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                <text>* * *
Théodore Strawinsky à Boulanger
Almelo
15 octobre 1968
Très chère Nadia,
C’est en arrivant en Hollande à l’hôtel où nous sommes installés pour quelques mois que
je trouve votre lettre adressée à Genève…elle nous a suivi ici où nous n’étions pas ! Nous
nous trouverons, justement à cette date là [sic] en Suisse !! Nous aurions donc pu avoir le
bonheur de vous voir. Nous avons été rappelés d’ici d’urgence auprès de la mère de
Denise qui avait eu une attaque et brusquement j’ai dû quitter mon travail ici (de grandes
fresques dans une église) pour rentrer à Genève, mais notre courrier a continué à nous
être envoyé ici. Quelle malchance pour nous, chère Nadia, combien nous aurions été
heureux de vous revoir, d’évoque tant de problèmes qui nous tiennent à cœur…Et
pendant notre séjour imprévu en Suisse, j’apprends par ma sœur Milène, que mon Père et
Vera avec Robert Craft se trouvent à Zurich !! Ah ! Chère Amie, là trop de tristesse, les
mots me manquent pour vous écrire, vous saurez lire entre les lignes, je le sais. Par
moment mon cher Père, mieux, donne le change et ou le retrouve avec son intelligence,
les réparties aigües, mais c’est en vaine qu’on cherchait la trace d’un quelconque bonheur
dans ses yeux. Ses jambes ne le portent plus, ça vous le savez, mais plus du tout…et le
voilà voyageant : après Zurich ce sera Paris ! Chère grande Amie, c’est une tragédie,
mais que faire ? Il a fallu néanmoins Zurich pour que Denise et moi ayons le grand, grand
bonheur de passer quelques heures avec lui et lui aussi a eu de la joie, il nous l’a dit.
Quelle douceur pour mon cœur de fils. J’ai su qu’on vous avait dit, chère Nadia, que ça le
fatiguait d’avoir des visites—et j’ai en tant de peine pour vous. Ils vont aller à Paris…
Pour terminer ces lignes qui viennent du cœur, que je vous redise, chère Nadia, combien
nous avons été navrés de vous avoir manquée à Genève, mais j’espère à Paris…quand ?
Je ne sais au juste.
Avec tout notre fidèle attachement, Denise et moi vous disons notre profonde affection et
vous embrasser,
Théodore
P.-S. Nous serons particulièrement près de vous en pensées après demain [le] 17, au
moment émouvant de midi. Avec vous et tous vos amis.
�</text>
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                <text>Théodore Strawinsky to Boulanger
Almelo
October 15, 1968
My very dear Nadia,
It was upon arriving at the hotel in Holland, where we have settled for a few months, that I found
your letter addressed to Geneva . . . it followed us here where we were not! We were actually in
Switzerland at that time!! We could’ve had the pleasure of seeing you then. We were brought
back here by an emergency surrounding Denise’s mother, who had had an attack, and I had to
leave my work here (large frescoes in a church) abruptly to go back to Geneva, but our mail
continued to be delivered here. What bad luck for us, dear Nadia. How happy we would have
been to see you again, to discuss so many problems we keep in our hearts . . . And during our
unplanned stay in Switzerland, I heard from my sister, Milène, that my Father and Vera and
Robert Craft were in Zurich!! Oh! Dear Friend, there is so much distress in this, I cannot find the
words to write to you, but I know you can read between the lines. At moments, my dear Father
gives the impression that he is doing better, and finds with his intelligence some critical
responses, but it’s impossible to find any sort of happiness in his eyes. His legs don’t carry him
anymore, that you know, but not at all anymore . . . and here he is travelling: after Zurich it will
be Paris! My great, dear Friend, it’s a tragedy, but what can be done? Zurich was nonetheless
necessary so that Denise and I could have the great, great happiness of spending a few hours with
him, and he also found joy in it, so he told us. How comforting for a son’s heart. I know you
were told, dear Nadia, that it tired him to have visits—and I feel so sad for you. They are going
to go to Paris . . .
To finish off these heartfelt lines, I’ll tell you again, dear Nadia, how upset we were to have
missed you in Geneva, but I hope [we will see each other] in Paris . . . when? I don’t know
exactly.
With all our faithful attachment, Denise and I express to you our deepest affection and send
tender thoughts,
Théodore
P.S. We will be with you in thought, especially the day after tomorrow, the 17th, at the emotional
moment of noon. With you and all of your friends.
�</text>
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                <text>Boulanger to Théodore Strawinsky
September 15, 1960
Dear Théodore,
I am thinking a lot about you right now. Are you going? Are you in Venice—is the past still
living in the present? All of this is preoccupying me as I know you are tormented by it. And it’s
sad, as each loses and nobody wins. And what we lose, especially in this manner, is never to be
found again. I want to hope that my worries are in vain, that you were able to spend some time
with your Father, to hear his new work, well-performed.
Alas, new works always seem difficult, audacious pieces, or more accurately, incomprehensible.
And in all his glory, your Father knows the bitterness of being, ultimately, rather alone with the
present—so cruelly and blindly misunderstood. All of that seems paradoxical and is veiled by a
small number of enlightened musicians and some courtiers.
Certainly, it does not matter: Le Sacre, Noces, Œdipe and soon Canticum Sacrum, then Threni
will take their legitimate places. I am very sad not to be in Venice, close to him—you know what
is in my heart, in my mind, in my life every day. But whether I’m close or far away, he always
seems present to me, and my reverence never ceases to accompany him.
Dear Théodore, all of this tells you, does it not, how much I love you all, Denise, Kitty—in the
memory of your Mother.
And I am your,
Nadia B.
P.S. I’ll be in Lans en Vercors until the end of the month without a doubt
�</text>
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                <text>* * *
Boulanger à Théodore Strawinsky
15 septembre 1960
Cher Théodore,
Je pense beaucoup à vous en ce moment. Allez-vous, êtes-vous à Venise—le passé reste-
t-il vivant dans le présent ? Tout cela me préoccupe comme je vous en sais tourmenté. Et
c’est triste, car chacun perd et personne ne gagne. Et ce que nous perdons, dans cet ordre
surtout, ne se retrouve jamais. Je veux espérer que mes alarmes sont vaines, que vous
avez pu aller passer quelques temps avec votre Père, entendre sa nouvelle œuvre, bien
exécutée.
Hélas les œuvres neuves semblent toujours difficiles, les œuvres audacieuses, ou plus
réellement vraies, incompréhensibles. Et dans toute sa gloire, votre Père connaît
l’amertume d’être, en fin de compte, à peu près seul avec son présent—si cruellement et
aveuglément méconnu. Tout cela semble paradoxal et est voilé par un petit nombre de
musiciens plus éclairés et de quelques courtisans.
Certes il importe peu : le Sacre, Noces, Œdipe et bientôt Canticum Sacrum, puis Threni
prendront leur place légitime. Suis très triste de n’être pas à Venise, près de lui—vous
savez ce qu’il est dans mon cœur, dans mon esprit, dans ma vie de chaque jour. Mais que
je sois proche ou lointaine, il me semble toujours présent et ma vénération ne cesse de
l’accompagner.
Cher Théodore, tout cela qui vous dit, n’est-ce pas, combien je vous aime tous, Denise,
Kitty—dans le souvenir de votre Mère.
Et je suis votre
Nadia B.
[P.-S.] Lans en Vercors jusqu’à la fin du mois sans doute
�</text>
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                <text>Théodore Strawinsky to Boulanger
Geneva
December 16, 1956
Dear Nadia,
I was so happy to hear your voice at the other end of the line the other day, but very upset to hear
that you would be entering a clinic. Even when the operation is nothing serious, it’s always
bothersome to undergo anaesthesia [and] we hope you are now free of the effects . . . and we
would be happy to have a little note to reassure us.
I don’t need to tell you how sad I was to see my father leave, or more exactly to know he
returned to America in less than perfect health (despite a . . . [illegibile] improvement) and the
distance that will separate us can do nothing but add to our anxiety and our worry . . . And no
one to watch over him.
I will have an exhibition at André Weil’s, on Matignon Avenue during the last two weeks in
February. Denise and I will be coming to Paris at the end of January, and we would be delighted
to see you again.
In anticipation, dear Nadia, accept our heartfelt wishes. Wishes for you at the end of this year
and on Christmas Eve.
Affectionately yours,
Théodore
P.S. Some very good news from Kitty, who is doing very well in her London life!
�</text>
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Théodore Strawinsky à Boulanger
Genève
16 décembre 1956
Chère Nadia,
J’ai été si heureux l’autre jour d’entendre votre voix au bout du fil, mais vraiment navré
d’apprendre que vous entriez en clinique. Même quand l’opération n’a rien de grave,
c’est toujours ennuyeux de sentir une narcose [et] nous espérons vivement que vous êtes
aujourd’hui hors d’affaire…et serions heureux d’avoir un tout petit mot pour nous
rassurer.
Je n’ai pas besoin de vous dire avec quelle tristesse j’ai vu mon père partir ou plus
exactement de le savoir regagner l’Amérique dans un état fort peu brillant (malgré
un…[lettre endommagée] amélioration) et les mètres qui vont nous séparer ne peuvent
qu’ajouter à notre angoisse et à notre inquiétude…Et personne pour veiller sur lui.
J’aurai une exposition chez André Weil, avenue Matignon la deuxième quinzaine de
février. Nous viendrons à Paris, Denise et moi, dès fin janvier et nous réjouissons de vous
revoir.
En attendant, chère Nadia, acceptez les vœux que nous formons de tout notre cœur vœux
pour vous en cette fin d’année et à la veille de Noël.
Affectueusement à vous,
Théodore
[P.-S.] De très bonnes nouvelles de Kitty qui se fait très bien à la vie de Londres !
�</text>
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                <text>Boulanger to Théodore Strawinsky
June 16, 1971
Dear Théodore,
How my thoughts are particularly close to you in these days once celebrated with joy, but
nothing has disappeared and Peace prolongs the past. I’m happy that you gave the article to
Zygmunt, he is so moved by it. As for H. Monnet’s article, he is certainly right in his enthusiasm,
but is it his place to dig up these stories and stir up controversy? I do not know what to think,
because to let it happen is so revolting.
If you only knew of Mitell.
Yours with tenderness and in deep thought,
Nadia B.
P.S. I have nevertheless telegraphed Vera, telling her that I understand her immeasurable
distress, because I still hope that she gives in and can at least sleep. What a terrible ending.
�</text>
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Boulanger à Théodore Strawinsky
16 juin 1971
Cher Théodore,
Que mes pensées sont particulièrement près de vous en ces jours jadis célébrés avec joie,
mais rien n’a disparu et la Paix prolonge le passé. Suis heureuse que vous donniez
l’article à Zygmunt, il en est si touché. Quant à l’article d’H. Monnet, il a certes raison
dans sa ferveur mais y a-t-il lieu de remuer ces histoires et de créer une polémique ? Je ne
sais que penser, car laisser passer est si révoltant.
Qu’avez-vous su de Mitell.
Avec tendresse, en profonde pensée votre,
Nadia B.
P.-S. Ai pourtant télégraphié Vera lui disant que je comprends son incommensurable
détresse car j’espère encore qu’elle se rend et peut à peine s’endormir. Quelle fin
terrible !
�</text>
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                <text>Boulanger to Stravinsky
36 rue Ballu
May 16, 1957
Finally found someone, Dear Friend, to bring you your microfilm that I didn’t dare trust to the
mail service. The young Jean-Pierre Marty, a real musician, is leaving tomorrow for N.Y. From
there he’ll deliver it to you by air to save time. When he arrives in Los Angeles he will ensure
that everything is in order. If, by chance, you could see him for a moment, it would be such a
great joy for him. He deserves it, but only if it doesn’t bother you.
What you said about Boulez makes me happy—he is serious. He is a good musician, and there
are no tricks or bluffs. He was so happy to have seen you.
I am overwhelmed by Marie-Blanche’s slow agony. Operated on two months ago, she is in the
most alarming state. We expect her death at any time, yet something inside of her is so strong
that she is still alive this morning. What sorrow.
Fond wishes and deep affection,
Yours,
Nadia
�</text>
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                <text>* * *
Boulanger à Stravinsky
36 rue Ballu
16 mai 1957
Enfin trouvé quelqu’un, Cher Ami, pour vous apporter votre microfilm que je n’ai pas
osé confier à la poste. Le petit Jean Pierre Marty, musicien vrai, part demain pour N.Y.
De là vous l’adressera par avion afin de gagner du temps. Quand il arrivera à Los
Angeles il s’assurera que tout est en ordre. Si par hasard vous pouvez le voir un instant,
ce serait une joie folle pour lui. Il la mérite, mais seulement si cela ne vous dérange pas.
Suis heureuse de ce que vous dîtes de Boulez—il est sérieux. Il est bon musicien, et il n’y
a pas de trucs ni de bluff. Il a été si heureux de vous avoir vu.
Suis très bouleversée par la lente agonie de Marie Blanche, opérée il y a deux mois, elle
est dans l’état le plus alarmant. On attend sa mort à chaque instant, et quelque chose en
elle est si fort qu’elle vit encore ce matin. Quel chagrin.
Je vous embrasse et vous dis ma profonde affection,
Votre,
Nadia
�</text>
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            <description>An entity primarily responsible for making the resource</description>
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          <element elementId="49">
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            <description>The topic of the resource</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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            <description>The nature or genre of the resource</description>
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            <name>Extracted Text</name>
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            <elementTextContainer>
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                <text>Igor and Vera Stravinsky to Boulanger
VENICE
NADIA BOULANGER C/O MARKEVITCH
VILLARS SUR OLLON, SWITZERLAND
SEPTEMBER 16, 1957
OUR THOUGHTS OUR HEARTS WITH YOU DEAR NADIA ON THIS GREAT DAY OF
YOUR BIRTHDAY MANY HAPPY RETURNS
IGOR VERA STRAVINSKY
�</text>
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                <text>* * *
Igor et Vera Stravinsky à Boulanger
VENICE
NADIA BOULANGER C/O MARKEVITCH
VILLARS-SUR-OLLON
16 SEPTEMBER 1957
NOS PENSEE NOS COEURS AVEC VOUS CHERE NADIA CE GRAND JOUR DE
VOTRE ANNIVERSAIRE MANY HAPPY RETURNS IGOR VERA STRAVINSKY
�</text>
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      </tag>
      <tag tagId="377">
        <name>Igor Location: Venice</name>
      </tag>
      <tag tagId="291">
        <name>Igor Markevitch</name>
      </tag>
      <tag tagId="608">
        <name>Nadia Location: Switzerland</name>
      </tag>
      <tag tagId="361">
        <name>Recipient: Nadia Boulanger</name>
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      <tag tagId="378">
        <name>Vera Location: Venice</name>
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      <tag tagId="127">
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          <element elementId="39">
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Nadia Boulanger</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
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            <description>The topic of the resource</description>
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              </elementText>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="15419">
                <text>Paul Sacher Stiftung</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>17 November 1958</text>
              </elementText>
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                <text>Boulanger to Stravinsky
36 rue Ballu, 9th
17 November 1958
Dear Friend,
What offensive absurdity! But is Gavoty worth worrying about? Accept the attached letter. The
boy who wrote it was sick about what happened on Friday. He is good and he has talent.
1. Would you allow your name to be put forth to the Committee for Father Desobry?
2. Would you allow Charles Leirens to come and take a photo of you? He takes very beautiful
pictures.
I’m of course sad not to have seen you, and now it’s too late. But I love you even though I
cannot see you.
To you both,
Nadia B
�</text>
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Boulanger à Stravinsky
17 novembre 1958
36 rue Ballu, 9è
Cher Ami,
L’absurdité est offensante ! Mais Gavotry vaut-il qu’on s’indigne ? Accueillez la lettre
jointe. Le garçon qui l’écrit a été malade de ce qui s’est passé vendredi. Il est bien et a de
la valeur.
1. Voulez-vous permettre que votre nom figure au Comité du Père Desobry ?
2. Permettiez-vous que Charles Leirens vienne prendre une photo de vous—Il en a fait de
très belles ?
Suis triste, bien sûr, de ne pas vous voir, et maintenant c’est trop tard—Mais je vous aime
tant que je peux ne pas vous voir.
A vous deux,
Nadia B
�</text>
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        <name>1958</name>
      </tag>
      <tag tagId="397">
        <name>Abbé Jean Desobry</name>
      </tag>
      <tag tagId="356">
        <name>Author: Nadia Boulanger</name>
      </tag>
      <tag tagId="303">
        <name>Bernard Gavoty</name>
      </tag>
      <tag tagId="396">
        <name>Charles Leirens</name>
      </tag>
      <tag tagId="359">
        <name>Nadia Location: 36 rue Ballu</name>
      </tag>
      <tag tagId="357">
        <name>Recipient: Igor Stravinsky</name>
      </tag>
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              <elementText elementTextId="15627">
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          <element elementId="49">
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                <text>17 November 1964 </text>
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          <element elementId="51">
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              </elementText>
            </elementTextContainer>
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            <name>Extracted Text</name>
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              <elementText elementTextId="16607">
                <text>Stravinsky to Boulanger
NADIA BOULANGER
36 RUE BALLU
PARIS
NOVEMBER 17, 1964
INFINITELY SORRY BUT TODAY I ASK 10 000 TO CONDUCT IN A CONCERT AND NO
LESS THAN 25 000 TO TAKE ON A SMALL PIECE
THANK YOU VERY MUCH NONETHELESS STOP
WHAT SORROW THE DEATH OF PIERRE OF MONACO
AFFECTIONATELY IGOR
�</text>
              </elementText>
              <elementText elementTextId="16608">
                <text>* * *
Stravinsky à Boulanger
36 RUE BALLU
PARIS IXÈ
, FRANCE
TEL. TRI. 57-91
17 NOVEMBRE 1964
REGRETTE INFINIMENT MAIS PRENDS AUJOURDHUI DIX MILLE POUR
DIRIGER DANS UN CONCERT ET PAS MOINS QUE 25 MILLE POUR
COMMENDE D’UNE COURTE PIECE
VOUS REMERCIE BEAUCOUP NEAMOINS STOP
QUEL CHAGRIN CETTE MORT DE PIERRE DE MONACO
AFFECTUEUSEMENT IGOR
�</text>
              </elementText>
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        <name>1964</name>
      </tag>
      <tag tagId="360">
        <name>Author: Igor Stravinsky</name>
      </tag>
      <tag tagId="359">
        <name>Nadia Location: 36 rue Ballu</name>
      </tag>
      <tag tagId="418">
        <name>Prince Pierre of Monaco</name>
      </tag>
      <tag tagId="361">
        <name>Recipient: Nadia Boulanger</name>
      </tag>
    </tagContainer>
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