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                <text>Boulanger to Théodore Strawinsky
November 24, 1964
Dear Théodore,
Thank you for your thoughtfulness, it is kind [of you] at a very painful time. Prince Pierre was so
close, so necessary, [he has left] a very deep emptiness.
But I am happy to know that you are finally at home. I hope so much that Denise truly feels
better.
Saw your Father in Berlin. His new work is moving was very beautiful—he himself is full of
ideas, of conviction, but it’s sad that his physical state weighs so heavily on him. I was so happy
to have spent those few hours with him. His joy about the new house is extraordinary. [He has]
the enthusiasm of someone whose future lies before him, yet . . . He knows, but he acts, lives,
and feels with a heightened acuity, as if he has nothing more to lose. A very beautiful courage
and inner strength. You have told me nothing about Kitty, are you also preoccupied? How I think
of you both, of your Mother, of Mika, on the 28th!
All my love,
Nadia.
�</text>
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                <text>* * *
Boulanger à Théodore Strawinsky
24 novembre 1964
Cher Théodore,
Merci de votre pensée, elle m’est douce à un moment très douloureux. Le Prince Pierre
était si proche, et si nécessaire, vide très lourd.
Mais je suis heureuse de vous savoir enfin chez vous, j’espère tant que Denise se sent
vraiment mieux.
Vu votre Père à Berlin, nouvelle œuvre émouvante très belle, lui, plein d’idées, de
conviction, mais triste son état physique lui pèse tant. Quel bonheur d’avoir passé ces
quelques heures avec lui, sa joie de la nouvelle maison est extraordinaire, l’ardeur d’un
être qui a l’avenir devant lui, et pourtant…Il sait, mais il agit, vit, et sent avec une acuité
accrue, semble-t-il ne plus rien perdre. Très beau de courage, de force intérieure. Vous ne
me dites rien de Kitty, êtes-vous aussi préoccupé ? Que je pense à tous deux, à votre
Mère, à Mica, le 28 !
Je vous embrasse.
Nadia.
�</text>
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                <text>Boulanger to Théodore Strawinsky
November 24, 1972
Dear Théodore,
There is nothing to say to your letter, and yet everything to say to you.
We are “revolted” by some facts, which will basically disappear very quickly; and we hold on to
such memories here!
Today we are going to sing “Ave Maria,” “Pater [Noster]” and “Pastorale,” and we have no
doubt that everything else holds no weight next to this music of such spiritual and musical
importance.
I am thinking of you, of Denise, and am, with all my heart, your
NB.
�</text>
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                <text>* * *
Boulanger à Théodore Strawinsky
24 novembre 1972
Cher Théodore,
Il n’y a rien à répondre à votre mot, et pourtant tout à vous dire.
Nous sommes « révoltés » par certains faits qui au fond disparaîtront bien vite, et nous
gardons présents de tels souvenirs !
Nous allons chanter aujourd’hui l’Ave Maria, le Pater et la Pastorale et nous savons bien
que le reste ne pèse rien à côté de cette musique d’une telle signification spirituelle et
purement musicale.
Je pense à vous, à Denise, et suis de tout cœur votre,
NB.
�</text>
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                <text>Boulanger to Vera Stravinsky
* (annotations Stravinsky’s)
36 rue Ballu
Paris IX
Tel. TRI. 57-91
For December 25, 1964
Dear Vera,
New York—Hollywood—the ends of the earth . . . I do not know [where], but my wishes are
sent to you with profound tenderness. Do not be overwhelmed by my sentimental outpourings! I
will tell you again only that I love you so much, and pray to God for you, for your Peace and for
all to go as well as possible.
NY and Boston were turned upside down by the concerts. Here, Dirk Olsen understood Abraham
and Isaac, a very good impression. Le Roux and the orchestra are very good. How you were
missed.
My wishes for you both, for Bob, and for a little Vera born on an already long-ago [Orthodox]
Christmas. No memories of that for you, but a rich, beautiful, and daring life awaited.
With all my love,
Your
Nadia
�</text>
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                <text>* * *
Boulanger à Vera Stravinsky
* annotations de Stravinsky
36 rue Ballu
Paris IXè
Tel. Tri. 57-91
Pour le 25 décembre 1964
Chère Vera,
New-York—Hollywood—le bout du monde…Je ne sais, mais mes vœux vont vers vous
en profonde tendresse. Ne vous accablerai pas de mes effusions sentimentales ! Vous
redis seulement que je vous aime beaucoup, et prie Dieu pour vous, pour votre Paix et
pour que tout aille aussi bien que possible.
NY et Boston ont été bouleversés par les concerts. Ici, Dirk Olsen a compris Abraham et
Isaac, très grand impression. Le Roux et l’orchestre très bien. Que vous manquiez.
Mes vœux pour vous deux, pour Bob, et pour une petite Vera née un Noël déjà lointain,
sans souvenir pour vous, mais qu’une vie riche, belle, et courageuse attendait.
Je vous embrasse bien fort,
Votre
Nadia
�</text>
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                <text>Igor Stravinsky </text>
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                <text>25 February 1959</text>
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                <text>Stravinsky to Boulanger
Los Angeles California
Miss N. Boulanger
36 rue Ballu
Paris, IX
France
February 25, 1959
My dear Nadia,
Your letter is infinitely precious to me.
This wound that I have carried now for twenty years still and always needs kindness.
Thank you, very dear Nadia
With all my heart,
Yours,
I Str.
�</text>
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                <text>* * *
Stravinsky à Boulanger
Los Angeles, California
Miss N. Boulanger
36 rue Ballu
Paris, IXeme
France
25 février 1959
Ma chère Nadia,
Votre lettre m’est infiniment précieuse.
Cette plaie que je porte voila [sic] vingt ans a [sic] toujours encore besoin de sympathie.
Merci, très chère Nadia
De tout cœur,
Votre
I Str.
�</text>
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July 25, 1964
Dear Théodore,
I was going to write to thank you for the news about Denise when the news from Hollywood
deeply upset me. I want to hope that this forced rest is not too worrisome a sign, but we are all
sad, naturally.
All my love to you and Denise. I am so happy to think she’s finally nearly through such a long,
terrible hardship.
And as always, I send love to you both and Kitty,
Nadia B.
P.S. Sorry for this typed letter, just a bit of rest!
�</text>
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Boulanger à Théodore Srawinsky
25 juillet 1964
Cher Théodore,
J’allais vous écrire pour vous remercier des nouvelles de Denise quand les nouvelles de
Hollywood m’ont bouleversée. Je veux espérer que ce repos forcé n’est pas un signe trop
inquiétant mais naturellement nous sommes tous tristes.
Je vous embrasse, j’embrasse Denise. Je suis si heureuse de penser qu’elle est enfin à la
veille de sortir de sa terrible et si longue épreuve.
Et comme toujours, je suis toujours très tendrement avec vous deux et Kitty.
Nadia B.
P.-S. Pardon de cette lettre à la machine, un peu de repos !
�</text>
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                <text>Boulanger to Stravinsky
36 rue Ballu !!, 9th
May 25, 1958
Dear Friend,
[Sending] these lines to be with you on the 2nd. I see all of the past as if it were the present—I
think of Them, of you, and am always there.
Need I tell you of my grief over the death of Marie-Blanche? I know . . . it’s deliverance for her,
but for me, it’s a great pain.
You will receive a note from Winifred for the Lili Boulanger M. F. I believe it will be necessary
to give:
$200 to Edward Ben Michael
$200 to Geoffrey Grey
$200 to Bruno Gillet
They are serious boys who have talent and a great need to be encouraged, helped. Do you know
the date for Venice? Will you be at the Bauer? How long will you stay there?
What can I tell you about the Canticum, about Agon? I don’t dare tell you anything, but I thank
you from the bottom of my heart. You extract everything through the method you choose and
you make it your own. All the art is there.
My tenderness to you both, and many thoughts for Bob,
Your
NB
�</text>
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                <text>* * *
Boulanger à Stravinsky
36 rue Ballu, 9è
25 mai 1958
Cher Ami,
Ces lignes pour être avec vous le 2. Je revois tout ce passé si présent, je pense à Elles à
vous, et suis toujours là.
Dois-je vous dire mon chagrin de la mort de Marie-Blanche. Je sais…C’est une
délivrance, pour moi, c’est une grande peine.
Vous recevrez un mot de Winifred pour la Lili Boulanger M.F. Je crois qu’il faudrait
attribuer :
$ 200 à Edward Ben Michael
$ 200 à Geoffrey Grey
$ 200 à Bruno Gillet
Il s’agit de garçons sérieux qui ont du talent et grand besoin d’être encouragés, aidés.
Savez-vous la date de Venise ? Serez-vous au Bauer ? Combien de temps restez-vous là-
bas.
Que vous dire du Canticum, d’Agon—à vous je n’ose pas, mais je vous remercie du fond
du cœur, le moyen que vous choisissez vous en tirez tout et les faites vôtres, tout l’art est
là.
Ma tendresse à vous deux, tant de pensées pour Bob,
Votre
NB
�</text>
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                <text>Boulanger to Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau New York: Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau
Le Directeur
November 25, 1963
Oh, how sad, My Friend. I know that Aldous Huxley’s death robs you of a very loyal friendship.
Jean’s death is such a heartbreak, and the tragic end to John Kennedy deeply upset you. And now
December 2 approaches. But you have chosen St. Paul’s text, and the light shines in the
darkness.
Once more you bring us [the light] with A Sermon, a Narrative, and a Prayer. All of these
exceed any words that could be used for such a masterpiece. May God bless you.
With tenderness and love, I am your
Nadia B.
�</text>
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                <text>* * *
Boulanger à Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau New-York : Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau
Le Directeur
25 novembre 1963
Que de tristesse, Mon Ami—Je sais que la mort d’Alduous Huxley vous pri[v]e d’une
amitié fidèle—que la mort de Jean a été un déchirement—que la tragique fin de John
Kennedy vous a bouleversé—et que le 2 decembre approche. Mais vous avez choisi le
text de St. Pa[u]l—et la lumière luit dans les ténébres.
Vous nous l’apportez une fois de plus—avec A Sermon, a Narrative, and a Prayer. Tout
cela dépasse les mots qui peuvent être dits d’un chef d’œuvre. Que Dieu vous bénisse.
Je vous embrasse avec tendresse et émotion.
Nadia B.
�</text>
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                <text>Boulanger to Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
New York Office: Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau
Le Directeur
October 26, 1961
Dear Igor,
Up to the last minute I held on to the hope of coming and greeting you in London. What
disappointment I feel about it all. I had such a great need, such a great desire to see you. It has
been so long!
And the time is equally as long because you use it in such a way that you are far ahead of the rest
even before they get started.
And I needed to breathe some of your air (as if it were possible!) and to try to follow you. But to
be honest, each of your steps is so decisive that unless we are hopelessly stupid and obtuse, we
walk with you, renewed and new.
I love you so much, honestly as much as I admire you, and I’m sorry I can’t rush to you.
To Vera, to you, and with many thoughts for Bob,
Nadia B
�</text>
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                <text>* * *
Boulanger à Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau New-York : Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau – Le Directeur du Conservatoire
26 octobre 1961
Cher Igor,
L’espoir de venir vous embrasser à Londres, je l’ai gardé jusqu’au dernier moment.
Quelle déception j’en éprouve. J’avais si grand besoin, si grand désir de vous voir. Il y a
si longtemps !
Et le temps est d’autant plus long que vous l’employez d’une telle manière que vous êtes
loin avant que les autres ne se soient mis en route.
Et il me fallait respirer votre air (s’il se peut !) et essayer de vous suivre. Mais à vrai dire
chacun de vos pas est si décisif qu’à moins d’être désespérément stupide et obtus, on
marche avec vous, renouvelé et neuf.
Je vous embrasse, je vous aime tant à vrai dire autant que je vous admire, et c’est triste de
ne pas accourir.
A Véra, à vous, et avec tant de pensées pour Bob
Nadia B
�</text>
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                <text>Théodore Strawinsky to Boulanger
Cavalière
December 27, 1970
Very dear Friend,
The year which draws to a close has been a sad, hard, and heavy one—for us and for all our
friends. Denise and I have twice mourned [the loss of loved ones]: in addition to her mother,
three months ago we lost our dearest friend in Geneva, Madame Casaï, (Marie-José’s lady-in-
waiting) who was a real sister to us. And what can we say about the real drama that is playing
out around my father who is already three-quarters in the hands of God? It’s in such moments
that the real values appear to our eyes from the heart, and one feels their unique importance: real
friendships, real commitment, and profound faith. You know, dear Nadia, the place in our hearts
your friendship occupies, resolutely linked to my father and to my mother. It’s all that matters.
We would like to be able to erase all of the rest. Alas! It’s not so easy.
We are just here a few days to rest, and we’ll be returning to Geneva as of January 5 or 6.
On the threshold of 1971, Denise and I remind you of everything that our hearts so affectionately
desire for you,
Théodore
�</text>
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                <text>* * *
Théodore Strawinsky à Boulanger
Cavalière
27 décembre 1970
Chère grande Amie,
Voici une bien triste, dure et lourde année—pour nous comme pour tout de nos amies–
qui s’achève. Pour Denise et pour moi par deux fois endeuillée : outre sa maman nous
avons perdu, vois 3 mois, notre plus chère amie à Genève, Madame Casï (dame de
compagnie de Marie-José) qui était une vraie sœur pour nous. Et que dire du véritable
drame qui se joue autour de mon pauvre père déjà trois-quarts entre les mains de Dieu !
C’est un de tels moments que les vraies valeurs apparaissent aux yeux du cœur et que
l’on ressent leur unique importance. Les vraies amitiés, le vrai attachement, les fidélités
profondes. Vous savez, chère Nadia, la place que la vôtre occupe dans notre cœur,
indissolublement liée à mon père et à ma mère. C’est tout ce qui compte. Le reste, on
voudrait pouvoir l’effacer. Ce n’est, hélas ! pas si facile.
Nous sommes ici juste quelques jours pour nous détendre, serons de retour à Genève dès
le 5 ou 6 janvier.
Au seuil de 1971, nous vous disons, Denise et moi, tout ce que notre cœur souhaite pour
vous avec notre plus profonde affection.
Théodore
�</text>
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                <text>Théodore Strawinsky to Boulanger
Geneva
January 27, 1970
Dear Nadia,
Coming from you, nothing could have touched us more than this marvelous record. We listened
to it with deep emotion. I send my love to you with immense, immense thanks!
If I didn’t write you sooner, it is because, after barely making it back at midnight, I caught an
awful flu and have only gotten over it recently.
I live in constant anguish—you’ll understand it—being now completely deprived of news of my
father. Everything has been broken off between Vera and us following a letter that I could not
stop myself from writing to her—in only the most correct and moderate terms—to tell her of my
indignation at the announcement that not only all of the manuscripts but also all of the archives
are up for sale. Letting others believe that it is Strawinsky himself selling all of them. Not to
mention my indignation over the articles, or “interviews” fabricated by Craft to bolster the
legend that the master is still mentally in full form. My letter earned me a vile response from
Vera. And when I think, my dear and good friend, that my poor father’s completely shrouded
mental state prevents him from even recognizing his own music when we play a record of it for
him? It is tragic. The only consolation is to think that he is no longer in a state that would allow
him to understand all the treachery unfolding around him. Never did I think Vera would one day
stoop to this level!
Denise and I send our faithful wishes,
Théodore
�</text>
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                <text>* * *
Théodore Strawinsky à Boulanger
Genève
27 janvier 1970
Chère Nadia,
Venant de votre part, rien ne pouvait nous toucher davantage que l’envoi de ce
merveilleux disque. Nous l’écoutons avec émotion. Je vous embrasse avec un grand,
grand merci !
Si je ne vous ai pas écrit plus vite, c’est qu’à peine rentrés du midi j’ai attrappé [sic] une
forte grippe dont je ne me remets que ces-jours-ci.
Je vis dans une constante angoisse—vous le comprendrez—étant maintenant
complètement privé de vraies nouvelles de mon père. Tout est rompu entre Vera et nous à
la suite d’une lettre que je n’ai pu m’empêcher de lui écrire—dans des termes toutefois
corrects et modérés—pour lui dire mon indignation à l’annonce de la mise en vente non
seulement de tous les manuscrits mais aussi de toutes les archives. Laissant croire que
c’est Strawinsky lui-même qui vend tout. D’autre part mon indignation aussi devant les
articles « interviews » fabriquées par Craft pour accréditer la légende que le maître est
encore mentalement en pleine forme. Ma lettre m’a valu de Vera une réponse ignoble.
Quand je pense, chère grande Amie, que l’état cérébral complètement voilé de mon
pauvre père l’empêche même de reconnaître sa propre musique quand on lui met un
disque ? C’est tragique. La seule consolation est de penser que de toutes ces vilénies qui
se trament autour de lui, il n’est plus en état de s’en rendre compte. Jamais je n’aurais
pensé que Vera se prêterai un jour à tout cela !
Nous vous disons, Denise et moi, toute notre fidèle affection.
Théodore
�</text>
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