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                <text>Boulanger to Vera Stravinsky
* (annotations Stravinsky’s)
36 rue Ballu
Paris IX
Tel. TRI. 57-91
For December 25, 1964
Dear Vera,
New York—Hollywood—the ends of the earth . . . I do not know [where], but my wishes are
sent to you with profound tenderness. Do not be overwhelmed by my sentimental outpourings! I
will tell you again only that I love you so much, and pray to God for you, for your Peace and for
all to go as well as possible.
NY and Boston were turned upside down by the concerts. Here, Dirk Olsen understood Abraham
and Isaac, a very good impression. Le Roux and the orchestra are very good. How you were
missed.
My wishes for you both, for Bob, and for a little Vera born on an already long-ago [Orthodox]
Christmas. No memories of that for you, but a rich, beautiful, and daring life awaited.
With all my love,
Your
Nadia
�</text>
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                <text>* * *
Boulanger à Vera Stravinsky
* annotations de Stravinsky
36 rue Ballu
Paris IXè
Tel. Tri. 57-91
Pour le 25 décembre 1964
Chère Vera,
New-York—Hollywood—le bout du monde…Je ne sais, mais mes vœux vont vers vous
en profonde tendresse. Ne vous accablerai pas de mes effusions sentimentales ! Vous
redis seulement que je vous aime beaucoup, et prie Dieu pour vous, pour votre Paix et
pour que tout aille aussi bien que possible.
NY et Boston ont été bouleversés par les concerts. Ici, Dirk Olsen a compris Abraham et
Isaac, très grand impression. Le Roux et l’orchestre très bien. Que vous manquiez.
Mes vœux pour vous deux, pour Bob, et pour une petite Vera née un Noël déjà lointain,
sans souvenir pour vous, mais qu’une vie riche, belle, et courageuse attendait.
Je vous embrasse bien fort,
Votre
Nadia
�</text>
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                <text>Boulanger to Théodore Strawinsky
November 24, 1964
Dear Théodore,
Thank you for your thoughtfulness, it is kind [of you] at a very painful time. Prince Pierre was so
close, so necessary, [he has left] a very deep emptiness.
But I am happy to know that you are finally at home. I hope so much that Denise truly feels
better.
Saw your Father in Berlin. His new work is moving was very beautiful—he himself is full of
ideas, of conviction, but it’s sad that his physical state weighs so heavily on him. I was so happy
to have spent those few hours with him. His joy about the new house is extraordinary. [He has]
the enthusiasm of someone whose future lies before him, yet . . . He knows, but he acts, lives,
and feels with a heightened acuity, as if he has nothing more to lose. A very beautiful courage
and inner strength. You have told me nothing about Kitty, are you also preoccupied? How I think
of you both, of your Mother, of Mika, on the 28th!
All my love,
Nadia.
�</text>
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                <text>* * *
Boulanger à Théodore Strawinsky
24 novembre 1964
Cher Théodore,
Merci de votre pensée, elle m’est douce à un moment très douloureux. Le Prince Pierre
était si proche, et si nécessaire, vide très lourd.
Mais je suis heureuse de vous savoir enfin chez vous, j’espère tant que Denise se sent
vraiment mieux.
Vu votre Père à Berlin, nouvelle œuvre émouvante très belle, lui, plein d’idées, de
conviction, mais triste son état physique lui pèse tant. Quel bonheur d’avoir passé ces
quelques heures avec lui, sa joie de la nouvelle maison est extraordinaire, l’ardeur d’un
être qui a l’avenir devant lui, et pourtant…Il sait, mais il agit, vit, et sent avec une acuité
accrue, semble-t-il ne plus rien perdre. Très beau de courage, de force intérieure. Vous ne
me dites rien de Kitty, êtes-vous aussi préoccupé ? Que je pense à tous deux, à votre
Mère, à Mica, le 28 !
Je vous embrasse.
Nadia.
�</text>
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                <text>Boulanger to Stravinsky
36 rue Ballu
Paris IX
Tel. Tri. 57-91
November 24, 1964
My Friend,
I will be with you on Saturday with such great loyalty and emotion. I see everything again, as if
it were yesterday...
Words are pointless, we know what lives in our hearts, protected by silence.
I’ve returned—from Monaco—days of intense sadness, and yet so luminous. I knew Pierre of
Monaco very well and loved him a great deal. Everything he left behind will help us live despite
what he takes with him.
I don’t know if you could have known that he was truly so secret, so alone, and yet so rich.
The Foundation held on so tightly to the hope that this project would be realized, the only one
that appeared to me as the most beautiful, most appropriate [one], so everything is under
consideration again. But I believe their budget will not permit them to plan for what hasn’t been
discussed but surpasses their available funds.
I am, as always, with you, and I believe I understand you, see you, and always love you with all
my heart,
Nadia B
�</text>
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                <text>* * *
Boulanger à Stravinsky
36 rue Ballu
Paris IXè
, France
Tel. TRI. 57-91
24 novembre 1964
Mon Ami,
Avec quelle fidélité et quelle émotion je serai avec vous samedi. Je revois tout, comme si
c’était hier…
Les mots sont vains, nous savons ce qui vit dans nos cœurs, protégé par le silence.
Suis rentrée—Monaco—ces jours d’une si grande tristesse, si lumineux pourtant. J’ai
bien connu, beaucoup aimé Pierre de Monaco, tout ce qu’il laisse aidera-t-il a [sic] vivre
en dépit de tout ce qu’il emporte.
Je ne sais si vous avez pu savoir qu’il était vraiment, si secret, si seul et pourtant si riche.
La Fondation tenait tant à la réalisation de ce projet, le seul qui me paraissait et le plus
beau et le plus juste que tout est encore à l’examen. Mais je crois que leur budget ne leur
permet pas d’envisager ce qui n’est pas discuté mais dépasse les disponibilités.
Je suis, comme toujours, avec Vous, et je crois que vous entends, vous vois, et toujours
vous aime de tout mon cœur,
Nadia B
�</text>
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            <name>Extracted Text</name>
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            <elementTextContainer>
              <elementText elementTextId="16603">
                <text>Théodore Strawinsky to Boulanger
Geneva
November 17, 1964
Dear Nadia,
Denise and I know you are in deep sadness. Our thoughts, on the announcement of the passing of
Prince Pierre of Monaco, went directly to you, knowing what the heart of such a great and
faithful friend as you can give . . . and how it can weep at the heartbreak of such separation. We
are in Geneva now and once again under our own roof.
Allow me, dear Nadia, to tell you again of our deepest affection and kindest thoughts,
Théodore
�</text>
              </elementText>
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                <text>* * *
Théodore Strawinsky à Boulanger
Genève
17 novembre 1964
Chère Nadia,
Nous vous savons, Denise et moi, dans une grande tristesse. Nos pensées, à l’annonce du
départ du Prince Pierre de Monaco, ont été aussitôt vers vous, sachant ce que votre cœur
de grande et fidèle amie peut donner…et pleurer au déchirement de la séparation.
Nous sommes à Genève maintenant et avons retrouvé notre toit.
Laissez-moi, chère Nadia, vous dire encore notre très profonde affection et nos pensées
émues.
Théodore
�</text>
              </elementText>
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      <tag tagId="418">
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      <tag tagId="361">
        <name>Recipient: Nadia Boulanger</name>
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      <tag tagId="141">
        <name>Théodore Stravinsky</name>
      </tag>
      <tag tagId="503">
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          <element elementId="40">
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                <text>Stravinsky to Boulanger
NADIA BOULANGER
36 RUE BALLU
PARIS
NOVEMBER 17, 1964
INFINITELY SORRY BUT TODAY I ASK 10 000 TO CONDUCT IN A CONCERT AND NO
LESS THAN 25 000 TO TAKE ON A SMALL PIECE
THANK YOU VERY MUCH NONETHELESS STOP
WHAT SORROW THE DEATH OF PIERRE OF MONACO
AFFECTIONATELY IGOR
�</text>
              </elementText>
              <elementText elementTextId="16608">
                <text>* * *
Stravinsky à Boulanger
36 RUE BALLU
PARIS IXÈ
, FRANCE
TEL. TRI. 57-91
17 NOVEMBRE 1964
REGRETTE INFINIMENT MAIS PRENDS AUJOURDHUI DIX MILLE POUR
DIRIGER DANS UN CONCERT ET PAS MOINS QUE 25 MILLE POUR
COMMENDE D’UNE COURTE PIECE
VOUS REMERCIE BEAUCOUP NEAMOINS STOP
QUEL CHAGRIN CETTE MORT DE PIERRE DE MONACO
AFFECTUEUSEMENT IGOR
�</text>
              </elementText>
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      </tag>
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      </tag>
      <tag tagId="418">
        <name>Prince Pierre of Monaco</name>
      </tag>
      <tag tagId="361">
        <name>Recipient: Nadia Boulanger</name>
      </tag>
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              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
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            <elementTextContainer>
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              </elementText>
            </elementTextContainer>
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          <element elementId="48">
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              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
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              </elementText>
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                <text>Boulanger to Stravinsky
36 rue Ballu
Paris IX, France
Tel. Tri. 57-91
Mr. Igor Stravinsky
1260 N. Wetherly Drive
Hollywood 46
California
U.S.A.
November 14, 1964
Dear Igor,
Thank you for your telegram. I cannot respond with precise details, the Committee President is
absent. But I believe the amount would be $10,000, and perhaps the date changed, but I believe it
will [still] be in 1965.
You can imagine how much I hope this project becomes a reality. I am very sad, Pierre of
Monaco died Tuesday. I still can’t believe everything is finished. But what can I say, I will
always feel his presence.
The heart is tired, yet God’s will be done.
My fondest wishes.
I love you so, Dear Igor,
Your
Nadia
[P.S.] Tell me as soon as you can what you think of this offer.
[P.P.S.] I leave for Monaco but will be here on the 18th. Will telegram as soon as I’ve been able
to contact Mr. Heim.
�</text>
              </elementText>
              <elementText elementTextId="16612">
                <text>* * *
Boulanger à Stravinsky
36 rue Ballu
Paris IXè
, France
Tel. Tri. 57-91
Monsieur Igor Stravinsky
1260 N. Wetherly Drive
Hollywood 46
California
USA
14 novembre 1964
Cher Igor,
Merci de votre cable [sic]. Ne puis vous répondre d’une manière precise [sic], le
Président du Comité est absent. Mais je crois que la somme pourrait être $10 000, et peut-
être la date changée, mais en 1965, je crois.
Vous imaginez combien je souhaite que ce projet devienne une réalité. Je suis très triste,
Pierre de Monaco est mort mardi. Ne puis encore croire que tout est fini. Mais que dis-je,
je le sentirai toujours present [sic].
Le cœur est fatiguée[sic] pourtant
La Volonté de Dieu soit faite.
Je vous embrasse très fort.
Je vous aime tant, Cher Igor.
Votre
Nadia
[P.-S.] Dites-moi de suite ce que vous pensez de l’offre.
[P.P.-S.] Pars pour Monaco mais serai ici le 18. Cablerai dès qu’aurai pu atteindre M.
Heim
�</text>
              </elementText>
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      </tag>
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      </tag>
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              </elementText>
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NADIA BOULANGER
36 RUE BALLU
PARIS
NOV 12, 1964
PROPOSITION ATTRACTIVE REGRET TIME SO SHORT IS THERE CHANCE OF
POSTPONEMENT AND COULD YOU CONDITIONS URGENT BECAUSE ANOTHER
CONDITION PENDING ALSO LEAVING FOR NEW YORK IN A WEEK
AFFECTION STRAVINSKY
�</text>
              </elementText>
              <elementText elementTextId="16616">
                <text>Stravinsky to Boulanger
NADIA BOULANGER
36 RUE BALLU
PARIS
NOV 12, 1964
PROPOSITION ATTRACTIVE REGRET TIME SO SHORT IS THERE CHANCE OF
POSTPONEMENT AND COULD YOU CONDITIONS URGENT BECAUSE ANOTHER
CONDITION PENDING ALSO LEAVING FOR NEW YORK IN A WEEK
AFFECTION STRAVINSKY
�</text>
              </elementText>
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      </tag>
      <tag tagId="643">
        <name>Nadia Boulanger: 36 rue Ballu</name>
      </tag>
      <tag tagId="419">
        <name>Princesse de Polignac</name>
      </tag>
      <tag tagId="361">
        <name>Recipient: Nadia Boulanger</name>
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          <element elementId="39">
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              </elementText>
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          <element elementId="48">
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              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
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          <element elementId="92">
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                <text>Boulanger to Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Palais de Fontainebleau (S.-&amp;-M.)
Bureau de New York
122 East 58th Street, N.Y. 22
Conservatoire de musique
I. Strawinsky
1260 N. Wetherly Drive
Hollywood 46
California
U.S.A.
November 7, 1964
My Friend,
A rather important letter today. The Polignac-Singer Committee is preparing a concert for the
celebration of Princess Winnie’s Centenary. We’ve come to ask you to write a work for the
concert, for a small orchestra of a maximum of fifteen instruments, perhaps with a narrator.
It goes without saying that the Committee asks you to state the terms under which you would
accept this commission. The concert would take place in October 1965. I can tell you that, in
principle, the committee will accept your conditions. The President, Mr. Heim, believes your
work alone would justify the entire program. Would you please tell me what you think about
this, because our plans depend on you. Must I tell you my hope.
(I felt such deep emotion seeing you and Vera again, and I admired Bob who put everything in
its place with such intelligence, such order. As for the work, how can one dare to speak of it. It is
essential and we are so happy to understand it. Each of your steps is so decisive.)
Fondly,
NB
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Boulanger à Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau New-York : Fontainebleau Schools, 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau
Le Directeur du Conservatoire
Monsieur I. Strawinsky
1260 N. Wehterly Drive
Hollwyood 46
California
USA
7 novembre 1964
Mon Ami
Lettre bien importante aujourd’hui. Le Comité Singer Polignac prépare un concert pour la
célébration du Centenaire de la Princesse Winnie. Nous venons vous prier d’écrire une
œuvre pour le concert—pour petit orchestre, au maximum 15 instruments peut-être avec
un récitant.
Il va sans dire que le Comité vous prie de lui dire dans quels termes vous accepteriez
cette commande. Le Concert aurait lieu en octobre 1965. Je puis vous dire qu’en principe
le Comité acceptera vos conditions. Le Président Monsieur Heim considère que votre
œuvre justifierait à elle seule le programme. Veuillez me dire ce que vous en pensez, car
tous nos plans dépendant de vous. Dois-je dire mon espoir.
(J’ai eu une vraie émotion à vous revoir, à revoir Vera, et j’ai admiré Bob qui a mis tout
en place avec une telle intelligence, un tel ordre—Quant à l’œuvre, qui peut se permettre
d’en parler. Elle s’impose et nous avons bien du bonheur à la comprendre. Chacun de
vous pas est decisif [sic])
Je vous embrasse,
NB
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                <text>Boulanger to Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Palais de Fontainebleau (S.-&amp;-M.)
Bureau de New York
122 East 58th Street, N.Y. 22
Conservatoire de musique
Mr. Igor Stravinsky
1260 North Wetherly Drive
Hollywood 46
California
U.S.A.
August 6, 1964
My friend, what joy in reading that you are so especially well, active, and especially interested, I
believe, in this new house where I dream of being [one day]. I spent such happy hours in the one
that will become . . . “the old one.”
No one in the world, and this is inevitable, has your vitality: you are always twenty years old.
You’ll remember that Clémenceau met with a gentleman who, stunned by his vivacity, said to
him, “You are so young, Mr. President!” Clémenceau was at that point 88 years old. His
instantaneous reply: “When one is young, it is forever.” But now, to more serious things.
You’re coming to Berlin, aren’t you? Think of poor Nicky who at first thought only of you, and
now sees this festival centered on you, put together for you; he is frustrated that the inspiration
[for the event] might be missing
But what am I saying is, if it is better for you to turn down this trip, then it goes without saying it
needn’t be thought of anymore. All the same, I’ll still wager that you’ll be in Berlin at the end of
September. I would only go there for you, truth be told.
Best wishes to Bob, to Vera, to you. All my tenderness as always. Fondly,
NB
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Boulanger à Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Bureau de New-York : 122 East 58 St. N.Y. 22
Conservatoire de musique – Ecole des beaux-arts
Palais de Fontainebleau
Le Directeur
Mr. Igor Stravinsky
1260 North Wetherly Road
Hollywood 46
California
USA
6 août 1964
Quelle joie mon ami que cette lettre où je vous vois si bien, si actif et intéressé, je crois,
par-dessus tout, par cette nouvelle maison où je rêve de me trouver. J’ai passé des heures
si heureuses dans celle qui va devenir… « la vieille »
Personne au monde, et c’est fatal, n’a votre vitalité : vous avez toujours vingt ans. Vous
vous souvenez de Clémenceau recevant un monsieur étonné par sa vivacité et lui disant
« Que vous êtes jeune, Monsieur le Président ! » Clémenceau avait alors 88 ans. La
réplique ne se fit pas attendre : « Quand on est jeune, c’est pour toujours. » Mais
maintenant, aux choses sérieuses.
Vous allez, n’est-ce-pas, venir à Berlin. Pensez à ce pauvre Nicky qui d’abord n’a pensé
qu’à vous, mais maintenant voit ce Festival centré sur vous, combiné pour vous ; frustré
de cette présence qui en faisait le rayonnement.
Mais que dis-je, s’il vaut mieux pour vous de renoncer à ce voyage, il n’y faut plus
songer, cela va sans dire. Tout de même, je parie encore que vous serez à Berlin fin
septembre. Je n’y viens que pour vous, à vrai dire.
Mille pensées pour Bob, pour Véra, à vous, toute ma tendresse de toujours, je vous
embrasse.
NB
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                <text>Stravinsky to Boulanger
1260 North Wetherly Drive
Hollywood 69, California
Miss N. Boulanger
36 rue Ballu, Paris 9th
July 30, 1964
My very dear Nadia,
Thank you for your affectionate letter—don't worry about me: I am doing very well and I think
Nabokov misinformed you: a month ago in London I had an ear infection and the doctors
advised me not to fly too often, which is why I was thinking of canceling my concerts in Israel
and in Berlin (end of August-September). But having learned that Israel was basing its entire
season on my appearances and that they were already sold out (charity [events for] clinics,
hospitals) I decided to fly there, but not to Berlin. A desolate Nabokov telephoned me from Paris
asking me to come to Berlin as well. With great regret, I refused, not wanting to risk this flight as
well. That's all. Certainly hundreds of letters and telegrams have arrived from everywhere
wishing me a swift recovery and it is certainly more than doubtful that the newspapers are
correcting these false declarations since these latest ones don’t constitute the sensation that they
are looking for [so as] to sell [issues]. After Israel (a concert in Jerusalem and two in Caesarea)
two days in Rome (end of August) two days in New York and then Hollywood where we have
bought and are renovating, furnishing, and organizing the late Catherine d’Erlanger’s house for
us to live in. We will put Bob Craft in the old house (who is conducting Lulu in Santa Fe these
days and will meet up with us in New York to fly to Israel).
Thank you again for having written to me—am very touched.
Your
I Str.
�</text>
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Stravinsky à Boulanger
1260 North Wetherly Drive
Hollywood 69, California
Miss N. Boulanger
36 rue Ballu, Paris 9
30 juillet 1964
Nadia, tres chere,
Merci de affectionate [sic] lettre—n’y ayez aucune crainte a mon sujet : je vais tres bien
et je pense que Nabokov vous avait mal renseigne : il y a un mois a Londres j’avais une
infection a l’oreil [sic] et les docteurs m’ont conseille de ne pas voler trop souvent, c’est
pourquoi je pensais bien faire de renoncer a mes concerts d’Israel et de Berlin (fin Aout
Septembre). Mais ayant appris que Israel fondait toute sa saison sur mes apparitions et
qu’on avait déjà tout vendu (bienfaisance—cliniques, hopiteaux[sic]) j’ai decide d’y
voler, mais pas a Berlin. Nabokov desole me telephonne de Paris me suppliant de venir a
Berlin aussi. Avec beaucoup de regret j’ai refuse ne voulant pas risquer avec ce vol en
plus. C’est tout. Certainement des centaines de lettres et telegrammes de partout me
souhaitant promt retablissement et certainement plus que douteux que les journeaux
corrigent ces fausses declarations puisque ces dernieres ne constituent pas une sensation
qu’il[s] cherchent a vendre. D’Israel (un concert a Jerusalem et deux a Cesaria) deux
jours a Rome (fin aout) deux jours a New York et puis Hollywood ou nous avons achete
la maison de la feue Catherine d’Erlanger qu’on reconstruit, meuble et arrange pour y
habiter. Dans la vieil [sic] maison on placera Bob Craft (qui dirige ces jours-ci Lulu a
Santa Fe et qui nous rejoindra a New York pour voler en Israel).
Encore merci de m’avoir ecrit—suis tres touche.
Votre
I Str.
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