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                <text>Boulanger to Stravinsky
36 rue Ballu
Telephone: Trinité 57-91
March 25, 1956
May all of my thoughts go to you this Easter, Dear Igor, Dear Vera. Is there a way I might
familiarize myself soon with the Venetian work for San Marco? At my peril, I dare confess a
faint glimmer of hope.
Marie Blanche is very sick, complications with the brain. But one must not despair. It is a great
sadness.
I send my love to you on the Day of Light and am your
Nadia
[P.S.] Many kind regards to Bob Craft
�</text>
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                <text>Boulanger à Stravinsky
36 rue Ballu
Téléph : Trinité 57-91
25 mars 1956
Que pour Pâques, Cher Igor, Chère Véra, toutes mes pensées aillent vers vous. Y-a-t-il un moyen
de connaître bientôt l’œuvre vénitienne San Marco. J’ose à peine avouer ma petite lueur d’espoir.
Marie Blanche est très malade—complication cérébrale. Mais il ne faut pas désespérer. C’est une
grande tristesse.
Je vous embrasse pour le Jour de lumière,
Et suis votre
Nadia
[P.-S.] Tant de bons souvenirs pour Bob Craft
�</text>
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          <element elementId="40">
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                <text>Boulanger to Théodore Strawinsky
The Palace, Principality of Monaco
April 5, 1956
Dear Théodore,
Would you please tell His Majesty how much I am touched by His thoughts and am sorry that I
am unable to accept His gracious invitation, but I am here to prepare the nuptial mass for the
Prince of Monaco whom I knew as a child, and I am kept here for this ceremony with all my
heart.
I regret missing the concert in every respect—how I would like to see all three of you again in
Venice, in any case! Your Father seems to be involved in the most enriching activities—How
delightful.
I send you all my most tender affection.
Nadia B.
�</text>
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                <text>Boulanger à Théodore Strawinsky
Le Palais. Monaco Principauté de Monaco
5 avril 1956
Cher Théodore,
Voulez-vous bien dire à Sa Majesté combien je suis touchée par Sa pensée et désolée de ne
pouvoir me rendre à Sa gracieuse invitation, mais je suis ici pour préparer la messe de mariage
du Prince de Monaco que j’ai connu enfant, et c’est de tout mon cœur que je suis retenue par
cette cérémonie.
Je regrette tant de manquer ce concert à tous égards—que je voudrais vous revoir tous trois à
Venise, en tout cas ! Votre Père semble dans la plus féconde des activités—Quel bonheur.
Je vous embrasse tous de toute ma tendre affection.
Nadia B.
�</text>
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      <tag tagId="503">
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                <text>6 May 1956 </text>
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                <text>Boulanger to Stravinsky
May 6, 1956
1. Exact date of performance or rehearsal Canticum Venice
2. Which hotel will you be staying at? Bauer?
3. Would you prefer that Annette and I stay at a different hotel?
4. How long will you be in Venice?
[P.S.] Forgive me for bothering you with this . . . Plans must be made, rooms reserved. I’ve
received Canticum. What marvelous and powerful music! Thank you, your
Nadia B.
�</text>
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                <text>Boulanger à Stravinsky
6 mai 1956
1. Date exacte exécution, er rep. Canticum Venise
2. Quel hotel [sic] descendez-vous ? Bauer ?
3 Préfériez-vous qu’Annette et moi descendions autre hotel
4. Combien de temps restez-vous Venise [sic]
Pardon vous ennuyer, mais…il faut faire des plans. Retenir des chambres—Ai reçu Canticum,
quelle musique merveilleuse et forte. Merci, votre
Nadia B.
�</text>
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                <text>4 June 1956 </text>
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                <text>Boulanger to Stravinsky
36 rue Ballu, 9th
Telephone: Trinité 90-17
Igor Strawinsky
1260 N. Wetherly Drive
Hollywood 46
California
U.S.A.
June 4, 1956
My very dear Friend,
“We leave the 27th”—May or June 27th? And I wonder where my wishes are going to find you.
You are unbelievably lucky: I can’t write—and besides, what letter [could I write] after meeting,
after getting to know the Canticum!!
But, modestly, wisely, I send you my love, I thank you, and I profess myself yours,
N
[P.S.] I’ll be in Venice at the Bauer from September 11 until . . . ! Everything depends on you.
[P.P.S.] All tenderness to Vera and kind regards to Bob.
�</text>
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                <text>Boulanger à Stravinsky
36 rue Ballu, 9è
Téléph.Trinité 90-17
Monsieur Igor Strawinsky
1260 N. Wetherly Drive
Hollywood 46
California
USA
4 juin 1956
Très cher Ami,
« Le 27 nous nous embarquons » 27 mai, Juin ? Et je me demande où mes vœux vont vous
rejoindre. Vous avez une chance folle : je ne sais pas écrire—sans cela quelle lettre après la
rencontre, la connaissance de Canticum !!
Mais modestement, sagement, je vous embrasse—vous remercie—et me dis votre
N
[P.-S.] Serai à Venise, au Bauer, le 11 septembre jusqu’au… ! Tout dépend de vous.
[P.P.-S.] Mille tendresses à Vera et, amitiés à Bob
�</text>
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        <name>Igor Location: California</name>
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                <text>Boulanger to Théodore Strawinsky
August 13, 1956
Dear Théodore,
Although death may have been a deliverance for your dear Madubo, I understand your pain and
I’m saddened not to have said so when I heard news of her death. So now your dear old friend is
in Peace—which she deserved so well. Like always, I am thinking of you—of our memories—of
your mother. I send you my love and send to all three of you my deep affection.
Nadia B.
[P.S.] Will you be in Venice? I do hope so.
[P.P.S.] And the work is so grandly austere, strong—its sonority must be extraordinary. And I
am so happy at the thought of seeing your Father again.
�</text>
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                <text>Boulanger à Théodore Strawinsky
13 août 1956
Cher Théodore,
Bien que la mort ait été une délivrance pour votre chère Madubo—je comprends votre peine et
suis triste de ne pas vous l’avoir dit quand j’ai appris la fatale nouvelle. Voilà votre chère vielle
amie dans la Paix—qu’elle avait si bien méritée—comme toujours je pense à vous—à nos
souvenirs – à votre mère—je vous embrasse et vous dis à tous trois mon profond attachement.
Nadia B.
[P.-S.] Serez-vous à Venise ? Que je le souhaite.
[P.P.-S.] Et l’œuvre est si grande austère, forte—sa sonorité doit être extraordinaire. Et j’ai tant
de bonheur à la pensée de revoir votre Père.
�</text>
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                <text>Boulanger to Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Palais de Fontainebleau (S.-&amp;-M.)
Conservatoire de musique
Le Directeur du Conservatoire
September 2, 1956
My Dearest Ones,
Will be at the Bauer on the 8th. It’s terrible to wait, my impatience to see you again is so great, to
hear the Canticum and Choral. I had better keep quiet, because I’m incapable of expressing what
these works call for.
My love and deepest affection to you both,
NB
[P.S.] Impossible to obtain a room before the 8th, will therefore be at the Jolly Ravenna Hotel
from the 5th to the 8th; am also looking forward to seeing the mosaics. Annette Dieudonné,
Winifred Johnstone, and one of my Indian students will all be there on the 8th.
[P.P.S.] What an incredible story concerning seats—Oh well, we’ll fight them if we have to!
�</text>
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                <text>Boulanger à Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Palais de Fontainebleau (S.-&amp;-M.)
Conservatoire de musique
Le Directeur du Conservatoire
2 septembre 1956
Mes très Chers,
Serai au Bauer le 8—terrible d’attendre, si grande est mon impatience vous revoir, entendre
Canticum et Choral. Mieux vaut que je me taise puisque je suis incapable de dire ce que de telles
œuvres appellent.
Je vous embrasse avec toute ma profonde affection,
NB
[P.-S.] Impossible d’obtenir une chambre avant le 8, suis donc du 5 ou 8 Hotel Joly Ravenne, au
surplus[,] heureuse de voir les mosaïques. Annette Dieudonné, Winifred Johnstone, un de mes
élèves indiens serons tous là le 8.
[P.P.-S.] Quelle histoire incroyable au sujet des places—enfin, on se battra si nécessaire !
�</text>
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        <name>Nadia Location: Fontainebleau</name>
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        <name>Recipient: Igor Stravinsky</name>
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                <text>Boulanger to Stravinsky
[Undated]
My dear Friend,
I believed I knew the Canticum by heart, and the Variations. All that was left for me was to hear
everything. I know that we bore you, we love you too much and without purpose. But our worth
is so small beside yours. That night in San Marco warmed my heart. I felt you so alone, and
never so alone, and our sorry tenderness was only bothersome. But I believe I truly understand
this music.
God bless you, you who gives so much, and forgive me for not being able to stop myself from
sending you these lines.
Fond wishes
�</text>
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                <text>Boulanger à Stravinsky
[sans date]
Mon cher Ami,
Je croyais connaître le Canticum par cœur—et les variations. Il me restait tout à entendre. Je sais
nous vous ennuyons, nous vous aimons trop et inutilement, mais notre mesure est si petite à coté
[sic] de la votre [sic]. Mon cœur s’est serré le soir de San Marco—je vous ai senti si seul, à
jamais si seul—et nos pauvres tendresses ne sont qu’encombrants. Mais je crois que cette
musique, je la comprends vraiment.
Dieu vous bénisse vous qui nous donnez tant—et pardon de ne pas pouvoir ne pas vous envoyer
ces lignes.
Je vous embrasse
�</text>
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      </tag>
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        <name>Recipient: Igor Stravinsky</name>
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                <text>Boulanger to Théodore Strawinsky
November 11, 1956
Dear Théodore,
Your letter overwhelms and touches me—Your confidence consoles me—seeing as how my
anxiety is so close to your own. Allow me to reassure you, however, that I was told a concert is
no longer envisioned, but—it’s not the same thing. And we suffer all the more when we listen
again to the Canticum, however poorly performed. What spiritual significance and technique in a
work so beautiful, so important and inevitably still misunderstood.
While my thoughts never leave your Father, I don’t dare write there [to Munich]—I don’t know
what to say to him—I’m scared of words. You know that I love him as much as I admire and
respect him. In the middle of the horror, of the disgrace into which we have plunged, your
Father’s illness is a terrible catastrophe.
Lovingly, and with a heart that belongs tenderly to you both,
Nadia
�</text>
              </elementText>
              <elementText elementTextId="17215">
                <text>Boulanger à Théodore Strawinsky
11 novembre 1956
Cher Théodore,
Votre lettre me bouleverse et me touche—Votre confiance m’est douce—alors que mon anxiété
est si proche de la votre [sic]. Laissez-moi un peu vous rassurer pourtant, que plus un concert ne
doit être envisagé m’a été dit, mais—ce n’est pas la même chose. Et on souffre d’autant plus
quand on réentend le Canticum, pourtant mal donné. Quelle signification spirituelle et technique
dans cette œuvre si belle, si importante et forcément encore incomprise.
N’ose écrire là-bas alors que ma pensée ne quitte pas votre Père—ne sais que lui dire—ai peur
des mots. Vous savez que je l’aime autant que je l’admire et le respecte. Au milieu de l’horreur,
de la honte dans lesquelles nous sommes plongés, la maladie de votre Père est une catastrophe
terrible.
Je vous embrasse et suis avec vous deux d’un cœur tendrement.
Nadia
�</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Clan Leslie</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>[Clan Leslie postcard of tartan and coat-of-arms]</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Leslie Family</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Lithographic postcard</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Not known</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="10987">
                <text>W &amp;amp; A. K. Johnston Limited Edinburgh</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>[ca 1910]</text>
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            </elementTextContainer>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Scottish Studies Collection, Archival &amp;amp; Special Collections, University of Guelph Library, Guelph, Ontario Canada</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="10990">
                <text>JPEG derived from master file, which was scanned from the original book in 24-bit colour at 600 dpi in TIFF format using an Opus Bookeye 4 scanner.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>XS1 MS A318 Box 21 File 10</text>
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            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="10992">
                <text>single postcard</text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="11330">
                <text>Gift of David Leslie White, 2012</text>
              </elementText>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="11331">
                <text>In the public domain; For high quality reproductions, contact Archival &amp;amp; Special Collections, University of Guelph. libaspc@uoguelph.ca, 519-824-4120-Ext. 53413</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="11332">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="70">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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              <elementText elementTextId="11333">
                <text>Clan Leslie Collection</text>
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          </element>
        </elementContainer>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9480">
                  <text>Clan Leslie</text>
                </elementText>
              </elementTextContainer>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10993">
                <text>[Stamped letterhead of small blue badge]</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>Leslie Family</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Indigo stamp on paper of Leslie badge consisting of a belt and buckle encircling a left facing rearing griffin under the motto Grip Fast</text>
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          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Scottish Studies Collection, Archival &amp;amp; Special Collections, University of Guelph Library, Guelph, Ontario Canada</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>JPEG derived from master file, which was scanned from the original item in 24 bit-colour at 600 dpi in TIFF faormat using an Epson Expresion 10000XL scanner. PDF from PDF-A file.</text>
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            </elementTextContainer>
          </element>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>XS1 MS A318 Box 16 File 19</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Not known</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of David Leslie White, 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="11326">
                <text>Unpublished</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11327">
                <text>[ca 1979]</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="70">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Clan Leslie Collection</text>
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            </elementTextContainer>
          </element>
          <element elementId="78">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="11329">
                <text>image 3.5 cm. X 4.5 cm.&amp;nbsp;</text>
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