The allegorical title page of Anatomia Humani Corporis displays a scene with several individuals performing various tasks in a classical landscape. In the foreground, Father time is shown holding an hourglass while his scythe lies on the ground on…
The second table of the appendix in William Cowper's The Anatomy of Humane Bodies depicts a male figure, facing away into a landscape that features an overlook, where the man stands, looking over a river, on which a walled town is located. His body…
Within this pamphlet, directed at the Royal Society, Govard Bidloo accused the anatomist William Cowper of plagiarizing his earlier anatomical atlas by using his illustrations without permission. The pamphlet contains correspondence between the…
The allegorical title page of Ontleding des Meschelyken Lichaams displays a scene with several individuals performing various tasks in a classical landscape. In the foreground, Father time is shown holding an hourglass while his scythe lies on the…
This copperplate engraving of Govard Bidloo was created by a well established portrait engraver, Abraham Blooteling, after a drawing created by the artist Gerard de Lairesse. It is signed by the artist and engraver in the bottom left and right…
This mezzotint portrait of William Cowper was engraved by John Smith after an oil painting by John Closterman. It is signed by the artist and engraver in the bottom left and right corners of the portrait. Cowper is portrayed in a flowing wig, cravat,…
The twenty eighth table of each atlas by Govard Bidloo and William Cowper depicts the back of a woman, the skin peeled away to reveal the inner musculature, while the woman's body is supported by an engaged arm. The skin has been cut down the center…
The 67th Table illustrates one stage in the process of dissecting the forearm. This particular stage highlights the muscles and sinew that connect from the elbow to the palm and fingers of the hand. The forearm appears to be separated at the elbow…
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