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                <text>Boulanger to Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
Nov. 21, 1944
Thank you—the things to say about these pages! Dear Igor—
But we will be together soon. Have received [word] from Haïeff, everything is his fault, and not
his fault. (Winter’s fault, primarily). He has been sick, at the mercy of terrible difficulties. I will
bring you his letter. Forgive him. He needs it.
With all my heart,
Nadia B.
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                <text>Boulanger à Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
21 nov. 1944
Merci—que de choses à dire à propos de cette feuille ! Cher Igor—
Mais nous nous verrons bientôt. Ai reçu de Haïeff—tout est de sa faute—et pas de sa faute. (De
la faute de Winter d’abord). Il a été malade, en proie à de lourdes difficultés. Vous apporterez sa
lettre, Pardonnez-lui—il le faut.
Vous embrasse tous deux, de tout cœur.
Nadia B.
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                <text>Boulanger to Vera Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
Mrs. I. Strawinsky
1260 N. Wetherly Drive
Hollywood
California
November 14, 1944
Dear Vera
Just a note, to thank you for all that you do for me—with such tenderness. It is the only word that
matches what you give to me. And to express the kindness I have experienced. You and Igor
give so much of your hearts to me. I am thankful and happy.
To break up these effusions [which are] at once both fleu-fleu, fleu-fleu, fleu and very exact.
Here are the accounts:
Paris City Books: $16.11
Mendelssohn’s Symphony: $1.40
Mozart: $0.35
Mozart: $0.40
Total: $18.75
Moussorgsky, which I already have: $15.00
Total: $33.75
But it will still be Igor who has given me Boris, because I’m going to keep his copy and give
mine away so as to keep the one he bought for me. Impossible to accept it without paying him.
That would cancel the gift given . . . . . . . well, intentionally.
Fond and heartfelt wishes to you both.
Your
NB
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                <text>Boulanger à Vera Stravinsky
Featherhill Ranch
Montecito
Santa Barbara, California
Mrs. I. Strawinsky
1260 N. Wetherly Drive
Hollywood
Californie
14 novembre 1944
Chère Véra
Seulement un mot, pour vous remercier de tout ce que vous faites pour moi—avec tendresse.
C’est le seul mot qui répondre à ce que vous me donnez. Et vous dire la douceur que j’en
éprouve. Vous et Igor me donnez tant de votre cœur. J’en suis reconnaissante et heureuse.
Pour rompre ces effusions—a la fois genre fleu-fleu, fleu-fleu fleu—et pourtant très exactes.
Voici des comptes :
Livres de la cité de Paris : 16.11
Symphonie Mendelssohn : 1.40
Mozart : .35
Mozart : .40
Total : 18.75
Moussorgsky qui [sic] j’ai déjà : 15
Total : 33.75
Mais ce sera tout de même [sic] Igor qui m’aura donné Boris, car je vais garder cet exemplaire et
faire présent du mien, afin de garder celui qu’il a pris pour moi. Impossible de l’accepter sans le
payer. J’annulerais le cadeau fait par a…….enfin, de l’intention.
Je vous embrasse tous deux et vous espère mieux.
Votre
NB
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                <text>Boulanger to Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
Monsieur I. Strawinsky
1260 North Wetherly Drive
Hollywood 46
California
July 28, 1944
How kind and good you are. Thank you with all my heart. We are working on the Sonata here
for the Sisters and it is such a joy. We’re preparing Palestrina’s St. Dominic Mass, and the Mass
and the Sonata illuminate one other—they present the same problems, fundamentally—and the
material is so beautiful. Oh, how the two pianos sound . . .
No need for effusions, you know what I think better than I do!
To both of you, with all my heart,
Nadia
[P.S.] Everyone here is talking about you! Sister Edward and Sister Ignatia send many thoughts
to you.
�</text>
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Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
Monsieur I. Strawinsky
1260 North Wetherly Drive
Hollywood 46
California
28 juillet 1944
Que vous êtes gentil, et bon. Merci de tout cœur. Nous travaillons la Sonate ici, pour les Sœurs,
et c’est une telle joie. Préparons une messe de Palestrina pour la St. Dominic, et le Messe et la
Sonate s’éclairent mutuellement, mêmes problèmes, au fond, et si belle matière. Comme les deux
pianos sonnent…
Allons, pas d’effusions, vous savez ce que je pense mieux que moi!
A vous deux de tout cœur
Nadia
[P.-S.] Tout le monde parle de vous ici! Sister Edward et Sister Ignatia vous envoient tant de
souvenirs.
�</text>
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July 18, 1944
Can we play the Sonata?
NO – NO
Don’t worry yourself about this. There are more important things. Of course:
“Yes.”
With fondness, my very dear Nadia
Your
I Str.
�</text>
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18 juillet 1944
Peut-on jouer la sonate [sic] ?
NON – NON
Ne vous faites pas de soucis de ce genre. Il y a des choses plus importantes. Certainement que
« Oui ».
Vous embrasse très chère Nadia,
Votre
I Str.
�</text>
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                <text>Stravinsky to Boulanger
July 16, 1944
My dear,
Read this—Mr. Tangeman sent me these two articles with this remark: “Professor Guido
Stempel is a retired professor of philology without musical training.[”] The other article is from
the “student paper” in which the “musical training” does not appear to me to be clear.
What is the point of making this effort to receive such a reaction?
When will I see you?
Personally, I cannot yet travel.
Love Kisses,
I. Str.
�</text>
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                <text>Stravinsky à Boulanger
16 juillet 1944
Chère,
Lisez ça—Mr. Tangeman m’envoi [sic] ces deux articles avec cette Remarque [sic]: “Professor
Guido Stempel is a retired professor of philology without musical training. The other article is
from the student paper” dont la “musical training” ne me parait [sic] pas evident.
Cela valait la peine de faire cet effort, pour recevoir une pareille réaction.
Quand vous verrai-je?
Moi, je ne puis encore bouger.
Love Kisses
I. Str.
�</text>
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        <name>Nell Tangeman</name>
      </tag>
      <tag tagId="361">
        <name>Recipient: Nadia Boulanger</name>
      </tag>
      <tag tagId="183">
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                <text>Boulanger to Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
July 15, 1942 [recte 1944]
Dear Igor,
Since yesterday, a struggle between despair and rage! As I had told you, I wanted to give an
informal performance at Indiana University, Bloomington. And upon informing my student of
this, I told him: private performance, insisting that he publish nothing before I gave him an exact
text for the program. In his excessive joy, the idiot in fact published nothing except for the only
thing that he ought not have—and announced the premiere of your Sonata. I just sent him a livid
note that, barring a miracle, we could no longer play the Sonata thanks to his “disobedience”—
what do you think about this? I’m upset, but, how could I have foreseen that these precautions
would be inadequate. If you confirm my decision—place an (X) on the slip of attached paper
following “no.” If, given that it is a music school, you choose to overlook it—an (X) following
“yes.” But, I will understand (despite my despair), if it is rage that you choose and refuse in a fit
of anger.
Am proud of my honesty, because . . . You would undoubtedly never have known of his gaffe
otherwise. This is not blackmail—I am consoling myself over the fury I’ve felt since yesterday!
So terrible!
I’ll write Vera another day—first I’m going to confession!
With heartfelt affection for both of you,
NB
�</text>
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                <text>Boulanger à Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
15 Juillet 1942 [recte 1944]
Cher Igor,
Depuis hier, lutte entre la [sic] désespoir et la rage ! Comme je vous l’avais dit, je voulais donner
une audition, informelle, à Indiana University, Bloomington. Et en faisant part à mon élève, je lui
ai dit : private performance, en insistant qu’il ne publie rien avant que je lui donne un texte exact
pour le programme. Dans l’excès de sa joie, l’idiot n’a en effet rien publié, sauf la seule chose
qu’il ne fallait pas dire—et a annoncé la 1ère
de votre Sonate. Je viens de lui envoyer un mot
fulminant, lui annonçant que, à moins d’une sorte de miracle, on ne pouvait plus jouer la
[S]onate, grâce à sa « désobéissance »—qu’en dites-vous? Je suis navrée, mais, comment
pouvais-je prévoir que de telles précautions étaient insuffisantes. Si vous confirmez ma
décision—mettez une croix sur le petit papier ci-joint à la suite de non. Si, étant donné qu’il
s’agit d’une école de musique, vous êtes disposé à passer outre—une croix à la suite de oui.
Mais, je comprendrai, (malgré le désespoir), si c’est ma rage que vous choisissez et refusez, dans
un mouvement de colère.
Suis fière de mon honneteté[sic], car….Vous n’auriez sans doute jamais su sa gaffe. Ceci n’est
pas du chantage—je me console de ma fureur, depuis hier ! Assez affreuse !
Véra écrirai [sic] un autre jour—vais d’abord aller me confesser !
Vous embrasse tous deux de tout cœur
NB
�</text>
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                <text>Boulanger to Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
Mr. I. Strawinsky
1260 N. Wetherly Drive
Hollywood 46
California
July 2, 1944
Look what I received, Dear Igor—what do you suggest?
Too occupied since my arrival here to write, but between the lecture this winter, the memories of
each of your gestures, setting to rights what I said, sorting out the Sonata, and the Circus Polka,
the lecture on Babel, on Scherzo [à la] Russe, on Perséphone, and then my heart “that beats only
for you” as the song says, and it doesn’t lie. Truly, you are always here and present in Madison!
We live, quite tensely, somewhat somberly, with some relaxation, [illegible word] in the calm of
this place.
My best to Vera and you, my Dear—and already I say with impatience: When am I going to see
you again.
Your
N
[P.S.] Abbot Fortier . . . thrilled. But does not want to thank you before he has read—read and
understood everything. He’s not used to these combinations and so [he] struggles!!
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                <text>Boulanger à Stravinsky
Edgewood College
1000 Edgewood Avenue
Madison, Wisconsin
Monsieur I. Strawinsky
1260 N. Wetherly Drive
Hollywood 46
California
2 juillet 1944
Voici ce que je reçois, Cher Igor—que conseillez-vous ?
Trop occupée depuis mon arrivée ici pour écrire, mais entre la conférence de cet hiver, les
souvenirs de chacun de vos gestes, la mise au point que dis je [sic], le débrouillage de la Sonate
et de la Circus Polka, la lecture de Babel, du Scherzo Russe, de Perséphone—et puis mon cœur
« qui ne bat que pour vous » comme dit la chanson, et elle ne ment pas. Enfin, vous êtes
vraiment hote [sic] omniprésent à Madison !
On vit, bien tendu, un peu trop sombre, avec une détente, dû au calme de ce lieu.
Je vous embrasse Vera et vous, mon bien Cher—et déjà me dis avec impatience : Quand vais-je
enfin les revoir.
Votre
N
[P.-S.] L’Abbé Fortier…ravi. Mais ne veut pas vous remercier avant d’avoir lu—tout lu et
entendu—n’est pas habitué à cette combinaison, et se bat !!
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