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                <text>Stravinsky to Boulanger
Los Angeles California
Miss N. Boulanger
36 rue Ballu
Paris, IX
France
February 25, 1959
My dear Nadia,
Your letter is infinitely precious to me.
This wound that I have carried now for twenty years still and always needs kindness.
Thank you, very dear Nadia
With all my heart,
Yours,
I Str.
�</text>
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Stravinsky à Boulanger
Los Angeles, California
Miss N. Boulanger
36 rue Ballu
Paris, IXeme
France
25 février 1959
Ma chère Nadia,
Votre lettre m’est infiniment précieuse.
Cette plaie que je porte voila [sic] vingt ans a [sic] toujours encore besoin de sympathie.
Merci, très chère Nadia
De tout cœur,
Votre
I Str.
�</text>
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                <text>Boulanger to Théodore Strawinsky
March 2, 1959
Dear Théodore,
It was on the 2nd of March that I learned about the death of your Mother. [This year] I wrote
your Father a little in advance to be sure to be close to him. His response was the most moving
testament that could possibly bring us together around a dear memory.
I revered, I revere your Mother—thanks to you, her image is before my eyes always.
Lovingly, I am yours,
NB
�</text>
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                <text>* * *
Boulanger à Théodore Strawinsky
2 mars 1959
Cher Théodore,
C’est un 2 mars que j’ai appris la mort de votre Mère. J’avais écrit à votre Père un peu
d’avance pour être sûre d’être près de lui. Sa réponse est le plus émouvant témoignage
qui puisse nous réunir autour d’une chère mémoire.
Je vénérais, vénère votre Mère—son image que je vous dois est sous mes yeux, sans
cesse.
Je vous embrasse—et suis votre.
NB.
�</text>
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                <text>Boulanger to Stravinsky
36 rue Ballu
Paris IX
Tel: Tri 57-91
April 11, 1960
Easter has nearly arrived now—it seems to me that I haven’t written to you in a very long time,
my dear Igor, and yet I miss you more than I know how to say. But, in truth, I am slightly afraid
of inflicting on you a useless letter full of my effusions—and what’s more, I know how to listen
to you without daring to speak to you. Perhaps because I admire you so much, I am acting silly.
A lot of disappointing concerts this winter—with many of the attempts showing both
powerlessness and self-confidence at the same time. Out of clumsy hands and weak minds came
a bunch of derivative, inadequate tricks and stuff. But it would only take one work and one will
to put everything back in order.
You cannot imagine how angry I was at myself for not written to you at the start of March—that
month which is marked by such real pain for you.
I know, I know that the years change the outward appearance of what we allow to be seen, but
the wounds never close.
Her photograph is here, near to me—the light given off by her being will never be
extinguished—and . . . I know that She always prays for us.
I send my love and miss, more than you can know, the times which are now so far away, and
during which we were so close. Yet what seems to have changed has not changed the essential
[the essence of our bond]. And then, you are—and that is enough. With all my heart,
Your
Nadia
[P.S.] Best wishes for the household.
�</text>
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                <text>* * *
Boulanger à Stravinsky
36 rue Ballu
Paris IXè
Tel: Tri 57-91
11 avril 1960
Et nous voila bien près de Pâques—il me semble que je ne vous ai pas écrit depuis bien
longtemps, mon cher Igor, et vous me manquez pourtant plus que je ne sais vous le dire.
Mais, en vérité, j’ai un peu honte de vous infliger la lecture inutile de mes effusions—et
de plus, sais vous écouter sans oser vous parler. Peut-être qu’à force d’admiere [sic] on
deviant [sic] bête.
Beaucoup de concerts décevants cet hiver—avec des tentatives qui ma[r]quent à la fois
l’impuissance [sic] et l’outrecuidance. Entre des mains malhabiles et des esprits sans
force, un ramassis d’emprunts, de trucs et de pauvretés. Mais il suffit d’une œuvre et
d’une volonté, pour tout remettre en place.
Vous ne pouvez [pas] vous imaginer combien je m’en veux de ne pas vous avoir écrit en
début de mars—ce mois qui marque pour vous de si présente [sic] douleurs.
Je sais, je sais que les années changent l’apparance [sic] que nous laissons voir [sic], mais
pas la blessure qui jamais ne se ferme…
La photographie est là, près de moi—la lumière répandue par un être ne s’éteint pas avec
lui—et…je sais qu’Elle prie toujours pour nous.
Je vous embrasse, regrette plus que vous ne pouvez [sic] le savoir ce temps déjà lointain
durant lequel nous étions si proches—pourtant, ce qui paraît changer ne change pas
l’essentiel. Et puis, vous êtes—et cela suffit. De tout mon cœur, à vous,
Nadia B.
[P.-S.] tant de pensées autour de vous.
�</text>
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                <text>Stravinsky to Boulanger
April 14, 1960
Very dear Nadia, Happy Easter. Your note touched me greatly.
Very busy: composition, treatments for my blood and my arteries (protection against new
surprises!?), concert here (Mass and Noces in June), conducting there (Oedipus in Santa Fe in
July), then we fly to South America for a concert tour (sharing the program with Bob), Mexico,
Bogota, Lima, Santiago, Buenos [Aires], Rio, Caracas, from August 1 to September 17. Then to
Venice where Bob and I will be conducting at the Biennale, half and half, on September 26.
We’re publishing the second volume of our conversations with Bob under the title of Memories
and Commentaries. This volume is dedicated to you.
With all my love,
Write always—I’ll be here until the beginning of July.
�</text>
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                <text>* * *
Stravinsky à Boulanger
Hollywood
14 avril 1960
Tres chere Nadia, Bonnes Paques. Votre mot m’a beaucoup touché.
Grande activite—composition, traitements de mon sang et de mes arteres (protection
contre des nouvelles surprises ! ?), concert ici (Messe et Noces en Juin), dirige la bas
(Œdipe a Santa Fe en juillet), ensuite volons en Amerique du Sud pour une tournee de
concerts (partageant avec Bob le programme) Mexico, Bogota, Lima, Santiago, Buenos,
Rio, Caracas du 1er
aout au 17 Septembre. Puis a Venise ou je dirige le 26 sept. avec Bob
½ &amp; ½ a la Biennale.
Nous publions avec Bob le second volume de nos conversations sous le titre de Memories
and Commentaries. Ce volume vous est dedie.
Je vous embrasse de tout cœur.
[P.-S.] Ecrivez toujours—je suis ici sans bouger jusqu’au debut de juillet.
�</text>
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                <text>Boulanger to Théodore Strawinsky
September 15, 1960
Dear Théodore,
I am thinking a lot about you right now. Are you going? Are you in Venice—is the past still
living in the present? All of this is preoccupying me as I know you are tormented by it. And it’s
sad, as each loses and nobody wins. And what we lose, especially in this manner, is never to be
found again. I want to hope that my worries are in vain, that you were able to spend some time
with your Father, to hear his new work, well-performed.
Alas, new works always seem difficult, audacious pieces, or more accurately, incomprehensible.
And in all his glory, your Father knows the bitterness of being, ultimately, rather alone with the
present—so cruelly and blindly misunderstood. All of that seems paradoxical and is veiled by a
small number of enlightened musicians and some courtiers.
Certainly, it does not matter: Le Sacre, Noces, Œdipe and soon Canticum Sacrum, then Threni
will take their legitimate places. I am very sad not to be in Venice, close to him—you know what
is in my heart, in my mind, in my life every day. But whether I’m close or far away, he always
seems present to me, and my reverence never ceases to accompany him.
Dear Théodore, all of this tells you, does it not, how much I love you all, Denise, Kitty—in the
memory of your Mother.
And I am your,
Nadia B.
P.S. I’ll be in Lans en Vercors until the end of the month without a doubt
�</text>
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                <text>* * *
Boulanger à Théodore Strawinsky
15 septembre 1960
Cher Théodore,
Je pense beaucoup à vous en ce moment. Allez-vous, êtes-vous à Venise—le passé reste-
t-il vivant dans le présent ? Tout cela me préoccupe comme je vous en sais tourmenté. Et
c’est triste, car chacun perd et personne ne gagne. Et ce que nous perdons, dans cet ordre
surtout, ne se retrouve jamais. Je veux espérer que mes alarmes sont vaines, que vous
avez pu aller passer quelques temps avec votre Père, entendre sa nouvelle œuvre, bien
exécutée.
Hélas les œuvres neuves semblent toujours difficiles, les œuvres audacieuses, ou plus
réellement vraies, incompréhensibles. Et dans toute sa gloire, votre Père connaît
l’amertume d’être, en fin de compte, à peu près seul avec son présent—si cruellement et
aveuglément méconnu. Tout cela semble paradoxal et est voilé par un petit nombre de
musiciens plus éclairés et de quelques courtisans.
Certes il importe peu : le Sacre, Noces, Œdipe et bientôt Canticum Sacrum, puis Threni
prendront leur place légitime. Suis très triste de n’être pas à Venise, près de lui—vous
savez ce qu’il est dans mon cœur, dans mon esprit, dans ma vie de chaque jour. Mais que
je sois proche ou lointaine, il me semble toujours présent et ma vénération ne cesse de
l’accompagner.
Cher Théodore, tout cela qui vous dit, n’est-ce pas, combien je vous aime tous, Denise,
Kitty—dans le souvenir de votre Mère.
Et je suis votre
Nadia B.
[P.-S.] Lans en Vercors jusqu’à la fin du mois sans doute
�</text>
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                <text>Théodore Strawinsky to Boulanger
Geneva
October 3, 1960
Dear Nadia,
Denise and I have just come back from Venice and I found your letter. Thank you for these lines,
thank you for your thoughts, and above all thank you for your faithful friendship: it is so precious
to us.
A present where the past ceases to remain alive would seem suspicious to me, not to mention a
lie. And I am certain that the past is not dead for my father, but he shrouds in self-imposed
silence—in addition to a certain innate sense of “modesty”— the whole array of exterior
circumstances we know of.
We found him quite disabled because of his leg, which he can no longer rehabilitate—which
humiliates him a lot and distresses us. He conducted Orpheus and Monumentum Gesualdo
without excessive fatigue. These are not exactly the types of works to be appreciated by the
public of Venice . . . Your presence (which we had hoped for) and the reassurance of your
friendship were very much missed!
When will you see us, dear Nadia? Kitty joins Denise and myself in sending you our love, and
we want to tell you of our great devotion and our affection,
Théodore
�</text>
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                <text>* * *
Théodore Strawinsky à Boulanger
Genève
3 octobre 1960
Chère Nadia,
Nous venons, Denise et moi, de rentrer de Venise et je trouve votre lettre. Merci pour ces
lignes, merci de vos pensées, merci surtout de votre amitié fidèle : elle nous est si
précieuse.
Un présent où le passé ne resterait pas vivant me paraitrait suspect pour ne pas dire
mensonger. Et je suis certain que le passé n’est pas mort pour mon père, mais il
l’ensevelit dans un silence s’imposer [sic]—plus qu’une certain « pudeur », native chez
lui—tout le faisceau de circonstances extérieur que nous savons.
Nous l’avons trouvé bien handicapé à cause de sa jambe et de cela il ne peut plus le
remettre—ce qui l’humilie beaucoup et nous bouleverse. Il a dirigé sans excessive fatigue
Orphée, et Monumentum Gesualdo. Ce ne sont pas là précisément des œuvres faites pour
être appréciés par le public de Venise…Votre présence (que nous espérions) et le
réconfort de votre amitié nous y ont tellement manqué !
Quand vous verrons-nous, chère Nadia ? Kitty se joint à Denise et à moi pour vous
embrasser et vous dire notre grand dévouement et notre affection.
Théodore.
�</text>
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