.ca/files/original/9e049ec8c70f9d2ef24219ee53d4c9fb.pdf 75a176845c79eea4402ac598f63250fe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 5 Description An account of the resource English translation and transcription of French originals from Chapter 5 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 5, 29 March 1955 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale de France Date A point or period of time associated with an event in the lifecycle of the resource 29 March 1955 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger Hotel Hassler-Roma Trinita Dei Monti Miss Nadia Boulanger 36 rue Ballu Paris 9th France March 29, 1955 Dearest Nadia, Here we are in Rome, with me in bed with a bad cold. Would you be an angel and call for a bottle of Balsamorhinol,* which we can't find here? Thank you for your telegram. I will be waiting for you on the 2nd. Love, Str. *French nose drops � Stravinsky à Boulanger Hotel Hassler-Roma Trinita Dei Monti Miss Nadia Boulanger 36 rue Ballu Paris 9ème France 29 mars 1955 Dearest Nadia, Nous voila à Rome, moi au lit avec un gris rhume (ruhme ?). Vous serez un ange de m’appeler un flacon de Balsamorhinol * qu’on ne trouve pas ici. Merci pour votre bon telegramme [sic]. Je vous attend le 2 Love, Str. *French nose drops � 1955 Author: Igor Stravinsky Igor Location: Trinita Dei Monti Nadia Location: 36 rue Ballu Recipient: Nadia Boulanger https://digex.lib.uoguelph.ca/files/original/78a657162793d0c68b1b86f25abbbca4.pdf 9cfd5bdf9a2f112320209036b99d7c6b https://digex.lib.uoguelph.ca/files/original/fe21f1ee7488c543ce480a926847d7fb.pdf 5c67caf4c7b66919a67e3124e9561544 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 5 Description An account of the resource English translation and transcription of French originals from Chapter 5 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 5, 3 March 1952 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale de France Date A point or period of time associated with an event in the lifecycle of the resource 3 March 1952 Type The nature or genre of the resource Letter 1952 Author: Igor Stravinsky Elisabeth Schwarzkopf Ernst Roth Igor Location: California Nadia Location: 36 rue Ballu Recipient: Nadia Boulanger Roger Desormière The Rake's Progress https://digex.lib.uoguelph.ca/files/original/463b1ccad5f9793c29061e72fca10dd4.pdf b19e773554277921f152c43c3116b12f https://digex.lib.uoguelph.ca/files/original/c900e47b638dfb07dfccf583a69807d9.pdf d18c8c4bb401473724581a9fa9ef0905 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 5 Description An account of the resource English translation and transcription of French originals from Chapter 5 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 5, 30 March 1955 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale de France Date A point or period of time associated with an event in the lifecycle of the resource 30 March 1955 Type The nature or genre of the resource Telegram UG Extracted Text Stravinsky to Boulanger ROME NADIA BOULANGER 36 RUE BALLY [sic], PARIS MARCH 30, 1955 WEVE RESERVED TWO ROOMS FOR YOU EDEN HOTEL HAPPY TO SEE YOU AGAIN STRAVINSKY � Stravinsky à Boulanger ROME NADIA BOULANGER 36 RUE BALLY, PARIS 30 MARS 1955 AVONS RESERVE POUR VOUS DEUX CHAMBRES EDEN HOTEL HEUREUX VOUS REVOIR STRAVINSKY � 1955 Author: Igor Stravinsky Igor Location: Rome Nadia Location: 36 rue Ballu Recipient: Nadia Boulanger https://digex.lib.uoguelph.ca/files/original/d8417e52bccf7a59c2cbc4fda20146b9.pdf d3bb8c18e3d0f6a9abd96d602e072255 https://digex.lib.uoguelph.ca/files/original/7daf0082ab103bbb0f63fccd1d563df1.pdf 07362f8848b8e782d0acb751d755abd1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 5 Description An account of the resource English translation and transcription of French originals from Chapter 5 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 5, 30 March 1956 Creator An entity primarily responsible for making the resource Igor Stravinsky Subject The topic of the resource Nadia Boulanger Source A related resource from which the described resource is derived Bibliothèque nationale de France Date A point or period of time associated with an event in the lifecycle of the resource 30 March 1956 Type The nature or genre of the resource Letter UG Extracted Text Stravinsky to Boulanger Good Friday, [March 30] 1956_ My very dear Nadia, Happy Easter to you as well! My cantata for Venice is called Canticum Sacrum—for tenor, baritone, choir, and a large instrumental ensemble. Not long (17 minutes), somewhat difficult (particularly for the singers’ pitches). Latin text from the Vulgate. Vocal score will probably already appear in May, the full score—after Venice. Ask Dr. E. Roth (B&H in London) to send you the second set of proofs that I have just corrected—it will be easier, because here I have only manuscripts. I just finished (and sent back to London) an important arrangement of J. S. Bach's Chorale and five canonic variations—Vom Himmel hoch da komm' ich her—for instrumental ensemble and choir. I will conduct it with my Canticum in Venice and Bob [will conduct it] here, at Ojai, in the month of May. Poor Marie Blanche! Was it a stroke? Love I Str. � Stravinsky à Boulanger (Easter) vendredi Saint/[19]56 Tres chere Nadia, Bonne Paques a vous egalement ! Ma cantate pour Venise s’apelle Canticum Sacrum—pour Tenor Bariton, Chœur et grand ensemble instrumental. Pas long (17 minutes), assez difficile (surtout pour le pitch des chanteurs). Texte latin de la Vulgata. Vocal score paraitra probablement deja en Mai, le full score—apres Venise. Demandez Dr. E. Roth [sic] (B.&.H. a Londres) de vous envoyer la 2nde epreuve que je viens de corriger—ce sera plus simple, car ici je n’ai que les manuscrits. Je viens de terminer (et renvoyer a Londres) un arrangement important pour un ensemble instrumental avec chœurs du Choral et 5 variations canoniques de J.S. Bach— Vom Himmel hoch da komm’ ich her. Je vais le diriger avec mon Canticum a Venise et Bob ici, a Ojai au mois de mai. Pauvre Marie Blanche! Était-ce un stroke? Love I Str. � 1956 Author: Igor Stravinsky Cantata Cantate Canticum Sacrum Ernst Roth Marie Blanche de Polignac Recipient: Nadia Boulanger Robert Craft https://digex.lib.uoguelph.ca/files/original/ebea97331a923e1eef2b4e4e418896ba.pdf b7758e5f0f09b5cd805e458fb084216b https://digex.lib.uoguelph.ca/files/original/c79196568d536b6c5f0db34dca5f0a37.pdf 39c56ad7e7e1d18b30f34855d03765d2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boulanger and the Stravinskys, Chapter 5 Description An account of the resource English translation and transcription of French originals from Chapter 5 of Kimberly Francis, Nadia Boulanger and the Stravinskys (University of Rochester Press, 2018) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapter 5, 30 November 1951 Creator An entity primarily responsible for making the resource Nadia Boulanger Subject The topic of the resource Igor Stravinsky Source A related resource from which the described resource is derived Paul Sacher Stiftung Date A point or period of time associated with an event in the lifecycle of the resource 30 November 1951 Type The nature or genre of the resource Letter 1951 Author: Nadia Boulanger Nadia Location: 36 rue Ballu Nicolas Nabokov Oedipus Rex Recipient: Igor Stravinsky