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                <text>Boulanger to Théodore Strawinsky
October 19, 1968
Dear Théodore,
What sadness in your letter, how sad it is to think of such a glorious, very old man who is
battling with death, even more with illness, the decline it brings, all seen by a mind still so lucid
it is capable of measuring his suffering, weakness, weariness, and the body’s rejection.
How much I think of you, of Denise who is suffering as well, of this helplessness where you both
are, and what is there to do, what to say, what to hope? May God support those who travel such a
difficult road.
The ceremony on Thursday was very moving and to feel that her name was there where she lived
a whole part of her life was, for me, very sweet. [Now people will] become aware of her work,
and I can greet death with tranquility. Her memory will not be abandoned!
I send you all my most tender love. May God keep you,
Nadia B.
�</text>
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                <text>* * *
Boulanger à Théodore Strawinsky
19 octobre 1968
Cher Théodore,
Que de tristesse dans votre lettre, que de tristesse à la pensée du très vieil homme si
glorieux qui lutte avec la mort, plus encore avec la maladie, la déchéance qu’elle amène,
vues par un esprit encore si lucide que sa souffrance mesurant la faiblesse, la lassitude et
les refus du corps.
Combien je pense à vous, à Denise si éprouvée aussi, à cette impuissance où vous êtes
tous deux que faire, que dire, qu’espérer ? Que Dieu soutienne ceux qui passent par un si
dur chemin.
La cérémonie de jeudi a été très émouvante et de sentir que son nom est là où elle a vécu
toute une partie de sa vie m’est très doux. Et puis on prend conscience de son œuvre, et je
vois arriver le départ avec tranquillité. Son souvenir ne sera pas abandonné !
Je vous embrasse tout deux bien tendrement. Dieu vous garde.
Nadia B.
�</text>
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                <text>Boulanger to Théodore Strawinsky
[No Date] [1962]
Dear Théodore,
Sorry I still haven’t written you. I am so shaken up. I spent Sunday afternoon with your Father—
surprising strength, enthusiasm and tenderness. The worry he creates for himself, for Denise, for
you, for Kitty. Perhaps he seems to remain silent, but he lives with those who are his life and
every detail remains engraved—all hidden in a seemingly contradictory appearance, but
nevertheless rooted within.
His impressions, his trip, this return to his childhood, his sense of modesty, his way of saying
nothing but what he wants to, and how the words must veil or divulge. It is true, he walks with
difficulty, it’s the only time where one can see the signs of the shocks he has undergone. His
spirit is young, alive, innovative, mobile, and what clairvoyance, what conviction as well, which
sometimes creates incontrollable, spontaneous reactions.
Unfortunately, I must hurry, I can spare anything but time, but I am with you, sharing in your
hopes, your expectations, knowing the weight of your intense patience.
Give Denise my love and know, both of you, that my thoughts never leave you. Thank you
again.
Yours,
NB
�</text>
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                <text>* * *
Boulanger à Théodore Strawinsky
[sans date] [1962]
Cher Théodore,
Pardon de ne pas vous avoir écrit encore. Suis si bousculée. Passé l’après-midi de
dimanche avec votre Père, étonnant de force, d’enthousiasme et de tendresse. Le souci
qu’il se fait pour Denise, pour vous, pour Kitty. Peut-être semble-t-il rester silencieux
mais il vit avec ceux qui sont sa vie et chaque détail resté gravé. Tout cela caché, en
apparence contradictoire, et pourtant si enraciné.
Ses impressions, son voyage, ce retour à son enfance, sa pudeur, son art de ne dire que ce
qu’il veut, et comment les termes doivent voiler ou découvrir. Il est vrai, il marche mal,
c’est le seul moment où l’on voit des signes de chocs qu’il a subis, l’esprit est jeune, vif,
novateur, en mouvement, et quelle clairvoyance, quelle conviction aussi qui crée parfois
des réactions d’une spontanéité incontrôlables.
Hélas il faut aller vite, je ne dispose de rien comme temps mais suis avec vous partageant
vos espoirs, votre attente, sachant le poids de cette patience si longue !
Embrassez Denise et sachez tous deux que ma pensée ne vous quitte pas. Merci encore.
Votre
NB
�</text>
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                <text>Stravinsky to Boulanger
Hollywood
March 2, 1958
Thank you, thank you, dear Nadia, for your letter—I am very appreciative, believe me.
We are going to Venice (certainly to Bauer) on July 29, embarking for New York on board the
Cristoforo Colombo (which hit a whale between Genoa and Naples very recently). Threni (or
Lamentations after the Vulgate) upon which the composition touches near the end, will be
performed at the Scuola San Rocco under my direction around September 20; then I conduct
Oedipus and Le Sacre and on Sept 24 I leave with my whole ensemble for Switzerland, where I
am conducting Threni from Sept 25 to 29 in Geneva, Berne, Bâle, and Zurich. As for the desired
allocation for the Lili Boulanger Fund: OK.
Poor Marie-Blanche. I am thinking of her and I sympathize with your grief because I know you
were great friends.
I have as well just learned of a death that has greatly affected me—that of Alexandre Piovesan of
the Venice Biennale, he couldn’t have been more than forty years old!
Affectionately yours,
I. Stravinsky
�</text>
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                <text>* * *
Stravinsky à Boulanger
Hollywood
2 mars 1958
Merci, merci, chere Nadia, de votre lettre – j’en suis tres sensible, croyez-le[-]moi.
C’est a Venise (certainement au Bauer) que nous allons le 29 juillet en s’embarquant a
New York au bord de Cristoforo Colombo (qui avait cogne une baleine entre Genes et
Naples tres recemment). Threni (ou Lamentations d’apres le Vulgate) dont la
composition touche vers la fin, passe a la Scuola San Rocco sous ma direction autour du
20 septembre ; je dirige ensuite Œdipe et le Sacre et le 24 sept. je pars avec tout mon
ensemble en Suisse ou je dirige Threni du 25 au 29 sept. a Geneve, Berne, Bale, et
Zurich. OK pour le Lili Boulanger Fund quant a l’attribution desiree.
Pauvre Marie Blanche. Je pense a elle et je sympathise avec votre chagrin car, je sais,
vous avez ete des grandes amies.
Je viens aussi d’apprendre une mort qui m’a beaucoup affligee—celle d’Alexandre
Piovesan de la Biennale de Venise, un homme de 40 ans a peine !
Affectueusement à vous,
I. Stravinsky
�</text>
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        <name>Igor Location: California</name>
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March 2, 1959
Dear Théodore,
It was on the 2nd of March that I learned about the death of your Mother. [This year] I wrote
your Father a little in advance to be sure to be close to him. His response was the most moving
testament that could possibly bring us together around a dear memory.
I revered, I revere your Mother—thanks to you, her image is before my eyes always.
Lovingly, I am yours,
NB
�</text>
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Boulanger à Théodore Strawinsky
2 mars 1959
Cher Théodore,
C’est un 2 mars que j’ai appris la mort de votre Mère. J’avais écrit à votre Père un peu
d’avance pour être sûre d’être près de lui. Sa réponse est le plus émouvant témoignage
qui puisse nous réunir autour d’une chère mémoire.
Je vénérais, vénère votre Mère—son image que je vous dois est sous mes yeux, sans
cesse.
Je vous embrasse—et suis votre.
NB.
�</text>
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Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau New-York: Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau
March 2, 1963
My Friend,
So many thoughts go toward you as March 2 approaches, and so tenderly unites me to you, in the
tenderness I am going to carry to Her, the one who knew the words to illuminate the shadows.
I’ve read your very important notes in New Perspectives with great interest. What order they
bring to such troubling confusion. We will all thank you—Bob and you—for the clarification.
Bergson puts it well: the first sign of strength is precision. And also [thank you] for, as much as
you are able, protecting us and putting us on the right path. It’s always with the same feeling
when I think about this March 2, about these painful years, about Mika!
My most profound tenderness,
Nadia B
�</text>
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Boulanger à Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau New-York : Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – École des beaux-arts
Palais de Fontainebleau
Le Directeur
2 mars 1963
Mon Ami,
Que de pensées vont vers vous à l’approche de ce 2 mars qui m’unit à vous si tendrement,
dans la tendresse aussi que je vais porter à Elle qui a su les paroles qui éclairent l’ombre.
Lu avec grand intérêt vos notes si importantes dans New Perspectives. Que d’ordre elles
apportent dans une confusion si troublante. Nous devons tous vous remercier Bob et
vous—et de ces précisions. Bergson dit bien : le premier signe de la force est la
précision—et aussi de tant de vous qui peuvent nous protéger et nous mettre dans le droit
chemin.
C’est toujours avec une même émotion que je pense à ce 2 mars, à ces années si
douloureuses, à Mica !
Je vous embrasse avec une tendresse profonde,
Nadia B
�</text>
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Ecoles d’Art Américaines
Fondation Reconnue d’Utilité Publique
Bureau New-York: Fontainebleau Schools, 1083 Fifth Avenue, New-York, N.Y. 10.028
Conservatoire de musique
Palais de Fontainebleau
Director
36 rue Ballu, Paris, IX
Mr. Igor Stravinsky
Essex House
New-York City
N.Y.
U.S.A.
March 2, 1970
My thoughts are with you in steadfast loyalty, My Friend.
In her memory, I send you all my love,
Nadia B
�</text>
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                <text>* * *
Boulanger à Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau New-York : Fontainebleau Schools, 1083 Fifth Avenue, New-York, N.Y. 10.028
Conservatoire de musique
Palais de Fontainebleau
Le Directeur
36 rue Ballu, Paris, (IXè
)
Monsieur Igor Strawinsky
Essex House
New-York City
N.Y.
U.S.A.
2 mars 1970
Mes pensées sont avec vous, Mon Ami, en inaltrable [sic] fidelité [sic].
Dans son souvenir, je vous embrasse de tout cœur.
Nadia B
�</text>
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                <text>Théodore Strawinsky to Boulanger
Geneva
October 2, 1969
My very dear Nadia,
Thank you, thank you for your note and for your unfailing friendship toward my father and us.
Yes, the problems that are cropping up are so painful, and, as you say, critical in any plans, but
what and how should I feel when all access toward my father has been virtually blocked?! What
a tragedy, foremost for him, but also for us, his children . . . In such a situation we are powerless,
because what can we do that won’t provoke too much of a painful shock for him, even though I
know his deepest thoughts.
I have just received a heartbreaking letter from Milène. The poor girl has front row seats to this
tragedy. They are in New York (I mean my father) and plan to go to Paris around the 15th of this
month. Here is Milène’s address:
Mrs. André Marion
146 South La Peer Drive
Los Angeles Calif. 90048
U.S.A.
I send my heartfelt love, dear Nadia. Perhaps we’ll see each other soon,
Théodore
�</text>
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                <text>Igor and Vera Stravinsky to Boulanger
NADIA BOULANGER
36 RUE BALLU
VIA PARIS
SEPTEMBER 30, 1969
DEAR NADIA, WE THINK ABOUT YOU WITH LOVE AND HOPE TO SEE YOU IN
PARIS IN ONE MONTH
IGOR, VERA
�</text>
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                <text>Boulanger to Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Conservatoire de musique
Palais de Fontainebleau
Le Directeur
Mr. Igor Strawinsky
Hotel Bauer Grunwald
Venise
Italie
[September] 2, 1958
Dear Igor, Dear Vera,
I’ll arrive in Venice with such joy! Read the score to Threni—daren’t speak of it—what words
would I use to describe such extraordinary pages? Understand everything that my silence
contains.
Leave tonight for Bucharest. Hope to arrive in Venice at the Bauer Grunwald on the 19th. To tell
you of my joy and my impatience is impossible. I love you so and want you to know everything I
cannot express!
Until the 19th, God willing,
I am your,
NB
[P.S.] Best wishes to Bob.
�</text>
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                <text>* * *
Boulanger à Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Conservatoire de musique
Palais de Fontainebleau
Le Directeur
Monsieur Igor Strawinsky
Hotel Bauer Grunwald [sic]
Venise
Italie
2 [septembre] 1958
Cher Igor, Cher Vera
Avec quelle joie je vais arriver Venise ! Lu la partition de Threni—n’ose en parler—que
seraient mes mots devant ces pages extraordinaires. Entendez tout ce que mon silence
contient.
Pars ce soir pour Bucarest. Espère arriver le 19 à Venise Bauer Grunwald. Vous dire ma
joie, mon impatience est impossible. Je vous aime tant et vous dois tout ce qui ne
s’exprime pas !
Au 19, si Dieu veut
Suis votre
Nadia B
[P.-S.] Mille pensées à Bob
�</text>
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                <text>Boulanger to Stravinsky
36 rue Ballu
December 20, 1957
Love, wishes, expectations, gratitude, finally a couple of words to say to you, Dear Igor—Happy
Christmas.
Read your questions and responses (those which appeared). What an ingenious and useful idea
because even without good faith, one is obliged to think, to search, and the effort brings about
better understanding. At least, let’s hope.
I send you my wishes, I love you with all my heart and thank you. All best wishes to Bob,
Nadia B.
�</text>
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                <text>* * *
Boulanger à Stravinsky
20 décembre 1957
36 rue Ballu
Love, wishes, expectations, gratitude, enfin une série de mots pour vous dire, Cher Igor,
Happy Christmas.
Lu vos questions et réponses (ce qui a paru) quelle idée ingénieuse et utile car même sans
bonne volonté on est obligé de penser, de chercher, et l’effort emmène à mieux
comprendre. Du moins espérons-le.
Je vous embrasse, je vous aime de tout mon cœur et vous remercie. Mille vœux pour
Bob.
Nadia B.
\
�</text>
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      <tag tagId="331">
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