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                <text>Boulanger to Stravinsky
36 rue Ballu, 9th
Telephone: Trinité 57-91
Mr. and Mrs. Igor Strawinsky
c/o Mrs. A. Sachs
The Ritz Hotel
Place Vendôme
December 1, 1956
You are going to spend a few hours in Paris, my dears, and I am stuck here in this clinic. What
can I say? The inevitability of the situation makes me so deeply sad.
I send my love and am with all my heart your
Nadia B.
Many prayers to God for you, you fight with such immense courage, but this does not surprise
me. May He grant you His Saintly protection.
[P.S.] Just now, Théodore, whom I called, relayed to me what Dr. Gilbert said. I am delighted the
concert in Rome was so beautiful. I hope that you thought so and were satisfied in spite of
everything.
�</text>
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                <text>* * *
Boulanger à Stravinsky
36 rue Ballu 9è
Téléph : Trinité 57-91
Monsieur et Madame I. Strawinsky
Aux bons soins de Madame A. Sachs
Hôtel Ritz
Place Vendôme
1 décembre 1956
Vous allez passer quelques heures à Paris, mes très chers, et je suis immobilisée, à la
clinique. Que dire. C’est une fatalité qui m’est un profond chagrin.
Je vous embrasse, de tout mon cœur je suis votre,
Nadia B.
Et tant de prières vont vers Dieu pour vous qui luttez avec un tel courage, trop grand,
mais qui ne surprend que bien peu. Qu’Il vous ait en Sa Sainte Garde.
A l’instant Theodore qu[e] j’ai appelé me raconte ce que lui a dit le Docteur Gilbert. Quel
bonheur que ce concert à Rome ait été si beau. J’espère que vous en avez eu le sentiment,
et une satisfaction malgré tout.
�</text>
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                <text>Boulanger to Stravinsky
36 rue Ballu 9th
Telephone: Trinité 57-91
November 22, 1956
My dear Friend,
I didn’t want to bother you, but nevertheless I can’t go on without telling you my thoughts. I have
so much to tell you. You in Warsaw, which was one of the reasons for the Festival and the
Canticum here. I haven’t seen the reviews, [which I understand are] a bit harsh, but the
musicians understood, at least the ones who are musicians.
With fond wishes, I am your
Nadia B.
�</text>
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                <text>Chapitre 6
Boulanger à Stravinsky
36 rue Ballu 9è
Téléph : Trinité 57-91
22 novembre 1956
Mon cher Ami,
N’ai pas voulu vous importuner, mais pourtant ne puis demeurer plus longtemps sans
vous dire ma pensée. Aurais tant de choses à vous raconter. Vous à Varsovie ce qui était
une des raisons du Festival, et le Canticum ici, n’ai pas vu les critiques, peu méchant,
mais les musiciens ont compris, ceux du moins qui sont des musiciens.
Je vous embrasse et suis votre
Nadia B.
�</text>
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                <text>Boulanger to Igor and Vera Stravinsky
Hotel Bauer Grünwald
Venice
Monsieur Igor Strawinsky
Hôtel Excelsior, Napoli
September 11, 1951
Premiere of The Rake
Will meet you at the door to the Theater, my very dear ones. Oh what emotion to spend this time
with you. I’ve just reread the third act.
Thank you.
Hugs,
N
�</text>
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                <text>Boulanger aux Igor et Vera Stravinsky
Monsieur I. Strawinsky
Hotel Bauer Grünwald
Venice
11 septembre 1951
Première Rake
Vous retrouverai à la porte du Théâtre, mes très chers. Quelle émotion de passer ces heures avec
vous. Viens de relire le 3e
acte.
Merci
Je vous embrasse
N
�</text>
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                <text>Stravinsky to Boulanger
Excelsior Napoli
August 22, 1951
Dearest Nadia,
I received your telegraph upon my arrival.
Thank you! Unfortunately, the “air conditioning” on the SS Constitution wished me a case of
pneumonia, Yes! A very good local doctor took agressive measures = penicillin (strong doses)
and at the end of this week (August 26) I am going to Milan (Hotel Duomo) to start to work.
Théodore's family is here close by.
Very, very affectionately,
I Str
P.S. Vera has had horrible, unending bronchitis this whole time!!
�</text>
              </elementText>
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                <text>Stravinsky à Boulanger
Excelsior Napoli
22 août 1951
Dearest Nadia
A mon arrivée ici, votre cable.
Merci ! Malheureusement l’ « air contioning [sic]» de notre SS « Constitution » m’a voulu une
pneumonie, Oui ! Un très bon docteur d’ici a pris des mesures energiques = penicillin [sic]
(fortes doses) et fin de cette semaine (le 26 août) je vais à Milan (Hôtel Duomo) pour
commencer à travailler.
Les Théodores sont ici près de nous.
Je vous embrasse très, très affectueusement,
I Str
P.S. Vera a eu pendant ce temps une bronchite à tant cesser !!
�</text>
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                <text>Stravinsky to Boulanger
Mademoiselle Nadia Boulanger
36 rue Ballu
Paris 9eme, France
July 27, 1951
Dear Nadia,
Just a letter in response to the questions you sent me in your letter from Fontainebleau on July
21, received just now.
I leave here July 30 and will be in New York (Hotel Lombardy, 111 East 56th Street, New York
22, N.Y.) from August 2 to August 7, on which date I embark on the SS Constitution (American
Export Lines) to arrive in Naples on August 15.
I will be in Milan until September 3 (c/o Scala or Hotel Duomo)
Following that, Venice (c/o Biennale or Hotel Bauer-Grunwald)
The premiere I’m conducting is on September 8; afterward two other performances, the 10th and
the 12th, under an unknown director, probably someone from [La] Scala (I have recommended
Markevitch, but it appears that will not work out).
After the shows I will probably make recordings of [The] Rake, but where? . . . (Venice or Milan) .
. . and when exactly? . . . I have no idea.
Afterward I have a pair of concerts in Milan at the Scala on the 27th and 28th of September.
Then October 8: Cologne (Oedipus Rex);
October 14: Baden-Baden;
October 21: Munich (the new Oedipus Rex with Cocteau)
I must reboard the SS Constitution in Genoa or Naples the 29th or 30th of October to come back
to New York for November 7.
See you soon.
In all haste, I am very affectionately,
Your
Igor Stravinsky
�</text>
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                <text>Stravinsky à Boulanger
Mademoiselle Nadia Boulanger
36 rue Ballu
Paris 9eme (France)
27 juillet 1951
Chere Nadia,
Juste ces lignes en response aux questions que vous me posez dans votre lettre de Fontainebleau
du 21 juillet, recue a l’instant.
Je pars d’ici le 30 juillet et serai a New York (Hotel Lombardy, III East 56th Street, New York
22, N.Y.) du 2 Aout au 7 Aout, date a laquelle j’embarque sur le SS « CONSTITUTION »
(American Export Lines) pour arriver a Naples le 15 Aout.
Je serai a Milan jusqu’au 3 septembre (c/o Scala or Hotel Duomo)
Ensuite Venise (c/o Biennale ou Hotel Bauer-Grunwald)
La premiere que je dirige est le 8 septembre ; ensuite deux autres spectacles, le 10 et le 12, sous
une direction inconnue, probablement quelqu’un de La Scala (j’avais recommande Markevitch
mais parait-il ca ne marche pas).
Apres les spectacles il est probable que je ferai des enregistrements du Rake, mais ou ?...(Venise
ou Milan)… et quand exactement ?...Je n’en sais rien.
J’ai ensuite une paire de concerts a Milan a la Scala les 27 et 28 Septembre.
Puis le 8 octobre : Cologne (Oedipus Rex);
Le 14 Octobre : Baden-Baden;
Le 21 Octobre: Munich (de nouveau Oedipus Rex avec Cocteau) ;
Je dois reprendre le SS « CONSTITUTION » a Genes ou Naples le 29 ou le 30 Octobre pour
rentrer a New York le 7 Novembre.
A bientôt.
En toute hate je vous embrasse bien affectueusement,
Votre,
Igor Stravinsky
�</text>
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                <text>Boulanger to Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Palais de Fontainebleau (S.&amp;M.)
Conservatoire de musique
Le Directeur du Conservatoire
Personal address: 36, rue Ballu,
Paris-IX
July 21, 1951
Dear Igor,
Will this letter still reach you? I certainly hope so, because I must tell you with what wild
impatience I await the moment when I will see you and Vera again. Are you still arriving in
Naples on August 15? When will you be in Venice? Until when?
A line to settle things would do me a great service, because I would like to arrange all my plans
in accordance with yours, if possible.
So :
Date of arrival in Naples?
Name of the boat
Date of arrival in Venice
Date of departure from Venice
Destination
Date of departure for the United States
Try to get an idea of what it means [to me] to hear The Rake's Progress—and to see you—you
can’t imagine!!
To both of you with all my heart,
Nadia B.
�</text>
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                <text>Boulanger à Stravinsky
Ecoles d’art américaines
Fondation reconnue d’utilité publique
Palais de Fontainebleau (S.&amp;M.)
Conservatoire de Musique
Le Directeur du Conservatoire
Adresse personnelle : 36, rue Ballu, Paris-IXe
, Tri 57-91
21 juillet 1951
Cher Igor, Ce mot vous parviendra-t-il encore ? Je le voudrais tant—car il faut bien vous dire
avec quelle folle impatience j’attends le moment de vous revoir, Vera et vous. Arrivez-vous
toujours le 15 août à Naples ? Quand serez-vous à Venise ? Jusqu’à quand ?
Une ligne me fixant me rendrait grand servi[ce], car je voudrais arranger tous mes plans en
accord avec les vôtres, si possible.
Donc :
Date arrivée Naples ?
Nom du bateau
Date arrivée Venise
Date départ Venise
Destination
Date départ pour les Etats-Unis
Essayez de vous faire une idée de ce que représente entendre The Rake’s Progress—et vous
embrasser—vous n’y arriverez pas !!
A vous deux de tout cœur
Nadia B
�</text>
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                <text>Boulanger to Stravinsky
36 rue Ballu
Paris IX
Monsieur Igor Strawinsky
1260 N. Wetherly Drive
Hollywood 46
California
U.S.A.
June 18, 1951
What Happiness, Dear Friend—thank you for having responded so quickly. The rumors that run
through Rome and Paris are so varied and contradictory that one must give up trying to
understand. One day “the premiere will take place in Milan” the other “in Venice” then, “nothing
is decided, everything is to be struck and will be remounted in Paris in the spring,” then, “the 9th
in Venice,” “monstrous attempt by the Scala [to go after] the Biennale.” “American performers
have been hired.” “What, it is the Italians who are doing everything.” “Stage design by Balthus.”
“No, by Berman.” This back and forth only tormented me at first and now seems to me to be
exaggerated, so I want to try not to hear anything about it, and will wait.
How can I say what happiness it will be to see you again and to hear your opera.
Forgive me, but between competitions, lessons, [and] concerts, I’ve lost my head. But I’ve found
it again to tell you of my joy [and] my tenderness.
To Vera, to you,
NB
[P.S.] Admirable, your message.
[P.P.S.] Ah, it’s the 18th—happy birthday!!
�</text>
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                <text>Boulanger à Stravinsky
36 rue Ballu
Paris IX
Monsieur Igor Strawinsky
1260 N. Wetherly Drive
Hollywood 46
California
USA
18 juin 1951
Quel Bonheur, Cher Ami—merci d’avoir répondu si vite [sic]. Les bruits qui courent à Rome et à
Paris sont si variés et contradictoires qu’il faut renoncer à comprendre : Un jour « la 1ère
aura lieu
à Milan, » « l’autre à Venise. » Puis, « rien n’est décidé tout va craquer—et ce sera repris à Paris
au printemps. » Puis, « le 9 à Venise. » « Du tout, procès monstre de la Scala à la Biennale. »
« Les interprètes américains sont engagés. » « Comment, ce sont les Italiens qui font
tous. » « Les décors de Balthus. » « Non, de Berman. » Et ce jeu de douche écossaise qui m’a
d’abord tant tourmentée, me parait si exagéré, que je veux essayer de ne plus rien entendre—et
d’attendre.
Comment dire ce qu’est le bonheur de vous revoir et d’entendre votre Opera.
Pardon—mais entre concours, leçons, concerts, je perds la tête.
Mais la retrouve pour vous dire ma joie, ma tendresse.
A Vera, à vous
NB
[P.-S.] Admirable, votre message.
[P.P.-S] Ah, voici le 18—happy birthday !!
�</text>
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                <text>Boulanger to Stravinsky
36 rue Ballu
Paris IX
June 14, 1951
Dear, Dear Igor, will I be with you on the 18th? I am so afraid I left it too late. I give you a kiss
on both cheeks. I say a big thank you to you who, every day, gives us such joy. And I say to you
Happy Birthday, Happy New Year and . . . see you soon! Because you are coming, aren’t you?
The news is all frighteningly contradictory, but I don’t want to doubt it? because that would be a
terrible disappointment.
Fondly and with all of my affection,
Nadia B.
�</text>
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                <text>Boulanger à Stravinsky
36 rue Ballu
Paris IX
14 juin [19]51
Cher, Cher Igor, serai-je avec vous le 18 ? J’ai si peur de m’être laissée [sic] mettre en retard. Je
vous embrasses [sic] sur les deux joues, bien fort [sic], je vous dis un grand merci, vous qui
chaque jour, nous donnez tant de joie—et je vous dis : Bon anniversaire, heureuse nouvelle
année, et…à bientôt ! Car, vous venez, n’est-ce pas ? Les nouvelles sont affreusement
contradictoires—mais je ne veux pas douter—ce serait une trop terrible déception.
Je vous embrasse—et vous dis à Vera et à vous, toute ma tendresse,
Nadia B.
�</text>
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                <text>Stravinsky to Boulanger
1260 North Wetherly Drive
Hollywood 46, California
Mademoiselle Nadia Boulanger
36 rue Ballu
Paris, 9th (FRANCE)
June 13, 1951
My dear Nadia,
Your letter touched me greatly; we were all affected as well by the swift and almost unexpected
death of Koussevitzky. At the request of Time magazine, I wrote these few lines included below:
“That Serge Koussevitzky was a great celebrity, everybody knows; but that many careers were
created by his generosity, very few know.
When a man passes away those wishing to pay tribute to his memory recollect his good deeds,
the things he did most ostensibly.
Let us dwell today on those things that Serge Koussevitzky did for others without telling anyone
about it. And for these secret things let him be rewarded manifestly.”
I think my homage, limited to what is true, is in this way more sincere than many of the others
that are being published right now.
What is this pessimistic news that you’re only partially sharing with me? You seem to know
more in France about the Italian premiere of The Rake than I do here. As for myself, I have a
solid contract in my pocket with the Biennale and I will be in Italy on the scheduled dates (mid-
August) to perform it. A couple of days ago I learned officially that La Scala has agreed with the
Biennale to mount the Venetian production. But I have no other details; these Italians don’t seem
to like to write. Therefore, I would like to know more about this from you if—as your letter left
me to assume—you are collecting information from various sources. Who is saying what??? In
Italy or elsewhere about my Rake??? . . . Don't leave me in the dark.
Vera and I send you our great affection,
I Str.
�</text>
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                <text>Stravinsky à Boulanger
1260 North Wetherly Drive
Hollywood 46, California
Mademoiselle Nadia Boulanger
36 rue Ballu
Paris 9eme (FRANCE)
13 juin 1951
Chere [sic] Nadia,
Vos lignes m’ont beaucoup touche; nous avons tous ete egalement atteints par la disparation si
rapide et presqu’inattendue [sic] de Koussevitzky. J’ai ecrit—a la demande de Time magazine,
les quelques lignes ci-dessous:
“That Serge Koussevitzky was a great celebrity, everybody knows; but that many careers were
created by his generosity, very few know.
“When a man passes away those wishing to pay tribute to his memory recollect his good deeds,
the things he did most ostensibly.
“Let us dwell today on those things that Serge Koussevitzky did for others without telling
anyone about it. And for these secret things let him be rewarded manifestly.”
Je pense que mon hommage, limite a ce qui est vrai, est ainsi plus sincere que beaucoup de ceux
qui sont publies a cette heure.
Quelles sont ces nouvelles pessimistes dont vous me transmettez seulement quelques echos?
Vous avez l’air d’en savoir en France plus que je n’en sais moi-meme ici, en ce qui concerne la
premiere italienne du Rake. Pour ma part j’ai un solide contrat dans ma poche avec la Biennale et
je me rendrai en Italie aux dates prevues (mi-Aout [sic]) pour l’executer. J’ai appris
officieusement il y a quelques jours que la Scala se serait entendue avec la Biennale pour mettre
sur pied la production venitienne. Mais je n’ai pas d’autres details; ces Italiens semblent ne pas
aimer ecrire. Aussi aimerais-je en savoir plus long par vous si—comme votre lettre me le laisse
supposer—vous recoltez des informations de sources variées. Qui dit quoi??? en Italie ou ailleurs
au sujet de mon Rake???... Ne me laissez pas dans l’incertitude.
Vera et moi vous embrassons bien affectueusement.—
- I Str.
�</text>
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